Various Mongolian writing systems have been devised for the Mongolian language over the centuries, and from a variety of scripts. The oldest and native script, called simply the Mongolian script, has been the predominant script during most of Mongolian history, and is still in active use today in the Inner Mongolia region of China and has de facto use in Mongolia.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Although people in many parts of the world share common alphabets and numeral systems, styles of handwritten letterforms vary between individuals, and sometimes also vary systematically between regions.
The Gelug is the newest of the four major schools of Tibetan Buddhism. It was founded by Je Tsongkhapa (1357–1419), a Tibetan philosopher, tantric yogi and lama and further expanded and developed by his disciples.
The Tibetan script is a segmental writing system, or abugida, derived from Brahmic scripts and Gupta script, and used to write certain Tibetic languages, including Tibetan, Dzongkha, Sikkimese, Ladakhi, Jirel and Balti. It was originally developed c. 620 by Tibetan minister Thonmi Sambhota for King Songtsen Gampo.
Uchen is the upright, block style of the Tibetan script. The name means "with a head", and is the style of the script used for printing and for formal manuscripts.
Cursive is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic", or "connected".
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Roman cursive is a form of handwriting used in ancient Rome and to some extent into the Middle Ages. It is customarily divided into old cursive and new cursive.
Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.
The Phagspa, ʼPhags-pa or ḥPʻags-pa script is an alphabet designed by the Tibetan monk and State Preceptor Drogön Chögyal Phagpa (1235–1280) for Kublai Khan, the founder of the Yuan dynasty (1271–1368) in China, as a unified script for the written languages within the Yuan. The actual use of this script was limited to about a hundred years during the Mongol-led Yuan dynasty, and it fell out of use with the advent of the Ming dynasty.
Diwani is a calligraphic variety of Arabic script, a cursive style developed during the reign of the early Ottoman Turks. It reached its height of popularity under Süleyman I the Magnificent (1520–1566).
Kurrent is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift, deutsche Schrift, and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
Russian cursive is a variant of the Russian alphabet used for writing by hand. It is typically referred to as (ру́сский) рукопи́сный шрифт (rússky) rukopísny shrift, "(Russian) handwritten font". It is the handwritten form of the modern Russian Cyrillic script, used instead of the block letters seen in printed material. In addition, Russian italics for lowercase letters are often based on Russian cursive. Most handwritten Russian, especially in personal letters and schoolwork, uses the cursive alphabet. In Russian schools most children are taught from first grade how to write with this script.
Trülku Drakpa Gyeltsen (1619–1656) was an important Gelugpa lama and a contemporary of the 5th Dalai Lama (1617–1682). His Seat was the upper residence of Drepung Monastery, a famous Gelug gompa located near Lhasa.
Chinese characters may be written using several major historical styles, which developed organically over the history of Chinese script. There are also various major regional styles associated with various modern and historical polities.
The Phagmodrupa dynasty or Pagmodru was a dynastic regime that held sway over Tibet or parts thereof from 1354 to the early 17th century. It was established by Tai Situ Changchub Gyaltsen of the Lang family at the end of the Yuan dynasty. The dynasty had a lasting importance on the history of Tibet; it created an autonomous kingdom after Yuan rule, revitalized the national culture, and brought about a new legislation that survived until the 1950s. Nevertheless, the Phagmodrupa had a turbulent history due to internal family feuding and the strong localism among noble lineages and fiefs. Its power receded after 1435 and was reduced to Ü in the 16th century due to the rise of the ministerial family of the Rinpungpa. It was defeated by the rival Tsangpa dynasty in 1613 and 1620, and was formally superseded by the Ganden Phodrang regime founded by the 5th Dalai Lama in 1642. In that year, Güshi Khan of the Khoshut formally transferred the old possessions of Sakya, Rinpung and Phagmodrupa to the "Great Fifth".
Umê is a semi-formal script used to write the Tibetan alphabet used for both calligraphy and shorthand. The name ume means "headless" and refers to its distinctive feature: the absence of the horizontal guide line ('head') across the top of the letters. Between syllables, the tseg mark often appears as a vertical stroke, rather than the shorter 'dot'-like mark in some other scripts. There are two main kinds of umê writing:
A yig mgo is a textual caret mark in Tibetan script which is one of the possible markers for a new text or page. In some cases, such as following an internal title page, a triple yig mgo is used. Various forms of yig mgo are included in the Unicode character set for Tibetan, including:
The Marchen script was a Brahmic abugida which was used for writing the extinct Zhangzhung language. It was derived from the Tibetan script.
