Kipo and the Age of Wonderbeasts | |
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Genre | |
Created by | Radford Sechrist |
Based on | Kipo by Radford Sechrist |
Developed by | Bill Wolkoff |
Showrunners |
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Directed by | Young Ki Yoon (chief) |
Voices of | |
Theme music composer | Vanessa Ruby Sandberg |
Composer | Daniel Rojas |
Country of origin | United States South Korea [a] |
Original language | English |
No. of seasons | 3 |
No. of episodes | 30 |
Production | |
Executive producers |
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Producers |
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Running time | 23–24 minutes |
Production company | DreamWorks Animation Television |
Original release | |
Network | Netflix |
Release | January 14 – October 12, 2020 |
Kipo and the Age of Wonderbeasts is an animated television series created by Radford Sechrist and developed by Bill Wolkoff, adapted from Rad's 2015 webcomic Kipo. The series is produced by American company DreamWorks Animation Television and animated by South Korean studio Mir.
The young adult animated series [1] follows a teenage girl named Kipo Oak, who is searching for her father after being forced to flee from her burrow, and must explore the post-apocalyptic surface world ruled by mutated animals to find him. Along the way, she befriends human survivors Wolf and Benson, and the mutant animals Dave and Mandu.
The series has been critically acclaimed for its design, characterization, music, world-building, voice acting, and diversity. The series is particularly notable for its representation of LGBT and characters of color. [2] [3] [4]
The show's three seasons, each ten episodes long, were released in 2020. Season 1 was released on January 14, [5] season 2 on June 12, [6] and season 3 on October 12. [7]
The show made its linear debut on Pop in the United Kingdom on October 3, 2022. [8]
In 2020, animals mutated into anthropomorphic creatures called "mutes". Mutes rose up against the human race, forcing the majority of it to live in underground cities called burrows. In the 23rd century, Los Angeles has been reduced to a post-apocalyptic wasteland collectively known as "Las Vistas".
In the first season, Kipo Oak, a thirteen-year-old girl, is separated from her father Lio after their burrow is attacked by a "mega monkey", a colossal, mutated spider monkey. Traversing Las Vistas, she befriends Wolf, a cold and hardened girl who has been surviving on her own after her adoptive wolf family turned on her, the upbeat Benson and his insect companion Dave, and the mute pig Mandu. [9] Together, they set out to find the burrow Kipo's community fled to after their first one was destroyed. During their adventures, Kipo discovers that she has the DNA of a mega jaguar, and can transform her body. As the five journey along they make many mute allies and enemies, including the tyrant Scarlemagne, a mandrill mute who intends to subjugate humanity with his mind-controlling pheromones and force the other mutes into an utopian empire which he will rule with a human army.
In the second season, Kipo learns she was experimented on with mute DNA by her parents before her birth, turning her into a half-human, half-jaguar hybrid, and that her mother Song, previously thought to be deceased, is actually the mega monkey who destroyed her burrow, mutated as a side effect from her pregnancy and mind-controlled with Scarlemagne's pheromones by Dr. Emilia, her parents' former employer who now leads a resistance group against mutes. She also discovers that Scarlemagne was originally an ordinary mandrill named Hugo whom Kipo's parents turned sentient and secretly raised as their son, but grew to hate them after they were forced to abandon him. Kipo frees Song from her mind control and defeats Scarlemagne, while Emilia plots to revert mutes back into normal animals.
In the third season, Kipo creates the "Human Mute Ultimate Friendship Alliance" (HMUFA) to fight Emilia, but struggles to make humans and mutes work together. Emilia creates an anti-mute cure with Kipo's DNA, and it is with this cure that Kipo turns her mother human again. Ultimately, Kipo succeeds in making peace between mutes and humans, reforming Scarlemagne in the process. With her plans foiled and unwilling to accept change, Emilia turns herself into a mega mute to kill Kipo and her friends, but she is defeated with Scarlemagne's help, who sacrifices himself to save Kipo. Five years later, Kipo happily lives on the surface where humans and mutes finally co-exist in harmony.
