Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the word 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
Various Mongolian writing systems have been devised for the Mongolian language over the centuries, and from a variety of scripts. The oldest and native script, called simply the Mongolian script, has been the predominant script during most of Mongolian history, and is still in active use today in the Inner Mongolia region of China and has de facto use in Mongolia.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Although people in many parts of the world share common alphabets and numeral systems, styles of handwritten letterforms vary between individuals, and sometimes also vary systematically between regions.
The Tibetan script is a segmental writing system (abugida) of Indic origin used to write certain Tibetic languages, including Tibetan, Dzongkha, Sikkimese, Ladakhi, Jirel and Balti. It has also been used for some non-Tibetic languages in close cultural contact with Tibet, such as Thakali and Old Turkic. The printed form is called uchen script while the hand-written cursive form used in everyday writing is called umê script. This writing system is used across the Himalayas, and Tibet.
Uchen is the upright, block style of the Tibetan script. The name means "with a head", and is the style of the script used for printing and for formal manuscripts.
Cursive is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic", or "connected".
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including seal carving, ornate paperweights, and inkstones.
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.
The Phagspa script or ʼPhags-pa script is an alphabet designed by the Tibetan monk and State Preceptor Drogön Chögyal Phagpa for Kublai Khan, the founder of the Yuan dynasty, as a unified script for the written languages within the Yuan. The actual use of this script was limited to about a hundred years during the Mongol-led Yuan dynasty, and it fell out of use with the advent of the Ming dynasty.
Korean calligraphy, also known as Seoye (Korean: 서예), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja and Hangul.
Semi-cursive script, also known as running hand script, is a style of calligraphy which emerged in China during the Han dynasty. The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. This makes the style easily readable by readers who can read regular script and quickly writable by calligraphers who require ideas to be written down quickly. In order to produce legible work using the semi-cursive style, a series of writing conventions is followed, including the linking of the strokes, simplification and merging strokes, adjustments to stroke order and the distribution of text of the work.
Kurrent is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift, deutsche Schrift, and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
In Chinese calligraphy, Chinese characters can be written according to five major styles. These styles are intrinsically linked to the history of Chinese script.
Vima Nyingthig, "Seminal Heart of Vimalamitra", in Tibetan Buddhism is one of the two "seminal heart" collections of the menngagde cycle Dzogchen, the other one being "Seminal Heart of the Dakini". Traditionally the teachings are ascribed to Vimalamitra, but they were codified and collated by their Tibetan discoverers in the 11th and 12th century. The main discoverer of the Vima Nyingthig was Zhangtön Tashi Dorjé.
Umê is a semi-formal script used to write the Tibetan alphabet used for both calligraphy and shorthand. The name ume means "headless" and refers to its distinctive feature: the absence of the horizontal guide line ('head') across the top of the letters. Between syllables, the tseg mark often appears as a vertical stroke, rather than the shorter 'dot'-like mark in some other scripts. There are two main kinds of umê writing:
Ruqʿah or Riqʿah (رِقعة) is a writing style of Arabic script intended for the rapid production of texts. It a relatively simple and plain style, used for everyday writing and often used for signs. The Ottoman calligraphers Mumtaz Efendi (1810–1872) and Mustafa Izzet Efendi (1801–1876) are credited with standardizing the writing style which has existed in slightly different styles as everyday handwriting.
Tashi Tsering also called Tashi Tsering Josayma; born in 1960, is a Tibetan tibetologist, historian and writer.
