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Technical lettering is the process of forming letters, numerals, and other characters in technical drawing. It is used to describe, or provide detailed specifications for, an object. With the goals of legibility and uniformity, styles are standardized and lettering ability has little relationship to normal writing ability. Engineering drawings use a Gothic sans-serif script, formed by a series of short strokes. Lower case letters are rare in most drawings of machines.
Freehand lettering is done without the assistance of tools. To regulate lettering height, commonly 3 mm (1⁄8-in), guidelines are drawn.
Mechanical lettering is done using tools such as lettering guides, templates, or using a small mechanical pantograph referred to by the Keuffel and Esser trademark "Leroy"
Modern drawings are lettered with computer-aided design software.
The letters to be drawn, though freehanded, should be stable and graceful. In some cases stability is impossible; for example, P and F are unavoidably top-heavy. In other cases the stability and grace of the letters may be maintained either by drawing the lower parts of the letters like B,E etc. wider than the upper parts, or by drawing the horizontal line at the center of these letters just above their geometric axis. (Exception: In case of the letter A, the horizontal member is drawn below the geometric center, to maintain equality of areas below and above the center line. If a horizontal line is drawn exactly at the center, then the difference in the areas of the triangle above the line and the trapezium below the line is much larger. This creates an unusual effect to our eyes.)
Emphasis should be on the overall beauty of a word, rather than individual letters.
Most freehand lettering is done in a "gothic" style, i.e., with a constant line thickness; either "straight gothic", with vertical strokes perpendicular to the baseline, or "inclined gothic", with vertical strokes at about 75°.
Mechanical lettering is sometimes done using a pantograph, a device consisting of four bars ("links") which are pinned to each other to form a parallelogram. The links can pivot about these pins. The lowermost link of the parallelogram is fixed to two rigid supports. One vertical link at one end is connected to a profile tracer, which traces the profile of the letter to be drawn, and the second vertical link and the other horizontal link are jointly connected to a pencil that draws the exact shape of the profile traced.
Characteristic | Parameter | Ratio | Dimensions (mm) | ||||||
---|---|---|---|---|---|---|---|---|---|
Lettering Height (Height of capitals) | h | (14/14)h | 2.50 | 3.50 | 5.00 | 7.0 | 10.0 | 14 | 20.0 |
Height of lower case letters (without stem or tail) | c | (10/14)h | — | 2.50 | 3.50 | 5.0 | 7.0 | 10 | 14.0 |
Spacing between characters | a | (2/14)h | 0.35 | 0.50 | 0.70 | 1.0 | 1.4 | 2 | 2.8 |
Minimum spacing of base characters | b | (20/14)h | 3.50 | 5.00 | 7.00 | 10.0 | 14.0 | 20 | 28.0 |
Minimum spacing between words | e | (6/14)h | 1.05 | 1.50 | 2.10 | 3.0 | 4.2 | 6 | 8.4 |
Thickness of lines | d | (1/14)h | 0.18 | 0.25 | 0.35 | 0.5 | 0.7 | 1 | 1.4 |
Characteristic | Parameter | Ratio | Dimensions (mm) | ||||||
---|---|---|---|---|---|---|---|---|---|
Lettering Height (Height of capitals) | h | (10/10)h | 2.50 | 3.50 | 5.0 | 7.0 | 10 | 14.0 | 20 |
Height of lower case letters (without stem or tail) | c | (7/10)h | — | 2.50 | 3.5 | 5.0 | 7 | 10.0 | 14 |
Spacing between characters | a | (2/10)h | 0.50 | 0.70 | 1.0 | 1.4 | 2 | 2.8 | 4 |
Minimum spacing of base characters | b | (14/10)h | 3.50 | 5.00 | 7.0 | 10.0 | 14 | 20.0 | 28 |
Minimum spacing between words | e | (6/10)h | 1.50 | 2.10 | 3.0 | 4.2 | 6 | 8.4 | 12 |
Thickness of lines | d | (1/10)h | 0.25 | 0.35 | 0.5 | 0.7 | 1 | 1.4 | 2 |
A pantograph is a mechanical linkage connected in a manner based on parallelograms so that the movement of one pen, in tracing an image, produces identical movements in a second pen. If a line drawing is traced by the first point, an identical, enlarged, or miniaturized copy will be drawn by a pen fixed to the other. Using the same principle, different kinds of pantographs are used for other forms of duplication in areas such as sculpting, minting, engraving, and milling.
Technical drawing, drafting or drawing, is the act and discipline of composing drawings that visually communicate how something functions or is constructed.
