Songcatcher | |
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Directed by | Maggie Greenwald |
Written by | Maggie Greenwald |
Produced by | Richard Miller |
Starring | Janet McTeer Aidan Quinn Michael Davis Michael Goodwin Jane Adams E. Katherine Kerr Emmy Rossum Pat Carroll |
Cinematography | Enrique Chediak |
Edited by | Keith Reamer |
Music by | David Mansfield |
Distributed by |
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Release dates |
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Running time | 109 minutes |
Country | United States |
Language | English |
Budget | $1.8 million (estimated) [2] |
Box office | $3,050,934 [3] |
Songcatcher is a 2000 American drama film directed by Maggie Greenwald. It is about a musicologist researching and collecting Appalachian folk music in the mountains of western North Carolina. Although Songcatcher is a fictional film, it is loosely based on the work of Olive Dame Campbell, founder of the John C. Campbell Folk School in Brasstown, North Carolina, and that of the English folk song collector Cecil Sharp, portrayed at the end of the film as professor Cyrus Whittle. The film grossed $3 million in limited theatrical release in the United States, [4] which was generally considered as a respectable result for an arthouse film release in 2001. [5]
In 1907, Dr. Lily Penleric, a professor of musicology, is denied a promotion at the university where she teaches. She impulsively visits her sister Eleanor, who runs a struggling rural school in Appalachia. There, she discovers a treasure trove of traditional English and Scotch-Irish ballads, which have been preserved by the secluded mountain people since the colonial period of the 1600s and 1700s. Lily decides to record and transcribe the songs and share them with the outside world.
With the help of a musically talented orphan named Deladis Slocumb, Lily ventures into isolated areas of the mountains to collect the songs. She finds herself increasingly enchanted, not only by the rugged purity of the music, but also by the courage and endurance of the local people as they carve out meaningful lives against the harsh conditions. She becomes privy to their struggles to save their land from Earl Giddens, representative of a coal mining company. At the same time, Lily is troubled when she finds that Eleanor is engaged in a lesbian love affair with her co-teacher at the school.
Lily meets Tom Bledsoe, a handsome, hardened war veteran and talented musician. Despite some initial suspicion from Tom that Lily is exploiting his community's traditions, they grow attracted to one another and soon begin a love affair. She experiences a slow change in both her perception of the mountain people as savage and uncouth, and of her sister's sexuality as immoral.
Events come to a crisis when a young man discovers Eleanor and her lover, Harriet, kissing in the woods. That night, two men set fire to the school building, burning Eleanor, Harriet, and Deladis out of their home and destroying Lily's transcriptions of the ballads and her phonograph recordings. Rather than starting over again, Lily decides to leave, but she convinces Tom and Deladis to "go down the mountain" with her to make and sell phonograph recordings of mountain music. As they depart, Cyrus Whittle, a renowned professor from England, arrives on a collection foray of his own, ensuring that the ballads will be preserved in the manner that Lily had originally intended.