Mod Frogs
Timbercats
Newton Wolves
Umlaut Snakes
Humming Bombers
Scooter Skunks
Fitness Racoons
Other Mutes
Humans
Kipo and the Age of Wonderbeasts was created by Radford Sechrist, previously a storyboard artist for Dan Vs. and later director on the Voltron: Legendary Defender . [11] After quitting his job as an animator, Sechrist began posting the webcomic Kipo on Tumblr in 2015. [12] The animated series based on the webcomic was first announced at the Annecy International Animated Film Festival in June 2019. [13] Sechrist compared the series to The Wizard of Oz , "but instead of ruby slippers [Kipo] has Converse on". [14]
The series has five writers in addition to showrunner Sechrist and executive producer Bill Wolkoff. They worked in two teams, each comprising a director and three board artists. The animation is made by Studio Mir in South Korea using traditional animation methods. About sixty people worked on the series at DreamWorks, and about fifty-five at Studio Mir. [11]
As Netflix pushed forward, Kipo and the Age of Wonderbeasts became a notable example of expanded representation. [15] In the first season of Kipo, which streamed on January 10, Benson said outright he was gay, saying he only liked the series protagonist, Kipo, in a platonic way. [16] He also developed a crush on a male character, Troy, in the show's 10th episode. [17] Due to these elements, some noted the show's "casual queerness." [18]
The series was nominated for a GLAAD Media Award for Outstanding Kids & Family Programming. [19]
In August 2021, Sechrist told Insider that he and Wolkoff realized that there weren't "iconic Superman or Spider-Man archetypes very often as a gay person in media" saying that gay people would be villains or comic relief, with their pitch for Benson as part of the show, making history, becoming the first Black gay protagonist and "second-known animated kids character" apart from a character in 6teen to "identify themselves as gay in dialogue." [20]
The soundtrack to the series, including several original songs, was composed by Daniel Rojas. [21] Rojas was tasked with writing original songs as well as creating a score that could "blend seamlessly" together. He collaborated with the screenwriters, producers, and music supervisors for the original songs. Though the score is primarily pop-oriented, Rojas would often tap into different genres and blend elements of them together. [22] Genres included are hip-hop, trap, folk, electronic dance, rock, and classical. [23] Soundtrack albums for each of the three seasons in the series were released digitally by Back Lot Music on January 13, 2020, [24] May 29, 2020, [25] and October 16, 2020. [26]
No. overall | No. in season | Title | Directed by | Written by | Storyboard by | Original release date | |
---|---|---|---|---|---|---|---|
1 | 1 | "Burrow Girl" | Radford Sechrist | Bill Wolkoff | James P. Gibson, Radford Sechrist, and Young Ki Yoon | January 14, 2020 | |
Kipo Oak finds herself on the surface world and meets Mandu and Wolf. | |||||||
2 | 2 | "Explosion Berries" | Radford Sechrist | Bill Wolkoff | James P. Gibson, Radford Sechrist, and Young Ki Yoon | January 14, 2020 | |
Benson saves Kipo, Wolf, and Dave from the Mod Frogs. | |||||||
3 | 3 | "Real Cats Wear Plaid" | Chase Conley | Bill Wolkoff | Jacob V. Eaton, James P. Gibson, and Ben Li | January 14, 2020 | |
Kipo and her new friends are held captive by a clan of Timbercats. | |||||||
4 | 4 | "Cäctustown" | Chris Copeland | Joanna Lewis & Kristine Songco | Bridget Underwood, Kalen Whitfield, and Zuke | January 14, 2020 | |
Kipo leads an army of new allies to Umlaut Snäke turf. | |||||||
