Tironian notes

Last updated

Tironian notes
Laon 444 275v.png
Script type
Creator Marcus Tullius Tiro
Created60s BC
Time period
1st century BC – 16th century AD
Statusa few Tironian symbols are still in modern use
Languages Latin
Et: U+204A, U+2E52; MUFI
 This article contains phonetic transcriptions in the International Phonetic Alphabet (IPA).For an introductory guide on IPA symbols, see Help:IPA.For the distinction between [ ], / / and  , see IPA § Brackets and transcription delimiters.

Tironian notes (Latin: notae Tironianae) are a form of thousands of signs that were formerly used in a system of shorthand (Tironian shorthand) dating from the 1st century BCE and named after Tiro, a personal secretary to Marcus Tullius Cicero, who is often credited as their inventor. [1] Tiro's system consisted of about 4,000 signs, [2] extended to 5,000 signs by others. During the medieval period, Tiro's notation system was taught in European monasteries and expanded to a total of about 13,000 signs. [3] The use of Tironian notes declined after 1100 but lasted into the 17th century. A few Tironian signs are still used today. [4] [5]


Note on sign counts

Tironian et, U+204A <7> , with stroke and capital, U+2E52 <[?]> . Tironisches et.png
Tironian et, U+204A , with stroke and capital, U+2E52 .

Tironian notes can be themselves composites (ligatures) of simpler Tironian notes, the resulting compound being still shorter than the word it replaces. This accounts in part for the large number of attested Tironian notes, and for the wide variation in estimates of the total number of Tironian notes. Further, the "same" sign can have other variant forms, leading to the same issue.



Before Tironian shorthand became popularized, literature professor Anthony Di Renzo explains, "no true Latin shorthand existed." The only systematized form of abbreviation in Latin was used for legal notations (notae juris). This system, however, was deliberately abstruse and accessible only to people with specialized knowledge. Otherwise, shorthand was improvised for note-taking or writing personal communications, and some of these notations would not have been understood outside of closed circles. Some abbreviations of Latin words and phrases were commonly recognized, such as those of praenomina, and were typically used for inscriptions on monuments. [1]

Scholars infer that Marcus Tullius Cicero (106–43 BC) recognized the need for a comprehensive, standard Latin notation system after learning about the Greek shorthand system. Cicero presumably delegated the task of creating such a system for Latin to his slave and personal secretary Tiro. Tiro's position required him to quickly and accurately transcribe dictations from Cicero, such as speeches, professional and personal correspondence, and business transactions, sometimes while walking through the forum or during fast-paced and contentious government and legal proceedings. [1] Nicknamed "the father of stenography" by historians, [4] Tiro developed a highly refined and accurate method that used Latin letters and abstract symbols represented prepositions, truncated words, contractions, syllables, and inflections. According to Di Renzo: "Tiro then combined these mixed signs like notes in a score to record not just phrases, but, as Cicero marvels in a letter to Atticus, 'whole sentences.'" [1] Tiro's highly refined and accurate method became the first standardized and widely adopted system of Latin shorthand. [1] The system consisted of abbreviations and abstract symbols, which were either contrived by Tiro or borrowed from Greek shorthand.

Table with examples of Tironian notes which can be modified with various marks to form more complex ideas Example of tironian Notes.svg
Table with examples of Tironian notes which can be modified with various marks to form more complex ideas


Dio Cassius attributes the invention of shorthand to Maecenas, and states that he employed his freedman Aquila in teaching the system to numerous others. [6] Isidore of Seville, however, details another version of the early history of the system, ascribing the invention of the art to Quintus Ennius, who he says invented 1100 marks (Latin : notae). Isidore states that Tiro brought the practice to Rome, but only used Tironian notes for prepositions. [7] According to Plutarch in "Life of Cato the Younger", Cicero's secretaries established the first examples of the art of Latin shorthand: [8] [ full citation needed ]

This only of all Cato's speeches, it is said, was preserved; for Cicero, the consul, had disposed in various parts of the senate-house, several of the most expert and rapid writers, whom he taught to make figures comprising numerous words in a few short strokes; as up to that time they not used those we call shorthand writers, who then, as it is said, established the first example of the art.


