Netflix has contributed substantially to LGBTQ representation in animation. Lesbian, gay, bisexual, pansexual, asexual and transgender characters have appeared in various animated series, and some animated films, on the streaming platform. GLAAD described Netflix as a company taking "impressive strides in viewership and impact," when it came to LGBTQ representation. [1] Scholars have stated that LGBTQ characters on streaming services, such as Netflix, "made more displays of affection" than on broadcast networks. [2]
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Before December 2023, Netflix had not released viewership numbers for its entire catalog, [3] and only for select series and films. Even so, some described She-Ra and the Princesses of Power as "popular" [4] or an "in-demand show" [5] and Bojack Horseman as "successful". [6] GLAAD continually praised Netflix for having the highest number of "LGBTQ regular and recurring characters," [7] [8] [9] Some scholarship said that the streaming service, like Hulu and Amazon, caters to "niche audiences" and had more "displays of affection" than broadcast television. [2]
Netflix has cancelled some shows with LGBTQ+ characters over the years, such as Tuca & Bertie , Q-Force , Hoops , BoJack Horseman , and Dead End: Paranormal Park .
In July 2019, it was revealed the streaming service was cancelling Tuca & Bertie despite "rave reviews," with creator Lisa Hanawalt blaming it on the service's algorithm not showing the show to the right audience, and said she hoped the show could find a new "home". [10] [11] The series later was picked by Adult Swim for a second season. Julia Alexander of The Verge, in describing the cancellation, stated that Netflix had become a "sea of content" and that shows were competing to find viewers while "the streamer’s biggest projects received top billing on the homepage." [6]
In September 2019, Netflix announced that BoJack Horseman was cancelled, [12] [13] and that the final season would air in January 2020. [14] In fall 2019, BoJack Horseman creator Raphael Bob-Waksberg made clear his disappointment at the cancellation, saying that at the previous model of the streaming service "was to give shows time to build," lamented that it was "a shame...they seem to have moved away from that model," but added that if his series had premiered on another network or at another time, they would not have "gotten the second season" and says they got "lucky." [15] [16] He also told Vulture that he was "amazed" the series had got that far, and that Netflix "got to do what’s right for them" in regard to Netflix's cancellation of the series. [16]
In September 2019, due to the abrupt ending of Twelve Forever , Shadi Petosky, one of the executive producers, stated they will not be able to further explore protagonist Reggie Abbott as a "canon queer" character. [17] Elsewhere, Petosky described Reggie as a queer character "coming to terms with her sexuality". [18]
On December 8, 2020, Netflix canceled Hoops after one season. [19] The series included a gay character named Scott on the school's basketball team. [20]
On June 27, 2022, it was announced that Netflix cancelled Q-Force, an animated series about a group of LGBTQ superspies, [21] [22] after one season. [23] [24] Some described the cancellation as among "major losses for queer storytelling on television" and predicted a Peacock revival may be possible. [23] [25]
On January 13, 2023, Hamish Steele, creator of Dead End: Paranormal Park announced that Netflix had cancelled the series. [26] Previously, Steele said he was grateful for showrunners who fought for LGBTQ characters in their shows, adding that there was "absolutely no pushback from Netflix about representation," while describing Barney as a trans male character. [27]
Animated series on Netflix have featured LGBTQ+ characters. Some praised depiction of asexuality [28] [29] [30] lesbianism [31] and homosexuality [32] in BoJack Horseman . Others praised Rachel Bighead as a trans female character in Rocko's Modern Life: Static Cling , which was released in August 2019. [33] The work was a TV movie and sequel to their 1993 series Rocko's Modern Life and the producers worked with GLAAD to ensure that the story of Rachel, as well as a plotline involving her coming out to her parents, Ed and Bev Bighead, was respectful to the LGBTQ+ community and fit within the show itself. [33]
