Arabic alphabet | |
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Script type | |
Time period | 3rd century CE – present [1] |
Direction | Right-to-left script |
Languages | Arabic |
Related scripts | |
Parent systems | |
ISO 15924 | |
ISO 15924 | Arab(160),Arabic |
Unicode | |
Unicode alias | Arabic |
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Arabic alphabet |
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Arabic script |
The Arabic alphabet, [a] or the Arabic abjad, is the Arabic script as specifically codified for writing the Arabic language. It is written from right-to-left in a cursive style, and includes 28 letters, [b] of which most have contextual letterforms. Unlike the modern Latin alphabet, the script has no concept of letter case. The Arabic alphabet is considered an abjad, with only consonants required to be written; due to its optional use of diacritics to notate vowels, it is considered an impure abjad. [2]
This section needs additional citations for verification .(July 2024) |
The basic Arabic alphabet contains 28 letters. Forms using the Arabic script to write other languages added and removed letters: for example ⟨پ⟩ is often used to represent /p/ in adaptations of the Arabic script. Unlike Greek-derived alphabets, Arabic has no distinct upper and lower case letterforms.
Many letters look similar but are distinguished from one another by dots ( ʾiʿjām ) above or below their central part ( rasm ). These dots are an integral part of a letter, since they distinguish between letters that represent different sounds. For example, the Arabic letters بb, تt, and ثth have the same basic shape, but with one dot added below, two dots added above, and three dots added above respectively. The letter نn also has the same form in initial and medial forms, with one dot added above, though it is somewhat different in its isolated and final forms. Historically, they were often omitted, in a writing style called rasm.
Both printed and written Arabic are cursive, with most letters within a word directly joined to adjacent letters.
There are two main collating sequences ('alphabetical orderings') for the Arabic alphabet: Hija'i, and Abjadi.
The Hija'i order (هِجَائِيّHijāʾiyy/hid͡ʒaːʔijj/) is the more common order and it is used when sorting lists of words and names, such as in phonebooks, classroom lists, and dictionaries. The ordering groups letters by the graphical similarity of the glyphs' shapes.
The original Abjadi order (أَبْجَدِيّʾabjadiyy/ʔabd͡ʒadijj/) derives from that used by the Phoenician alphabet, and is therefore reminiscent of the orderings of other alphabets, such as those in Hebrew and Greek. With this ordering, letters are also used as numbers known as abjad numerals, possessing the same numerological codes as in Hebrew gematria and Greek isopsephy.
Modern dictionaries and other reference books do not use the Abjadi order to sort alphabetically; instead, the newer Hija'i order is used wherein letters are partially grouped together by similarity of shape. The Hija'i order is never used as numerals.
ا | ب | ت | ث | ج | ح | خ | د | ذ | ر | ز | س | ش | ص | ض | ط | ظ | ع | غ | ف | ق | ك | ل | م | ن | ه | و | ي |
ʾ | b | t | th | j | ḥ | kh | d | dh | r | z | s | sh | ṣ | ḍ | ṭ | ẓ | ʻ | gh | f | q | k | l | m | n | h | w | y |
Other hijāʾī order used to be used in the Maghreb but now it is considered obsolete, the sequence is: [3]
ا | ب | ت | ث | ج | ح | خ | د | ذ | ر | ز | ط | ظ | ك | ل | م | ن | ص | ض | ع | غ | ف | ق | س | ش | ه | و | ي |
ʾ | b | t | th | j | ḥ | kh | d | dh | r | z | ṭ | ẓ | k | l | m | n | ṣ | ḍ | ʻ | gh | f | q | s | sh | h | w | y |
The colors indicate which letters have different positions from the previous table |
In Abu Muhammad al-Hasan al-Hamdani's encyclopedia الإكليل من أخبار اليمن وأنساب حميرKitāb al-Iklīl min akhbār al-Yaman wa-ansāb Ḥimyar, the letter sequence is: [4]
ا | ب | ت | ث | ج | ح | خ | د | ذ | ك | ل | م | و | ن | ص | ض | ع | غ | ط | ظ | ف | ق | ر | ز | ه | س | ش | ي |
ʾ | b | t | th | j | ḥ | kh | d | dh | k | l | m | w | n | ṣ | ḍ | ʻ | gh | ṭ | ẓ | f | q | r | z | h | s | sh | y |
The Abjadi order is not a simple correspondence with the earlier north Semitic alphabetic order, as it has a position corresponding to the Aramaic letter samek 𐡎, which has no cognate letter in the Arabic alphabet historically.
The loss of sameḵ was compensated for by:
The six other letters that do not correspond to any north Semitic letter are placed at the end.
ا | ب | ج | د | ه | و | ز | ح | ط | ي | ك | ل | م | ن | س | ع | ف | ص | ق | ر | ش | ت | ث | خ | ذ | ض | ظ | غ |
ʾ | b | j | d | h | w | z | ḥ | ṭ | y | k | l | m | n | s | ʻ | f | ṣ | q | r | sh | t | th | kh | dh | ḍ | ẓ | gh |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 100 | 200 | 300 | 400 | 500 | 600 | 700 | 800 | 900 | 1000 |
This is commonly vocalized as follows:
Another vocalization is:
ا | ب | ج | د | ه | و | ز | ح | ط | ي | ك | ل | م | ن | ص | ع | ف | ض | ق | ر | س | ت | ث | خ | ذ | ظ | غ | ش |
ʾ | b | j | d | h | w | z | ḥ | ṭ | y | k | l | m | n | ṣ | ʻ | f | ḍ | q | r | s | t | th | kh | dh | ẓ | gh | sh |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 | 100 | 200 | 300 | 400 | 500 | 600 | 700 | 800 | 900 | 1000 |
The colors indicate which letters have different positions from the previous table |
This can be vocalized as:
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Calligraphy |
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The Arabic alphabet is always cursive and letters vary in shape depending on their position within a word. Letters can exhibit up to four distinct forms corresponding to an initial, medial (middle), final, or isolated position (IMFI). While some letters show considerable variations, others remain almost identical across all four positions. Generally, letters in the same word are linked together on both sides by short horizontal lines, but six letters (و ,ز ,ر ,ذ ,د ,ا) can only be linked to their preceding letter. In addition, some letter combinations are written as ligatures (special shapes), notably lām-alif لا, [6] which is the only mandatory ligature (the unligated combination لا is considered difficult to read).
