An alphabet is a standard set of letters written to represent particular sounds in a spoken language. Specifically, letters correspond to phonemes, the categories of sounds that can distinguish one word from another in a given language. Not all writing systems represent language in this way: a syllabary assigns symbols to spoken syllables, while logographies assign symbols to words, morphemes, or other semantic units.
Chinese is a group of languages spoken natively by the ethnic Han Chinese majority and many minority ethnic groups in China. Approximately 1.35 billion people, or 17% of the global population, speak a variety of Chinese as their first language.
Kanji are the logographic Chinese characters adapted from the Chinese script used in the writing of Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of hiragana and katakana. The characters have Japanese pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After the Meiji Restoration, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3,000 kanji used in Japanese names and in common communication.
In a written language, a logogram, also logograph or lexigraph, is a written character that represents a semantic component of a language, such as a word or morpheme. Chinese characters as used in Chinese as well as other languages are logograms, as are Egyptian hieroglyphs and characters in cuneiform script. A writing system that primarily uses logograms is called a logography. Non-logographic writing systems, such as alphabets and syllabaries, are phonemic: their individual symbols represent sounds directly and lack any inherent meaning. However, all known logographies have some phonetic component, generally based on the rebus principle, and the addition of a phonetic component to pure ideographs is considered to be a key innovation in enabling the writing system to adequately encode human language.
Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary. Rather, the writing system is morphosyllabic: characters are one spoken syllable in length, but generally correspond to morphemes in the language, which may either be independent words, or part of a polysyllabic word. Most characters are constructed from smaller components that may reflect the character's meaning or pronunciation. Literacy requires the memorization of thousands of characters; college-educated Chinese speakers know approximately 4,000. This has led in part to the adoption of complementary transliteration systems as a means of representing the pronunciation of Chinese.
Chinese characters are logographs used to write the Chinese languages and others from regions historically influenced by Chinese culture. Chinese characters have a documented history spanning over three millennia, representing one of the four independent inventions of writing accepted by scholars; of these, they comprise the only writing system continuously used since its invention. Over time, the function, style, and means of writing characters have evolved greatly. Unlike letters in alphabets that reflect the sounds of speech, Chinese characters generally represent morphemes, the units of meaning in a language. Writing a language's entire vocabulary requires thousands of different characters. Characters are created according to several different principles, where aspects of both shape and pronunciation may be used to indicate the character's meaning.
Hanja, alternatively known as Hancha, are Chinese characters. used to write Korean as early as the Gojoseon period under the first Korean kingdom.
The languages of East Asia belong to several distinct language families, with many common features attributed to interaction. In the Mainland Southeast Asia linguistic area, Chinese varieties and languages of southeast Asia share many areal features, tending to be analytic languages with similar syllable and tone structure. In the 1st millennium AD, Chinese culture came to dominate East Asia, and Classical Chinese was adopted by scholars and ruling classes in Vietnam, Korea, and Japan. As a consequence, there was a massive influx of loanwords from Chinese vocabulary into these and other neighboring Asian languages. The Chinese script was also adapted to write Vietnamese, Korean and Japanese, though in the first two the use of Chinese characters is now restricted to university learning, linguistic or historical study, artistic or decorative works and newspapers, rather than daily usage.
Old Chinese, also called Archaic Chinese in older works, is the oldest attested stage of Chinese, and the ancestor of all modern varieties of Chinese. The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BC, in the Late Shang period. Bronze inscriptions became plentiful during the following Zhou dynasty. The latter part of the Zhou period saw a flowering of literature, including classical works such as the Analects, the Mencius, and the Zuo Zhuan. These works served as models for Literary Chinese, which remained the written standard until the early twentieth century, thus preserving the vocabulary and grammar of late Old Chinese.
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana. Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis. Almost all written Japanese sentences contain a mixture of kanji and kana. Because of this mixture of scripts, in addition to a large inventory of kanji characters, the Japanese writing system is considered to be one of the most complicated currently in use.
