Syllabary

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In the linguistic study of written languages, a syllabary is a set of written symbols that represent the syllables or (more frequently) moras which make up words.

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A symbol in a syllabary, called a syllabogram, typically represents an (optional) consonant sound (simple onset) followed by a vowel sound (nucleus)—that is, a CV or V syllable—but other phonographic mappings, such as CVC, CV- tone, and C (normally nasals at the end of syllables), are also found in syllabaries.[ citation needed ]

Types

Each syllable (s) branches into consonantal onset (o) and rime (r) that is divided into nucleus (n) and coda (k), non-/supra-segmental parameters like tone (t) affect the syllable as a whole Syllable diagram.png
Each syllable (σ) branches into consonantal onset (ω) and rime (ρ) that is divided into nucleus (ν) and coda (κ), non-/supra-segmental parameters like tone (τ) affect the syllable as a whole

A writing system using a syllabary is complete when it covers all syllables in the corresponding spoken language without requiring complex orthographic / graphemic rules, like implicit codas (C1V ⇒ /C1VC2/), silent vowels (C1V1+C2V2 ⇒ /C1V1C2/) or echo vowels (C1V1+C2V1 ⇒ /C1V1C2/). This loosely corresponds to shallow orthographies in alphabetic writing systems.[ citation needed ]

True syllabograms are those that encompass all parts of a syllable, i.e., initial onset, medial nucleus and final coda, but since onset and coda are optional in at least some languages, there are middle (nucleus), start (onset-nucleus), end (nucleus-coda) and full (onset-nucleus-coda) true syllabograms. Most syllabaries only feature one or two kinds of syllabograms and form other syllables by graphemic rules.

Syllabograms, hence syllabaries, are pure, analytic or arbitrary if they do not share graphic similarities that correspond to phonic similarities, e.g. the symbol for ka does not resemble in any predictable way the symbol for ki, nor the symbol for a. Otherwise, they are synthetic, if they vary by onset, rime, nucleus or coda, or systematic, if they vary by all of them.[ citation needed ] Some scholars, e.g., Daniels, [1] reserve the general term for analytic syllabaries and invent other terms (abugida, abjad) as necessary. Some systems provide katakana language conversion.

Languages using syllabaries

Syllabaries often begin as simplified logograms, as shown here with the Japanese katakana writing system. To the left is the modern letter, with its original Chinese character form on the right. Katakana origine.svg
Syllabaries often begin as simplified logograms, as shown here with the Japanese katakana writing system. To the left is the modern letter, with its original Chinese character form on the right.
Multilingual stop sign employing the Latin alphabet and the Cherokee syllabary in Tahlequah, Oklahoma Cherokee stop sign.png
Multilingual stop sign employing the Latin alphabet and the Cherokee syllabary in Tahlequah, Oklahoma

Languages that use syllabic writing include Japanese, Cherokee, Vai, the Yi languages of eastern Asia, the English-based creole language Ndyuka, Xiangnan Tuhua, and the ancient language Mycenaean Greek (Linear B). In addition, the undecoded Cretan Linear A is also believed by some to be a syllabic script, though this is not proven.

Chinese characters, the cuneiform script used for Sumerian, Akkadian and other languages, and the former Maya script are largely syllabic in nature, although based on logograms. They are therefore sometimes referred to as logosyllabic.

The contemporary Japanese language uses two syllabaries together called kana (in addition to the non-syllabic systems kanji and romaji), namely hiragana and katakana, which were developed around 700. Because Japanese uses mainly CV (consonant + vowel) syllables, a syllabary is well suited to write the language. As in many syllabaries, vowel sequences and final consonants are written with separate glyphs, so that both atta and kaita are written with three kana: あった (a-t-ta) and かいた (ka-i-ta). It is therefore sometimes called a moraic writing system.

Languages that use syllabaries today tend to have simple phonotactics, with a predominance of monomoraic (CV) syllables. For example, the modern Yi script is used to write languages that have no diphthongs or syllable codas; unusually among syllabaries, there is a separate glyph for every consonant-vowel-tone combination (CVT) in the language (apart from one tone which is indicated with a diacritic).

Few syllabaries have glyphs for syllables that are not monomoraic, and those that once did have simplified over time to eliminate that complexity. For example, the Vai syllabary originally had separate glyphs for syllables ending in a coda (doŋ), a long vowel (soo), or a diphthong (bai), though not enough glyphs to distinguish all CV combinations (some distinctions were ignored). The modern script has been expanded to cover all moras, but at the same time reduced to exclude all other syllables. Bimoraic syllables are now written with two letters, as in Japanese: diphthongs are written with the help of V or hV glyphs, and the nasal codas will be written with the glyph for ŋ, which can form a syllable of its own in Vai.

In Linear B, which was used to transcribe Mycenaean Greek, a language with complex syllables, complex consonant onsets were either written with two glyphs or simplified to one, while codas were generally ignored, e.g., ko-no-so for Κνωσός Knōsos , pe-ma for σπέρμαsperma.