Abjadi Order | Romanization [c] | Letter name inIPA | Letter name in Arabic script [d] | Value in Literary Arabic (IPA) | Contextual forms | Isolated form | Hija'i Order | |||
---|---|---|---|---|---|---|---|---|---|---|
Maghreb | Common | Final | Medial | Initial | ||||||
1 | 1 | ʾ / ʔ, ā [e] | [ʔalif] | أَلِف | /ʔ/, /aː/ [e] | ـا | ا | 1 | ||
2 | 2 | b | [baːʔ] | بَاء | /b/ | ـب | ـبـ | بـ | ب | 2 |
22 | 22 | t | [taːʔ] | تَاء | /t/ | ـت | ـتـ | تـ | ت | 3 |
23 | 23 | ṯ / th | [θaːʔ] | ثَاء | /θ/ | ـث | ـثـ | ثـ | ث | 4 |
3 | 3 | j | [d͡ʒiːm] | جِيم | /d͡ʒ/ [f] | ـج | ـجـ | جـ | ج | 5 |
8 | 8 | ḥ | [ħaːʔ] | حَاء | /ħ/ | ـح | ـحـ | حـ | ح | 6 |
24 | 24 | ḵ / kh | [xaːʔ] | خَاء | /x/ | ـخ | ـخـ | خـ | خ | 7 |
4 | 4 | d | [daːl] | دَال | /d/ | ـد | د | 8 | ||
25 | 25 | ḏ / dh | [ðaːl] | ذَال | /ð/ | ـذ | ذ | 9 | ||
20 | 20 | r | [raːʔ] | رَاء | /r/ | ـر | ر | 10 | ||
7 | 7 | z | [zaːj] | زَاي [g] | /z/ | ـز | ز | 11 | ||
21 | 15 | s | [siːn] | سِين | /s/ | ـس | ـسـ | سـ | س | 12 |
28 | 21 | š / sh | [ʃiːn] | شِين | /ʃ/ | ـش | ـشـ | شـ | ش | 13 |
15 | 18 | ṣ | [sˤaːd] | صَاد | /sˤ/ | ـص | ـصـ | صـ | ص | 14 |
18 | 26 | ḍ | [dˤaːd] | ضَاد | /dˤ/ | ـض | ـضـ | ضـ | ض | 15 |
9 | 9 | ṭ | [tˤaːʔ] | طَاء | /tˤ/ | ـط | ـطـ | طـ | ط | 16 |
26 | 27 | ẓ | [ðˤaːʔ] | ظَاء | /ðˤ/ | ـظ | ـظـ | ظـ | ظ | 17 |
16 | 16 | ʻ / ʕ | [ʕajn] | عَيْن | /ʕ/ | ـع | ـعـ | عـ | ع | 18 |
27 | 28 | ḡ / gh | [ɣajn] | غَيْن | /ɣ/ | ـغ | ـغـ | غـ | غ | 19 |
17 | 17 | f | [faːʔ] | فَاء | /f/ | ـف | ـفـ | فـ | ف | 20 |
19 | 19 | q | [qaːf] | قَاف | /q/ | ـق | ـقـ | قـ | ق | 21 |
11 | 11 | k | [kaːf] | كَاف | /k/ | ـك | ـكـ | كـ | ك | 22 |
12 | 12 | l | [laːm] | لاَم | /l/ | ـل | ـلـ | لـ | ل | 23 |
13 | 13 | m | [miːm] | مِيم | /m/ | ـم | ـمـ | مـ | م | 24 |
14 | 14 | n | [nuːn] | نُون | /n/ | ـن | ـنـ | نـ | ن | 25 |
5 | 5 | h | [haːʔ] | هَاء | /h/ | ـه | ـهـ | هـ | ﻩ [h] | 26 |
6 | 6 | w, ū | [waːw] | وَاو | /w/, /uː/ [i] | ـو | و | 27 | ||
10 | 10 | y, ī | [jaːʔ] | يَاء | /j/, /iː/ [i] | ـي | ـيـ | يـ | ي [j] | 28 |
- | - | ʾ / ʔ | [hamza(h)] | هَمْزة | /ʔ/ | ء (used in medial and final positions as an unlinked letter) | - [k] |
Notes
The Hamza /ʔ/ (glottal stop) can be written either alone, as if it were a letter, or with a carrier, when it becomes a diacritic. [7] For the writing rule of each form, check Hamza.
Name | Contextual forms | Isolated | Position occurrence | ||
---|---|---|---|---|---|
Final | Medial | Initial | |||
Hamzah ʿalā al-ʾalif (هَمْزَة عَلَى الأَلِفْ) | ـأ | أ | Initial / Medial / Final positions | ||
Hamzah taḥt al-ʾalif (هَمْزَة تَحْت الأَلِفْ) | - | إ | Initial position only | ||
Hamzah ʿalā as-saṭr (هَمْزَة عَلَى السَّطْر) | ء | - | ء | Medial / Final only | |
Hamzah ʿalā al-wāw (هَمْزَة عَلَى الوَاو) | ـؤ | - | ؤ | Medial / Final only | |
Hamzah ʿalā nabra (هَمْزَة عَلَى نَبْرَة) (medial) Hamzah ʿalā al-yāʾ (هَمْزَة عَلَى اليَاء) (final) | ـئ | ـئـ | - | ئ | Medial / Final only |
Hamzat al-madd (هَمْزَةْ المد) | - | ـآ | آ | Initial / Medial only |
The hamzat al-waṣl (هَمْزَةُ ٱلْوَصْلِ, 'hamza of connection') is a variant of the letter hamza (ء) resembling part of the letter ṣād (ص) that is rarely placed over the letter ʾalif at the beginning of the word ( ٱ ). It indicates that the ʾalif is not pronounced as a glottal stop (written as the hamza), but that the word is connected to the previous word (like liaison in French). Outside of vocalised liturgical texts, the waṣla is usually not written. [8] [9] e.g. Abdullah عَبْدُ ٱلله can be written with hamzat al-wasl on the first letter of the word ٱلله but it is mostly written without it عَبْدُ الله.
