The Boys in the Band | |
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Directed by | Joe Mantello |
Screenplay by | |
Based on | The Boys in the Band by Mart Crowley |
Produced by |
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Starring | |
Cinematography | Bill Pope |
Edited by | Adriaan van Zyl |
Production company | |
Distributed by | Netflix |
Release date |
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Running time | 122 minutes |
Country | United States |
Language | English |
The Boys in the Band is a 2020 American drama film directed by Joe Mantello, based on the 1968 play of the same name by Mart Crowley, who also wrote the screenplay alongside Ned Martel. Crowley had previously adapted The Boys in the Band for a 1970 film version directed by William Friedkin [1] and starring the original 1968 Off-Broadway cast. [2] The film stars the full roster of players from the play's 2018 Broadway revival, comprising a cast of exclusively openly-gay actors.
The film was released on September 30, 2020, on Netflix and received positive reviews from critics.
In 1968, Michael arrives at his apartment on the Upper East Side of Manhattan in preparation for Harold's birthday party. Michael receives a call from his friend Donald, who will be arriving early due to a canceled psychiatrist appointment. When Donald arrives, Michael pities his own aging and debt-riddled lifestyle. Alan, Michael's old roommate from Georgetown, calls Michael in tears saying he has something urgent to tell Michael in person. Michael invites Alan to the party and warns all his guests that Alan is heterosexual and doesn't know about Michael's homosexuality.
As the sun sets, Emory arrives with lovers Hank and Larry, whose relationship is on the rocks. Bernard arrives with a stack of books for Donald before he too settles into the party atmosphere. Alan calls Michael from a phone booth, informing him that he isn't coming to the party after all and will instead meet Michael the following day for lunch. Larry and Bernard dance to "Heat Wave" as Emory and Michael join in.
Despite his earlier conversation with Michael, Alan arrives at the party and finds Michael and his friends dancing. He bonds with Hank, whom he mistakes as being straight, and shows discomfort towards Emory's flamboyant behavior. Michael takes Alan to his bedroom to discuss Alan's urgent conversation, but Alan dodges his questions.
A hustler called "Cowboy" arrives earlier than Emory expected and mistakes Michael for Harold, kissing him on the lips. Alan descends from the upstairs bathroom and announces he's leaving. Emory chides him for being a closeted homosexual which results in Alan punching Emory and calling him a "faggot." Harold arrives high on marijuana and accepts Cowboy's gift of a passionate kiss.
Michael begins to drink and smoke despite having quit 5 weeks prior. He and Harold trade vicious insults as Hank helps a vomiting Alan in Michael's bathroom. Emory brings out Harold's birthday cake and presents. After opening them on the terrace, a thunderstorm forces everyone inside.
Alan tries to leave again but is stopped by Michael, who informs everyone that they are playing a party game: everyone must use the telephone to call the one person they truly believe they love. Michael creates a points system based on how far each one can get in their conversations with their true loves. Bernard calls the son of his mother's employer, with whom he had a sexual encounter as a teenager. After his call goes awry, he only earns 2 points.
Emory solemnly calls a dentist he had a crush on in high school but his call ends abruptly, earning him 3 points. Hank calls his answering service at home and leaves a message for Larry, earning him 7 points. Larry loudly disagrees with Hank about the insistence on monogamy in their relationship, leading Michael to deduce that Donald and Larry have had sex in the past. Larry uses the kitchen phone to call Hank in the living room. His tearful declaration of love earns him 10 points. Hank and Larry go upstairs to Michael's room.
Michael angrily confronts Alan about his closeted relationship in college with a boy named Justin. Alan makes a phone call to who Michael believes is Justin but turns out to be Alan's wife Fran. Alan tells her he loves her and is coming home to Washington. He earns 10 points and leaves as Michael stands defeated.
Harold informs Michael that no matter what Michael does, he will always be a homosexual, just like the rest of them. He departs, taking Cowboy and his presents with him. Emory leaves with a distraught Bernard, promising to sober him up on the way home. Michael laments over the group's treatment of each other, wishing "if we could just not hate ourselves so much." He tells Donald that he never learned what Alan wanted to confide in him.
As midnight nears, Michael attends Mass at St. Malachy's. Donald reads The Golden Notebook on Michael's couch, despite his earlier insistence he would not be spending the night. Harold and Cowboy ride in a taxi to Harold's home, Emory and Bernard sit at a late-night diner enjoying coffee and buttered toast, Hank and Larry have sex in Michael's bedroom, and Alan sits at a bar drinking alone. Michael exits Mass; his walk turns into a run as he heads down the street.
