But I'm a Cheerleader is a 1999 American satirical teen romantic comedy film directed by Jamie Babbit in her feature directorial debut and written by Brian Wayne Peterson. Natasha Lyonne stars as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to "cure" her lesbianism. At camp, Megan realizes that she is indeed a lesbian and, despite the "therapy", comes to embrace her sexuality. The supporting cast includes Clea DuVall, RuPaul, and Cathy Moriarty.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
Gwendolyn Audrey Foster is an experimental filmmaker, artist and author. She is Willa Cather Professor Emerita in Film Studies. Her work has focused on gender, race, ecofeminism, queer sexuality, eco-theory, and class studies. From 1999 through the end of 2014, she was co-editor along with Wheeler Winston Dixon of the Quarterly Review of Film and Video. In 2016, she was named Willa Cather Endowed Professor of English at the University of Nebraska at Lincoln and took early retirement in 2020.
Rose Troche is an American film and television director, television producer, and screenwriter.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
Barbara Gittings was a prominent American activist for LGBT equality. She organized the New York chapter of the Daughters of Bilitis (DOB) from 1958 to 1963, edited the national DOB magazine The Ladder from 1963 to 1966, and worked closely with Frank Kameny in the 1960s on the first picket lines that brought attention to the ban on employment of gay people by the largest employer in the US at that time: the United States government. Her early experiences with trying to learn more about lesbianism fueled her lifetime work with libraries. In the 1970s, Gittings was most involved in the American Library Association, especially its gay caucus, the first such in a professional organization, in order to promote positive literature about homosexuality in libraries. She was a part of the movement to get the American Psychiatric Association to drop homosexuality as a mental illness in 1972. Her self-described life mission was to tear away the "shroud of invisibility" related to homosexuality, which had theretofore been associated with crime and mental illness.
Pratibha Parmar is a British writer and filmmaker. She has made feminist documentaries such as Alice Walker: Beauty in Truth and My Name is Andrea about Andrea Dworkin.
Jeannette Howard Foster was an American librarian, professor, poet, and researcher in the field of lesbian literature. She pioneered the study of popular fiction and ephemera in order to excavate both overt and covert lesbian themes. Her years of pioneering data collection culminated in her 1957 study Sex Variant Women in Literature, which has become a seminal resource in LGBT studies. Initially self-published by Foster via Vantage Press, it was photoduplicated and reissued in 1975 by Diana Press and reissued in 1985 by Naiad Press with updating additions and commentary by Barbara Grier.
Jacqueline Audry was a French film director who began making films in post-World War II France and specialised in literary adaptations. She was the first commercially successful female director of post-war France.
Yvonne Welbon is an American independent film director, producer, and screenwriter based in Chicago. She is known for her films, Living with Pride:Ruth C. Ellis @ 100 (1999), Sisters in Cinema (2003), and Monique (1992).
Historically, the portrayal of lesbian, gay, bisexual, and transgender (LGBT) people in media has been largely negative if not altogether absent, reflecting a general cultural intolerance of LGBT individuals; however, from the 1990s to present day, there has been an increase in the positive depictions of LGBT people, issues, and concerns within mainstream media in North America. The LGBT communities have taken an increasingly proactive stand in defining their own culture, with a primary goal of achieving an affirmative visibility in mainstream media. The positive portrayal or increased presence of the LGBT communities in media has served to increase acceptance and support for LGBT communities, establish LGBT communities as a norm, and provide information on the topic.
Training Rules is a 2009 American documentary co-produced and co-directed by Dee Mosbacher and Fawn Yacker. It is narrated by Diana Nyad.
Tender Fictions is a 1996 autobiographical documentary film directed by American experimental filmmaker Barbara Hammer. It is the second of a trilogy of documentary films that includes Nitrate Kisses and History Lessons. Together, the three films are sometimes known as the "History trilogy". Tender Fictions details Hammer's life and her attempts to "construct" a self. The film was nominated for a prize at the 1996 Sundance Film Festival.
Greta Schiller is an American film director and producer, best known for the 1984 documentary Before Stonewall: The Making of a Gay and Lesbian Community and the 1995 documentary Paris Was a Woman.
Michelle Parkerson is an American filmmaker and academic. She is an assistant professor in Film and Media Arts at Temple University and has been an independent film/video maker since the 1980s, focusing particularly on feminist, LGBT, and political activism and issues.
Khush is a 1991 British short film directed by Pratibha Parmar. It portrays lesbians and gay men from India and other parts of Asia, discussing their coming out and their acceptance and embracing of their sexuality. Khush also discusses homosexuality in the Indian diaspora.
Last Call at Maud's is a 1993 American documentary film directed by Paris Poirier. The film explores the history of lesbian culture from the 1940s to the 1990s as it records the last evening of Maud's, a San Francisco lesbian bar that closed in 1989 after 23 years in operation.
This article features the history of the representation of lesbian, gay, bisexual, transgender and queer (LGBTQ) characters in animated productions under The Walt Disney Company, including films from the studios Walt Disney Animation Studios and Pixar, and programming from the Disney Branded Television channels as well as the streaming service Disney+. From 1983 onward, Disney struggled with LGBTQ representation in their animated series, and their content often included LGBTQ stereotypes or the content was censored in series such as Blazing Dragons. Some creators have also criticized Disney studio executives of cutting LGBTQ scenes from their shows in the past, or criticized that their shows were not seen as part of the "Disney brand", like The Owl House.
Ildikó Juhász is a Hungarian hospitality worker and lesbian activist most known for creating safe spaces for LGBT community members to gather during the socialist regime. She managed the Ipoly Cinema and after regular screenings invited lesbians to secretly gather for social events. Her after-hours events were the first to offer lesbians a public meeting space in Budapest. After the cinema closed and the regime changed, she opened the Rózsaszín csokornyakkendő, a restaurant and nightclub, which she operated until 1999. In 2021, she was interviewed as a part of the Queer Memory Project, which aims to collect the history of the LGBT community in Hungary and what was formerly Czechoslovakia.
