Cursive (also known as joined-up writing [1] [2] ) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic", or "connected".
The cursive method is used with many alphabets due to infrequent pen lifting and beliefs that it increases writing speed. Despite this belief, more elaborate or ornamental styles of writing can be slower to reproduce. In some alphabets, many or all letters in a word are connected, sometimes making a word one single complex stroke.
Cursive is a style of penmanship in which the symbols of the language are written in a conjoined, or flowing, manner, generally for the purpose of making writing faster. This writing style is distinct from "print-script" using block letters, in which the letters of a word are unconnected. Not all cursive copybooks join all letters; formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. In the Arabic, Syriac, Latin, and Cyrillic alphabets, many or all letters in a word are connected (while others must not), sometimes making a word one single complex stroke. In Hebrew cursive and Roman cursive, the letters are not connected. In Maharashtra, there was a cursive alphabet, known as the 'Modi' script, used to write the Marathi language.
Ligature is writing the letters of words with lines connecting the letters so that one does not have to pick up the pen or pencil between letters. Commonly some of the letters are written in a looped manner to facilitate the connections. In common printed Greek texts, the modern small letter fonts are called "cursive" (as opposed to uncial) though the letters do not connect.
In looped cursive penmanship, some ascenders and descenders have loops which allows for the letters to link. This is generally what people refer to when they say "cursive" in the context of English [3] . The letters in this style have their own unique characteristics. For example the lowercase t is taller, while the lowercase v and w are rounder compared to other styles like Italic cursives, where the letters are easy to read and they have this curl like sans serif features. Also, the lowercase x links out at the baseline [4] .
Cursive italic penmanship—derived from chancery cursive—uses non-looped joins, and not all letters are joined. In italic cursive, there are no joins from g, j, q, or y, and a few other joins are discouraged. [5] [ failed verification ] Italic penmanship became popular in the 15th-century Italian Renaissance. The term "italic" as it relates to handwriting is not to be confused with italic typed letters. Many, but not all, letters in the handwriting of the Renaissance were joined, as most are today in cursive italic.
The origins of the cursive method are associated with the practical advantages of writing speed and infrequent pen-lifting to accommodate the limitations of the quill. Quills are fragile, easily broken, and will spatter unless used properly. They also run out of ink faster than most contemporary writing utensils. Steel dip pens followed quills; they were sturdier, but still had some limitations. The individuality of the provenance of a document (see Signature) was a factor also, as opposed to machine font. [6] Cursive was also favoured because the writing tool was rarely taken off the paper. The term cursive derives from Middle French cursif from Medieval Latin cursivus, which literally means 'running'. This term in turn derives from Latin currere ('to run, hasten'). [7] Although by the 2010s, the use of cursive appeared to be on the decline, as of 2019 [update] it seemed to be coming back into use. [8]
In the Bengali cursive script [9] (also known in Bengali as "professional writing"[ citation needed ]) the letters are more likely to be more curvy in appearance than in standard Bengali handwriting. Also, the horizontal supporting bar on each letter (matra) runs continuously through the entire word, unlike in standard handwriting. This cursive handwriting often used by literature experts differs in appearance from the standard Bengali alphabet as it is free hand writing, where sometimes the alphabets are complex and appear different from the standard handwriting.[ citation needed ]
Modi is a cursive script used to write Marathi that is thought to be derived from the Devanagari script. [10] It was used alongside Devanagari until the 20th century as a shorthand script for quick writing in business and administration. Due to the promotion of the Balbodh variant of Devanagari as the standard writing system for Marathi, Modi largely fell out of use by the mid-20th century. Since then there have been attempts to revive this script. [11]
A distinctive feature of this script is that the head stroke is written before the letters, in order to produce a "ruled page" for writing in lines. It has several characteristics that facilitate writing so that moving from one character to the next minimises lifting the pen from the paper for dipping in ink. Some characters are "broken" versions of their Devanagari counterparts. Many characters are more circular in shape. The long 'ī' (ई) and short 'u' (उ) are used in place of the short 'i' (इ) and long 'ū' (ऊ) respectively. [10]
Roman cursive is a form of handwriting (or a script) used in ancient Rome and to some extent into the Middle Ages. It is customarily divided into old (or ancient) cursive, and new cursive. Old Roman cursive, also called majuscule cursive and capitalis cursive, was the everyday form of handwriting used for writing letters, by merchants writing business accounts, by schoolchildren learning the Latin alphabet, and even by emperors issuing commands. New Roman, also called minuscule cursive or later cursive, developed from old cursive. It was used from approximately the 3rd century to the 7th century, and uses letter forms that are more recognizable to modern eyes; "a", "b", "d", and "e" have taken a more familiar shape, and the other letters are proportionate to each other rather than varying wildly in size and placement on a line.