In May 2020, ND Stevenson, the showrunner of She-Ra and the Princesses of Power stated that while the romantic relationship between Adora and Catra was planned from the show's conception, they were not sure how overt he could portray it. But throughout each release of the show's subsequent seasons, Stevenson would lay enough groundwork for the approval of the romance. By the time the final season had aired, Stevenson expressed that he was glad that he could finally talk about it, noting that the relationship between Adora and Catra was central to the final season and written in a "very, very textually romantic way". [34] [35] He later said that he had fought hard for Catra and Adora during the show's development. [36] In an interview for Paper , Stevenson said that he and the show staff "fought very hard for the 'Princess Prom' episode", working to set up a "[queer] framework for the show" in order to normalize it "within the executive structure itself", and had hoped to garner support from its viewers. [37]
In June 2020, Kipo and the Age of Wonderbeasts series creator Radford "Rad" Sechrist, and co-screenwriter Bill Wolkoff, confirmed that the characters Benson and Troy were gay, noting that when he had pitched the idea to the studio, Chief Creative Officer Peter Gal approved but instructed the production staff to have the character say the words "I'm gay," something that he and Bill were happy to hear to oblige. [38] Reviewers noted the show's "casual queerness" [39] praised the romance between Benson and Troy as "perfect" and "charmingly cute." [40] [41] In another interview, Wolkoff acknowledged that past coming-of-age stories "about kids being gay and dealing with that" often got pushback, but that in this case DreamWorks was open to it. [42] He said that in this case, they got to tell the story they wanted, with DreamWorks supporting them from the beginning, and that they structured story without Benson having to deal with the real "extra weight of homophobia." [42]
The Mitchells vs. the Machines , an animated film, premiered in Netflix in April 2021. The voice actor for one of the film's protagonists, Abbi Jacobson, has stated that Katie is "queer". [43] [44] In the film, Katie wears a rainbow pride flag pin and talks about it taking a while to figure herself out, [45] and at the end of the film, she has a girlfriend at film school in Los Angeles named Jade. [43] The film's writers, Michael Rianda and Jeff Rowe, wrote the character of Katie to be LGBT but without necessarily drawing attention to her sexuality as a lesbian. [46]
Ridley Jones , which ran from July 2021 to March 2023, part of a slate of animated preschool series on the streaming service, with others including Spirit Rangers and Ada Twist, Scientist, of which Nee is the showrunner. [47] includes Fred, a non-binary bison who prefers they/them pronouns, the first non-binary character in a kids show on Netflix. [48] Fred is voiced by non-binary actor iris menas as confirmed by Nee. [49]
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Voltron: Legendary Defender , which aired on Netflix from 2016 to 2018, which featured three gay characters [50] was criticized for its treatment of LGBT characters, particularly over Adam's death that occurred in the later half of Season 7. [51] [52] [53] Some claimed the show had followed a stereotype known as "burying that gay", prompting show-runner Joaquim Dos Santos to apologize to fans. [54] [55]
More controversy was aimed at the on-screen wedding between Shiro and Curtis, with several critics and viewers characterizing it as poor LGBT representation. Metadeen stated that making a "five-second blip of the wedding...come[s] off as a publicity stunt." [56] [57] [58] On August 13, 2018, show-runner Joaquim Dos Santos posted an apology on his Twitter. He also acknowledged that there were boundaries in place as to how they could portray LGBT representation in the show. [55] Fellow show-runner Lauren Montgomery also acknowledged the limitations regarding LGBT relationships behind the scenes in her apology, saying, "there's so much that I would do differently, but so little we could've done differently." [59] The series had been described by GLAAD as "struggling" with Shiro's story, with the organization hoping for Shiro's further character development and "a happy ending." [50]