Producer Ellen Rigas invested $3 million in Songcatcher which her family borrowed as part of the Adelphia Communications fraud. [6]
While the film's producers portray the movie as a work of fiction and include the standard "any similarity to actual persons, living or dead, or to actual events is purely coincidental" disclaimer in the film's credits, virtually all commentators agree that the basic story—stripped of its romantic and post-modern trappings—is inspired by real events, and follows quite closely the song collecting activities of Olive Dame Campbell (1882–1954) in the southern Appalachians from 1909 onwards, [7] [8] although with some differences, presumably inserted for dramatic effect: the real Olive Dame Campbell was not a professional musicologist or college professor (Betty Smith, in a 2003 review of the movie, points out that those characteristics instead echo those of Dorothy Scarborough, who visited the mountains in search of folksongs in 1930); [9] Campbell made her transcriptions without the aid of a recording machine; and she already had a husband, the educator and social reformer John Charles Campbell at the time of her collecting, which was in fact initially a spin-off of a 1909 trip funded by a grant from the recently established Russell Sage Foundation to enable John to study the area's social and cultural conditions in hopes of improving their school systems. [10] Nevertheless, the concept of ballads collected by "Lily Penleric" closely parallels those collected by Campbell (whose exposure to this particular seam of song commenced with hearing "Barbara Allen" sung by a "Miss Ada B. Smith" at Hindman School in Knott County, Kentucky) [7] and ultimately, passed to Cecil Sharp ("Cyrus Whittle" in the film) for his interest, although their first in-person meeting (arranged at Campbell's behest) occurred in suburban Massachusetts in 1915, not on the slopes of an Appalachian mountain. Interestingly, despite the disclaimer in the movie credits mentioned above, the sentence "The filmmakers gratefully acknowledge the work of Olive Dame Campbell and Cecil J. Sharp" does also occur as a separate acknowledgment therein. Following his 1915 meeting with Campbell, at which she showed him her collection of over 200 ballads, Sharp (together with his assistant Maud Karpeles) planned and carried out his own song collecting expeditions in Appalachia, which occurred over the period 1916–1918. [7] [11]
The results of Campbell and Sharp's respective work were ultimately made publicly available in a groundbreaking 1917 publication "English Folk Songs from Southern Appalachia" [12] which exposed for the first time the persistence of such folk songs, of Scotch-Irish origin, in the repertoires of the residents of the remote Appalachian mountains, and whose effects have resonated through the succeeding years into the folk song revival of the 1950s to the present day; in addition, performers such as Mary Jane Queen, whom Greenwald consulted when researching the film and on whom the character of Viney Butler was based, [13] lived until 2007, having received a number of awards for her continued folk heritage activities. (Queen was born in 1914, later than when the fictional events are set, thus to be strictly chronological the character would overlap more with the lifespans of her mother or grandmother, who were also noted local musicians).
Betty Smith, whose review of the movie is mentioned above, states that the character Alice Kincaid, the poor woman with the philandering husband whose artwork Lily appreciates and finds buyers for, is "surely" modelled after Emma Bell Miles, an Appalachian mountain resident who lived in poor circumstances with a large family who found some local fame as a writer, poet, and artist before dying of tuberculosis at the age of 39. [9] [14] Smith goes on to note that the actual watercolors attributed to Alice in the movie were created by Appalachian artist Elizabeth Ellison of Bryson City, who also worked on the set. [9] [15]
Songcatcher: Music from and Inspired by the Motion Picture | |
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Soundtrack album by various artists | |
Released | January 23, 2001 |
Genre | Country Film score |
Label | Vanguard |
Producer | David Mansfield |
Review scores | |
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Source | Rating |
AllMusic | link |
The film's score was written by David Mansfield, who also assembled a roster of female country music artists to perform mostly traditional mountain ballads. Some of the songs are contemporary arrangements, and some are played in the traditional Appalachian music style. The artists include Rosanne Cash, Emmylou Harris, Maria McKee, Dolly Parton, Gillian Welch and Patty Loveless. Singers Emmy Rossum, Iris DeMent, and Hazel Dickens, who appeared in the film, are also featured on the soundtrack.
The soundtrack album inspired the 2002 follow-up album by Vanguard Records, Songcatcher II: The Tradition That Inspired the Movie, that compiled recordings of some of the songs selected for the film as performed by authentic Appalachian artists. The recordings are mostly from the 1960s, out of the Vanguard vaults.
Chart (2001) | Peak position |
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U.S. Billboard Top Country Albums | 42 |
U.S. Billboard Top Independent Albums | 31 |
The review aggregation website Rotten Tomatoes reported a 74% approval rating with an average rating of 6.34/10 based on 88 reviews. The website's consensus reads, "The story may be a bit too melodramatic, but great performances abound in Songcatcher. The real reason to see the movie, however, is the hypnotic music." [16] Metacritic assigned a score of 63 out of 100, based on 27 critics, indicating "generally favorable reviews". [17]
It was nominated for two Independent Spirit Awards. [18]
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, vernacular music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."
