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The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Sally JoAnne Menke was an American film editor, who worked in cinema and television. Over the span of her 30-year career in film, she accumulated more than 20 feature film credits.
Allan Lee is a film editor who lives in Vancouver, Canada and works regularly in Europe, UK and Canada.
Barbara Kopple is an American film director known primarily for her documentary work. She is credited with pioneering a renaissance of cinema vérité, and bringing the historic french style to a modern American audience. She has won two Academy Awards, for Harlan County, USA (1977), about a Kentucky miners' strike,[1] and for American Dream (1991), the story of the 1985–86 Hormel strike in Austin, Minnesota.[2] Consequently, she is the first woman to have won twice in the Oscar's Best Documentary category.
Thelma Schoonmaker is an American film editor, known for her over five decades of work with director Martin Scorsese. She has received numerous accolades including three Academy Awards, two BAFTA Awards, as well as a Golden Lion in 2014 and the BAFTA Fellowship in 2019. She has received eight Academy Award for Best Film Editing nominations, the most in Academy history alongside frequent Steven Spielberg collaborator Michael Kahn.
Wendey Stanzler is an American film editor and television director.
Alisa Lepselter is an American film editor who has edited director Woody Allen's films since 1999.
Tariq Anwar is an Indian-born British-American film editor whose credits include Center Stage, The Good Shepherd, Sylvia, Oppenheimer, and American Beauty, for which he was nominated for an Academy Award and won two BAFTA Awards. He has also been nominated for an Academy Award in 2011 for editing The King's Speech. He is now based in the United States and the United Kingdom. With Shirley Hills, he is the father of actress Gabrielle Anwar.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 percent of all editors working on the top 250 films of 2004, and 80 percent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Ralph Rosenblum was an American film editor who worked extensively with the directors Sidney Lumet and Woody Allen. He won the 1977 BAFTA Award for Best Editing for his work on Annie Hall, and published an influential memoir When the Shooting Stops, the Cutting Begins: A Film Editor's Story.
Susan Maggi is a Canadian film editor. She is a four-time Genie Award nominee and has also been nominated for three Gemini Awards and two Directors Guild of Canada for "Best Achievement in Picture Editing". Maggi is a member of the Canadian Cinema Editors Honors Society.
Christina Jean "Chris" Innis is an American film editor and filmmaker. She was awarded the 2010 Academy Award, BAFTA, and ACE awards for "Best Film Editing" on the film The Hurt Locker shared with co-editor, Bob Murawski. She is an elected member of the American Cinema Editors (ACE) and has served as an associate director on the board.
Susan Elaina Morse is an American film editor with more than 30 film credits. She had a notable collaboration with director Woody Allen from 1977 to 1998. She's received nominations for an Academy Award, five BAFTA Awards, and a Primetime Emmy Award.
Barbara "Bobby" McLean was an American film editor with 62 film credits.
Dana Elise Glauberman is an American film editor.
Gabriella Cristiani is an Italian film editor with about twenty feature film credits. She has had a notable collaboration with director Bernardo Bertolucci. Early in her career she assisted editor Franco Arcalli on two of Bertolucci's films, Last Tango in Paris (1972) and 1900 (1976). Arcalli was the "supervising editor" on a 1977 film, Berlinguer, I Love You, that was one of Cristiani's first feature editing credits; the film was directed by Giuseppe Bertolucci - Bernardo's brother. Arcalli was to have edited Bernardo Bertolucci's next film, La Luna (1979), but he died during production; Cristiani, who was assisting, then took over as editor.
Lisa Fruchtman is an American film and television editor, and documentary director with about 25 film credits. Fruchtman won the Academy Award for Best Film Editing for The Right Stuff (1983). With her brother, Rob Fruchtman, she produced, directed, and edited the 2012 documentary Sweet Dreams.
Kim Roberts, A.C.E., is an American filmmaker who has worked primarily on documentaries as a film editor and writer. Roberts has a master's degree in documentary film production from Stanford University (1996). Her first credit as an editor was for Long Night's Journey into Day (2000), which was directed by Deborah Hoffmann and Frances Reid and that was nominated for the Academy Award for Best Documentary Feature. She was credited as both an editor and writer for Great Wall Across the Yangtze (2000), which was directed by Ellen Perry. Her work since then and several of her honors are sketched in the filmography below. Roberts was featured in a New York Times article on film editing in 2012. She has been selected for membership in the American Cinema Editors, which entitles editors to append "A.C.E." to their film credits.
Orlee Buium is a Canadian film editor. She is most noted for the film All My Puny Sorrows, for which she and Michelle Szemberg won the Canadian Screen Award for Best Editing at the 10th Canadian Screen Awards in 2022.
Michelle Szemberg is a Canadian film editor. She is most noted for the film All My Puny Sorrows, for which she and Orlee Buium won the Canadian Screen Award for Best Editing at the 10th Canadian Screen Awards in 2022.
References
- ↑ "Canada's Awards Database". Archived from the original on 2010-01-18. Retrieved 2010-01-18.
- ↑ "Home". cceditors.ca.
