City of Ghosts | |
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Genre | |
Created by | Elizabeth Ito |
Directed by | Luis Grane (supervising) |
Voices of |
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Composer | Michael Andrews |
Country of origin |
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Original language | English |
No. of episodes | 6 |
Production | |
Executive producers |
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Animator | Chromosphere Studio |
Editor | Hugo Morales |
Running time | 18–20 minutes |
Production companies | |
Original release | |
Network | Netflix |
Release | March 5, 2021 |
City of Ghosts is a hybrid French-American animated/mockumentary television series developed by Elizabeth Ito for Netflix. [3] Co-produced by TeamTO and Netflix Animation, the series premiered on March 5, 2021. [4]
In 2022, the series won a Peabody Award for Children & Youth Programming. [5] Episode 4 of the show references the Tongva homelands of Tovaangar. [6]
A group of kids, in this hybrid animated mockumentary series, discover stories around Los Angeles by directly communicating with ghosts who inhabit the city. [7] [8]
No. | Title | Directed by | Written by | Original release date | |
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1 | "The Sort of Japanese Restaurant" | Elizabeth Ito | Elizabeth Ito, Joanne Shen, Seo Kim, Ako Castuera & Jesse Flint | March 5, 2021 | |
In Boyle Heights, a restaurant has a phantom come during the night, annoying the shop's owner. The Ghost Club comes to the scene to find out what is really going on. | |||||
2 | "Venice" | Ako Castuera | Elizabeth Ito, Joanne Shen, Suzie Vlcek & Ako Castuera | March 5, 2021 | |
In Venice Beach, the Ghost Club investigates the disappearance of a skater kid and talks with two spirits who were former skaters. | |||||
3 | "Leimert Park" | Bob Logan | Elizabeth Ito, Joanne Shen, Suzie Vlcek & Bob Logan | March 5, 2021 | |
The Ghost Club is called to investigate after a cafre experiences drumming which continues through the night. | |||||
4 | "Tovaangar" | Ako Castuera | Elizabeth Ito, Suzie Vlcek, Ako Castuera & Joanne Shen | March 5, 2021 | |
Jasper contacts the Ghost Club and they help him connect with his long-lost ancestors. | |||||
5 | "Bob & Nancy" | Elizabeth Ito & Pendleton Ward | Elizabeth Ito, Joanne Shen, Suzie Vlcek & Pendleton Ward | March 5, 2021 | |
Assisting a marionette theater, the Ghost Club is able to stop a daughter and her mother (a ghost) from fighting each other. | |||||
6 | "Koreatown" | Luis Grane, Elizabeth Ito & Ako Castuera | Elizabeth Ito, Joanne Shen, Suzie Vlcek, Luis Grane & Ako Castuera | March 5, 2021 | |
A music teacher comes to the Ghost Club, asking for help in finding her missing friend, which is a ghost. |
The series was announced by Netflix in May 2019, with Adventure Time writer Elizabeth Ito as showrunner. [7]
The show's backgrounds come from photographs taken by Kwasi Boyd-Bouldin, then painted over at the Los Angeles studio of Chromosphere Studio and the character animation is by the French company, TeamTO. [19] The animation supervisor of TeamTo, Mariah Luna, said that they talked with Ito and Luis Grane, supervising director, of the show, informing their animation. The production manager, Jaimy Nikijuluw, adding that they were often in contact with Ito and Grane until the end of production of each episode. Guillaume Hellouin, president/co-founder of TeamTO said that only a small team worked on the show, one of the smallest they've "ever worked with" while Nikijuluw added they had weekly calls with those at Netflix and Chromosphere Studio.
The series was released on March 5, 2021 on Netflix. [4] A trailer was released on February 4. [20] Selections from the series were presented at the San Francisco International Film Festival's Schools at the Festival program in April 2021. [21]
The series was positively received. Mashable called the show a "warm, sunny, and soft" and praised the show's pacing, wittiness, humor, and the voice cast. [2] They also said it makes topics like discrimination, cultural appropriation, gentrification and historical erasure understandable for those at a young age. Vulture praised the series as a "lovely and refreshing vision for children’s entertainment" that adults can enjoy which is crafted like a nonfiction production. [10] Wired described the series as "full of big emotional wallops and...narrative specificity" and called it delightful, arguing that it proposes a new way of thinking "about cities, ethnicity, and history," geared toward kids. [1] Wired also called the show a "multicultural melange." The Capital Times called the show "warm and huggable" and for all ages. [22] Los Angeles Times called the series a "gentle love letter" to Los Angeles and the diverse communities within the city, accessible to kids and adults. [23] Animation World Network praised the animation style and background, saying the latter has "the aesthetic of a pop-up book." [24] The New York Times recommended the series to fans of Bluey , Molly of Denali , NPR podcasts and Vida . [8]
The series got nominated for 3 Children's and Family Emmy Awards including Outstanding Animated Series at the 1st Children's and Family Emmy Awards and won 2 awards for Outstanding Directing for an Animated Program and Outstanding Animated Series. [25]
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