5 | 5 | "The Astronomers in Turtlenecks" | Chris Copeland and Bridget Underwood | Christopher Amick & Ben Mekler | Max Lawson, Kalen Whitfield, and Zuke | January 14, 2020 | |
Kipo and her friends try to blend in with the Newton Wolves and continue searching for the burrow people. | |||||||
6 | 6 | "Ratland" | Chase Conley | Bill Wolkoff | Jacob V. Eaton, James P. Gibson, and Ben Li | January 14, 2020 | |
It's Kipo's thirteenth birthday - and while she tries to crack her father's code, the wolves are reporting to Scarlemagne. | |||||||
7 | 7 | "Mulholland" | Chase Conley | Taylor Chapulín Orcí | Jacob V. Eaton, James P. Gibson, and Ben Li | January 14, 2020 | |
The group gets trapped in an ideal dream world. | |||||||
8 | 8 | "Twin Beaks" | Chris Copeland | Joanna Lewis & Kristine Songco | Adam Lucas, Bridget Underwood, and Kalen Whitfield | January 14, 2020 | |
Kipo searches for another clue among the Fitness Raccoons. | |||||||
9 | 9 | "Mute-Eat-Mute World" | Chase Conley | Christopher Amick & Ben Mekler | Jacob V. Eaton, James P. Gibson, and Ben Li | January 14, 2020 | |
Wolf struggles with some new information while the group has to escape from Mod Frogs again. | |||||||
10 | 10 | "Beyond the Valley of the Dogs" | Kalvin Lee and Young Ki Yoon | Bill Wolkoff | Ben Li, Adam Lucas, and Bridget Underwood | January 14, 2020 | |
Kipo closes in on her burrow, but disaster is right behind her. |
No. overall | No. in season | Title | Directed by | Written by | Storyboard by | Original release date | |
---|---|---|---|---|---|---|---|
11 | 1 | "Paw of the Jaguar" | Chase Conley | Joanna Lewis and Kristine Songco | Jacob V. Eaton, James P. Gibson, and Ben Li | June 12, 2020 | |
Kipo and her friends go to save the burrow residents from Scarlemagne while Kipo struggles to control her mute abilities. | |||||||
12 | 2 | "The Goat Cheese Prophecy" | Bridget Underwood | Bill Wolkoff | Yasmin Khudari and Sean Song | June 12, 2020 | |
Kipo goes on a mission to control her powers leading her to a trio of goat prophets. | |||||||
13 | 3 | "The Ballad of Brunchington Beach" | Matt Ahrens | Christopher Amick & Ben Mekler | Steve Barr, Florent Lagrange, and Perin McLean | June 12, 2020 | |
Kipo joins a troupe of TheaOtters in order to get into the restaurant of an informant who may know the location of her birth burrow. | |||||||
14 | 4 | "To Catch a Deathstalker" | Chase Conley | Taylor Chapulin Orci | James P. Gibson, Ben Li, and Sean Song | June 12, 2020 | |
To reach Kipo's birth Burrow, Wolf teaches her the means to keep calm to avoid a pack of Deathstalkers near her old home. | |||||||
15 | 5 | "Fun Gus Part One" | Bridget Underwood | Joanna Lewis & Kristine Songco | Michael Chang, Jacob V. Eaton, and Yasmin Khudari | June 12, 2020 | |
Kipo's party reaches the burrow she was born in, where they learn the truth of her origins. | |||||||
16 | 6 | "Fun Gus Part Two" | Matt Ahrens | Leore Berris, Joanna Lewis & Kristine Songco | Ricardo Curtis, Florent Lagrange, Perin McLean, and Seema Virdi | June 12, 2020 | |
Kipo continues to learn the truth of her birth while she and her friends must deal with a bratty sentient mold that has overtaken the burrow. | |||||||
17 | 7 | "Benson and the Beast" | Michael Chang | Taylor Chapulin Orci | James P. Gibson, Ben Li, and Sean Song | June 12, 2020 | |
Dr. Emilia takes in Kipo's group for her own purposes; while Benson works with Kipo to try and master how to fully control her Mega Jaguar state. | |||||||
18 | 8 | "Sympathy for the Mandrill" | Bridget Underwood | Christopher Amick & Ben Mekler | Michael Chang, Jacob V. Eaton, and Yasmin Khudari | June 12, 2020 | |