On April 18, 2019, Ryan Murphy announced that the play The Boys in the Band would be adapted for Netflix, as part of his US$300 million deal with the streaming platform. [7] [8] Murphy had previously revived the play for Broadway in 2018 and confirmed the director of the revival, Joe Mantello, would direct the film. [9] David Stone and Ned Martel were announced as producers alongside Murphy. [9] It was also confirmed that the entire cast of the 2018 Broadway revival would reprise their roles for the film, making the film have a cast of entirely openly gay actors. [9] [10]
Principal photography began in July 2019 in Los Angeles. [11] [12] The film was dedicated to the memory of Mart Crowley who died on March 7, 2020. [13]
The play contains two uses of the racist slur nigger , spoken by Parsons' character Michael, as well as other homophobic and antisemitic slurs, which the film adaptation retains. Parsons stated that "none of those words were ever uttered by me without a severe amount of trepidation and a sick feeling in your stomach going into it", [14] but were important to "make the audience feel the discomfort of the marginalization of the gay community at the time". Matt Bomer said, of performing the play on-stage, that "I heard a guttural gasp the first time one of these slurs was used that I remembered and realized how powerful they really are". [14]
In an interview ahead of the Netflix premiere, director Joe Mantello told the Associated Press: "I do not believe the erasure of things that make us uncomfortable is progress ... My responsibility is to the story. And the story is: This the cost of oppression, it allows you to act in a way that is inhumane. And I felt in order to be honest to that, that you’re true to that, that it was essential that we keep it. [14]
Michael Benjamin Washington, the only Black member of the cast, pointed out that: [14]
If you’re setting a play in 1968 and you have a Black character and we’re gonna pretend like he’s not black, then you’re not telling the truth. Just as if I wrote a play about 2020, but Black Lives Matter doesn’t happen.
The film was released on Netflix on September 30, 2020. [15]
On the same day the film was available for streaming, a 30-minute mini-documentary was also released, directed by Joel Kazuo Knoernschild with Mart Crowley reflecting on the legacy of the story. [16]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 84% based on 99 reviews, with an average rating of 7.2/10. The site's critics' consensus reads: "The Boys in the Band brings the classic stage play back to the screen with a well-acted adaptation containing surprising — and poignant — modern relevance." [17] On Metacritic, the film has a weighted average score of 70 out of 100 based on 19 critics, indicating "generally favorable reviews". [18]
Owen Gleiberman of Variety praised the performances, saying "What holds the movie together, apart from Quinto's dreamy geek mystique and delectable delivery of every line, is the tormented passion that Jim Parsons brings to it." [19] David Rooney of The Hollywood Reporter gave the film a positive review and wrote: "The Boys in the Band in many ways is dated and formulaic. But it's also very much alive, an invaluable record of the destructive force of societal rejection, even in a bastion of liberal acceptance like New York City. Despite its flaws, this consistently engaging film provides a vital window for young queer audiences into the difficult lives of their forebears." [20]
In a mixed review, Odie Henderson of RogerEbert.com gave the film 21⁄2 stars out of 4, writing "Even though it’s a period piece, it’s still designed to evoke the same feelings in the current gay or bisexual viewer and to start the same important conversations about who we are and what we feel... I prefer, and recommend, the original, but I’m on the fence about this one. Your mileage may vary." [21]
The Boys in the Band was awarded The Film Award at the ninth annual Virgin Atlantic Attitude Awards. [22] It also was awarded the 2021 GLAAD Media Award for Outstanding Film (Limited Release). [23] [24]
The Boys in the Band is a 1970 American drama film directed by William Friedkin from a screenplay by Mart Crowley, based on Crowley's 1968 Off-Broadway play of the same name. It is among the early major American motion pictures to revolve around gay characters, often cited as a milestone in the history of gay cinema, and thought to be the first mainstream American film to use the swear word "cunt".
Charles Curtis "Tuc" Watkins III is an American actor, known for his roles as David Vickers on One Life to Live, Mr. Burns in The Mummy, Bob Hunter on Desperate Housewives, Congressman Roger Harris on Black Monday, Hank in The Boys in the Band, Troy on The Other Two, and Colin McKenna on Uncoupled.
The Boys in the Band is a 1968 American play by Mart Crowley. The play premiered Off-Broadway, and was revived on Broadway for its 50th anniversary in 2018. The play revolves around a group of gay men who gather for a birthday party in New York City, and was groundbreaking for its portrayal of gay life. It was adapted into two feature films in 1970 and 2020.
Zachary John Quinto is an American actor and film producer. He is known for his roles as Sylar, the primary antagonist from the science fiction drama series Heroes (2006–2010); Spock in the film Star Trek (2009) and its sequels Star Trek Into Darkness (2013) and Star Trek Beyond (2016); Charlie Manx in the AMC series NOS4A2, and Dr. Oliver Thredson in American Horror Story: Asylum, for which he received a nomination for an Emmy Award. His other starring film roles include Margin Call (2011), Hitman: Agent 47 (2015), Snowden (2016), and Hotel Artemis (2018). He also appeared in smaller roles on television series, such as So Notorious, The Slap, and 24, and on stage in Angels in America, The Glass Menagerie, and Smokefall.
Edward Martino Crowley was an American playwright best known for his 1968 play The Boys in the Band.
