The Adjuster | |
---|---|
Directed by | Atom Egoyan |
Written by | Atom Egoyan |
Produced by | Robert Lantos |
Starring | |
Cinematography | Paul Sarossy |
Edited by | Susan Shipton |
Music by | Mychael Danna |
Production companies | Ego Film Arts Alliance Entertainment |
Distributed by | Orion Classics (USA) |
Release dates |
|
Running time | 102 minutes |
Country | Canada |
Language | English |
Budget | C$1,500,000 (estimated) |
Box office | C$396,573 [1] |
The Adjuster is a 1991 Canadian drama film directed by Atom Egoyan, his fourth feature film and the first to achieve international acclaim. [2] The film won five awards, as well as two other nominations upon its initial release. [3]
Insurance adjuster Noah Render lives with his film-censor wife Hera in a barren, unfinished suburban development. He spends his time rescuing clients of his company whose homes have burned down. His methods are unorthodox. He puts them all up in the same motel, visits them frequently, sleeps with some of them (men as well as women) and forever quotes his mantra: "You may not know it yet, but you're in shock." His wife also subverts her responsibilities, bringing home steamy film clips to share with her reclusive sister.
A parallel plot involves a wealthy and bored couple, Bubba and Mimi, who seek sexual adventure. On the pretext of shooting a film, probably pornographic, they rent Noah's isolated house and he moves his family to join his clients in the motel. Returning late one night, he finds his family gone and assumes that they have returned home. Rushing there, he finds his house is burning down.
This film is one of Atom Egoyan's most strangely compelling creations. His effective use of wide-screen cinematography portrays the terrifying abyss that separates Noah from everyone he encounters. [4] Egoyan based the film on a true story in 1989, when a fire burned down his parents' home. He realized how strange it could be for victims of a house fire to be emotionally dependent on insurance workers, which led to the inspiration for the project. [5]
Egoyan promoted a book named after the same title as his film, The Adjuster, at a launch in Ottawa. It is a film analysis written by Tom McSorley, a head of the Canadian Film Institute. This book is part of an examination of Canadian cinema, in a series for the University of Toronto Press. The author goes into intricate depth about The Adjuster as he traces the genesis, production, and reception of the film. [6] McSorley claims that it is a watershed film.
The film premiered at the New York Film Festival, and was invited to the Director's Fortnight program at the Cannes Film Festival. The film opened with generally favorable reviews. On review aggregator Rotten Tomatoes, the film holds a score of 73% based on 15 reviews, with an average rating of 6.7/10. [7] Both Roger Ebert and The New York Times' Janet Maslin gave positive reviews for the film's initial release. [8] It was selected as one of The New York Times' Best 1000 Movies Ever Made. [9]
The film garnered several accolades. [3] At the 17th Moscow International Film Festival it won the Special Silver St. George. [10] It also won the Best Canadian Feature Film award at the 1991 Toronto International Film Festival; Egoyan accepted the award and trophy, but declined the $25,000 cheque that came with it, and instead donated the money to John Pozer, who had been the runner-up with his film The Grocer's Wife . [11] TIFF later ranked the film tenth place in its 1990s run of the Top 10 Canadian Films of All Time. (In the updated 2004 version it was replaced by another Egoyan film, The Sweet Hereafter , released in 1997, in the fourth place.) [12]
The Adjuster was awarded Best Canadian Film and Best Ontario Feature at the Sudbury Cinéfest, the Special Jury Prize at the Moscow International Film Festival, and the Golden Spike at the Valladolid International Film Festival; all taken place in same year of its release in 1991. [13]
Award | Category | Result |
---|---|---|
17th Moscow International Film Festival | Special Silver St. George | Won |
1991 Toronto International Film Festival | Best Canadian Feature Film | Won |
Sudbury Cinéfest | Best Canadian Film | Won |
Sudbury Cinéfest | Best Ontario Feature | Won |
Moscow International Film Festival | Special Jury Prize | Won |
Valladolid International Film Festival | Special Jury Prize | Won |
Atom Egoyan is a Canadian filmmaker. Emerging in the 1980s as part of the Toronto New Wave, he made his career breakthrough with Exotica (1994), a film set in a strip club. Egoyan's most critically acclaimed film is the drama The Sweet Hereafter (1997), for which he received two Academy Award nominations. His biggest commercial success is the erotic thriller Chloe (2009).
Exotica is a 1994 Canadian film written and directed by Atom Egoyan, and starring Bruce Greenwood, Mia Kirshner, Don McKellar, Arsinée Khanjian, and Elias Koteas. Set primarily in the fictional Exotica strip club in Toronto, the film concerns a father grieving over the loss of a child and his obsession with a young stripper. It was inspired by Egoyan's curiosity about the role strip clubs play in sex-obsessed societies. Exotica was filmed in Toronto in 1993.
