De-Lovely | |
---|---|
Directed by | Irwin Winkler |
Written by | Jay Cocks |
Based on | Life of Cole Porter |
Produced by | Irwin Winkler Charles Winkler Rob Cowan |
Starring | Kevin Kline Ashley Judd Jonathan Pryce Kevin McNally Sandra Nelson Allan Corduner Peter Polycarpou |
Cinematography | Tony Pierce-Roberts |
Edited by | Julie Monroe |
Music by | Cole Porter |
Production companies | |
Distributed by | MGM Distribution Co. (United States) 20th Century Fox (International) [1] |
Release date |
|
Running time | 125 minutes |
Country | United States |
Language | English |
Budget | $15 million |
Box office | $18.4 million |
De-Lovely is a 2004 American musical biopic directed by Irwin Winkler and released by Metro-Goldwyn-Mayer Pictures. The screenplay by Jay Cocks is based on the life and career of Cole Porter, from his first meeting with his wife, Linda Lee Thomas, until his death. It is the second biopic about the composer, following 1946's Night and Day .
As he is about to die, Porter's life flashes before him in the form of a musical production staged by the archangel Gabriel in the Indiana theater where the composer first performed on stage.
He recalls the night he met his wife, Linda Lee Thomas, a recent divorcee and stunning beauty. From the start, they click and become a devoted couple. Linda is well aware that Cole is gay. Her first husband was abusive to her, but, as she confesses to him on their wedding day, Cole is completely different. Because he loves her and is publicly affectionate, Linda tolerates his extramarital dalliances. During their marriage, Cole's career flourishes. Linda begins the tradition of presenting Cole with a custom designed and engraved Cartier cigarette case at the opening of each new show.
To cheer Linda after she experiences a miscarriage, the couple move to Hollywood. After an initial period of excitement, Cole's flings become too overt and indiscreet and they create tension. Cole is photographed in an amorous embrace with another man in the restroom of a gay nightclub. Both he and Linda are blackmailed into paying a large sum to suppress publication of the pictures. When he shrugs off the blackmail, she goes to Paris, leaving him bereft.
It is not until Cole is seriously injured in a horse riding accident that Linda returns to his side, willing to forgive, but still finding difficulty in coping with his extramarital affairs. She is eventually diagnosed with emphysema, and in an attempt to provide Cole with a new partner once she is gone, she introduces him to her decorator and estate advisor. The match is successful.
When Linda dies in 1954, Cole is devastated. He continues working until 1958 when degeneration of his right leg finally requires amputation, affecting his creative output. He never writes again, but does participate in productions of his earlier works. Cole dies in 1964 at age 73. [2] [3]
See "Soundtrack" section for the numerous pop and rock musicians who appeared as on-screen "musical performers".
Although Porter was a passable singer at best, director Irwin Winkler cast Kevin Kline, winner of two Tony Awards and two Drama Desk Awards for his musical performances on Broadway, as the composer. He stayed in character by limiting his vocal range. Most of his singing was recorded live on the set, and the actor played the piano himself in the scenes where Porter plays.
According to Winkler's commentary on the DVD release of the film, he had considered numerous actresses for the role of Linda when Ashley Judd's agent advised him she was interested in the part. Winkler was certain her salary demand would exceed that allowed by the budget, but the actress was so anxious to portray Linda she was willing to lower her usual asking price. Judd is twenty years younger than Kline, although the composer's wife was eight years older than he.
Filming locations included Chiswick House and Luton Hoo.
The film premiered at the 2004 Cannes Film Festival. [4] It was shown at the CineVegas International Film Festival, the Sydney Film Festival, and the San Francisco International Lesbian and Gay Film Festival before going into limited release in the US.