James Joseph Parsons is an American actor. From 2007 to 2019, Parsons played Sheldon Cooper in the CBS sitcom The Big Bang Theory. He has received various awards, including four Primetime Emmy Awards for Outstanding Lead Actor in a Comedy Series and the Golden Globe Award for Best Actor in a Television Series Musical or Comedy. From 2015 to 2018, Forbes named him the world's highest-paid television actor.
Robert La Tourneaux was an American actor best known for his role of Cowboy, the good-natured but dim hustler hired as a birthday present for a gay man, in the original Off-Broadway production and 1970 film version of The Boys in the Band.
The Men From The Boys is a 2002 play by Mart Crowley, a sequel to his notable 1968 play The Boys in the Band. Set in a New York City apartment, the plot features friends gathering after a friend's memorial service.
Charles Carver Martensen is an American actor. His better known roles include Porter Scavo on the ABC television series Desperate Housewives, Ethan on the MTV television series Teen Wolf, Scott Frost on the first season of the HBO television series The Leftovers, and as Cowboy in both The Boys in the Band on Broadway and the subsequent 2020 film of the same name. His identical twin brother Max Carver has frequently portrayed the twin of his characters.
Ian Christopher Hallard is an English actor and writer. His work includes acting roles on television, at the National Theatre and in the West End, including the lead role of Michael in a revival of Mart Crowley's The Boys in the Band. He has also written and script edited for both television and stage.
Emory Isaac Cohen is an American actor. He made his feature film debut in Afterschool (2008). He is best known for his roles as AJ Cross in Derek Cianfrance's film The Place Beyond the Pines (2012), Tony Fiorello in John Crowley's film Brooklyn (2015), and Homer in the Netflix series The OA (2016).
The Normal Heart is a 2014 American television drama film directed by Ryan Murphy and written by Larry Kramer, based on his 1985 play of the same name. The film stars Mark Ruffalo, Matt Bomer, Taylor Kitsch, Jim Parsons, Alfred Molina, Joe Mantello, Jonathan Groff, and Julia Roberts.
Ratched is an American psychological thriller television series created by Evan Romansky, developed by Ryan Murphy and starring Sarah Paulson in the title role of Nurse Mildred Ratched. A prequel to Miloš Forman's 1975 film One Flew Over the Cuckoo's Nest, it depicts the life of Mildred Ratched prior to the events portrayed in the film, albeit in a different state. Ratched received a two-season series order. The first season premiered on Netflix on September 18, 2020. In August 2022, Paulson said she was unsure if the second season was still happening. In February 2024, Ratched was cancelled after one season, with Paulson also confirming the fate of the series.
Dolemite Is My Name is a 2019 American biographical comedy film directed by Craig Brewer and written by Scott Alexander and Larry Karaszewski. The film stars Eddie Murphy as filmmaker Rudy Ray Moore, who is best known for having portrayed the character of Dolemite in both his stand-up routine and a series of blaxploitation films, which started with Dolemite in 1975.
Dolly Parton's Heartstrings, or simply Heartstrings, is an American anthology dramedy television series that premiered on November 22, 2019, on Netflix.
The Prom is a 2020 American musical comedy film directed by Ryan Murphy from a screenplay by Chad Beguelin and Bob Martin, based on the 2018 Broadway musical of the same name by Martin, Beguelin, and Matthew Sklar. The film stars Meryl Streep, James Corden, Nicole Kidman, Keegan-Michael Key, Andrew Rannells, Ariana DeBose, Tracey Ullman, Kevin Chamberlin, Mary Kay Place, and Kerry Washington, and introduces Jo Ellen Pellman in her film debut as Emma Nolan. Logan Riley Hassel, Sofia Deler, Nico Greetham, and Nathaniel J. Potvin also appear in supporting roles.
Hollywood is an American drama television miniseries starring an ensemble cast including David Corenswet, Darren Criss, Laura Harrier, Joe Mantello, Dylan McDermott, Jake Picking, Jeremy Pope, Holland Taylor, Samara Weaving, Jim Parsons, and Patti LuPone. Created by Ryan Murphy and Ian Brennan, it was released on Netflix on May 1, 2020.
For many years, LGBT representation has increased on animated series and animated films. In the 1990s, LGBT characters were depicted in animated series like South Park, The Ambiguously Gay Duo, and The Simpsons. In the early 2000s, LGBT representation increased in Western animation, culminating in GLAAD's "Where We Are in TV" report in 2005, even as representation was disparate. In the 2000s, series like Queer Duck, The Oblongs, The Venture Bros., Drawn Together, and Archer aired. It would not be until the advent of shows like Steven Universe, The Legend of Korra, and Adventure Time in the 2010s, that LGBT characters in animation would gain more of a prominent role, leading to shows such as She-Ra and the Princesses of Power in 2018 and Kipo and the Age of Wonderbeasts in 2020, along with other series in the 2020s.
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