Arsinée Khanjian is a Canadian actress and activist. She is widely known for her collaborations with her husband, filmmaker Atom Egoyan. She won the 2003 Genie Award for Best Performance by an Actress in a Leading Role for her role in Ararat.
Bruce McDonald is a Canadian film and television director, writer, and producer. Born in Kingston, Ontario, he rose to prominence in the 1980s as part of the loosely-affiliated Toronto New Wave.
Ararat is a 2002 historical-drama film written and directed by Atom Egoyan and starring Charles Aznavour, Christopher Plummer, David Alpay, Arsinée Khanjian, Eric Bogosian, Bruce Greenwood and Elias Koteas. It is about a family and film crew in Toronto working on a film based loosely on the 1915 defense of Van during the Armenian genocide. In addition to exploring the human impact of that specific historical event, Ararat examines the nature of truth and its representation through art. The genocide is denied by the Government of Turkey, an issue that partially inspired and is explored in the film.
Don McKellar is a Canadian actor, writer, playwright, and filmmaker. He was part of a loosely-affiliated group of filmmakers to emerge from Toronto known as the Toronto New Wave.
Felicia's Journey is a 1999 psychological thriller film written and directed by Atom Egoyan and starring Elaine Cassidy and Bob Hoskins. It is based on the prize-winning 1994 novel of the same name by William Trevor. It was entered into the 1999 Cannes Film Festival and won four Genie Awards, including Best Adapted Screenplay.
Tom McSorley is a Canadian film critic and scholar, based in Ottawa, Ontario.
Speaking Parts is a 1989 Canadian drama film directed by Atom Egoyan. It earned a Best Motion Picture nomination, and five other nominations, at the 1989 Genie Awards. It was also nominated for Gold Hugo in 1989 Chicago International Film Festival, and won Best Canadian Screenplay in Vancouver International Film Festival.
The Sweet Hereafter is a 1997 Canadian drama film written and directed by Atom Egoyan, adapted from the 1991 novel by Russell Banks. It tells the story of a school bus accident in a small town that kills 14 children. A class-action lawsuit ensues, proving divisive in the community and becoming tied with personal and family issues. It stars an ensemble cast featuring Ian Holm, Sarah Polley, Maury Chaykin, Bruce Greenwood, Tom McCamus, Gabrielle Rose, Arsinée Khanjian and Alberta Watson.
Adoration is a 2008 Canadian drama film written and directed by Atom Egoyan and starring Arsinée Khanjian, Scott Speedman, Rachel Blanchard, Noam Jenkins, Devon Bostick, and Kenneth Welsh.
Calendar is a 1993 drama film directed by Atom Egoyan.
Family Viewing is a 1987 Canadian drama film. The second feature directed by Atom Egoyan, it stars David Hemblen, Aidan Tierney, Gabrielle Rose, Arsinée Khanjian, and Selma Keklikian. The plot follows a young man from a dysfunctional family who fakes his beloved grandmother's death with the help of a phone sex worker, as his home movie-obsessed father dominates his life.
Cairo Time is a 2009 film by Canadian director Ruba Nadda. It is a romantic drama about a brief, unexpected love interest that catches two people completely off-guard. The film won the award for Best Canadian Film at the Toronto International Film Festival 2009.
Chloe is a 2009 erotic thriller film directed by Atom Egoyan, a remake of the 2003 French film Nathalie.... It stars Julianne Moore, Liam Neeson, and Amanda Seyfried in the title role. Its screenplay was written by Erin Cressida Wilson, based on the earlier French film, written by Anne Fontaine.
The Grocer's Wife is a 1991 Canadian drama film written, produced and directed by John Pozer. It won the inaugural Claude Jutra Award for best feature film by a first-time director.
Montreal Stories, also titled Montreal Sextet in some releases, is a Canadian drama film, released in 1991 as an homage to the city of Montreal, Quebec on the occasion of its 350th anniversary. Written and directed by Denys Arcand, Michel Brault, Atom Egoyan, Jacques Leduc, Léa Pool and Patricia Rozema, the film is an anthology of six short films, one by each of the credited directors.
Remember is a 2015 drama thriller film directed by Atom Egoyan and written by Benjamin August. Starring Christopher Plummer, Bruno Ganz, Jürgen Prochnow, Heinz Lieven, Henry Czerny, Dean Norris and Martin Landau, it was a co-production of Canada and Germany. The plot follows an elderly Holocaust survivor with dementia who sets out to kill a Nazi war criminal in retaliation for the death of his family and was inspired by August's consideration that there were fewer parts for senior actors in recent years.
The Toronto New Wave refers to a loose-knit group of filmmakers from Toronto who came of age during the 1980s and early 1990s.
Seven Veils is a 2023 Canadian drama film written and directed by Atom Egoyan. The film stars Amanda Seyfried as Jeanine, a theatre director who is dealing with repressed trauma as she prepares to mount a production of the opera Salome. Rebecca Liddiard, Douglas Smith, Mark O'Brien and Vinessa Antoine also star.