In October 2018, a protagonist in Big Mouth , Jay Bilzerian, came out as bisexual. [60] Over a year later, Ali, a pansexual character, was introduced. In the latter case, however, some criticized it as an oversimplification of the "relationship between private parts and gender identity," even as her existence was praised as putting the show ahead of "most television representations of sexual expression." [61]
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On March 29, 2022, ND Stevenson, the showrunner and creator of She-Ra and the Princesses of Power said that the working conditions for the series were not ideal, saying that Netflix exploited the passion of those on the crew "as an excuse to underpay, understaff, and overwork," responding to a tweet from Jeff Bennett, a storyboarder and director for the series. Stevenson and Bennett both called on supporting The Animation Guild negotiators and workers in the animation industry in "their fight for better conditions." [62]
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Many animated series on Netflix, with LGBTQ characters, have won or were nominated awards for their representation. At the 68th Writers Guild of America Awards, in 2015, the Bojack Horseman episode "Hank After Dark" was nominated for the Writers Guild of America Award for Television: Animation award.[ citation needed ] The next year, the episodes "Fish Out of Water" and "Stop the Presses" were nominated, with the latter winning the award. In 2017, the episode "Time's Arrow" was awarded.[ citation needed ] In 2019, the episode "A Horse Walks Into A Rehab" was nominated for the award, while in 2020, the episode "Xerox of a Xerox" won the award.[ citation needed ] From 2018 to 2024, thirteen animated series were nominated for the GLAAD Media Award for Outstanding Kids and Family Programming: She-Ra and the Princesses of Power (2018, 2019, 2020, 2021), [63] [64] [65] [66] Twelve Forever (2020), [65] Kipo and the Age of Wonderbeasts (2021) [66] Centaurworld (2022), [67] Dead End: Paranormal Park (2023), [68] The Dragon Prince (2023, 2024), [68] [69] Jurassic World Camp Cretaceous (2023), [68] and Battle Kitty (2023), [68] Strawberry Shortcake: Berry in the Big City (2024), [69] Ada Twist, Scientist (2024), [69] Princess Power (2024), [69] Scott Pilgrim Takes Off [69] and Ridley Jones (2024). [69] Also, the film Rocko's Modern Life: Static Cling was nominated in 2020. [65] Of these nominees, She-Ra and the Princesses of Power was awarded in 2021, [70] Dead End: Paranormal Park in 2023. [71] and Ada Twist, Scientist in 2024. [72]
Some Netflix films were nominated for GLAAD Awards. Wendell & Wild was nominated for the GLAAD Media Award for Outstanding Film – Wide Release] in 2023. [73] The Mitchells vs. the Machines was nominated for the GLAAD Media Award for Outstanding Film – Wide Release in 2022. [74] Nimona was nominated for GLAAD Media Award for Outstanding Kids & Family Programming (Animated) in 2024. [69] None of the films were awarded. Also, in 2022, The Mitchells vs. the Machines was nominated for the American Cinema Editors Award for Best Edited Animated Feature Film. [75] The previous year, Lindsey Olivares was nominated for the Art Directors Guild Award for Excellence in Production Design for an Animated Film for her art direction on the film. [76]
In 2022, Q-Force was nominated for the Critics' Choice Television Award for Best Animated Series. [77] Also in 2022, City of Ghosts won the award for Outstanding Animated Series category at the 1st Children's and Family Emmy Awards . At the same awards show, We the People won the award for the Outstanding Short Form Program category, Andy Walken won the award for Outstanding Younger Voice Performer in an Animated or Preschool Animated Program for voicing Young Durpleton on Centaurworld , Kristi Reed won for her voicing directing of Centaurworld, while David Errigo Jr. was nominated as Dudley on Ridley Jones .[ citation needed ] In 2023, Scott Pilgrim Takes Off was nominated for the Critics' Choice Television Award for Best Animated Series, with the winners presented as the 29th Critics' Choice Awards in 2024. [78] Previously, in 2020, episodes of BoJack Horseman and Big Mouth were nominated for the American Cinema Editors Award for Best Edited Animation. [79] [80]
LGBT representation in children's television is representation of LGBT topics, themes, and people in television programming meant for children. LGBT representation in children's programming was often uncommon to non-existent for much of television's history up to the 2010s, but has significantly increased since then.