Cecil James Sharp was an English collector of folk songs, folk dances and instrumental music, as well as a lecturer, teacher, composer and musician. He was a key figure in the folk-song revival in England during the Edwardian period. According to Roud's Folk Song in England, Sharp was the country's "single most important figure in the study of folk song and music."
Custer LaRue is an American soprano vocalist of the late 20th and early 21st centuries. She specializes in Renaissance music and traditional folk music such as the Child ballads and music collected in Appalachia during the early 20th century.
Jean Ruth Ritchie was an American folk singer, songwriter, and Appalachian dulcimer player, called by some the "Mother of Folk". In her youth she learned hundreds of folk songs in the traditional way, many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child Ballads. In adulthood, she shared these songs with wide audiences, as well as writing some of her own songs using traditional foundations.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
Bascom Lamar Lunsford was a folklorist, performer of traditional Appalachian music, and lawyer from western North Carolina. He was often known by the nickname "Minstrel of the Appalachians."
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, and to a lesser extent the music of Continental Europe.
The John C. Campbell Folk School, also referred to as "The Folk School", is located in Brasstown, North Carolina. It is the oldest and largest folk school in the United States. It is a non-profit adult educational organization based on non-competitive learning. The Folk School offers classes year-round in over fifty subject areas including art, craft, music, dance, and nature studies. Established in 1925, the Folk School's motto is "I sing behind the plow".
Olive Dame Campbell (1882–1954) was an American folklorist.
"Darlin' Cory" is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.
Florence Reece was an American social activist, poet, and folksong writer. She is best known for the song "Which Side Are You On?" which she originally wrote at the age of twelve while her father was out on strike with other coal miners, according to The Penguin Book of American Folk Song by Alan Lomax.
Sheila Kay Adams is an American storyteller, author, and musician from the Sodom Laurel community in Madison County, North Carolina.
"Black Is the Color (of My True Love's Hair)" (Roud 3103) is a traditional ballad folk song known in the US as associated with colonial and later music in the Appalachian Mountains. It is believed to have originated in Scotland, as it refers to the River Clyde in the lyrics. American musicologist Alan Lomax supported the thesis of Scottish origin, saying that the song was an American "re-make of British materials."
Maud Karpeles OBE, was a British collector of folksongs and dance teacher.
The Wallin Family is an American family of traditional ballad singers from Madison County, North Carolina. Their repertoire of Appalachian folk ballads— many of which were rooted in "Old World" ballads traceable to the British Isles — brought them to the attention of folk music enthusiasts during the American folk music revival of the 1960s. Wallin family members have recorded numerous times over a period of nearly four decades, and have appeared in several independent documentaries.
Lily May Ledford was an American clawhammer banjo and fiddle player. After gaining regional radio fame in the late 1930s as head of the Coon Creek Girls, one of the first all-female string bands to appear on radio, Ledford went on to gain national renown as a solo artist during the American folk music revival of the 1960s. In 1985, she was awarded a National Heritage Fellowship.
"Pretty Saro" is an English folk ballad originating in the early 1700s. The song died out in England by the mid eighteenth century but was rediscovered in North America in the early twentieth century, where it had been preserved through oral traditions. Cecil Sharp and later folklorists and proponents of the folk revival helped keep songs such as "Pretty Saro" alive well into modern times.
"Rain and Snow", also known as "Cold Rain and Snow", is an American folksong and in some variants a murder ballad. The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic.
Mary Jane Prince Queen was an American ballad singer and banjo player. She was once called a "walking archive of mountain music" for her knowledge of the traditional music of Appalachia.
Jane Hicks Gentry was an Appalachian folklorist and singer, born in Watauga County, North Carolina. She was known for her riddles and the "Jack, Will and Tom Tales", in addition to the songs she recorded for Cecil Sharp. All were believed to have originated in England, Scotland or Germany, and passed down through Jane's family to her.