This article may present fringe theories, without giving appropriate weight to the mainstream view and explaining the responses to the fringe theories.(April 2024) |
Definition | Attraction to fictional characters |
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Parent category | Asexuality |
Other terms | |
Associated terms | |
Fictosexuality is sexual attraction towards fictional characters. [1] [2] [3] [4] [5] Romantic attraction towards fictional characters is called fictoromantic. [4] [6]
The term fictosexuality describes the desire to engage in sexual or romantic relationships with a fictional character, [1] or the experience of desire for fictional sexual material distinct from desire for flesh-and-blood people. [1] [7] The asexual community has used the term to describe people who experience sexual attraction to fictional characters and not to real people. [1] [4] [5]
Fictosexuality has been used as a term for sexual identity since the 2010s, [1] and online communities and activist organizations now exist. [3] [7] The term "human-oriented sexualism" has also been coined to describe the social norms that marginalize fictosexuality. [1] [2] [3]
In Chinese, the term zhǐxìngliàn (simplified Chinese :纸性恋; traditional Chinese :紙性戀; lit.'paper sexuality') refers to sexual attraction towards two-dimensional characters only. [3]
In Japanese, fikutosekushuaru (フィクトセクシュアル), an English loanword, is associated with nijikon , which is typically used to describe a sexual attraction towards two-dimensional anime, manga, and light novel characters, as opposed to attraction towards flesh-and-blood humans. [8] [9] However, the term fikutosekushuaru is distinct from nijikon and specifically pertains to a sexual identity. [1] [7]
Fictosexuality and fictromance are occasionally regarded as a form of parasocial relationship in media studies and game studies. [10] [11] Xiwen Liao claims that research on parasocial relationships often centers on unidirectional attachment from the audience to the character, thereby overlooking the intricate and diverse relationships between fictosexuals or fictromantics, and fictional characters. [3]
Several studies on asexuality and introductory books on sexual minorities refer to fictosexuality. [5] [12] [13] [14] Elizabeth Miles and Matsuura Yuu conduct research on people who are sexually attracted only to fictional characters and argue that such sexuality, like asexuality, prompts reconsideration of dominant ideas about sexuality. [9] [15]
Sociologist and queer theorist Yuu Matsuura argues that sexual attraction to fictional characters subverts established norms in a different manner from Judith Butler's performativity [ clarification needed ]. [8] The subversion is "transforming the method of perception or the way of desire through animation constructing the beings of a category that did not exist before." [16]
The term used to describe the marginalization of fictosexuality is human-oriented sexualism (対人性愛中心主義 (taijin-seiai-chūshin-shugi)). This is the concept that sexual attraction towards flesh-and-blood human is "normal" sexuality. [1] [2] While the concept is raised from fictosexuality studies in Japan, it is now being discussed in research outside of Japan [3] and in areas other than fictosexuality studies. [17] [18] [19]
Human-oriented sexuality (対人性愛 (taijin-seiai) is the term used to describe the sexual majority attracted to flesh-and-blood people. [20] [21] This term emerged from grassroots usage among those who prefer two-dimensional sexual creations like manga and anime, yet lack sexual attraction to flesh-and-blood individuals. [1] [2] Based on this premise, the term "human-oriented sexualism" was coined, prompting inquiries into institutions, customs, and value judgments rooted in human-oriented sexuality.