The Greek alphabet has had several cursive forms in the course of its development. In antiquity, a cursive form of handwriting was used in writing on papyrus. It employed slanted and partly connected letter forms as well as many ligatures. Some features of this handwriting were later adopted into Greek minuscule, the dominant form of handwriting in the medieval and early modern era. In the 19th and 20th centuries, an entirely new form of cursive Greek, more similar to contemporary Western European cursive scripts, was developed.
Cursive writing was used in English before the Norman conquest. Anglo-Saxon charters typically include a boundary clause written in Old English in a cursive script. A cursive handwriting style—secretary hand—was widely used for both personal correspondence and official documents in England from early in the 16th century.
Cursive handwriting developed into something approximating its current form from the 17th century, but its use was neither uniform, nor standardized either in England itself or elsewhere in the British Empire. In the English colonies of the early 17th century, most of the letters are clearly separated in the handwriting of William Bradford, though a few were joined as in a cursive hand. In England itself, Edward Cocker had begun to introduce a version of the French ronde style, which was then further developed and popularized throughout the British Empire in the 17th and 18th centuries as round hand by John Ayers and William Banson. [13]
Today there is no standardised teaching script stipulated in the various national curriculums for schools in the United Kingdom, only that one font style needs to be used consistently throughout the school. [14] In both the cursive and the continuous cursive writing styles, letters are created through joining lines and curve shapes in a particular way. Once pupils have learnt how to clearly form single letters, they are taught how single letters can be joined to form a flowing script. [15]
Characteristics of cursive and continuous cursive scripts: [16]
Cursive | Continuous cursive | |
---|---|---|
Starting point for letters | Variable | Always on the writing line |
Finishing point for letters | Always on the writing line (except for o, b, v and w, which have a top exit stroke) | |
Single letter formation | Letters taught with exit strokes only | Letters taught with entry and exit strokes |
Whether cursive or continuous cursive is to be favoured remains a subject of debate. While many schools in the United Kingdom are opting to teach continuous cursive throughout the year groups, often starting in Reception, critics have argued that conjoined writing styles leave many children struggling with the high level of gross and fine motor coordination required. [17]
In the American colonies, on the eve of their independence from the Kingdom of Great Britain, it is notable that Thomas Jefferson joined most, but not all the letters when drafting the United States Declaration of Independence. However, a few days later, Timothy Matlack professionally re-wrote the presentation copy of the Declaration in a fully joined, cursive hand. Eighty-seven years later, in the middle of the 19th century, Abraham Lincoln drafted the Gettysburg Address in a cursive hand that would not look out of place today.
Not all such cursive, then or now, joined all of the letters within a word.
In both the British Empire and the United States in the 18th and 19th centuries, before the typewriter, professionals used cursive for their correspondence. This was called a "fair hand", meaning it looked good, and firms trained all their clerks to write in exactly the same script.
Although women's handwriting had noticeably different particulars from men's[ further explanation needed ], the general forms were not prone to rapid change. In the mid-19th century, most children were taught the contemporary cursive; in the United States, this usually occurred in second or third grade (around ages seven to nine). Few simplifications appeared as the middle of the 20th century approached.[ citation needed ]
After the 1960s, a movement originally begun by Paul Standard in the 1930s to replace looped cursive with cursive italic penmanship resurfaced. It was motivated by the claim that cursive instruction was more difficult than it needed to be; that conventional (looped) cursive was unnecessary, and it was easier to write in cursive italic. Because of this, various new forms of cursive italic appeared, including Getty-Dubay Italic, and Barchowsky Fluent Handwriting. In the 21st century, some of the surviving cursive writing styles are Spencerian, Palmer Method, D'Nealian, and Zaner-Bloser script. [18]
One of the earliest forms of new technology that caused the decline of handwriting was the invention of the ballpoint pen, patented in 1888 by John Loud. Two brothers, László and György Bíró, further developed the ballpoint pen by changing the design and using different ink that dried quickly. Unlike older pen designs, this new invention guaranteed that the ink would not smudge and did not require such careful penmanship. After World War II, the ballpoint pen was mass-produced and sold cheaply, changing how people wrote. Over time, the emphasis on using cursive declined slowly,[ quantify ] and was later impacted by other technologies such as the phone, computer, and keyboard. [19] [20]
Cursive has been in decline throughout the 21st century because it is no longer perceived as necessary. [21] [22] The Fairfax Education Association, the largest teachers' union in Fairfax County, Virginia, has called cursive a "dying art".