Type design, also known as typeface design, is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque and § Neo-grotesque, § Geometric, § Humanist and § Other or mixed.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
An engineering drawing is a type of technical drawing that is used to convey information about an object. A common use is to specify the geometry necessary for the construction of a component and is called a detail drawing. Usually, a number of drawings are necessary to completely specify even a simple component. The drawings are linked together by a master drawing or assembly drawing which gives the drawing numbers of the subsequent detailed components, quantities required, construction materials and possibly 3D images that can be used to locate individual items. Although mostly consisting of pictographic representations, abbreviations and symbols are used for brevity and additional textual explanations may also be provided to convey the necessary information.
Ruled paper is writing paper printed with lines as a guide for handwriting. The lines often are printed with fine width and in light colour and such paper is sometimes called feint-ruled paper. Additional vertical lines may provide margins, act as tab stops or create a grid for plotting data; for example, graph paper is divided into squares by horizontal and vertical lines.
In kinematics, the parallel motion linkage is a six-bar mechanical linkage invented by the Scottish engineer James Watt in 1784 for the double-acting Watt steam engine. It allows a rod moving practically straight up and down to transmit motion to a beam moving in an arc, without putting significant sideways strain on the rod.
CAD Standards are a set of guidelines for the way Computer-aided drafting (CAD), or (CADD) Computer Aided Design and Drawing, drawings should appear, to improve productivity and interchange of CAD documents between different offices and CAD programs, especially in architecture and engineering.
A technical pen is a specialized instrument used by an engineer, architect, or drafter to make lines of constant width for architectural, engineering, or technical drawings. Technical pens may use either a refillable ink reservoir or a replaceable ink cartridge.
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems—a series of key developments that were eventually drawn together into one systematic craft. While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types.
Bell Centennial is a sans-serif typeface in the industrial or grotesque style designed by Matthew Carter in the period 1975–1978. The typeface was commissioned by AT&T as a proprietary type to replace their then current directory typeface Bell Gothic on the occasion of AT&T's one hundredth anniversary. Carter was working for the Mergenthaler Linotype Company, which now licenses the face for general public use.
A balanced-arm lamp, sometimes called a floating arm lamp, is a lamp with an adjustable folding arm which is constructed such that the force due to gravity is always counteracted by springs, regardless of the position of the arms of the lamp. Many lamp brands, as well as other devices, use this principle.
An architectural drawing or architect's drawing is a technical drawing of a building that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building contractor to construct it based on design intent, as a record of the design and planned development, or to make a record of a building that already exists.
Drafting tools may be used for measurement and layout of drawings, or to improve the consistency and speed of creation of standard drawing elements. Tools such as pens and pencils mark the drawing medium. Other tools such as straight edges, assist the operator in drawing straight lines, or assist the operator in drawing complicated shapes repeatedly. Various scales and the protractor are used to measure the lengths of lines and angles, allowing accurate scale drawing to be carried out. The compass is used to draw arcs and circles. A drawing board was used to hold the drawing media in place; later boards included drafting machines that sped the layout of straight lines and angles. Tools such as templates and lettering guides assisted in the drawing of repetitive elements such as circles, ellipses, schematic symbols and text. Other auxiliary tools were used for special drawing purposes or for functions related to the preparation and revision of drawings. The tools used for manual technical drawing have been displaced by the advent of computer-aided drawing, drafting and design (CADD).
Typeface anatomy describes the graphic elements that make up letters in a typeface.
A typographic approximation is a replacement of an element of the writing system with another glyph or glyphs. The replacement may be a nearly homographic character, a digraph, or a character string. An approximation is different from a typographical error in that an approximation is intentional and aims to preserve the visual appearance of the original. The concept of approximation also applies to the World Wide Web and other forms of textual information available via digital media, though usually at the level of characters, not glyphs.
A reverse-contrast or reverse-stress letterform is a design in which the stress is reversed from the norm: a typeface or custom lettering where the horizontal lines are the thickest. This is the reverse of the vertical lines being the same width or thicker than horizontals, which is normal in Latin-alphabet writing and especially printing. The result is a dramatic effect, in which the letters seem to have been printed the wrong way round. The style invented in the early nineteenth century as attention-grabbing novelty display designs. Modern font designer Peter Biľak, who has created a design in the genre, has described them as "a dirty trick to create freakish letterforms that stood out."
A display typeface is a typeface that is intended for use in display type at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text.
Typography, as an aspect of cartographic design, is the craft of designing and placing text on a map in support of the map symbols, together representing geographic features and their properties. It is also often called map labeling or lettering, but typography is more in line with the general usage of typography. Throughout the history of maps to the present, their labeling has been dependent on the general techniques and technologies of typography.
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