The Cherokee syllabary generally uses dummy vowels for coda consonants, but also has a segmental grapheme for /s/, which can be used both as a coda and in an initial /sC/ consonant cluster.

Difference from abugidas

The languages of India and Southeast Asia, as well as the Ethiopian Semitic languages, have a type of alphabet called an abugida or alphasyllabary. In these scripts, unlike in pure syllabaries, syllables starting with the same consonant are largely expressed with graphemes regularly based on common graphical elements. Usually each character representing a syllable consists of several elements which designate the individual sounds of that syllable.

In the 19th century these systems were called syllabics, a term which has survived in the name of Canadian Aboriginal syllabics (also an abugida).

In a true syllabary there may be graphic similarity between characters that share a common consonant or vowel sound, but it is not systematic or at all regular. For example, the characters for ka ke ko in Japanese hiragana – か け こ – have no similarity to indicate their common /k/ sound. Compare this with Devanagari, an abugida, where the characters for ka ke ko are क के को respectively.

Comparison to alphabets

English, along with many other Indo-European languages like German and Russian, allows for complex syllable structures, making it cumbersome to write English words with a syllabary. A "pure" English syllabary would require over 10,000 separate glyphs for each possible syllable [2] (e.g., a separate glyph for "bag", "beg", "big", "bog", "bug", "bad", "bed", "bid", "bod", "bud", "bead", "bide", "bode", etc.). However, such pure systems are rare. A workaround to this problem, common to several syllabaries around the world (including English loanwords in Japanese), is to add a paragogic dummy vowel, as if the syllable coda were a second syllable: ba-gu for "bag", etc.

See also

Related Research Articles

An abjad is a writing system in which only consonants are represented, leaving vowel sounds to be inferred by the reader. This contrasts with alphabets, which provide graphemes for both consonants and vowels. The term was introduced in 1990 by Peter T. Daniels. Other terms for the same concept include: partial phonemic script, segmentally linear defective phonographic script, consonantary, consonant writing, and consonantal alphabet.

<span class="mw-page-title-main">Abugida</span> Writing system

An abugida – sometimes also called alphasyllabary, neosyllabary, or pseudo-alphabet – is a segmental writing system in which consonant–vowel sequences are written as units; each unit is based on a consonant letter, and vowel notation is secondary, like a diacritical mark. This contrasts with a full alphabet, in which vowels have status equal to consonants, and with an abjad, in which vowel marking is absent, partial, or optional – in less formal contexts, all three types of script may be termed "alphabets". The terms also contrast them with a syllabary, in which a single symbol denotes the combination of one consonant and one vowel.

Kana are syllabaries used to write Japanese phonological units, morae. Such syllabaries include (1) the original kana, or magana, which were Chinese characters (kanji) used phonetically to transcribe Japanese, the most prominent magana system being man'yōgana (万葉仮名); the two descendants of man'yōgana, (2) hiragana, and (3) katakana. There are also hentaigana, which are historical variants of the now-standard hiragana. In current usage, 'kana' can simply mean hiragana and katakana.

A syllable is a unit of organization for a sequence of speech sounds, typically made up of a syllable nucleus with optional initial and final margins. Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ignite is made of two syllables: ig and nite.

A mora is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ba consists of one mora (monomoraic), while a long syllable such as baa consists of two (bimoraic); extra-long syllables with three moras (trimoraic) are relatively rare. Such metrics are also referred to as syllable weight.

Syllabic may refer to:

<span class="mw-page-title-main">Cherokee syllabary</span> Writing system invented by Sequoyah to write the Cherokee language

The Cherokee syllabary is a syllabary invented by Sequoyah in the late 1810s and early 1820s to write the Cherokee language. His creation of the syllabary is particularly noteworthy as he was illiterate until its creation. He first experimented with logograms, but his system later developed into the syllabary. In his system, each symbol represents a syllable rather than a single phoneme; the 85 characters provide a suitable method for writing Cherokee. Although some symbols resemble Latin, Greek, Cyrillic, and Glagolitic letters, they are not used to represent the same sounds.

<span class="mw-page-title-main">Canadian Aboriginal syllabics</span> Writing systems for indigenous North American languages created in 1840 CE

Canadian syllabic writing, or simply syllabics, is a family of writing systems used in a number of Indigenous Canadian languages of the Algonquian, Inuit, and (formerly) Athabaskan language families. These languages had no formal writing system previously. They are valued for their distinctiveness from the Latin script and for the ease with which literacy can be achieved. For instance, by the late 19th century the Cree had achieved what may have been one of the highest rates of literacy in the world.

<span class="mw-page-title-main">Japanese Braille</span> Braille script of the Japanese language

Japanese Braille is the braille script of the Japanese language. It is based on the original braille script, though the connection is tenuous. In Japanese it is known as tenji (点字), literally "dot characters". It transcribes Japanese more or less as it would be written in the hiragana or katakana syllabaries, without any provision for writing kanji.