Historically, the portrayal of lesbian, gay, bisexual, and transgender (LGBT) people in media has been largely negative if not altogether absent, reflecting a general cultural intolerance of LGBT individuals; however, from the 1990s to present day, there has been an increase in the positive depictions of LGBT people, issues, and concerns within mainstream media in North America. The LGBT communities have taken an increasingly proactive stand in defining their own culture, with a primary goal of achieving an affirmative visibility in mainstream media. The positive portrayal or increased presence of the LGBT communities in media has served to increase acceptance and support for LGBT communities, establish LGBT communities as a norm, and provide information on the topic.
BoJack Horseman is an American adult animated comedy-drama television series created by Raphael Bob-Waksberg. It stars the voices of Will Arnett, Amy Sedaris, Alison Brie, Paul F. Tompkins, and Aaron Paul. Set primarily in Hollywood, the series revolves around the anthropomorphic horse BoJack Horseman (Arnett), a washed-up star of a 1990s sitcom who plans a return to relevance with an autobiography to be written by ghostwriter Diane Nguyen (Brie). It also chronicles his contentions with his agent, Princess Carolyn (Sedaris), former rival Mr. Peanutbutter (Tompkins), roommate Todd Chavez (Paul), and his declining mental health. The series is designed by cartoonist Lisa Hanawalt, a longtime friend to Bob-Waksberg who previously collaborated on the webcomic Tip Me Over, Pour Me Out.
Karen Fukuhara is an American actress best known for her roles as Tatsu Yamashiro / Katana in the 2016 superhero film Suicide Squad and as Kimiko Miyashiro / The Female in the Amazon original series The Boys (2019-present). Fukuhara is also known for voicing the character Kipo from Kipo and the Age of Wonderbeasts, Glimmer from the Netflix series She-Ra and the Princesses of Power and Haru from Pokémon Concierge.
The Owl House is an American animated fantasy television series created by Dana Terrace that aired on Disney Channel from January 10, 2020, to April 8, 2023. The series features the voices of Sarah-Nicole Robles, Wendie Malick, Alex Hirsch, Tati Gabrielle, Issac Ryan Brown, Mae Whitman, Cissy Jones, Zeno Robinson, Matthew Rhys, Michaela Dietz, Elizabeth Grullon, and Fryda Wolff.
She-Ra and the Princesses of Power is an American animated television series developed for Netflix by ND Stevenson and produced by DreamWorks Animation Television. Like the 1985 Filmation series She-Ra: Princess of Power, of which it is a reboot, She-Ra and the Princesses of Power tells the tale of Adora, an adolescent who can transform into the heroine She-Ra and leads a group of other magical princesses in a rebellion against the evil Lord Hordak and his Horde.
The GLAAD Media Award for Outstanding Kids and Family Programming is an annual award that honors children's and family programming for excellence in the treatment of LGBT characters and themes. It is one of several categories of the annual GLAAD Media Awards, which are presented by GLAAD—an American non-governmental media monitoring organization—at ceremonies held primarily in New York City and Los Angeles between March and May.
Kipo and the Age of Wonderbeasts is an animated television series created by Radford Sechrist and developed by Bill Wolkoff, adapted from Rad's 2015 webcomic Kipo. The series is produced by American company DreamWorks Animation Television and animated by South Korean studio Mir.
Twelve Forever is an American animated television series created by Julia Vickerman, a former writer and storyboard artist known for her work on Clarence and The Powerpuff Girls. Twelve Forever premiered in the United States on Netflix on July 29, 2019.
Dead End: Paranormal Park is an American animated fantasy horror comedy television series created by British author Hamish Steele for Netflix, which is based on the graphic novels series DeadEndia by Steele and Cartoon Hangover's Too Cool! Cartoons web short Dead End. Produced by Blink Industries, the series premiered on June 16, 2022. A second and final season premiered on October 13, 2022. On January 13, 2023, Steele announced that the series had been canceled.