There are no surviving copies of Tiro's original manual and code, so knowledge of it is based on biographical records and copies of Tironian tables from the medieval period. [1] Historians typically date the invention of Tiro's system as 63 BC, when it was first used in official government business according to Plutarch in his biography of Cato the Younger in The Lives of the Noble Grecians and Romans. [9] Before Tiro's system was institutionalized, he used it himself as he was developing and fine-tuning it, which historians suspect may have been as early as 75 BC, when Cicero held public office in Sicily and needed his notes and correspondences to be written in code to protect sensitive information he gathered about corruption among other government officials there. [1]

There is evidence that Tiro taught his system to Cicero and his other scribes, and possibly to his friends and family, before it came into wide use. In "Life of Cato the Younger", Plutarch wrote that during Senate hearings in 65 BC relating to the first Catilinarian conspiracy, Tiro and Cicero's other secretaries were in the audience meticulously and rapidly transcribing Cicero's oration. On many of the oldest Tironian tables, lines from this speech were frequently used as examples, leading scholars to theorize it was originally transcribed using Tironian shorthand. Scholars also believe that in preparation for speeches, Tiro drafted outlines in shorthand that Cicero used as notes while speaking. [1]


Isidore tells of the development of additional Tironian notes by various hands, such as Vipsanius, Philargius, and Aquila (as above), until Seneca systematized the various marks to be approximately 5000 in number. [7]

Use in the Middle Ages

Entering the Middle Ages, Tiro's shorthand was often used in combination with other abbreviations and the original symbols were expanded to 14,000 symbols during the Carolingian dynasty, but it quickly fell out of favor as shorthand became associated with witchcraft and magic[ citation needed ] and was forgotten until interest was rekindled by Thomas Becket, archbishop of Canterbury, in the 12th century. [10] In the 15th century Johannes Trithemius, abbot of the Benedictine abbey of Sponheim in Germany, discovered the notae Benenses: a psalm and a Ciceronian lexicon written in Tironian shorthand. [11]

Tironian et in an Anglo-Saxon manuscript Tironian et Dunstan.jpg
Tironian et in an Anglo-Saxon manuscript

The Tironian et can look very similar to an rrotunda, , depending on the typeface.

In Old English manuscripts, the Tironian et served as both a phonetic and morphological place holder. For instance, a Tironian et between two words would be phonetically pronounced ond and would mean 'and'. However, if the Tironian et followed the letter s, then it would be phonetically pronounced sond and mean 'water' (ancestral to Modern English sound in the geographical sense). This additional function of a phonetic as well as a conjunction placeholder has escaped formal Modern English; for example, one may not spell the word sand as s& (although this occurs in an informal style practised on certain Internet forums and sometimes in texting and other forms of instant messaging). This practice was distinct from the occasional use of &c. for etc., where the & is interpreted as the Latin word et ('and') and the c. is an abbreviation for Latin cetera ('[the] rest').


A pay and display sign in Dublin with the Tironian et
for the Irish agus
('and'). Pay and Display sign with Tironian et for Irish agus.jpg
A pay and display sign in Dublin with the Tironian et for the Irish agus ('and').

A few Tironian symbols are still used today, particularly the Tironian et (⁊), used in Ireland and Scotland to mean 'and' (where it is called agus in Irish and agusan [12] in Scottish Gaelic), and in the z of viz. (for et in videlicet – though here the z is derived from a Latin abbreviation sign, encoded as a casing pair U+A76A Ꝫ and U+A76B ꝫ).

Tironian et
(with a glyph similar to the r rotunda) in the abbreviation etc.
in a German print from 1845, using Fraktur Fliegende Blatter Band 1 (Munchen 1845) Nr. 21 S. 168.png
Tironian et (with a glyph similar to the r rotunda) in the abbreviation etc. in a German print from 1845, using Fraktur

In blackletter texts (especially in German printing), it was still used in the abbreviation ⁊c. = etc. (for et cetera ) throughout the 19th century.

Support on computers

The use of Tironian notes on modern computing devices is not always straightforward. The Tironian et is available at Unicode point U+204A, and can be made to display (e.g. for documents written in Irish or Scottish Gaelic) on a relatively wide range of devices: on Microsoft Windows, it can be shown in Segoe UI Symbol (a font that comes bundled with Windows Vista onwards); on macOS and iOS devices in all default system fonts; and on Windows, macOS, ChromeOS, and Linux in the free DejaVu Sans font (which comes bundled with ChromeOS and various Linux distributions). On the Microsoft Scottish Gaelic keyboard layout, the ⁊ can be entered by pressing AltGr+7 on Windows 11. [13]

Some applications and websites, such as the online edition of the Dictionary of the Irish Language , substitute the Tironian et with the box-drawing character U+2510 ┐, as it looks similar and displays widely. The numeral 7 is also used in informal contexts such as Internet forums and occasionally in print. [14]

A number of other Tironian signs have been assigned to the Private Use Area of Unicode by the Medieval Unicode Font Initiative (MUFI),[ citation needed ] who also provide links to free typefaces that support their specifications.