Scarlemagne's origins are revealed while Kipo remains captured by him. | |||||||
19 | 9 | "All That Glitters" | Matt Ahrens | Joanna Lewis & Kristine Songco | Florent Lagrange, Perin McLean, and Seema Virdi | June 12, 2020 | |
Kipo and Lio work together to try to change Scarlemagne in order to stop his ambitions once and for all. | |||||||
20 | 10 | "Heroes on Fire" | Michael Chang | Bill Wolkoff | James P. Gibson, Ben Li, and Sean Song | June 12, 2020 | |
The fates of humans and Mutes hang in the balance as Scarlemagne's coronation ceremony takes an unexpected turn. |
No. overall | No. in season | Title | Directed by | Written by | Storyboard by | Original release date | |
---|---|---|---|---|---|---|---|
21 | 1 | "Everything is Crabs" | Bridget Underwood | Bill Wolkoff | Jacob V. Eaton, James P. Gibson, and Yasmin Khudari | October 12, 2020 | |
Several months after defeating Scarlemagne, Kipo's gang tries to create a greater alliance of Mutes and humanity while dealing with several strange disappearances. | |||||||
22 | 2 | "Code Word Milkshake" | Matt Ahrens | Leore Berris | Florent Lagrange, Perin McLean, and Seema Virdi | October 12, 2020 | |
Discovering the location of Dr. Emilia and her human entourage, Kipo leads a stealth operation onto a cruise ship in order to talk sense into them and slow the mad doctor's Mute-reversal plans. | |||||||
23 | 3 | "A Wolf in Wolf's Clothing" | Michael Chang | Christopher Amick & Ben Mekler | Jacob V. Eaton, Ben Li, and Sean Song | October 12, 2020 | |
Wolf has a tense reunion with a member of her old Wolf Pack as Kipo must work with Scarlemagne to try and solidify the Mute alliance. | |||||||
24 | 4 | "Don't You Forget a Meow Me" | Bridget Underwood | Taylor Chapulin Orci | Jacob V. Eaton, James P. Gibson, Yasmin Khudari, and Jam Respicio | October 12, 2020 | |
Discovering her friends have been captured by Dr. Emilia and that her cure is complete, Kipo works with Mulholland to devise a plan to save them. | |||||||
25 | 5 | "Song ReMix" | Matt Ahrens | Joanna Lewis & Kristine Songco | Joe Giampapa, Perin McLean, Seema Virdi, and Steve Walker | October 12, 2020 | |
Kipo cures her mother Song, but must now figure out how to stop the humans from curing the Mutes. | |||||||
26 | 6 | "It's a Trap" | Michael Chang | Leore Berris | Jacob V. Eaton, Ben Li, and Sean Song | October 12, 2020 | |
As Dr. Emilia's forces siege Timbercat village, Kipo and her allies must stop them and bring a peaceful end to the conflict. | |||||||
27 | 7 | "Requiem for a Dave" | Bridget Underwood | Christopher Amick & Ben Mekler | Jacob V. Eaton, Yasmin Khudari, and James Lien | October 12, 2020 | |
As an angered Kipo prepares to retaliate against Emilia, the only one who can stop her from ruining the hard work of uniting humanity and Mutes is Dave. | |||||||
28 | 8 | "Hidden Treasures" | Matt Ahrens | Taylor Chapulin Orci | Perin McLean, Seema Virdi, and Steve Walker | October 12, 2020 | |
Kipo makes an unexpected final move to try and create unity by throwing a "Prahm" for humans and Mutes. | |||||||
29 | 9 | "Prahmises" | Michael Chang | Joanna Lewis & Kristine Songco | Jacob V. Eaton, Ben Li, and Sean Song | October 12, 2020 | |
As Kipo's "Prahm" finally begins, several caught in the middle must come to terms with their circumstances behind their hatred of the other. | |||||||
30 | 10 | "Age of the Wonderbeasts" | Bridget Underwood | Bill Wolkoff | Jacob V. Eaton, Yasmin Khudari, and James Lien | October 12, 2020 | |
A final fight between Dr. Emilia and Kipo determines the fate of humans and Mutes alike. |