Form | Name | Name in Arabic script | Written Form |
---|---|---|---|
hamzat al-waṣl | همزة الوصل | written above أَلِف الْوَصْلِʾalif al-waṣl (ا) to form (ٱ) |
The following are not individual letters, but rather different contextual variants of some of the Arabic letters.
Name | Contextual forms | Isolated | Translit. | Notes and Phonemic Value (IPA) | ||
---|---|---|---|---|---|---|
Final | Medial | Initial | ||||
tāʾ marbūṭah (تَاءْ مَرْبُوطَة) | ـة | (only final) | ة | h or t/ẗ | (aka "correlated tā'") used in final position, often for denoting singular feminine noun/word or to make the noun/word feminine, it has two pronunciations rules; often unpronounced or pronounced /h/ as in مدرسةmadrasa [madrasa] / madrasah [madrasah] "school" and pronounced /t/ in construct state as in مدرسة سارةmadrasatu sāra "Sara's school". In rare irregular noun/word cases, it appears to denote masculine singular nouns as in أسامةʾusāma, or some masculine plural noun forms as in بَقَّالَةbaqqāla plural of بَقَّالbaqqāl. plural nouns: āt (a preceding letter followed by a fatḥah alif + tāʾ = ـَات) | |
ʾalif maqṣūrah (أَلِفْ مَقْصُورَة) | ـى | (only final) | ى | ā or y/ỳ | Two uses: 1. The letter called أَلِفْ مَقْصُورَةalif maqṣūrah or ْأَلِف لَيِّنَةalif layyinah (as opposed to أَلِف مَمْدُودَةalif mamdūdaا), pronounced /aː/ in Modern Standard Arabic. It is used only at the end of words in some special cases to denote the neuter/non-feminine aspect of the word (mainly verbs), where tā’ marbūṭah cannot be used. [ citation needed ] 2. A way of writing the letter يyāʾ without its dots at the end of words, either traditionally or in contemporary use in Egypt and Sudan. |
Gemination is the doubling of a consonant. Instead of writing the letter twice, Arabic places a W-shaped sign called shaddah, above it. Note that if a vowel occurs between the two consonants the letter will simply be written twice. The diacritic only appears where the consonant at the end of one syllable is identical to the initial consonant of the following syllable. (The generic term for such diacritical signs is ḥarakāt ), e. g., درسdarasa (with full diacritics: دَرَسَ) is a Form I verb meaning to study, whereas درّسdarrasa (with full diacritics: دَرَّسَ) is the corresponding Form II verb, with the middle r consonant doubled, meaning to teach.
General Unicode | Name | Name in Arabic script | Transliteration | |
---|---|---|---|---|
0651 | ــّـ | shaddah | شَدَّة | (consonant doubled/geminated) |
Nunation (Arabic : تنوينtanwīn) is the addition of a final -n to a noun or adjective. The vowel before it indicates grammatical case. In written Arabic nunation is indicated by doubling the vowel diacritic at the end of the word; e.g. شُكْرًاšukran [ʃukran] "thank you".
Nunation - tanwīn تَنْوِين forms | |||
---|---|---|---|
Symbol | ـٌ | ـٍ | ـً |
Transliteration | -un | -in | -an |
The use of ligature in Arabic is common. There is one compulsory ligature, that for lām ل + alif ا, which exists in two forms. All other ligatures, of which there are many, [10] are optional.
Contextual forms | Name | Trans. | Value | |||
---|---|---|---|---|---|---|
Final | Medial | Initial | Isolated | |||
ﻼ | ﻻ | lām + alif | laa | /laː/ |
A more complex ligature that combines as many as seven distinct components is commonly used to represent the word Allāh .
The only ligature within the primary range of Arabic script in Unicode (U+06xx) is lām + alif. This is the only one compulsory for fonts and word-processing. Other ranges are for compatibility to older standards and contain other ligatures, which are optional.
Note: Unicode also has in its Presentation Form B FExx range a code for this ligature. If your browser and font are configured correctly for Arabic, the ligature displayed above should be identical to this one, U+FEFB
ARABIC LIGATURE LAM WITH ALEF ISOLATED FORM:
U+0640
ARABIC TATWEEL + lām + alifNote: Unicode also has in its Presentation Form B U+FExx range a code for this ligature. If your browser and font are configured correctly for Arabic, the ligature displayed above should be identical to this one:
U+FEFC
ARABIC LIGATURE LAM WITH ALEF FINAL FORM Another ligature in the Unicode Presentation Form A range U+FB50 to U+FDxx is the special code for glyph for the ligature Allāh ("God"), U+FDF2
ARABIC LIGATURE ALLAH ISOLATED FORM:
This is a work-around for the shortcomings of most text processors, which are incapable of displaying the correct vowel marks for the word Allāh in the Quran. Because Arabic script is used to write other texts rather than Quran only, rendering lām + lām + hā’ as the previous ligature is considered faulty.
This simplified style is often preferred for clarity, especially in non-Arabic languages, but may not be considered appropriate in situations where a more elaborate style of calligraphy is preferred. –SIL International [11]
If one of a number of the fonts (Noto Naskh Arabic, mry_KacstQurn, KacstOne, Nadeem, DejaVu Sans, Harmattan, Scheherazade, Lateef, Iranian Sans, Baghdad, DecoType Naskh) is installed on a computer (Iranian Sans is supported by Wikimedia web-fonts), the word will appear without diacritics.