Character information
Unicode 11858U+2E528266U+204A
UTF-8 226 185 146E2 B9 92226 129 138E2 81 8A
Numeric character reference &#11858;&#x2E52;&#8266;&#x204A;

See also

Related Research Articles

D, or d, is the fourth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is dee, plural dees.

<span class="mw-page-title-main">International Phonetic Alphabet</span> System of phonetic notation

The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators.

K, or k, is the eleventh letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is kay, plural kays. The letter K usually represents the voiceless velar plosive.

<span class="mw-page-title-main">Shavian alphabet</span> Phonetic alphabet proposed for English spelling

The Shavian alphabet is an alphabet conceived as a way to provide simple, phonemic orthography for the English language to replace the difficulties of conventional spelling using the Latin alphabet. It was posthumously funded by and named after Irish playwright Bernard Shaw.

The ampersand, also known as the and sign, is the logogram &, representing the conjunction "and". It originated as a ligature of the letters et—Latin for "and".

<span class="mw-page-title-main">Shorthand</span> Abbreviated symbolic writing method

Shorthand is an abbreviated symbolic writing method that increases speed and brevity of writing as compared to longhand, a more common method of writing a language. The process of writing in shorthand is called stenography, from the Greek stenos (narrow) and graphein. It has also been called brachygraphy, from Greek brachys (short), and tachygraphy, from Greek tachys, depending on whether compression or speed of writing is the goal.

An interpunct⟨·⟩, also known as an interpoint, middle dot, middot, centered dot or centred dot, is a punctuation mark consisting of a vertically centered dot used for interword separation in Classical Latin. It appears in a variety of uses in some modern languages and is present in Unicode as U+00B7·MIDDLE DOT.

The abbreviation viz. is short for the Latin videlicet, which itself is a contraction of the Latin phrase videre licet, meaning "it is permitted to see". It is used as a synonym for "namely", "that is to say", "to wit", "which is", or "as follows". It is typically used to introduce examples or further details to illustrate a point. For example: "all types of data viz. text, audio, video, pictures, graphics, can be transmitted through networking".

Ø is a letter used in the Danish, Norwegian, Faroese, and Southern Sámi languages. It is mostly used as to represent the mid front rounded vowels, such as and, except for Southern Sámi where it is used as an diphthong.

The tilde˜ or ~, is a grapheme with a number of uses. The name of the character came into English from Spanish, which in turn came from the Latin titulus, meaning "title" or "superscription". Its primary use is as a diacritic (accent) in combination with a base letter but, for historical reasons, it is also used in standalone form within a variety of contexts.

Marcus Tullius Tiro was first a slave, then a freedman, of Cicero from whom he received his nomen and praenomen. He is frequently mentioned in Cicero's letters. After Cicero's death Tiro published his former master's collected works of letters and speeches. He also wrote a considerable number of books himself, and is thought to have invented an early form of shorthand.

<span class="mw-page-title-main">R rotunda</span> Variant of the Latin letter R (ꝛ)

The r rotunda ⟨ ꝛ ⟩, "rounded r", is a historical calligraphic variant of the minuscule (lowercase) letter Latin r used in full script-like typefaces, especially blackletters.

<span class="mw-page-title-main">Scribal abbreviation</span> Abbreviations used by ancient and medieval scribes

Scribal abbreviations or sigla are abbreviations used by ancient and medieval scribes writing in various languages, including Latin, Greek, Old English and Old Norse.

<span class="mw-page-title-main">Insular script</span> Medieval writing system common to Ireland and England

Insular script is a medieval script system originating from Ireland that spread to England and continental Europe under the influence of Irish Christianity. Irish missionaries took the script to continental Europe, where they founded monasteries such as Bobbio. The scripts were also used in monasteries like Fulda, which were influenced by English missionaries. They are associated with Insular art, of which most surviving examples are illuminated manuscripts. It greatly influenced modern Gaelic type and handwriting.