No. | Title | Writer(s) | Performed by | Length |
---|---|---|---|---|
1. | "Age of Wonderbeasts" | Vanessa Ruby Sandberg | VenessaMichaels | 0:28 |
2. | "Grrrl Like" | Cathrine Saint Jude, Peter John Bezuidenhout | Dope Saint Jude | 2:53 |
3. | "Yumyan Hammerpaw" | Allen Kozak, Bill Wolkoff, Dov Rosenblatt, Duvid Swirsky | Lea DeLaria, Karen Fukahara, Justine Huxley, Matt Lowe | 2:01 |
4. | "Don't Stop Now" | Daniel Rojas, Michelle Gonzalez Telford | Daniel Rojas, Michelle Gonzalez | 2:07 |
5. | "Newton Wolves Rap" | Ben Mekler, Christopher Amik, Daniel Rojas, Mike Brown | GZA, John Hodgman | 2:09 |
6. | "Purple Jaguar Eye" | Bill Wolkoff, Daniel Rojas, Michael Anthony Cionni | Sterling K. Brown | 1:52 |
7. | "Fight The War" | Daniel Rojas, Kathryn Guerra, Stephen Lukach | Kittie Harloe | 1:54 |
8. | "What We Have Is You" | Allen Kozak, Dov Rosenblatt, Duvid Swirsky, Joanna Lewis, Kristine Songco | Sterling K. Brown, Karen Fukahara | 1:26 |
9. | "Scarlemagne's Waltz" | Daniel Rojas | Daniel Rojas | 0:48 |
10. | "Wolf Chase" | Daniel Rojas | Daniel Rojas | 1:16 |
11. | "Jamack Theme" | Daniel Rojas | Daniel Rojas | 0:40 |
12. | "Timbercats" | Daniel Rojas | Daniel Rojas | 0:42 |
13. | "Megabunny Attack" | Daniel Rojas | Daniel Rojas | 1:09 |
14. | "We Will Find Them" | Daniel Rojas | Daniel Rojas | 2:07 |
Total length: | 21:39 |
No. | Title | Writer(s) | Performed by | Length |
---|---|---|---|---|
1. | "Heroes On Fire" | Daniel Rojas | Karen Fukahara, Sydney Mikayla | 3:23 |
2. | "Down With Humans" | Daniel Rojas | John Lavelle | 1:28 |
3. | "Play It In My Head" | Daniel Rojas | Dan Stevens | 1:11 |
4. | "Chevre Sisters" | Daniel Rojas | Mindy Sterling, Kay Bess, Chris Anthony Lansdowne | 1:44 |
5. | "Deathstalker Territory" | Daniel Rojas | Daniel Rojas | 1:20 |
6. | "Humand In Capes" | Daniel Rojas | Daniel Rojas, Matthew Wang | 2:15 |
7. | "Family Tale" | Daniel Rojas | Daniel Rojas | 2:56 |
8. | "No Anchor" | Daniel Rojas | Daniel Rojas | 1:20 |
9. | "King Hugo" | Daniel Rojas | Daniel Rojas | 1:05 |
10. | "Heroes On Fire - Karaoke Version" | Daniel Rojas | Daniel Rojas | 3:21 |
Total length: | 20:07 |
No. | Title | Writer(s) | Performed by | Length |
---|---|---|---|---|
1. | "The Age of Wonderbeasts" | Vanessa Sandberg | Keeley Bumford, VenessaMichaels | 2:24 |
2. | "Ocean of Love" | Daniel Rojas, Eun-Jae Kim, Leore Berris, Matthew Wang | Raymond J Lee | 2:12 |
3. | "Drowning" | Daniel Rojas, Eun-Jae Kim, Leore Berris | Raymond J Lee | 1:21 |
4. | "The Cure" | Bill Wolkoff, Daniel Rojas | Jake Green, John Lavelle | 1:30 |
5. | "Cruel To The Beat" | Andra Gunter, Daniel Rojas | Andra Gunter | 1:42 |
6. | "Yumyan HammerMeow" | Daniel Rojas | Daniel Rojas | 1:35 |
7. | "Treetop Butterflies" | Daniel Rojas | Daniel Rojas | 1:10 |
8. | "Family Hunt" | Daniel Rojas | Daniel Rojas | 1:58 |
9. | "MegaWalrus Attack" | Daniel Rojas | Daniel Rojas | 1:02 |
10. | "A World of Wonderbeasts" | Daniel Rojas | Daniel Rojas | 1:09 |
11. | "Ferris Wheel" | Daniel Rojas | Daniel Rojas | 1:54 |
12. | "Scooter Skunks" | Daniel Rojas | Daniel Rojas | 0:53 |
13. | "Catch Me" | Daniel Rojas | Daniel Rojas | 0:46 |
14. | "It's Really You" | Daniel Rojas | Daniel Rojas | 0:59 |
15. | "Mullholland" | Daniel Rojas | Daniel Rojas | 2:12 |
16. | "Your Majesty Bee" | Daniel Rojas | Daniel Rojas | 0:51 |
17. | "The Brunch Bunch" | Daniel Rojas | Daniel Rojas | 1:18 |
18. | "A Second Chance" | Daniel Rojas | Daniel Rojas | 0:33 |
19. | "Just One More Time" | Daniel Rojas | Daniel Rojas | 1:30 |
20. | "Goodbyes" | Daniel Rojas | Daniel Rojas | 0:53 |