According to queer theorist Yuu Matsuura, human-oriented sexualism is closely related to heteronormativity. Human-oriented sexualism erases the possibility of segmenting sexuality in ways other than the "heterosexual/homosexual" category, thus serving as a precondition for the exclusion of homosexuality. [8] Heteronormativity is positioned as a combination of gender binarism and human-oriented sexualism. [2] [22] Furthermore, it has been observed that human-oriented sexualism shares roots with transphobia, operating within the same structural framework. [2]
Kazuki Fujitaka, associate professor of feminist/queer studies at Kyoto Sangyo University, highly appreciated Matsuura's theory about critique against human-oriented sexualism and described the theory as "a practice of healing those who get hurt by a normative society and of defamiliarizing the world," akin to what bell hooks calls "theory as liberatory practice." [23]
According to Matsuura, fictosexuals have been marginalized or concealed in societies that adhere to the norm of sexual attraction to human beings. They are occasionally stigmatized or pathologized. [1]
Through interviews with fictosexual individuals, Matsuura discovered that they face similar forms of oppression due to compulsory sexuality as asexual individuals. [9] Furthermore, it was observed that sexual desire does not always entail a desire for sexual intercourse. [9] Just as not all allosexuals desire sexual contact, some fictosexual individuals do not desire interactive relationships with fictional characters. [1] [9] Matsuura's research indicates that these individuals are rendered invisible under amatonormativity. [9] Interview surveys suggest that the practices of fictosexual individuals offer possibilities to challenge compulsory sexuality and human-oriented sexualism. [3] [9]
Online communities and forums about fictosexuality exist. [1] [3] The Taiwan Entrepot of Fictosexuality, a fictosexual activist organization, has been established in Taiwan, aligning with feminist bookstores and LGBTQ activists. [24] [3] [7] Some activists have labeled the sexuality only attracted to manga/anime fictional characters as a "third sexual orientation," and Miles argues that "it is the criticism of non-real-world sex, sex outside a flesh-and-blood relationship, which drives much contemporary anti-pornography criticism and activism". [15] Criticism of human-oriented sexualism rebuts the assumption that ACG pornography sexualizes real women and promotes pedophilia. [1] [8]
Japanese school administrator Akihiko Kondo, who identifies as a fictosexual, [25] [26] symbolically married Hatsune Miku in 2018. [27] In June 2023, he founded the General Incorporated Association of Fictosexuality [28] [29] to provide comfort to fictosexuals, hold meetings with people that have similar views, and improve the understanding of the subject. [30] Izumi Tsuji, secretary of the Japan Youth Study Group at Chuo University, where he is a sociology of culture professor, described Kondo as "a pioneer for the fictosexual movement". [31]
Romantic orientation, also called affectional orientation, is the classification of the sex or gender which a person experiences romantic attraction towards or is likely to have a romantic relationship with. The term is used alongside the term "sexual orientation", as well as being used alternatively to it, based upon the perspective that sexual attraction is only a single component of a larger concept.
Asexuality is the lack of sexual attraction to others, or low or absent interest in or desire for sexual activity. It may be considered a sexual orientation or the lack thereof. It may also be categorized more widely, to include a broad spectrum of asexual sub-identities.
In Japanese popular culture, lolicon is a genre of fictional media which focuses on young girl characters, particularly in a sexually suggestive or erotic manner. The term, a portmanteau of the English-language phrase "Lolita complex", also refers to desire and affection for such characters, and their fans. Associated mainly with stylized imagery in manga, anime, and video games, lolicon in otaku culture is generally understood as distinct from desires for realistic depictions of young girls, or real young girls as such, and is associated with moe, or affection for fictional characters, often bishōjo characters in manga or anime.
Moe, sometimes romanized as moé, is a Japanese word that refers to feelings of strong affection mainly towards characters in anime, manga, video games, and other media directed at the otaku market. Moe, however, has also gained usage to refer to feelings of affection towards any subject.
Vocaloid is a singing voice synthesizer software product. Its signal processing part was developed through a joint research project between Yamaha Corporation and the Music Technology Group in Universitat Pompeu Fabra, Barcelona. The software was ultimately developed into the commercial product "Vocaloid" that was released in 2004.
Nijikon (二次コン) or nijigen konpurekkusu (二次元コンプレックス), from the English phrase "2D complex", is a sexual or affective attraction towards two-dimensional anime, manga, and light novel characters, as opposed to an attraction towards real human beings. It has been interpreted by some observers as a genuine sexual orientation. This attraction is primarily directed towards the non-realistic characteristics found in manga and anime styles. One of its sub-attractions is Lolicon. Initially discussed as male otaku sexuality in Japan, it has more recently been examined within the context of queer studies, extending beyond Japan, and referred to as a form of fictosexuality.
A sexual minority is a demographic whose sexual identity, orientation or practices differ from the majority of the surrounding society. Primarily used to refer to lesbian, gay, bisexual, or non-heterosexual individuals, it can also refer to transgender, non-binary or intersex individuals.
Hatsune Miku, sometimes called Miku Hatsune, officially code-named CV01, is a Vocaloid software voicebank developed by Crypton Future Media and its official mascot character, a 16-year-old girl with long, turquoise twintails. Miku's personification has been marketed as a virtual idol, and has performed at live virtual concerts onstage as an animated holographic projection.