On the 2006 SAT, an American university matriculation exam, only 15 percent of the students wrote their essay answers in cursive. [23] However, students might be discouraged from using cursive on standardized tests because they will receive lower marks if their answers are hard to read, and some graders may have difficulties reading cursive. [24] Nevertheless, in 2007, a survey of 200 teachers of first through third grades in all 50 American states, 90 percent of respondents said their schools required the teaching of cursive, [25] but a nationwide survey in 2008 found elementary school teachers lacking formal training in teaching handwriting; only 12 percent reported having taken a course in how to teach it. [26]
In 2012, the American states of Indiana and Hawaii announced that their schools would no longer be required to teach cursive (but will still be permitted to), and instead will be required to teach "keyboard proficiency". Nationwide Common Core State Standards (which do not include instruction in cursive) were proposed in 2009 and had been adopted by 44 states as of July 2011 - all of which have debated whether to augment them with cursive. [27] [28]
Many historical documents, such as the United States Constitution, are written in cursive—some argue the inability to read cursive therefore precludes one from being able to fully appreciate such documents in their original format. [29] Despite the decline in the day-to-day use of cursive, it is being reintroduced to the curriculum of some schools in the United States.[ timeframe? ] California passed cursive handwriting legislation in 2023, adding to a wave of state legislation between 2013 and 2023 that requires the incorporation of cursive handwriting into elementary education. [30] [31] [32] Other states such as Idaho, Kansas, Massachusetts, North Carolina, South Carolina, New Jersey, and Tennessee had already mandated cursive in schools as a part of the Back to Basics program designed to maintain the integrity of cursive handwriting. [33] Cursive instruction is required by grade 5 in Illinois, starting with the 2018–2019 school year. [34] Some[ who? ] argue that cursive is not worth teaching in schools and "in the 1960s cursive was implemented because of preference and not an educational basis; Hawaii and Indiana have replaced cursive instruction with 'keyboard proficiency' and 44 other states are currently weighing similar measures." [35]
Maria Montessori argued that writing with straight lines is more difficult than writing with curved lines and children would benefit from learning cursive first. [36]
Students with dyslexia, who have difficulty learning to read because their brains have difficulty associating sounds and letter combinations efficiently, have found that cursive can help them with the decoding process because it integrates hand-eye coordination, fine motor skills and other brain and memory functions. [37] However, students with dysgraphia may be badly served, or even substantially hindered, by demands for cursive. [38]
Up to the 19th century, Kurrent (also known as German cursive) was used in German-language longhand. Kurrent was not used exclusively, but rather in parallel to modern cursive (which is the same as English cursive). Writers used both cursive styles: location, contents and context of the text determined which style to use. A successor of Kurrent, Sütterlin , was widely used in the period 1911–1941 until the Nazi Party banned it and its printed equivalent Fraktur . German speakers brought up with Sütterlin continued to use it well into the post-war period.
Today, three different styles of cursive writing are taught in German schools, the Lateinische Ausgangsschrift [ de ] (introduced in 1953), the Schulausgangsschrift [ de ] (1968), and the Vereinfachte Ausgangsschrift (1969). [39] The German National Primary Schoolteachers' Union has proposed replacing all three with Grundschrift , a simplified form of non-cursive handwriting adopted by Hamburg schools. [40]
The Russian Cursive Cyrillic alphabet is used (instead of the block letters) when handwriting the modern Russian language. While several letters resemble Latin counterparts, many of them represent different sounds. Most handwritten Russian, especially personal letters and schoolwork, uses the cursive Russian (Cyrillic) alphabet although use of block letters in private writing has been rising.[ citation needed ] Most children in Russian schools are taught in the first grade how to write using this Russian script.
Cursive forms of Chinese characters are used in calligraphy; "running script" is the semi-cursive form and "rough script" (mistakenly called "grass script" due to literal misinterpretation) is the cursive. The running aspect of this script has more to do with the formation and connectedness of strokes within an individual character than with connections between characters as in Western connected cursive. The latter are rare in hanzi and in the derived Japanese kanji characters which are usually well separated by the writer.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Penmanship is the technique of writing with the hand using a writing instrument. Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements. The various generic and formal historical styles of writing are called "hands" while an individual's style of penmanship is referred to as "handwriting".