21. | "A Safe Zone" | Daniel Rojas | Daniel Rojas | 1:07 |
22. | "Las Vistas" | Daniel Rojas | Daniel Rojas | 1:53 |
Total length: | 31:02 |
All three seasons of Kipo and the Age of Wonderbeasts have a 100% score on Rotten Tomatoes, with too few reviews for a consensus. [30] At io9 , Beth Elderkin described Kipo as a "must-watch", writing that it joined the likes of She-Ra and the Princesses of Power , Gravity Falls and Steven Universe as a series with a broad appeal to many age groups, and highlighting its music and art design. [9] At Collider , Dave Trumbore noted Kipo's similarity to other recent female-led animated portal fantasy series such as Amphibia and The Owl House , and described it as a "classic in the making" that drew on cultural touchstones such as Fallout , The Warriors , The Island of Doctor Moreau , Planet of the Apes and Alice in Wonderland . [31] NPR argued that the series is colorful and funny, with its diversity allowing it comment on sexuality, race, and class, combining the world-building in Avatar: The Last Airbender and the inclusivity, and heart, of a show like Steven Universe. [32] Forbes said that Kipo, like the "fellow empath Steven Universe," attempts to talk antagonists about their feelings. [33]
Writing for Polygon , Petrana Radulovic appreciated that beneath a standard fantasy exploration quest, the series is a "vibrant mosaic, with a unique world, multidimensional character relationships, and a deeper underlying plot" about the tensions between mutes and humans. [34] She also noted that Benson was the first character to have an explicit coming out as gay in an all-ages animation series, and that the understated manner of the scene, in episode 6, made it all the more noteworthy. [35] Charles Pulliam-Moore at io9 likewise wrote that the series's "casual queerness is fantastic" because Benson's orientation is not treated as a plot point to complicate Kipo's feelings for him, but, "with a distinct matter-of-factness", as just one aspect of his character. [36] Dave Trumbore of Collider noted that the show explores "burgeoning same-sex relationships in a positive manner," referring to the relations between Benson and Troy. [37] A review of the season by Shamus Kelley pointed out the continued flirting between Troy and Benson, with Benson trying to impress him, and his dad, praising that their relationship has had "zero drama...[and] zero subtext," treated as a "regular thing without any of the restrictions gay characters have had before." [17] Kevin Johnson wrote about how in Kipo, "the surface world of earth is genuinely dangerous, and each character, still couched in their Blackness, represents different perspectives," exploring race like Steven Universe explored gender, and is willing to "explore the messiness of racial issue," believing that Kipo could become "a beacon through the thorny, fraught issues of race," just as Steven taught young viewers how to "let compassion and kindness guide them through encountering and dealing with gender concerns." [38]
TV Guide called Kipo a "wildly imaginative story" with diverse characters. [39] Petrana Radulovic of Polygon said that Kipo is like Steven Universe, the protagonist of the series of the same name, in that she wants peace, wanting everyone to "set aside their differences and talk through their problems" and called it a "celebration of differences." [40] Shannon Miller of The A.V. Club said that it better to think of the series akin to a "lengthy film split into three hearty acts." [41] Beth Elderkin of Gizmodo called the relationship between Benson and Troy "perfect." [42] Shamus Kelley of Den of Geek praised the "charmingly cute romance" between Benson and Troy and said they were delighted both were still "together in the five-year time skip." [43] GLAAD praised the series as being "LGBTQ-inclusive" and said that Benson's story "reflected the full diversity of the community." [44]