U+0651
ARABIC SHADDA + U+0670
ARABIC LETTER SUPERSCRIPT ALEF + hā’An attempt to show them on the faulty fonts without automatically adding the gemination mark and the superscript alif, although may not display as desired on all browsers, is by adding the U+200d
(Zero width joiner) after the first or second lām
U+200d
ZERO WIDTH JOINER + hā’Users of Arabic usually write long vowels but omit short ones, so readers must utilize their knowledge of the language in order to supply the missing vowels. However, in the education system and particularly in classes on Arabic grammar these vowels are used since they are crucial to the grammar. An Arabic sentence can have a completely different meaning by a subtle change of the vowels. This is why in an important text such as the Qur’ān the three basic vowel signs are mandated, like the Arabic diacritics and other types of marks, like the cantillation signs.
In the Arabic handwriting of everyday use, in general publications, and on street signs, short vowels are typically not written. On the other hand, copies of the Qur’ān cannot be endorsed by the religious institutes that review them unless the diacritics are included. Children's books, elementary school texts, and Arabic-language grammars in general will include diacritics to some degree. These are known as "vocalized" texts.
Short vowels may be written with diacritics placed above or below the consonant that precedes them in the syllable, called ḥarakāt. All Arabic vowels, long and short, follow a consonant; in Arabic, words like "Ali" or "alif", for example, start with a consonant: ‘Aliyy, alif.
Short vowels (fully vocalized text) | Code | Name | Name in Arabic script | Trans. | Phonemic Value | Remarks |
---|---|---|---|---|---|---|
ــَـ | 064E | fat·ḥah | فَتْحَة | a | /a/ | Ranges from [ æ ], [ a ], [ ä ], [ ɑ ], [ ɐ ], to [ e ], depending on the native dialect, position, and stress. |
ــُـ | 064F | ḍammah | ضَمَّة | u | /u/ | Ranges from [ ʊ ], [ o ], to [ u ], depending on the native dialect, position, and stress. Approximated to English "U" (as in "put") |
ــِـ | 0650 | kasrah | كَسْرَة | i | /i/ | Ranges from [ ɪ ], [ e ], to [ i ], depending on the native dialect, position, and stress. Approximated to English "I" (as in "pick") |
In the fully vocalized Arabic text found in texts such as the Quran, a long ā following a consonant other than a hamzah is written with a short a sign (fatḥah) on the consonant plus an ʾalif after it; long ī is written as a sign for short i (kasrah) plus a yāʾ; and long ū as a sign for short u (ḍammah) plus a wāw. Briefly, ᵃa = ā; ⁱy = ī; and ᵘw = ū. Long ā following a hamzah may be represented by an ʾalif maddah or by a free hamzah followed by an ʾalif (two consecutive ʾalifs are never allowed in Arabic).
The table below shows vowels placed above or below a dotted circle replacing a primary consonant letter or a shaddah sign. For clarity in the table, the primary letters on the left used to mark these long vowels are shown only in their isolated form. Most consonants do connect to the left with ʾalif, wāw and yāʾ written then with their medial or final form. Additionally, the letter yāʾ in the last row may connect to the letter on its left, and then will use a medial or initial form. Use the table of primary letters to look at their actual glyph and joining types.
Unicode | Letter with diacritic | Name | Trans. | Variants | Value |
---|---|---|---|---|---|
064E 0627 | ـَـا | ʾalif mamdūdah | ā | aa | /aː/ |
064E 0649 | ـَـى | ʾalif maqṣūrah | ā | aa | |
064F 0648 | ـُـو | wāw mamdūdah | ū | uw/ ou | /uː/ |
0650 064A | ـِـي | yāʾ mamdūdah | ī | iy | /iː/ |
Regional Variation (Egypt and Sudan) | |||||
0650 0649 | ـِـى [a] | yāʾ mamdūdah | ī | iy | /iː/ |
In unvocalized text (one in which the short vowels are not marked), the long vowels are represented by the vowel in question: ʾalif mamdūdah/maqṣūrah, wāw, or yāʾ. Long vowels written in the middle of a word of unvocalized text are treated like consonants with a sukūn (see below) in a text that has full diacritics. Here also, the table shows long vowel letters only in isolated form for clarity.
Combinations وا and يا are always pronounced wā and yā respectively. The exception is the suffix ـوا۟ in verb endings where ʾalif is silent, resulting in ū or aw. In addition, when transliterating names and loanwords, Arabic language speakers write out most or all the vowels as long (ā with ا ʾalif, ē and ī with ي yaʾ, and ō and ū with و wāw), meaning it approaches a true alphabet.
The diphthongs حروف اللينḥurūfu l-līn/aj/ and /aw/ are represented in vocalized text as follows:
Diphthongs (fully vocalized text) | Trans. | Value |
---|---|---|
064A 064E ـَـي | ay | /aj/ |
0648 064E ـَـو | aw | /aw/ |
Other Diphthongs | ||
ـِـيّ | iyy | /ijj/ |
A final yaʾis usually written at the end of words for nisba (اَلنِّسْبَةnisbah) which is a common suffix to form adjectives of relation or pertinence. The suffix is ـِيّ-iyy for masculine (ـِيَّة-iyya(t)- for feminine); for example اِشْتِرَاكِيّištirākiyy "socialist", it is also used for a singulative ending that applies to human or other sentient beings as in جنديjundiyy "a soldier". However nowadays this final yaʾ is mostly pronounced with a long yaʾ (yāʾ mamdūdah) -ī as in اِشْتِرَاكِيištirākī/iʃtiraːkiː/ instead of اِشْتِرَاكِيّištirākiyy/iʃtiraːkijj/.
A similar mistake happens at the end of some third person plural verbs as in جَرَوْاjaraw "they ran" which is pronounced nowadays as جَرُواjarū/d͡ʒaruː/.
An Arabic syllable can be open (ending with a vowel) or closed (ending with a consonant):
A normal text is composed only of a series of consonants plus vowel-lengthening letters; thus, the word qalb, "heart", is written qlb, and the word qalaba "he turned around", is also written qlb.
To write qalaba without this ambiguity, we could indicate that the l is followed by a short a by writing a fatḥah above it.
To write qalb, we would instead indicate that the l is followed by no vowel by marking it with a diacritic called sukūn ( ْ), like this: قلْب.