Although people in many parts of the world share common alphabets and numeral systems, styles of handwritten letterforms vary between individuals, and sometimes also vary systematically between regions.
The Palmer Method of penmanship instruction was developed and promoted by Austin Palmer in the late 19th and early 20th centuries. It was intended to simplify the earlier "Spencerian method", which had been the main handwriting learning method since the 1840s. The Palmer Method soon became the most popular handwriting system in the United States.
Blackletter, also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for Danish, Norwegian, and Swedish until the 1870s, Finnish until the turn of the 20th century, Latvian until the 1930s, and for the German language until the 1940s, when Hitler officially discontinued it in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography.
Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet.
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.
The Rotunda is a specific medieval blackletter script. It originates in Carolingian minuscule. Sometimes, it is not considered a blackletter script, but a script on its own. It was used mainly in southern Europe.
Lettering is an act or result of artfully drawing letters, instead of writing them simply. Lettering is considered an art form, where each letter in a phrase or quote acts as an illustration. Each letter is created with attention to detail and has a unique role within a composition. Lettering is created as an image, with letters that are meant to be used in a unique configuration. Lettering words do not always translate into alphabets that can later be used in a typeface, since they are created with a specific word in mind.
Kurrent is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift, deutsche Schrift, and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
Charles Paxton Zaner was an American calligrapher, pen artist, and teacher of penmanship.
Secretary hand or script is a style of European handwriting developed in the early sixteenth century that remained common in the sixteenth and seventeenth centuries for writing English, German, Welsh and Gaelic.
Spencerian script is a handwriting script style based on Copperplate script that was used in the United States from approximately 1850 to 1925, and was considered the American de facto standard writing style for business correspondence prior to the widespread adoption of the typewriter. Spencerian script, a form of cursive handwriting, was also widely integrated into the school system as an instructional method until the "simpler" Palmer Method replaced it. President James A. Garfield called the Spencerian script, "the pride of our country and the model of our schools."
Russian cursive is a variant of the Russian alphabet used for writing by hand. It is typically referred to as (ру́сский) рукопи́сный шрифт (rússky) rukopísny shrift, "(Russian) handwritten font". It is the handwritten form of the modern Russian Cyrillic script, used instead of the block letters seen in printed material. In addition, Russian italics for lowercase letters are often based on Russian cursive. Most handwritten Russian, especially in personal letters and schoolwork, uses the cursive alphabet. In Russian schools most children are taught from first grade how to write with this script.
The Latin script is the most widely used alphabetic writing system in the world. It is the standard script of the English language and is often referred to simply as "the alphabet" in English. It is a true alphabet which originated in the 7th century BC in Italy and has changed continually over the last 2,500 years. It has roots in the Semitic alphabet and its offshoot alphabets, the Phoenician, Greek, and Etruscan. The phonetic values of some letters changed, some letters were lost and gained, and several writing styles ("hands") developed. Two such styles, the minuscule and majuscule hands, were combined into one script with alternate forms for the lower and upper case letters. Modern uppercase letters differ only slightly from their classical counterparts, and there are few regional variants.
The term "chancery hand" can refer to either of two distinct styles of historical handwriting.
Alfred John Fairbank CBE was a British calligrapher, palaeographer and author on handwriting.
Ronde is a kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look. It appeared in France at the end of the 16th century, growing out from a late local variant of Gothic cursive influenced by North Italian Renaissance types in Rotunda, a bookish round Gothic style, as well as Civilité, also a late French variant of Gothic cursive. It was popularized by writing masters such as Louis Barbedor in the 17th century.
A teaching script is a sample script that serves as a visual orientation for learning to write by hand. In the sense of a guideline or a prototype, it supports the demanding process of developing handwriting skills and abilities in a visual and illustrative way.
The Zaner-Bloser is a teaching script for handwriting based on Latin script as well as a system of penmanship instruction, which originated around 1904 at the Zanerian College of Penmanship in Columbus, Ohio. Charles P. Zaner (1864–1918) and Elmer W. Bloser (1865–1929), originally a Spencerian Method instructor, developed their teaching script with the aim of allowing learners an easier transition from print writing to cursive. The Zaner-Bloser Method first teaches block letters and then cursive in order to enable written expression as quickly as possible and thus develop the ability to write. Material relating to the method of instruction practiced by Zaner and Bloser is still being published by the Zaner-Bloser Company, a subsidiary of Highlights for Children.