The film grossed $13,337,299 in the US and $5,059,083 in other markets for a total worldwide box office of $18,396,382. [5]
Critically, the film had a mixed reception. On the review aggregator website Rotten Tomatoes , 49% of 156 critics' reviews are positive, with an average rating of 5.7/10.The website's consensus reads: "Musical numbers save movie from cliches." [6] Metacritic , which uses a weighted average , assigned the film a score of 53 out of 100, based on 33 critics, indicating "mixed or average" reviews. [7]
Roger Ebert gave the film 3.5 out of a possible four stars. He wrote, for his review in the Chicago Sun-Times , that De-Lovely "...brings [...] a worldly sophistication that is rare in the movies". [8]
Larry King said: "Far and away the best musical biography ever made." [9]
In his review in The New York Times , Stephen Holden called the film "lethally inert" and "lifeless and drained of genuine joie de vivre" and added, "It didn't have to be like this. In their highly stylized ways, All That Jazz (Bob Fosse's morbidly manic screen autobiography), Ken Russell's surreal portraits of composers or any of Federico Fellini's libidinous self-explorations have delved deeply into the muck of artistic creativity. Sadly, the daring and imagination required to go below the surface are nowhere to be found in De-Lovely." [10]
Ruthe Stein of the San Francisco Chronicle said, "The movie never gels – despite Kline's nuanced performance, the stars' exquisite period clothes designed by Armani, and, of course, Porter's great songs. Director Irwin Winkler's highly stylized technique is difficult to connect with emotionally. His film also suffers from shockingly sloppy editing for a studio production. If nothing else, the composer . . . deserves a movie that has rhythm. But De- Lovely lurches along like a car with a missing spark plug." [11]
In Rolling Stone , Peter Travers rated the film three out of a possible four stars and commented, "In voice, manner, patrician charm and private torment, Kevin Kline is perfection as legendary composer Cole Porter . . . At its best, De-Lovely evokes a time, a place and a sound with stylish wit and sophistication." [12]
Steve Persall of the St. Petersburg Times graded the film C− and observed, "The movie is actually an ugly compilation of clashing cinematic styles occasionally salvaged by musical numbers that essentially are part of the problem. You can't make a good movie about a 1930s composer using a 1970s film conceit while hiring 21st century recording artists to perform Porter's classic songs. A tribute CD, maybe, but not a movie . . . [it] plays like a cabaret review rather than a motion picture, a sublime collection of songs linked by scripted banter barely scratching the surface of its subject. Not delightful, not delicious, just disappointing." [13]
Billboard reported that the film "has inspired a Cole Porter renaissance on Top Jazz albums". By the end of July 2004, the film's soundtrack reached 4–3 on Top Soundtracks and 77–58 on The Billboard 200. The film also boosted chart numbers for the then-recently released compilations albums: The Very Best of Cole Porter, Ultra Lounge: Cocktails With Cole Porter, and It's De Lovely - The Authentic Cole Porter Collection . [14]
A soundtrack album of music from the film was released on June 15, 2004.
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Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in Hollywood films.
Kevin Delaney Kline is an American actor. In a career spanning over five decades, he has become a prominent leading man across both stage and screen. His accolades include an Academy Award and three Tony Awards, along with nominations for two British Academy Film Awards, two Primetime Emmy Awards, and five Golden Globe Awards. In 2003, he was inducted into the American Theatre Hall of Fame.
Linda Lee Thomas was an American socialite and the wife of musical theatre composer Cole Porter.
Irwin Winkler is an American film producer and director. He is the producer or director of over 58 motion pictures, dating back to 1967's Double Trouble, starring Elvis Presley. The fourth film he produced, They Shoot Horses, Don't They? (1969), starring Jane Fonda, was nominated for nine Academy Awards. He won an Oscar for Best Picture for 1976's Rocky. As a producer, he has been nominated for Best Picture for four films: Rocky (1976), Raging Bull (1980), The Right Stuff (1983), and Goodfellas (1990).
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Peter Polycarpou is an English-Cypriot actor, best known for playing Chris Theodopolopodous in the television comedy series Birds of a Feather and Louis Charalambos in The Lost Honour of Christopher Jefferies.
At Long Last Love is a 1975 American jukebox musical comedy film written, produced, and directed by Peter Bogdanovich, and featuring 18 songs with music and lyrics by Cole Porter. It stars Burt Reynolds, Cybill Shepherd, Madeline Kahn, and Duilio Del Prete as two couples who each switch partners during a party and attempt to make each other jealous. Bogdanovich was inspired to make a musical with Porter's songs after Shepherd gave him a book of them. All of the musical sequences were performed live by the cast, for At Long Last Love was meant by Bogdanovich to be a tribute to 1930s musical films like One Hour with You, The Love Parade, The Merry Widow and The Smiling Lieutenant in which the songs were shot in that way.
"You Do Something to Me" is a song written by Cole Porter. It is notable in that it was the first number in Porter's first fully integrated-book musical Fifty Million Frenchmen (1929). In the original production, the song was performed by Genevieve Tobin and William Gaxton, performing the roles of Looloo Carroll and Peter Forbes, respectively.
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Born to Dance is a 1936 American musical film directed by Roy Del Ruth and starring Eleanor Powell, James Stewart and Virginia Bruce. It was produced and distributed by Metro-Goldwyn-Mayer. The score was composed by Cole Porter.
"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue. It was introduced by Ethel Merman and Bob Hope. The song was later used in the musical Anything Goes, first appearing in the 1956 film version ; in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely, where it was performed by Robbie Williams.
Night and Day is a 1946 American biographical and musical film starring Cary Grant, in a fictionalized account of the life of American composer and songwriter Cole Porter.
Stevie Holland is an American jazz and cabaret singer, lyricist, playwright and actress.
"Well, Did You Evah!" is a song written by Cole Porter for his 1939 musical DuBarry Was a Lady, where it was introduced by Betty Grable and Charles Walters. It is written as a duet, with the pair exchanging bad news and each shrugging off the other's tidbits in favor of an aloof good time.
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Something for the Boys is a 1944 musical comedy film directed by Lewis Seiler. It stars Carmen Miranda, Michael O'Shea, Vivian Blaine, Phil Silvers, Sheila Ryan and Perry Como.
It’s De Lovely – The Authentic Cole Porter Collection is a 2004 compilation album featuring music by American composer Cole Porter presented by Bluebird Records. The album solely contains compositions by Cole Porter performed by his contemporaries who were also under contract to RCA Victor and its subsidiary, Bluebird.
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kevin kline authentic cole porter collection.
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