This is one step down from full vocalization, where the vowel after the q would also be indicated by a fatḥah: قَلْب.
The Qurʾān is traditionally written in full vocalization.
The long i sound in some editions of the Qur’ān is written with a kasrah followed by a diacritic-less y, and long u by a ḍammah followed by a bare w. In others, these y and w carry a sukūn. Outside of the Qur’ān, the latter convention is extremely rare, to the point that y with sukūn will be unambiguously read as the diphthong /aj/, and w with sukūn will be read /aw/.
For example, the letters m-y-l can be read like English meel or mail, or (theoretically) also like mayyal or mayil. But if a sukūn is added on the y then the m cannot have a sukūn (because two letters in a row cannot be sukūnated), cannot have a ḍammah (because there is never an uy sound in Arabic unless there is another vowel after the y), and cannot have a kasrah (because kasrah before sukūnated y is never found outside the Qur’ān), so it must have a fatḥah and the only possible pronunciation is /majl/ (meaning mile, or even e-mail). By the same token, m-y-t with a sukūn over the y can be mayt but not mayyit or meet, and m-w-t with a sukūn on the w can only be mawt, not moot (iw is impossible when the w closes the syllable).
Vowel marks are always written as if the i‘rāb vowels were in fact pronounced, even when they must be skipped in actual pronunciation. So, when writing the name Aḥmad, it is optional to place a sukūn on the ḥ, but a sukūn is forbidden on the d, because it would carry a ḍammah if any other word followed, as in Aḥmadu zawjī "Ahmad is my husband".
Another example: the sentence that in correct literary Arabic must be pronounced Aḥmadu zawjun shirrīr "Ahmad is a wicked husband", is usually pronounced (due to influence from vernacular Arabic varieties) as Aḥmad zawj shirrīr. Yet, for the purposes of Arabic grammar and orthography, is treated as if it were not mispronounced and as if yet another word followed it, i.e., if adding any vowel marks, they must be added as if the pronunciation were Aḥmadu zawjun sharrīrun with a tanwīn 'un' at the end. So, it is correct to add an untanwīn sign on the final r, but actually pronouncing it would be a hypercorrection. Also, it is never correct to write a sukūn on that r, even though in actual pronunciation it is (and in correct Arabic MUST be) sukūned.
Of course, if the correct i‘rāb is a sukūn, it may be optionally written.
General Unicode | Name | Name in Arabic script | Translit. | Phonemic Value (IPA) | |
---|---|---|---|---|---|
0652 | ــْـ | sukūn | سُكُون | (no vowel with this consonant letter or diphthong with this long vowel letter) | ∅ |
0670 | ــٰـ | alif khanjariyyah [dagger ’alif – smaller ’alif written above consonant] | أَلِف خَنْجَرِيَّة | ā | /aː/ |
ٰٰ The sukūn is also used for transliterating words into the Arabic script. The English name "Mark" is written مارك, for example, might be written with a sukūn above the ر to signify that there is no vowel sound between that letter and the ك.
Some letters take a traditionally different form in specific regions:
Letter | Explanation | |||
---|---|---|---|---|
Isolated | Final | Medial | Initial | |
ی | ـی | ـیـ | یـ | The traditional style to write or print the letter, and remains so in the Nile Valley region (Egypt, Sudan, South Sudan... etc.) and sometimes Maghreb; yā’ ي is dotless in the isolated and final position. Merging with the ʾalif maqṣūrah ى ; e.g. على/ʕalaː/ "on" and علي/ʕaliː/ "Ali" are both written على in Egypt and Sudan. |
ک | ـک | ـکـ | کـ | An alternative version of final kāfـک is used (instead of ـك) in some script variants, for example in the Madani script which is used on road signs in Medina and on the logo of the chemical company SABIC written سابک. |
ڢ | ـڢ | ـڢـ | ڢـ | An obsolete traditional Maghrebi variant of fā’ف. |
ڧ/ٯ | ـڧ/ـٯ | ـڧـ/ـٯـ | ڧـ/ٯـ | An obsolete traditional Maghrebi variant of qāfق. Generally dotless in isolated and final positions and dotted in the initial and medial forms. |
Some modified letters are used to represent non-native sounds to Modern Standard Arabic. These letters are used as an optional alternative in transliterated names, loanwords and dialectal words. The usage of these letters depends on the writer and their country of origin and their usage is not mandatory.
The non-standard phoneme /ɡ/ (considered a standard pronunciation of ج only in Egypt) has the highest number of variations when writing loanwords or foreign proper nouns in Standard Arabic, and it can be written with either the standard letters ج, غ, ق, and ك or with the non-standard letters ڨ (used only in Tunisia and Algeria), ڭ (used only in Morocco), and گ (used mainly in Iraq) for example "Golf" pronounced /ɡoːlf/ can be written جولف, غولف, قولف, كولف, ڨولف, ڭولف or گولف depending on the writer and their country of origin. On the other hand, /ɡ/ is considered a native phoneme in most Arabic dialects, either as a reflex of ج as in lower Egypt, parts of Oman and parts of Yemen (e.g. جمل [gamal] ) or as a reflex of ق as in most of the Arabian peninsula, Iraq, Sudan, and parts of Egypt, Levant and North Africa (e.g. قال [gaːl] ).
