The Iberian scripts are the Paleohispanic scripts that were used to represent the extinct Iberian language. Most of them are typologically unusual in that they are semi-syllabic rather than purely alphabetic. [2] The oldest Iberian inscriptions date to the 4th or possibly the 5th century BCE, and the latest from end of the 1st century BCE or possibly the beginning of the 1st century CE.
There are two main graphic as well as geographic variants in the family:
In the sense that the Iberian scripts are the scripts created for the Iberians to represent the Iberian language, the Greco-Iberian alphabet, a separate adaptation of the Greek alphabet, was also an Iberian script. It was used mainly in Alicante and Murcia. Likewise, neither the southwestern script, very similar to southeastern Iberian script but used for the Tartessian language, nor the Celtiberian script, a direct adaptation of the northeastern Iberian script used for the Celtiberian language, are technically Iberian scripts.
The northeastern Iberian script is often known simply as the Iberian script, because it is the script of 95% of known Iberian inscriptions. These have been found mainly in the northeastern quadrant of the Iberian Peninsula, mostly along the coast from Languedoc-Roussillon to Alicante, but with a deep penetration on the Ebro valley.
The southeastern Iberian script is poorly attested, and there are some gaps in the records: There are no positively identified symbols for /gu/, /do/, and /m/, for example. Unlike the northeastern Iberian script the decipherment of the southeastern Iberian script is not still closed, because there are a significant group of signs without consensus value. The southeastern inscriptions have been found mainly in the southeastern quadrant of Iberia: Eastern Andalusia, Murcia, Albacete, Alicante, and Valencia.
There is substantial graphic variation in the Iberian glyphs, and over the past several decades many scholars have come to believe that, at least in northeastern Iberian script (and recently also in Celtiberian script) some of this variation is meaningful. It appears that the original simple letters were assigned specifically to the voiced consonants /b/, /d/, /g/, whereas the voiceless consonants /t/ and /k/ were derived from /d/ and /g/ syllables with the addition of a stroke. (This is the so-called dual signary model: see the image at right). If correct, this innovation would parallel the creation of the Latin letter G from C by the addition of a stroke.
Excepting the Greco-Iberian alphabet, the Iberian scripts are typologically unusual, in that they were partially alphabetic and partially syllabic: Continuants (fricative sounds like /s/ and sonorants like /l/, /m/, and vowels) were written with distinct letters, as in Phoenician (or in Greek in the case of the vowels), but the non-continuants (the stops /b/, /d/, /t/, /g/, and /k/) were written with syllabic glyphs that represented both consonant and vowel together, as with Japanese kana. That is, in written Iberian, ga displayed no resemblance to ge, and bi had no connection to bo. This possibly unique writing system is called a "semi-syllabary".
The southeastern script was written right to left, as was the Phoenician alphabet, whereas the northeastern script reversed this to left to right, as in the Greek alphabet.
The Iberian scripts are classified as Paleohispanic scripts for convenience and based on broad similarities, but their relationships to each other and to neighboring contemporaneous scripts, such as Greco-Iberian, are not firmly established. It is generally accepted that they were derived at least partly from the Greek alphabet and/or Phoenician alphabet, with which they share many similar-looking glyphs. Some researchers[ who? ] conclude that the origin of the northern and southern Iberian scripts ultimately lies solely with the Phoenician alphabet; others[ who? ] believe the Greek alphabet also played a role; others still[ who? ] have suggested influences from Old Italic. It appears that either the glyphs themselves were changed, or that they assumed new values.[ citation needed ] For example, the southern glyph for /e/ derives from Phoenician ‘ayin or Greek Ο, whereas northern /e/ resembles Phoenician he or Greek Ε, though the letter arguably[ citation needed ] had the value of /be/ in southern Iberian. However, it is clear that they had a common origin, and the most commonly accepted hypothesis is that the northeastern script derives from the southeastern script.
An abjad, also abgad, is a writing system in which only consonants are represented, leaving vowel sounds to be inferred by the reader. This contrasts with alphabets, which provide graphemes for both consonants and vowels. The term was introduced in 1990 by Peter T. Daniels. Other terms for the same concept include partial phonemic script, segmentally linear defective phonographic script, consonantary, consonant writing, and consonantal alphabet.