In the United States, before the enforcement of the Hays Code, some cartoon shorts contained humor that was aimed at adult audience members rather than children. Following the introduction of the Motion Picture Association of America film rating system, independent animation producers attempted to establish an alternative to mainstream animation. Initially, few animation studios in the United States attempted to produce animation for adult audiences, but later examples of animation produced for adults would gain mainstream attention and success. Adult animation in the United States includes shows with superhero, sci-fi, and fantasy elements. Some of the most prominent animations with these mature/adult themes include Aqua Teen Hunger Force, BoJack Horseman, South Park, Family Guy, Mission Hill, and Archer, along with other adult animated television series, feature films, and animation in other forms which helped the genre expand over the years, beyond animated sitcoms.
Gay is a term that primarily refers to a homosexual person or the trait of being homosexual. The term's use as a reference to male homosexuality may date as early as the late 19th century, but its use gradually increased in the mid-20th century. In modern English, gay has come to be used as an adjective, and as a noun, referring to the community, practices and cultures associated with homosexuality. In the 1960s, gay became the word favored by homosexual men to describe their sexual orientation. By the end of the 20th century, the word gay was recommended by major LGBT groups and style guides to describe people attracted to members of the same sex, although it is more commonly used to refer specifically to men. At about the same time, a new, pejorative use became prevalent in some parts of the world. Among younger speakers, the word has a meaning ranging from derision to a light-hearted mockery or ridicule. The extent to which these usages still retain connotations of homosexuality has been debated and harshly criticized. This page examines gay characters in fictional works as a whole, focusing on characters and tropes in cinema and fantasy.
Cartoon Network, an American TV channel which launched in 1992, and Adult Swim, its adult-oriented nighttime programming block which launched in 2001, has regularly featured lesbian, gay, bisexual, and transgender (LGBT) characters in its programming.
Q-Force is an American adult animated comedy television series created by Gabe Liedman for Netflix. In April 2019, Netflix ordered 10 episodes of the series, with Liedman as a showrunner, along with Sean Hayes, Michael Schur, Todd Milliner and others as executive producers. It was released on September 2, 2021.
This article features the history of the representation of lesbian, gay, bisexual, transgender and queer (LGBTQ) characters in animated productions under The Walt Disney Company, including films from the studios Walt Disney Animation Studios and Pixar, and programming from the Disney Branded Television channels as well as the streaming service Disney+. From 1983 onward, Disney struggled with LGBTQ representation in their animated series, and their content often included LGBTQ stereotypes or the content was censored in series such as Blazing Dragons. Some creators have also criticized Disney studio executives of cutting LGBTQ scenes from their shows in the past, or criticized that their shows were not seen as part of the "Disney brand", like The Owl House.
In Western animation, LGBTQ themes means plotlines and characters which are lesbian, gay, bisexual, transgender, or otherwise queer in series produced in Western countries, and not in Japan, which can also have similar themes. Early examples included Bugs Bunny in drag, wearing a wig and a dress, as a form of comedy, or episodes of Tom & Jerry, under restrictive moral guidelines like the Hays Code with some arguing that animation has "always had a history of queerness." This later evolved into gay-coded characters in Disney films like Beauty and the Beast and The Little Mermaid, and in animated series such as The Simpsons and South Park. In later years, other series would more prominently depict same-sex characters and relationships. This would include Adventure Time, Steven Universe, The Legend of Korra, Gravity Falls, Clarence, The Loud House, and Arthur. Such series, and others, have encountered roadblocks, with series creators attempting to make their programs "more welcoming of different characters," and ensure all-ages animation is no longer "bereft of queer characters." Previously, an online database, by Insider, documented over 250 LGBTQ characters in children's animation dating back to 1983, but the "representation of overtly queer characters" skyrocketed from 2010 to 2020, with promotion of these series by some streaming platforms, while other companies were not supportive of overt representation, for one reason or another.
Nickelodeon, an American TV channel which launched in 1979, has featured lesbian, gay, bisexual and transgender (LGBT) characters in its programming.