Letter | Phoneme | Note |
---|---|---|
پ | /p/ | Sometimes used when transliterating foreign names and loanwords instead of bā’ب. only used in foreign words. |
ڤ | /v/ | Sometimes used when transliterating foreign names and loanwords instead of fā’ف. [12] only used in foreign words. |
ڥ | Only used in Algeria and Tunisia when transliterating foreign names and loanwords instead of fā’ف, this form is used to distinguish it from ڨ. only used in foreign words. | |
ڨ | /g/ | Only in Algeria and Tunisia /g/ is officially written using ڨ or ق including in city names e.g. the city of Guelma is written ڨالمة or قالمة [ɡelmæ] , Gafsa is written ڨفصة or قفصة [gafsˤa] , and Gabès is written ڨابس or قابس [gaːbis] . |
ڭ | Only in Morocco /g/ is officially written using ڭ or ك including in city names; e.g. the city of Agadir is written أڭادير or أكادير [ʔaɡaːdiːr] . | |
گ | Used in Gulf and Mesopotamian Arabic but only when writing dialectal words (e.g. گمر [ɡʊmər] "moon" instead of Standard Arabic قمر [qamar] ). | |
چ | /t͡ʃ/ | Used in Gulf and Mesopotamian Arabic but only when writing dialectal words where /t͡ʃ/ is considered a native phoneme/allophone (e.g. چلب [t͡ʃəlb] "dog" instead of Standard Arabic كلب [kalb] ). While in Standard Arabic throughout the Arab world, the sequence تشـ[[[ت|tāʼ]]- shīn ] Error: {{Transliteration}}: transliteration text not Latin script (pos 3) (help) is usually preferred (e.g. تشاد [tʃaːd] "Chad", التشيك [at.tʃiːk] "Czechia" and تشيلي [tʃiː.liː] "Chile"). |
/ʒ/ | Used in Egypt when transliterating foreign names and loanwords where standard ج is mostly pronounced /ɡ/ as in the city of Giza is written الجيزة [elˈgiːzæ] ., (e.g. چيبة or جيبة [ʒiː.ba] "skirt"). only used in foreign words. |
Note: The sounds /p/ and /v/ are non-native to most Arabic dialects (excl. Anatolian Arabic where ذِئْب "Wolf" is pronounced vīp [viːp] [13] instead of Standard Arabic [ðɪʔb] ), while /g/, /t͡ʃ/ and /ʒ/ appear as a native phoneme or allophone in many dialects.
Western (Maghreb, Europe) | Central (Mideast) | Eastern | |
---|---|---|---|
Persian | Urdu | ||
0 | ٠ | ۰ | ۰ |
1 | ١ | ۱ | ۱ |
2 | ٢ | ۲ | ۲ |
3 | ٣ | ۳ | ۳ |
4 | ٤ | ۴ | ۴ |
5 | ٥ | ۵ | ۵ |
6 | ٦ | ۶ | ۶ |
7 | ٧ | ۷ | ۷ |
8 | ٨ | ۸ | ۸ |
9 | ٩ | ۹ | ۹ |
10 | ١٠ | ۱۰ | ۱۰ |
There are two main kinds of numerals used along with Arabic text; Western Arabic numerals and Eastern Arabic numerals. In most of present-day North Africa, the usual Western Arabic numerals are used. Like Western Arabic numerals, in Eastern Arabic numerals, the units are always right-most, and the highest value left-most. Eastern Arabic numbers are written from left to right.
In addition, the Arabic alphabet can be used to represent numbers (Abjad numerals). This usage is based on the ʾabjadī order of the alphabet. أʾalif is 1, بbāʾ is 2, جjīm is 3, and so on until يyāʾ = 10, كkāf = 20, لlām = 30, ..., رrāʾ = 200, ..., غghayn = 1000. This is sometimes used to produce chronograms.
The Arabic alphabet can be traced back to the Nabataean script used to write Nabataean Aramaic. A transitional phase, between the Nabataean Aramaic script and a subsequent, recognizably Arabic script, is known as Nabataean Arabic. The pre-Islamic phase of the script as it existed in the fifth and sixth centuries, once it had become recognizably similar to the script as it came to be known in the Islamic era, is known as Paleo-Arabic. [17]
The first known text in the Arabic alphabet is a late fourth-century inscription from Jabal Ram 50 km east of ‘Aqabah in Jordan, but the Zabad trilingual inscription is the earliest dated Arabic text from 512, and was discovered in Syria. [18] Nevertheless, the epigraphic record is extremely sparse. Later, dots were added above and below the letters to differentiate them. (The Aramaic language had fewer phonemes than the Arabic, and some originally distinct Aramaic letters had become indistinguishable in shape, so that in the early writings 14 distinct letter-shapes had to do duty for 28 sounds; cf. the similarly ambiguous Book Pahlavi.)
The first surviving document that definitely uses these dots is also the first surviving Arabic papyrus (PERF 558), dated April 643, although they did not become obligatory until much later. Important texts were and still are frequently memorized, especially in Qurʾan memorization.
Later still, vowel marks and the hamza were introduced, beginning some time in the latter half of the 7th century, preceding the first invention of Syriac and Tiberian vocalizations. Initially, this was done by a system of red dots, said to have been commissioned in the Umayyad era by Abu al-Aswad al-Du'ali, a dot above = a, a dot below = i, a dot on the line = u, and doubled dots indicated nunation. However, this was cumbersome and easily confusable with the letter-distinguishing dots, so about 100 years later, the modern system was adopted. The system was finalized around 786 by al-Khalil ibn Ahmad al-Farahidi.
Arabic dialects were written in different alphabets before the spread of the Arabic alphabet currently in use. The most important of these alphabets and inscriptions are the Safaitic inscriptions, amounting to 30,000 inscriptions discovered in the Levant desert. [19]
There are about 3,700 inscriptions in Hismaic in central Jordan and northwest of the Arabian Peninsula, and Nabataean inscriptions, the most important of which are the Umm al-Jimal I inscription and the Numara inscription. [20]
Medieval Arabic blockprinting flourished from the 10th century until the 14th. It was devoted only to very small texts, usually for use in amulets.
In 1514, following Johannes Gutenberg's invention of the printing press in 1450, Gregorio de Gregorii, a Venetian, published an entire prayer-book in Arabic script; it was entitled Kitab Salat al-Sawa'i and was intended for eastern Christian communities. [21] Between 1580 and 1586, type designer Robert Granjon designed Arabic typefaces for Cardinal Ferdinando de' Medici, and the Medici Oriental Press published many Christian prayer and scholarly Arabic texts in the late 16th century. [22]
Maronite monks at Maar Quzhay Monastery on Mount Lebanon published the first Arabic books to use movable type in the Middle East. The monks transliterated the Arabic language using Syriac script.