In June 2020, Bill Wolkoff, co-screenwriter of Kipo and the Age of Wonderbeasts, said that they were lucky and glad the studio empowered this, wanting to have a "young, 16-ish year old kid" who was gay and was not ashamed of it. He also said he hoped for a season 3, but couldn't confirm it would happen. [45] Adding to this, Shannon Miller wrote a review praising the show, specifically calling Benson the "joyful culmination of a long battle for intentional queer representation in Westernized youth animation," which has made progress from 2010 to 2020, while noting shows like Steven Universe , Adventure Time , and She-Ra and the Princesses of Power paved the way for Kipo. [46] Miller further noted how ND Stevenson and Rebecca Sugar "faced immense challenges while dealing with merely the visual component of queerness."
In October 2020, The A.V. Club published an interview with Rad Sechrist and Bill Wolkoff of Kipo. In the interview, Wolkoff said that they did not face roadblocks in presenting Benson and Troy, crediting creators like ND Stevenson, Rebecca Sugar, and others for fighting "difficult battles before Kipo came along." [47] He also noted how he fought for gay representation in the show, Once Upon A Time , saying they treated it "like a coming-of-age story," and said he is glad that the Season 1 episode "Ratland" meant a lot to young gay people, especially young Black people. Sechrist added that when they sold the show to DreamWorks, Peter Gal, then the head of development, stated that the character has to say "I'm gay" in an explicit way.
The same month, Fukuhara, who also voices Glimmer in She-Ra, said that it would be cool if She-Ra moved into "feature-length storytelling," with a movie focused on Bow and how he grew up with Glimmer. [48] She also hinted that a crossover between She-Ra and Kipo could happen because although they are stories on different worlds, they could cross paths if the She-Ra crew came to Earth, helping Kipo defeat a "greater evil," leading them to band together and fight.
Year | Award | Category | Nominee | Result | Ref. |
---|---|---|---|---|---|
2020 | Autostraddle Gay Emmys | Outstanding Animated Series | Kipo and the Age of Wonderbeasts | Nominated | [49] |
2021 | GLAAD Media Awards | Outstanding Kids & Family Programming | Kipo and the Age of Wonderbeasts | Nominated | [50] |
2021 | Ursa Major Awards | Best Dramatic Series | Kipo and the Age of Wonderbeasts | Nominated | [51] [52] |
2021 | Daytime Emmy Awards | Outstanding Children’s Animated Series | Kipo and the Age of Wonderbeasts | Nominated | [53] |
Tyson Coy Stewart is an American actor, rapper, and singer. He had a role in the TBS sitcom Are We There Yet?, as Flint in the ABC superhero drama series Agents of S.H.I.E.L.D., Marcus in the PBS Kids Go! series The Electric Company, Troy in the Nickelodeon sitcom Bella and the Bulldogs and Lorenzo in Netflix sitcom Mr. Iglesias. He voiced Benson in the Netflix animated series Kipo and the Age of Wonderbeasts.
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Cleopatra in Space is an American science fiction animated television series produced by DreamWorks Animation and animated by Titmouse, Inc., based on the graphic novel series of the same name by Mike Maihack. The showrunners for the series are Doug Langdale and Fitzy Fitzmaurice.