Agusan may refer to the following:

<span class="mw-page-title-main">Insular G</span> Form of the letter g used in Insular fonts in the Old English alphabet

Insular G is a form of the letter g somewhat resembling an ezh, used in the medieval insular script of Great Britain and Ireland. It was first used in the Roman Empire in Roman cursive, then it appeared in Irish half uncial (insular) script, and after it had passed into Old English, it developed into the Middle English letter yogh. Middle English, having reborrowed the familiar Carolingian g from the Continent, began to use the two forms of g as separate letters.

Gaelic type is a family of Insular script typefaces devised for printing Classical Gaelic. It was widely used from the 16th century until the mid-18th century in Scotland and the mid-20th century in Ireland, but is now rarely used. Sometimes, all Gaelic typefaces are called Celtic or uncial although most Gaelic types are not uncials. The "Anglo-Saxon" types of the 17th century are included in this category because both the Anglo-Saxon types and the Gaelic/Irish types derive from the insular manuscript hand.

An overline, overscore, or overbar, is a typographical feature of a horizontal line drawn immediately above the text. In old mathematical notation, an overline was called a vinculum, a notation for grouping symbols which is expressed in modern notation by parentheses, though it persists for symbols under a radical sign. The original use in Ancient Greek was to indicate compositions of Greek letters as Greek numerals. In Latin, it indicates Roman numerals multiplied by a thousand and it forms medieval abbreviations (sigla). Marking one or more words with a continuous line above the characters is sometimes called overstriking, though overstriking generally refers to printing one character on top of an already-printed character.

<span class="mw-page-title-main">Rotated letter</span> Printsetting and typographical technique

In the days of printing with metal type sorts, it was common to rotate letters and digits 180° to create new symbols. This was done for example with the Palaeotype alphabet, the International Phonetic Alphabet, the Fraser script, and for some mathematical symbols. Perhaps the earliest instance of this that is still in use was turned e for schwa.


  1. 1 2 3 4 5 6 7 8 Di Renzo, Anthony (2000). "His Master's Voice: Tiro and the Rise of the Roman Secretarial Class" (PDF). Journal of Technical Writing & Communication. 30 (2). Archived from the original (PDF) on 8 July 2016. Retrieved 31 July 2016.
  2. Job, Barbara. Schierholz, Stefan J. (ed.). "Kürzel" [Shorthand]. Wörterbücher zur Sprach- und Kommunikationswissenschaft (WSK) Online (in German). Retrieved 22 January 2023.
  3. Guénin, Louis-Prosper; Guénin, Eugène (1908). Histoire de la sténographie dans l'antiquité et au moyen-âge; les notes tironiennes (in French). Paris: Hachette et cie. OCLC   301255530.
  4. 1 2 Mitzschke, Paul Gottfried; Lipsius, Justus; Heffley, Norman P. (1882). Biography of the father of stenography, Marcus Tullius Tiro; together with the Latin letter, "De notis", concerning the origin of shorthand. Brooklyn, New York. OCLC   11943552.{{cite book}}: CS1 maint: location missing publisher (link)
  5. Kopp, Ulrich Friedrich; Bischoff, Bernhard (1965). Lexicon Tironianum (in German). Osnabrück: Zeller. OCLC   2996309.
  6. Dio Cassius. Roman History. 55.7.6
  7. 1 2 Isidorus. Etymologiae or Originum I.21ff, Gothofred, editor
  8. Plutarch (1683). "Life of Cato the Younger". The Lives of the Noble Grecians and Romans. Translated by Dryden, John.
  9. Bankston, Zach (2012). "Administrative Slavery in the Ancient Roman Republic: The Value of Marcus Tullius Tiro in Ciceronian Rhetoric". Rhetoric Review. 31 (3): 203–218. doi:10.1080/07350198.2012.683991. S2CID   145385697.
  10. Russon, Allien R. (15 August 2023). "Shorthand". Encyclopædia Britannica Online. Retrieved 1 August 2016.
  11. King, David A. The Ciphers of the Monks: A Forgotten Number-notation of the Middle Ages .
  12. Dwelly, William; Robertson, Michael; Bauer, Edward. "Am Faclair Beag – Scottish Gaelic Dictionary". Faclair.
  13. "Scottish Gaelic Keyboard". Microsoft Learn. 8 December 2022. Retrieved 15 April 2023.
  14. Cox, Richard (1991). Brìgh nam Facal. Roinn nan Cànan Ceilteach. p. V. ISBN   978-0903204-21-7.