"New queer cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
But I'm a Cheerleader is a 1999 American satirical teen romantic comedy film directed by Jamie Babbit in her feature directorial debut and written by Brian Wayne Peterson. Natasha Lyonne stars as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to "cure" her lesbianism. At camp, Megan realizes that she is indeed a lesbian and, despite the "therapy", comes to embrace her sexuality. The supporting cast includes Clea DuVall, RuPaul, and Cathy Moriarty.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
Angela Robinson is an American film and television director, screenwriter and producer. Outfest Fusion LGBTQ People of Color Film Festival awarded Robinson with the Fusion Achievement Award in 2013 for her contribution to LGBTQ+ media visibility.
Jenni Olson is a writer, archivist, historian, consultant, and non-fiction filmmaker based in Berkeley, California. She co-founded the pioneering LGBT website PlanetOut.com. Her two feature-length essay films — The Joy of Life (2005) and The Royal Road (2015) — premiered at the Sundance Film Festival. Her work as an experimental filmmaker and her expansive personal collection of LGBTQ film prints and memorabilia were acquired in April 2020 by the Harvard Film Archive, and her reflection on the last 30 years of LGBT film history was published as a chapter in The Oxford Handbook of Queer Cinema from Oxford University Press in 2021. In 2020, she was named to the Out Magazine Out 100 list. In 2021, she was recognized with the prestigious Special TEDDY Award at the Berlin Film Festival. She also campaigned to have a barrier erected on the Golden Gate Bridge to prevent suicides.
Seattle Queer Film Festival is an annual film festival in Seattle. The 28th Annual Seattle Queer Film Festival will take place October 12-22, 2023. It is the largest LGBTQIA+ film festival in the Pacific Northwest, and its award-winning films receive national praise. At the festival each film is able to receive an award which is decided on by a jury. Kathleen Mullen is the artistic director of Three Dollar Bill Cinema, the organization that produces the Seattle Queer Film Festival. Kathleen Mullen is the Artistic Director of the Seattle Queer Film Festival in charge of all festival programming and operations. Billy Ray Brewton is the Managing Director (2021-2023)
Billy's Dad is a Fudge-Packer! is a 2004 American black-and-white short comedy film written and directed by Jamie Donahue in her first non-acting effort. It is a parody of the 1950s social guidance films, and depicts the life of a boy learning about adulthood in a traditional family. The apparently innocent account of family life in the 1950s is loaded with sexual innuendo. It was made by production company POWER UP.
Outfest is an LGBTQ-oriented nonprofit that produces two film festivals, operates a movie streaming platform, and runs educational services for filmmakers in Los Angeles. Outfest is one of the key partners, alongside the Frameline Film Festival, the New York Lesbian, Gay, Bisexual, & Transgender Film Festival, and the Inside Out Film and Video Festival, in launching the North American Queer Festival Alliance, an initiative to further publicize and promote LGBT film.
The Frameline Film Festival began as a storefront event in 1976. The first film festival, named the Gay Film Festival of Super-8 Films, was held in 1977. The festival is organized by Frameline, a nonprofit media arts organization whose mission statement is "to change the world through the power of queer cinema". It is the oldest LGBTQ+ film festival in the world.
Catherine Crouch is an American film director, screenwriter, producer, cinematographer, and actor. She has been active in independent film-making for over two decades. Most of her work explores gender, race, and class in lesbian and queer lives. She is known for Stranger Inside (2001), Stray Dogs (2002), and The Gendercator (2007).
The Notre Dame Queer Film Festival was founded in 2004 and ran in 2005 under the same moniker. In 2006, under pressure from a new administration led by University President Rev. John I. Jenkins, the name of the festival was changed to Gay and Lesbian Film: Filmmakers, Narratives, Spectatorships. The 2007 incarnation of the festival again changed names to Qlassics: Reimagining Sexuality and the Self in Recent American Cinema. More recently, the series has been titled the GlobaLGBTQ+ Film Festival, with a primary focus on films produced outside of the United States.
Richard Fung is a video artist, writer, public intellectual and theorist who currently lives and works in Toronto, Ontario. He was born in Port of Spain, Trinidad, and is openly gay.
Shelter is a 2007 American romantic drama film produced by JD Disalvatore and directed and written by Jonah Markowitz. It stars Trevor Wright, Brad Rowe, and Tina Holmes. It was the winner of "Outstanding Film–Limited Release" at the 2009 GLAAD Media Awards, Best New Director and Favorite Narrative Feature at the Seattle Lesbian & Gay Film Festival, and the People's Choice Award for Best Feature at the Vancouver Queer Film Festival. Shelter represents the feature directorial debut of Markowitz.
Were the World Mine is a 2008 romantic musical fantasy film directed by Tom Gustafson, written by Gustafson and Cory James Krueckeberg, and starring Tanner Cohen, Wendy Robie, Judy McLane, Zelda Williams, Jill Larson, Ricky Goldman, Nathaniel David Becker, Christian Stolte, and David Darlow.
"Side by Side" Lesbian and Gay International Film Festival is an international film festival that seeks to explore the issues of homosexuality, bisexuality and transgender (LGBT) through art cinema. Since 2008 it has taken place every autumn in Saint Petersburg, Russia. In addition, various special events are held almost every month, and since 2009 film showings and discussions have also been conducted in other parts of Russia.
Latin American nations have been producing national LGBT+ cinema since at least the 1980s, though homosexual characters have been appearing in their films since at least 1923.:75 The collection of LGBT-themed films from 2000 onwards has been dubbed New Maricón Cinema by Vinodh Venkatesh; the term both includes Latine culture and identity and does not exclude non-queer LGBT+ films like Azul y no tan rosa.:6-7 Latin American cinema is largely non-systemic, which is established as a reason for its wide variety of LGBT-themed films.:142
XXXY is a short documentary directed by Porter Gale and Laleh Soomekh.
Ronni Lebman Sanlo is the Director Emeritus of the UCLA Lesbian Gay Bisexual Transgender Center and an authority on matters relating to LGBT students, faculty and staff in higher education. She recognized at an early age that she was a lesbian, but was too afraid to tell anybody. Sanlo went to college then married and had two children. At the age of 31, Ronni came out and lost custody of her young children. The treatment toward the LBGT community and her rights as a mother are what gave Sanlo the drive to get involved in activism and LGBT politics.
The Melbourne Queer Film Festival (MQFF) is an annual LGBT film festival held in Melbourne, Victoria, Australia in November. Founded in 1991, it is the largest queer film event in the Southern Hemisphere, in 2015 attracting around 23,000 attendees at key locations around Melbourne.
Argentina has a strong body of national LGBT cinema. It is also home to the international LGBT film festival Libercine. Some LGBT films from the country have been said to "have created an impact thanks to positive critical reception, and their queer protagonists", with the nation itself in recent years said to have "taken the lead in Latin America in producing provocative films that shed the cliches of so much commercial gay filmmaking in the United States". Deborah Shaw theorises that new forms of co-production and different avenues of funding may be promoting more queer film in Argentina.