In Japan, an itasha is a car decorated with images of characters from anime, manga, or video games. The decorations usually involve paint schemes and stickers. The cars are seen prominently in places such as Akihabara (Tokyo), Nipponbashi (Osaka), or Ōsu (Nagoya), or Itasha-based events, such as Odaiba Itasha Tengoku.
Object sexuality or objectophilia is a group of paraphilias characterized by sexual or romantic attraction focused on particular inanimate objects. Individuals with this attraction may have strong feelings of love and commitment to certain items or structures of their fixation. Some do not desire sexual or close emotional relationships with humans. Object-sexual individuals also often believe in animism, and sense reciprocation based on the belief that objects have souls, intelligence, feelings, and the ability to communicate. Questions of objectophilia's legality or ethical provenance have not arisen, given that inanimate objects are inert and not harmed through object sexuality. Public sexual consummation of object sexual desires may be dealt with through public nudity or anti-exhibitionism legislation.
Masahiro Morioka is a Japanese philosopher, who has contributed to the fields of philosophy of life, bioethics, gender studies, media theory, and civilization studies. He is a professor of philosophy and ethics at Waseda University, Japan. He coined the term "life studies" for an integrated approach to the issues of life, death, and nature in contemporary society. Since 2006 he has proposed a new philosophical discipline he calls "philosophy of life". He has published numerous academic books and articles, mainly in Japanese, and has regularly contributed commentaries and book reviews to major Japanese newspapers and magazines. His books include Painless Civilization, which criticizes the incessant attempts to escape from pain and suffering in modern civilization, Confessions of a Frigid Man: A Philosopher's Journey into the Hidden Layers of Men's Sexuality, which illuminates some of the darker sides of male sexuality such as the "Lolita complex" and male frigidity, and Lessons in Love for Herbivore Men, one of the books that helped popularize the term "herbivore men". He is the editor-in-chief of Journal of Philosophy of Life, an associate editor of Eubios Journal of Asian and International Bioethics, and a steering committee member of the International Conference on Philosophy and Meaning in Life.
Demisexuality is a sexual orientation in which an individual does not experience primary sexual attraction – the type of attraction that is based on immediately observable characteristics such as appearance or smell and is experienced immediately after a first encounter. A demisexual person can only experience secondary sexual attraction – the type of attraction that occurs after the development of an emotional bond. The amount of time that a demisexual individual needs to know another person before developing sexual attraction towards them varies from person to person. Demisexuality is generally categorized on the asexuality spectrum.
The following outline offers an overview and guide to LGBTQ topics:
X-gender is a third-gender that differs from M, for male, or F, for female. The term X-gender came into use during the later 1990s, popularized by queer organizations in Kansai, especially in Osaka and Kyoto. The term is used in place of non-binary and genderqueer in Japan.
Gray asexuality, grey asexuality, or gray-sexuality is the spectrum between asexuality and allosexuality. Individuals who identify with gray asexuality are referred to as being gray-A, gray ace, and make up what is referred to as the "ace umbrella". Within this spectrum are terms such as demisexual, semisexual, asexual-ish and sexual-ish.
Satsuki Nakayama is a Japanese model and actor, known for his portrayal as Naki in Kamen Rider Zero-One and Shima Nishina in Kiss Him, Not Me. He started his modeling career as an exclusive model for the magazine Pichi Lemon and later became one of the standout models of Japan's genderless fashion subculture.
Project SEKAI: Colorful Stage! is a video game developed by Colorful Palette and published by Sega. The game is a spin-off from Sega's Hatsune Miku: Project DIVA series, featuring the 6 Virtual Singers of Crypton Future Media, Hatsune Miku, Megurine Luka, Kagamine Rin and Len, MEIKO, and KAITO, alongside the cast of 20 original human characters that are split into five themed units. Set in the real world where Virtual Singers only exist as fiction, the characters come across another dimension called "SEKAI," where various "true feelings" are projected.
Akihiko Kondo is a Japanese man who is known for symbolically marrying the fictional Vocaloid character Hatsune Miku in 2018 during a formal wedding ceremony. In high school, Kondo had an interest in real women, but he was rejected by them. Soon after, he decided he would not marry one. Later, Kondo was bullied at work and took sick leave due to depression. During his leave, in 2007, Kondo discovered Hatsune Miku; this helped Kondo return to the workplace. In 2017, he purchased a Gatebox device that allowed people to interact with holograms, including Hatsune Miku. This device further helped Kondo's decision to hold a wedding with the character. The marriage, which was unofficial, elicited mixed reactions from people.