Although Napoleon generally receives credit for introducing the printing press to Egypt during his invasion of the country in 1798, and though he did indeed bring printing presses and Arabic presses to print the French occupation's official newspaper Al-Tanbiyyah "The Courier", printing in the Arabic language had started several centuries earlier. A goldsmith (like Gutenberg) designed and implemented an Arabic-script movable-type printing-press in the Middle East. The Lebanese Melkite monk Abdallah Zakher set up an Arabic printing press using movable type at the monastery of Saint John at the town of Dhour El Shuwayr in Mount Lebanon, the first homemade press in Lebanon using Arabic script. He personally cut the type molds and did the founding of the typeface. The first book came off his press in 1734; this press continued in use until 1899. [23]
The Arabic alphabet can be encoded using several character sets, including ISO-8859-6, Windows-1256 and Unicode, the latter of which contains the "Arabic segment", entries U+0600 to U+06FF. However, none of the sets indicates the form that each character should take in context. It is left to the rendering engine to select the proper glyph to display for each character.
Each letter has a position-independent encoding in Unicode, and the rendering software can infer the correct glyph form (initial, medial, final or isolated) from its joining context. That is the current recommendation. However, for compatibility with previous standards, the initial, medial, final and isolated forms can also be encoded separately.
As of Unicode 16.0, the Arabic script is contained in the following blocks: [24]
The basic Arabic range encodes the standard letters and diacritics but does not encode contextual forms (U+0621-U+0652 being directly based on ISO 8859-6). It also includes the most common diacritics and Arabic-Indic digits. U+06D6 to U+06ED encode Qur'anic annotation signs such as "end of ayah " ۖ and "start of rub el hizb " ۞. The Arabic supplement range encodes letter variants mostly used for writing African (non-Arabic) languages. The Arabic Extended-A range encodes additional Qur'anic annotations and letter variants used for various non-Arabic languages.
The Arabic Presentation Forms-A range encodes contextual forms and ligatures of letter variants needed for Persian, Urdu, Sindhi and Central Asian languages. The Arabic Presentation Forms-B range encodes spacing forms of Arabic diacritics, and more contextual letter forms. The Arabic Mathematical Alphabetical Symbols block encodes characters used in Arabic mathematical expressions.
See also the notes of the section on modified letters.
Keyboards designed for different nations have different layouts, so proficiency in one style of keyboard, such as Iraq's, does not transfer to proficiency in another, such as Saudi Arabia's. Differences can include the location of non-alphabetic characters.
All Arabic keyboards allow typing Roman characters, e.g., for the URL in a web browser. Thus, each Arabic keyboard has both Arabic and Roman characters marked on the keys. Usually, the Roman characters of an Arabic keyboard conform to the QWERTY layout, but in North Africa, where French is the most common language typed using the Roman characters, the Arabic keyboards are AZERTY.
To encode a particular written form of a character, there are extra code points provided in Unicode which can be used to express the exact written form desired. The range Arabic presentation forms A (U+FB50 to U+FDFF) contain ligatures while the range Arabic presentation forms B (U+FE70 to U+FEFF) contains the positional variants. These effects are better achieved in Unicode by using the zero-width joiner and zero-width non-joiner , as these presentation forms are deprecated in Unicode and should generally only be used within the internals of text-rendering software; when using Unicode as an intermediate form for conversion between character encodings; or for backwards compatibility with implementations that rely on the hard-coding of glyph forms.
Finally, the Unicode encoding of Arabic is in logical order, that is, the characters are entered, and stored in computer memory, in the order that they are written and pronounced without worrying about the direction in which they will be displayed on paper or on the screen. Again, it is left to the rendering engine to present the characters in the correct direction, using Unicode's bi-directional text features. In this regard, if the Arabic words on this page are written left to right, it is an indication that the Unicode rendering engine used to display them is out of date. [25] [26]
There are competing online tools, e.g. Yamli editor, which allow entry of Arabic letters without having Arabic support installed on a PC, and without knowledge of the layout of the Arabic keyboard. [27]
The first software program of its kind in the world that identifies Arabic handwriting in real time was developed by researchers at Ben-Gurion University (BGU).
The prototype enables the user to write Arabic words by hand on an electronic screen, which then analyzes the text and translates it into printed Arabic letters in a thousandth of a second. The error rate is less than three percent, according to Dr. Jihad El-Sana, from BGU's department of computer sciences, who developed the system along with master's degree student Fadi Biadsy. [28]
ي و ه ن م ل ك ق ف غ ع ظ ط ض ص ش س ز ر ذ د خ ح ج ث ت ب ا | Hijā’ī sequence | |
• | Noto Nastaliq | |
• | Scheherazade New | |
• | Lateef | |
• | Noto Naskh Arabic | |
• | Markazi Text | |
• | Noto Sans Arabic | |
• | El Messiri | |
• | Lemonada | |
• | Changa | |
• | Mada | |
• | Noto Kufi Arabic | |
• | Reem Kufi | |
• | Lalezar | |
• | Jomhuria | |
• | Rakkas |
An abugida – sometimes also called alphasyllabary, neosyllabary, or pseudo-alphabet – is a segmental writing system in which consonant–vowel sequences are written as units; each unit is based on a consonant letter, and vowel notation is secondary, similar to a diacritical mark. This contrasts with a full alphabet, in which vowels have status equal to consonants, and with an abjad, in which vowel marking is absent, partial, or optional – in less formal contexts, all three types of the script may be termed "alphabets". The terms also contrast them with a syllabary, in which a single symbol denotes the combination of one consonant and one vowel.
A diacritic is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek διακριτικός, from διακρίνω. The word diacritic is a noun, though it is sometimes used in an attributive sense, whereas diacritical is only an adjective. Some diacritics, such as the acute ⟨ó⟩, grave ⟨ò⟩, and circumflex ⟨ô⟩, are often called accents. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters.
Thaana, Tãnaa, Taana or Tāna is the present writing system of the Maldivian language spoken in the Maldives. Thaana has characteristics of both an abugida and a true alphabet, with consonants derived from indigenous and Arabic numerals, and vowels derived from the vowel diacritics of the Arabic abjad. Maldivian orthography in Thaana is largely phonemic.