Sydney Mikayla Shepherd, known professionally as Sydney Mikayla, is an American actress. In 2014, Mikayla portrayed Olympic gymnast Gabby Douglas in the Lifetime biopic for which she won a Young Artist Award. From 2019 to 2022, Mikayla was a cast member in the ABC daytime soap opera, General Hospital, in the role of Trina Robinson. She also voices the role of Wolf in the Netflix animated series Kipo and the Age of Wonderbeasts.
Non-binary or genderqueer is a spectrum of gender identities that are not exclusively masculine or feminine—identities that are outside the gender binary. Non-binary identities can fall under the transgender umbrella, since many non-binary people identify with a gender that is different from their assigned sex. Another term for non-binary is enby. This page examines non-binary characters in fictional works as a whole, focusing on characters and tropes in cinema and fantasy.
Gay is a term that primarily refers to a homosexual person or the trait of being homosexual. The term's use as a reference to male homosexuality may date as early as the late 19th century, but its use gradually increased in the mid-20th century. In modern English, gay has come to be used as an adjective, and as a noun, referring to the community, practices and cultures associated with homosexuality. In the 1960s, gay became the word favored by homosexual men to describe their sexual orientation. By the end of the 20th century, the word gay was recommended by major LGBT groups and style guides to describe people attracted to members of the same sex, although it is more commonly used to refer specifically to men. At about the same time, a new, pejorative use became prevalent in some parts of the world. Among younger speakers, the word has a meaning ranging from derision to a light-hearted mockery or ridicule. The extent to which these usages still retain connotations of homosexuality has been debated and harshly criticized. This page examines gay characters in fictional works as a whole, focusing on characters and tropes in cinema and fantasy.
Netflix has contributed substantially to LGBTQ representation in animation. Lesbian, gay, bisexual, pansexual, asexual and transgender characters have appeared in various animated series, and some animated films, on the streaming platform. GLAAD described Netflix as a company taking "impressive strides in viewership and impact," when it came to LGBTQ representation. Scholars have stated that LGBTQ characters on streaming services, such as Netflix, "made more displays of affection" than on broadcast networks.
Inside Job is an American adult animated science fiction sitcom created by Shion Takeuchi for Netflix. The series premiered on October 22, 2021. Takeuchi, a former Gravity Falls writer, acts as showrunner and is an executive producer alongside Gravity Falls creator Alex Hirsch and BoJack Horseman director Mike Hollingsworth.
Dragon Age: Absolution is a Canadian-Korean adult animated fantasy television series created by Mairghread Scott for Netflix. Produced by Red Dog Culture House under the supervision of BioWare, the series was released on December 9, 2022. Set in BioWare's Dragon Age fictional universe, it focuses on the fallout from a heist gone wrong in the Tevinter Imperium.
In Western animation, LGBTQ themes means plotlines and characters which are lesbian, gay, bisexual, transgender, or otherwise queer in series produced in Western countries, and not in Japan, which can also have similar themes. Early examples included Bugs Bunny in drag, wearing a wig and a dress, as a form of comedy, or episodes of Tom & Jerry, under restrictive moral guidelines like the Hays Code with some arguing that animation has "always had a history of queerness." This later evolved into gay-coded characters in Disney films like Beauty and the Beast and The Little Mermaid, and in animated series such as The Simpsons and South Park. In later years, other series would more prominently depict same-sex characters and relationships. This would include Adventure Time, Steven Universe, The Legend of Korra, Gravity Falls, Clarence, The Loud House, and Arthur. Such series, and others, have encountered roadblocks, with series creators attempting to make their programs "more welcoming of different characters," and ensure all-ages animation is no longer "bereft of queer characters." Previously, an online database, by Insider, documented over 250 LGBTQ characters in children's animation dating back to 1983, but the "representation of overtly queer characters" skyrocketed from 2010 to 2020, with promotion of these series by some streaming platforms, while other companies were not supportive of overt representation, for one reason or another.