The Phoenician alphabet is a consonantal alphabet used across the Mediterranean civilization of Phoenicia for most the 1st millennium BC. It was the first mature alphabet, and attested in Canaanite and Aramaic inscriptions found across the Mediterranean region. In the history of writing systems, the Phoenician script also marked the first to have a fixed writing direction—while previous systems were multi-directional, Phoenecian was written horizontally, from right to left. Its developed directly from the Proto-Sinaitic script used during Late Bronze Age, which was derived in turn from Egyptian hieroglyphs.
The Iberians were an ancient people settled in the eastern and southern coasts of the Iberian peninsula, at least from the 6th century BC. They are described in Greek and Roman sources. Roman sources also use the term Hispani to refer to the Iberians.
The Iberian language was the language of an indigenous western European people identified by Greek and Roman sources who lived in the eastern and southeastern regions of the Iberian Peninsula in the pre-Migration Era. An ancient Iberian culture can be identified as existing between the 7th and 1st centuries BC, at least.
The Cypriot or Cypriote syllabary is a syllabic script used in Iron Age Cyprus, from about the 11th to the 4th centuries BCE, when it was replaced by the Greek alphabet. It has been suggested that the script remained in use as late as the 1st century BC. A pioneer of that change was King Evagoras of Salamis. It is thought to be descended from the Cypro-Minoan syllabary, in turn, a variant or derivative of Linear A. Most texts using the script are in the Arcadocypriot dialect of Greek, but also one bilingual inscription was found in Amathus.
The Celtiberian script is a Paleohispanic script that was the main writing system of the Celtiberian language, an extinct Continental Celtic language, which was also occasionally written using the Latin alphabet. This script is a direct adaptation of the northeastern Iberian script, the most frequently used of the Iberian scripts.
The Proto-Sinaitic script is a Middle Bronze Age writing system known from a small corpus of about 30-40 inscriptions and fragments from Serabit el-Khadim in the Sinai Peninsula, as well as two inscriptions from Wadi el-Hol in Middle Egypt. Together with about 20 known Proto-Canaanite inscriptions, it is also known as Early Alphabetic, i.e. the earliest trace of alphabetic writing and the common ancestor of both the Ancient South Arabian script and the Phoenician alphabet, which led to many modern alphabets including the Greek alphabet. According to common theory, Canaanites or Hyksos who spoke a Canaanite language repurposed Egyptian hieroglyphs to construct a different script.
The history of the alphabet goes back to the consonantal writing system used to write Semitic languages in the Levant during the 2nd millennium BCE. Nearly all alphabetic scripts used throughout the world today ultimately go back to this Semitic script. Its first origins can be traced back to a Proto-Sinaitic script developed in Ancient Egypt to represent the language of Semitic-speaking workers and slaves in Egypt. Unskilled in the complex hieroglyphic system used to write the Egyptian language, which required a large number of pictograms, they selected a small number of those commonly seen in their surroundings to describe the sounds, as opposed to the semantic values, of their own Canaanite language. This script was partly influenced by the older Egyptian hieratic, a cursive script related to Egyptian hieroglyphs. The Semitic alphabet became the ancestor of multiple writing systems across the Middle East, Europe, northern Africa, and Pakistan, mainly through Ancient South Arabian, Phoenician and the closely related Paleo-Hebrew alphabet, and later Aramaic and the Nabatean—derived from the Aramaic alphabet and developed into the Arabic alphabet—five closely related members of the Semitic family of scripts that were in use during the early first millennium BCE.
Tartessian is an extinct Paleo-Hispanic language found in the Southwestern inscriptions of the Iberian Peninsula, mainly located in the south of Portugal, and the southwest of Spain. There are 95 such inscriptions, the longest having 82 readable signs. Around one third of them were found in Early Iron Age necropolises or other Iron Age burial sites associated with rich complex burials. It is usual to date them to the 7th century BC and to consider the southwestern script to be the most ancient Paleo-Hispanic script, with characters most closely resembling specific Phoenician letter forms found in inscriptions dated to c. 825 BC. Five of the inscriptions occur on stelae that have been interpreted as Late Bronze Age carved warrior gear from the Urnfield culture.