Malayalam script is a Brahmic script used commonly to write Malayalam, which is the principal language of Kerala, India, spoken by 45 million people in the world. It is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry by the Malayali people. It is one of the official scripts of the Indian Republic. Malayalam script is also widely used for writing Sanskrit texts in Kerala.
The Arabic script has numerous diacritics, which include consonant pointing known as iʻjām (إِعْجَام), and supplementary diacritics known as tashkīl (تَشْكِيل). The latter include the vowel marks termed ḥarakāt.
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters ⟨æ⟩ and ⟨œ⟩ used in English and French, in which the letters ⟨a⟩ and ⟨e⟩ are joined for the first ligature and the letters ⟨o⟩ and ⟨e⟩ are joined for the second ligature. For stylistic and legibility reasons, ⟨f⟩ and ⟨i⟩ are often merged to create ⟨fi⟩ ; the same is true of ⟨s⟩ and ⟨t⟩ to create ⟨st⟩. The common ampersand, ⟨&⟩, developed from a ligature in which the handwritten Latin letters ⟨e⟩ and ⟨t⟩ were combined.
The Tamil script is an abugida script that is used by Tamils and Tamil speakers in India, Sri Lanka, Malaysia, Singapore,and elsewhere to write the Tamil language. It is one of the official scripts of the Indian Republic. Certain minority languages such as Saurashtra, Badaga, Irula and Paniya are also written in the Tamil script.
The Persian alphabet, also known as the Perso-Arabic script, is the right-to-left alphabet used for the Persian language. It is a variation of the Arabic script with five additional letters: پ چ ژ گ, in addition to the obsolete ڤ that was used for the sound. This letter is no longer used in Persian, as the -sound changed to, e.g. archaic زڤان > زبان 'language'.
Waw is the sixth letter of the Semitic abjads, including Arabic wāwو, Aramaic waw 𐡅, Hebrew vavו, Phoenician wāw 𐤅, and Syriac waw ܘ.
Yodh is the tenth letter of the Semitic abjads, including Arabic yāʾي, Aramaic yod 𐡉, Hebrew yudי, Phoenician yōd 𐤉, and Syriac yōḏ. Its sound value is in all languages for which it is used; in many languages, it also serves as a long vowel, representing.
Aleph is the first letter of the Semitic abjads, including Arabic ʾalifا, Aramaic ʾālap 𐡀, Hebrew ʾālefא, North Arabian 𐪑, Phoenician ʾālep 𐤀, Syriac ʾālap̄ ܐ. It also appears as South Arabian 𐩱 and Ge'ez ʾälef አ.
Mandombe or Mandombé is a script proposed in 1978 in Mbanza-Ngungu in the Bas-Congo province of the Democratic Republic of the Congo by Wabeladio Payi, who related that it was revealed to him in a dream by Simon Kimbangu, the prophet of the Kimbanguist Church. Mandombe is based on the sacred shapes and , and intended for writing African languages such as Kikongo, as well as the four national languages of the Congo, Kikongo ya leta, Lingala, Tshiluba and Swahili, though it does not have enough vowels to write Lingala fully. It is taught in Kimbanguist church schools in Angola, the Republic of the Congo, and the Democratic Republic of the Congo. It is also promoted by the Kimbanguist Centre de l’Écriture Négro-Africaine (CENA). The Mandombe Academy at CENA is currently working on transcribing other African languages in the script. It has been classified as the third most viable indigenous script of recent indigenous west African scripts, behind only the Vai syllabary and the N'Ko alphabet.
The Urdu alphabet is the right-to-left alphabet used for writing Urdu. It is a modification of the Persian alphabet, which itself is derived from the Arabic script. It has co-official status in the republics of Pakistan, India and South Africa. The Urdu alphabet has up to 39 or 40 distinct letters with no distinct letter cases and is typically written in the calligraphic Nastaʿlīq script, whereas Arabic is more commonly written in the Naskh style.
Wolofal is a derivation of the Arabic script for writing the Wolof language. It is basically the name of a West African Ajami script as used for that language.
The hamza is an Arabic script character that, in the Arabic alphabet, denotes a glottal stop and, in non-Arabic languages, indicates a diphthong, vowel, or other features, depending on the language. Derived from the letter ʿAyn, the hamza is written in initial, medial and final positions as an unlinked letter or placed above or under a carrier character. Despite its common usage as a letter in Modern Standard Arabic, it is generally not considered to be one of its letters, although some argue that it should be considered a letter.
Many scripts in Unicode, such as Arabic, have special orthographic rules that require certain combinations of letterforms to be combined into special ligature forms. In English, the common ampersand (&) developed from a ligature in which the handwritten Latin letters e and t were combined. The rules governing ligature formation in Arabic can be quite complex, requiring special script-shaping technologies such as the Arabic Calligraphic Engine by Thomas Milo's DecoType.
Pegon is a modified Arabic script used to write the Javanese, Sundanese, and Madurese languages, as an alternative to the Latin script or the Javanese script and the Old Sundanese script. It was used in a variety of applications, from religion, to diplomacy, to poetry. But today particularly, it is used for religious (Islamic) writing and poetry, particularly in writing commentaries of the Qur'an. Pegon includes letters that are not present in Modern Standard Arabic. Pegon has been studied far less than its Jawi counterpart which is used for Malay, Acehnese and Minangkabau.
There are three writing systems for Saraiki:
The Rohingya Arabic Alphabet is a modified Arabic script for the Rohingya language. Rohingya today is written in three scripts, Hanifi Rohingya script, Arabic Alphabet, and Latin (Rohingyalish). Rohingya was first written in the 19th century with a version of the Perso-Arabic script. In 1975, an orthographic Arabic script was developed and approved by the community leaders, based on the Urdu alphabet but with unique innovations to make the script suitable to Rohingya.
Cham Jawi is a variant of the Jawi adaptation of the Arabic script used to write the Cham language.
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