Great Lakes Algonquian syllabics is a writing system for several Algonquian languages that emerged during the nineteenth century and whose existence was first noted in 1880. It was originally used near the Great Lakes: Fox, Sac, and Kickapoo, in addition to Potawatomi. Use of the script was subsequently extended to the Siouan language Ho-Chunk. Use of the Great Lakes script has also been attributed to speakers of the Ottawa dialect of the Ojibwe language, but supporting evidence is weak.

<span class="mw-page-title-main">Mandombe script</span> Congolese writing system

Mandombe or Mandombé is a script proposed in 1978 in Mbanza-Ngungu in the Bas-Congo province of the Democratic Republic of the Congo by Wabeladio Payi, who related that it was revealed to him in a dream by Simon Kimbangu, the prophet of the Kimbanguist Church. Mandombe is based on the sacred shapes and , and intended for writing African languages such as Kikongo, as well as the four national languages of the Congo, Kikongo ya leta, Lingala, Tshiluba and Swahili, though it does not have enough vowels to write Lingala fully. It is taught in Kimbanguist church schools in Angola, the Republic of the Congo, and the Democratic Republic of the Congo. It is also promoted by the Kimbanguist Centre de l’Écriture Négro-Africaine (CENA). The Mandombe Academy at CENA is currently working on transcribing other African languages in the script. It has been classified as the third most viable indigenous script of recent indigenous west African scripts, behind only the Vai syllabary and the N'Ko alphabet.

The Vai syllabary is a syllabic writing system devised for the Vai language by Momolu Duwalu Bukele of Jondu, in what is now Grand Cape Mount County, Liberia. Bukele is regarded within the Vai community, as well as by most scholars, as the syllabary's inventor and chief promoter when it was first documented in the 1830s. It is one of the two most successful indigenous scripts in West Africa in terms of the number of current users and the availability of literature written in the script, the other being N'Ko.

<span class="mw-page-title-main">Carrier syllabics</span> Script for the Carrier language of British Columbia, Canada

Carrier or Déné syllabics is a script created by Adrien-Gabriel Morice for the Carrier language. It was inspired by Cree syllabics and is one of the writing systems in the Canadian Aboriginal syllabics Unicode range.

<span class="mw-page-title-main">Syllabogram</span>

Syllabograms are signs used to write the syllables of words. This term is most often used in the context of a writing system otherwise organized on different principles—an alphabet where most symbols represent phonemes, or a logographic script where most symbols represent morphemes—but a system based mostly on syllabograms is a syllabary.

<span class="mw-page-title-main">Semi-syllabary</span> Writing system that behaves partly as an alphabet and partly as a syllabary

A semi-syllabary is a writing system that behaves partly as an alphabet and partly as a syllabary. The main group of semi-syllabic writing are the Paleohispanic scripts of ancient Spain, a group of semi-syllabaries that transform redundant plosive consonants of the Phoenician alphabet into syllabograms.

The Woleai or Caroline Island script, thought to have been a syllabary, was a partially Latin-based script indigenous to Woleai Atoll and nearby islands of Micronesia and used to write the Woleaian language until the mid-20th century. At the time the script was first noticed by Europeans, this part of Micronesia was known as the Caroline Islands, hence the name Caroline Island script.

<span class="mw-page-title-main">Writing system</span> Any conventional method of visually representing verbal communication

A writing system is a method of visually representing verbal communication based on a script and an orthography or set of rules regulating its use.

<span class="mw-page-title-main">Bamum script</span> Set of scripts for the Bamum language of Cameroon

The Bamum scripts are an evolutionary series of six scripts created for the Bamum language by Ibrahim Njoya, King of Bamum. They are notable for evolving from a pictographic system to a semi-syllabary in the space of fourteen years, from 1896 to 1910. Bamum type was cast in 1918, but the script fell into disuse around 1931. A project began around 2007 to revive the Bamum script.

<span class="mw-page-title-main">Ditema tsa Dinoko</span> Writing system for some Southern Bantu languages

Ditema tsa Dinoko, also known as ditema tsa Sesotho, is a constructed writing system for the siNtu or Southern Bantu languages. It is also known by its IsiZulu name isiBheqe soHlamvu, and by various other names in different languages. It was developed in the 2010s from antecedent ideographic traditions of the Southern African region. Its visual appearance is inspired by these, including the traditional litema arts style. It was developed between 2014 and 2016 by a group of South African linguists and software programmers with the goal of creating a denser writing system to avoid the slowness in reading caused by the word length and visual homogeneity of Southern Bantu languages written in the Roman alphabet.

References

  1. Peter Daniels, 1996. "The Study of Writing Systems", p. 4. In: Daniels & Bright, The World's Writing Systems.
  2. Chris Barker. "How many syllables does English have?". New York University. Archived from the original on 2016-08-22.