The Southwest Script or Southwestern Script, also known as Tartessian, South Lusitanian and Conii script is a Paleohispanic script used to write an unknown language usually identified as Tartessian. Southwest inscriptions have been found mainly in the southwestern quadrant of the Iberian Peninsula, mostly in the south of Portugal, but also in Spain.
The Paleohispanic scripts are the writing systems created in the Iberian Peninsula before the Latin alphabet became the main script. Most of them are unusual in that they are semi-syllabic rather than purely alphabetic, despite having supposedly developed, in part, from the Phoenician alphabet.
The northeastern Iberian script, also known as Levantine Iberian or Iberian, was the main means of written expression of the Iberian language, but has also been used to write Proto-Basque as seen in the Hand of Irulegi. The Iberian language is also expressed by the southeastern Iberian script and the Greco-Iberian alphabet. To understand the relationship between northeastern Iberian and southeastern Iberian scripts, one should point out that they are two different scripts with different values for the same signs. However, it is clear they have a common origin and the most accepted hypothesis is that northeastern Iberian script was derived from the southeastern Iberian script. Some researchers have concluded that it is linked to the Phoenician alphabet alone, but others believe the Greek alphabet also had a role.
The southeastern Iberian script, also known as Meridional Iberian, was one of the means of written expression of the Iberian language, which was written mainly in the northeastern Iberian script and residually by the Greco-Iberian alphabet. About the relation between northeastern Iberian and southeastern Iberian scripts, it is necessary to point out that they are two different scripts with different values for the same signs; however it is clear that they had a common origin and the most accepted hypothesis is that northeastern Iberian script derives from southeastern Iberian script. In fact, the southeastern Iberian script is very similar, both considering the shape of the signs or their values, to the Southwestern script used to represent an unknown language usually named Tartessian. The main difference is that southeastern Iberian script does not show the vocalic redundancy of the syllabic signs. Unlike the northeastern Iberian script the decipherment of the southeastern Iberian script is not yet complete, because there are a significant number of signs on which scholars have not yet reached a consensus. Although it is believed that the southeastern Iberian script does not show any system to differentiate between voiced and unvoiced occlusives, unlike the northeastern Iberian script, a recent paper defends the existence of a dual system also in the southeastern Iberian script.
The Greco-Iberian alphabet is a direct adaptation of an Ionic variant of a Greek alphabet to the specifics of the Iberian language, thus this script is an alphabet and lacks the distinctive characteristic of the paleohispanic scripts that present signs with syllabic value, for the occlusives and signs with monophonemic value for the rest of consonants and vowels.
The Espanca script is the first signary known of the Paleohispanic scripts. It is inscribed on a piece of slate, 48×28×2 cm. This alphabet consists of 27 letters written double. The 27 letters in the outer line are written in a better hand than those of the inner line, from which it has been inferred that the slate was a teaching exercise in which a master wrote the alphabet and a student copied it.
The paleo-Hispanic languages are the languages of the Pre-Roman peoples of the Iberian Peninsula, excluding languages of foreign colonies, such as Greek in Emporion and Phoenician in Qart Hadast. After the Roman conquest of Hispania the Paleohispanic languages, with the exception of Proto-Basque, were replaced by Latin, the ancestor of the modern Iberian Romance languages.
A semi-syllabary is a writing system that behaves partly as an alphabet and partly as a syllabary. The main group of semi-syllabic writing are the Paleohispanic scripts of ancient Spain, a group of semi-syllabaries that transform redundant plosive consonants of the Phoenician alphabet into syllabograms.
The Roca dels Moros or Caves of El Cogul is a rock shelter containing paintings of prehistoric Levantine rock art and Iberian schematic art. The site is in El Cogul, in the autonomous community of Catalonia, Spain. Since 1998 the paintings have been protected as part of the Rock art of the Iberian Mediterranean Basin, a UNESCO World Heritage Site. Inscriptions in Northeastern Iberian script and in Latin alphabet indicate that the place was used as a sanctuary into Iberian and Roman times.
The Hand of Irulegi is a late Iron Age archaeological artifact unearthed in 2021 during excavations in the archaeological site of Irulegi (Navarre), next to the medieval castle of Irulegi, located in the municipality of Aranguren, Spain. The bronze artifact has the distinctive shape of a right hand with extended fingers. It has five separate strings of letters, probably corresponding to five or more words, carved on the side that represents the back of a hand.