Chinese characters are generally logographs, but can be further categorized based on the manner of their creation or derivation. Some characters may be analysed structurally as compounds created from smaller components, while some are not decomposable in this way. A small number of characters originate as pictographs and ideographs, but the vast majority are what are called phono-semantic compounds, which involve an element of pronunciation in their meaning. wo millennia, but with the benefit of a greater body of historical evidence, recent scholarship has variously challenged and discarded those categories. In older literature, Chinese characters are often referred to as "ideographs", inheriting a historical misconception of Egyptian hieroglyphs, but some people assert that they do so only through association with the spoken word.
Hyangchal is an archaic writing system of Korea and was used to transcribe the Korean language in Chinese characters. Using the hyangchal system, Chinese characters were given a Korean reading based on the syllable associated with the character. The hyangchal writing system is often classified as a subgroup of the Idu script.
The Chinese Language: Fact and Fantasy is a book written by John DeFrancis, published in 1984 by University of Hawaiʻi Press. The book describes some of the concepts underlying the Chinese language and writing system, and gives the author's position on a number of ideas about the language.
Sino-Xenic vocabularies are large-scale and systematic borrowings of the Chinese lexicon into the Japanese, Korean and Vietnamese languages, none of which are genetically related to Chinese. The resulting Sino-Japanese, Sino-Korean and Sino-Vietnamese vocabularies now make up a large part of the lexicons of these languages. The pronunciation systems for these vocabularies originated from conscious attempts to consistently approximate the original Chinese sounds while reading Classical Chinese. They are used alongside modern varieties of Chinese in historical Chinese phonology, particularly the reconstruction of the sounds of Middle Chinese. Some other languages, such as Hmong–Mien and Kra–Dai languages, also contain large numbers of Chinese loanwords but without the systematic correspondences that characterize Sino-Xenic vocabularies.
Korean mixed script is a form of writing the Korean language that uses a mixture of the Korean alphabet or hangul and hanja, the Korean name for Chinese characters. The distribution on how to write words usually follows that all native Korean words, including suffixes, particles, and honorific markers are generally written in hangul and never in hanja. Sino-Korean vocabulary or hanja-eo, either words borrowed from Chinese or created from Sino-Korean roots, were generally always written in hanja, although very rare or complex characters were often substituted with hangul. Although the Korean alphabet was introduced and taught to people beginning in 1446, most literature until the early twentieth century was written in literary Chinese known as hanmun.
The Yugtun or Alaska script is a syllabary invented around the year 1900 by Uyaquq to write the Central Alaskan Yup'ik language. Uyaquq, who was monolingual in Yup'ik but had a son who was literate in English, initially used Indigenous pictograms as a form of proto-writing that served as a mnemonic in preaching the Bible. However, when he realized that this did not allow him to reproduce the exact words of a passage the way the Latin alphabet did for English-speaking missionaries, he and his assistants developed it until it became a full syllabary. Although Uyaquq never learned English or the Latin alphabet, he was influenced by both. The syllable kut, for example, resembles the cursive form of the English word good.
Chinese characters may be written using one of five major styles, can be written according to five major styles which developed organically over the history of Chinese script.
A writing system comprises a particular set of symbols, called a script, as well as the rules by which the script represents a particular language. Writing systems can generally be classified according to how symbols function according to these rules, with the most common types being alphabets, syllabaries, and logographies. Alphabets use symbols called letters that correspond to spoken phonemes. Abjads generally only have letters for consonants, while pure alphabets have letters for both consonants and vowels. Abugidas use characters that correspond to consonant–vowel pairs. Syllabaries use symbols called syllabograms to represent syllables or moras. Logographies use characters that represent semantic units, such as words or morphemes.
Chinese writing, culture and institutions were imported as a whole by Vietnam, Korea, Japan and other neighbouring states over an extended period. Chinese Buddhism spread over East Asia between the 2nd and 5th centuries AD, followed by Confucianism as these countries developed strong central governments modelled on Chinese institutions. In Vietnam and Korea, and for a shorter time in Japan and the Ryukyus, scholar-officials were selected using examinations on the Confucian classics modelled on the Chinese civil service examinations. Shared familiarity with the Chinese classics and Confucian values provided a common framework for intellectuals and ruling elites across the region. All of this was based on the use of Literary Chinese, which became the medium of scholarship and government across the region. Although each of these countries developed vernacular writing systems and used them for popular literature, they continued to use Chinese for all formal writing until it was swept away by rising nationalism around the end of the 19th century.
