Palaeography (UK) or paleography is the study and academic discipline of the analysis of historical writing systems, the historicity of manuscripts and texts, subsuming deciphering and dating of historical manuscripts, including the analysis of historic penmanship, handwriting script, signification and printed media. It is primarily concerned with the forms, processes and relationships of writing and printing systems as evident in a text, document or manuscript; and analysis of the substantive textual content of documents is a secondary function. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural context of writing, including the methods with which writing and printing of texts, manuscripts, books, codices and tomes, tracts and monographs, etcetera, were produced, and the history of scriptoria. This discipline is important for understanding, authenticating, and dating historic texts. However, in the absence of additional evidence, it cannot be used to pinpoint exact dates.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Penmanship is the technique of writing with the hand using a writing instrument. Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements. The various generic and formal historical styles of writing are called "hands" while an individual's style of penmanship is referred to as "handwriting".
Carolingian minuscule or Caroline minuscule is a script which developed as a calligraphic standard in the medieval European period so that the Latin alphabet of Jerome's Vulgate Bible could be easily recognized by the literate class from one region to another. It is thought to have originated before 778 AD at the scriptorium of the Benedictine monks of Corbie Abbey, about 150 kilometres north of Paris, and then developed by Alcuin of York for wide use in the Carolingian Renaissance. Alcuin himself still wrote in a script which was a precursor to the Carolingian minuscule, which slowly developed over three centuries. He was most likely responsible for copying and preserving the manuscripts and upkeep of the script. It was used in the Holy Roman Empire between approximately 800 and 1200. Codices, Christian texts, and educational material were written in Carolingian minuscule.
The Palmer Method of penmanship instruction was developed and promoted by Austin Palmer in the late 19th and early 20th centuries. It was intended to simplify the earlier "Spencerian method", which had been the main handwriting learning method since the 1840s. The Palmer Method soon became the most popular handwriting system in the United States.
Handwriting is the personal and unique style of writing with a writing instrument, such as a pen or pencil in the hand. Handwriting includes both block and cursive styles and is separate from generic and formal handwriting script/style, calligraphy or typeface. Because each person's handwriting is unique and different, it can be used to verify a document's writer. The deterioration of a person's handwriting is also a symptom or result of several different diseases. The inability to produce clear and coherent handwriting is also known as dysgraphia.
Cursive is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic", or "connected".
Edward Johnston, CBE was a British craftsman who is regarded, with Rudolf Koch, as the father of modern calligraphy, in the particular form of the broad-edged pen as a writing tool.
Antiqua is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard in Germany.
Roman cursive is a form of handwriting used in ancient Rome and to some extent into the Middle Ages. It is customarily divided into old cursive and new cursive.
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.
The Rotunda is a specific medieval blackletter script. It originates in Carolingian minuscule. Sometimes, it is not considered a blackletter script, but a script on its own. It was used mainly in southern Europe.
Secretary hand or script is a style of European handwriting developed in the early sixteenth century that remained common in the sixteenth and seventeenth centuries for writing English, German, Welsh and Gaelic.
Bastarda or bastard was a blackletter script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy. The particularly English forms of the script are sometimes distinguished as Bastarda Anglicana or Anglicana.
The term "chancery hand" can refer to either of two distinct styles of historical handwriting.
Round hand is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson. Characterised by an open flowing hand (style) and subtle contrast of thick and thin strokes deriving from metal pointed nibs in which the flexibility of the metal allows the left and right halves of the point to spread apart under light pressure and then spring back together, the popularity of round hand grew rapidly, becoming codified as a standard, through the publication of printed writing manuals.
Court hand was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks. "It is noticeably upright and packed together with exaggeratedly long ascenders and descenders, the latter often and the former occasionally brought round in sweeping crescent shaped curves".
Greek minuscule was a Greek writing style which was developed as a book hand in Byzantine manuscripts during the 9th and 10th centuries. It replaced the earlier style of uncial writing, from which it differed in using smaller, more rounded and more connected letter forms, and in using many ligatures. Many of these forms had previously developed as parts of more informal cursive writing. The basic letter shapes used in the minuscule script are the ancestors of modern lower case Greek letters.
Humanist minuscule, or whiteletter, is a handwriting script or style of script that was invented in secular circles in Italy, at the beginning of the fifteenth century. "Few periods in Western history have produced writing of such great beauty", observes the art historian Millard Meiss. The new hand was based on Carolingian minuscule, which Renaissance humanists took to be ancient Roman:
[W]hen they handled manuscript books copied by eleventh- and twelfth-century scribes, Quattrocento literati thought they were looking at texts that came right out of the bookshops of ancient Rome".
Alfred John Fairbank CBE was a British calligrapher, palaeographer and author on handwriting.
