Punctuation

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Punctuation marks are marks indicating how a piece of written text should be read (silently or aloud) and, consequently, understood. [1] The oldest known examples of punctuation marks were found in the Mesha Stele from the 9th century BC, consisting of points between the words and horizontal strokes between sections. [2] [ further explanation needed ] The alphabet-based writing began with no spaces, no capitalization, no vowels (see abjad), and with only a few punctuation marks, as it was mostly aimed at recording business transactions. Only with the Greek playwrights (such as Euripides and Aristophanes) did the ends of sentences begin to be marked to help actors know when to make a pause during performances. Punctuation includes space between words and the other, historically or currently used, signs.

Contents

By the 19th century, the punctuation marks were used hierarchically in terms of their weight. [3] Six marks, proposed in 1966 by the French author Hervé Bazin, could be seen as predecessors of emoticons and emojis. [4]

Meaning of a text can be changed substantially, although in rare cases, with different punctuation, such as in "woman, without her man, is nothing" (emphasizing the importance of men to women), when written "woman: without her, man is nothing" (emphasizing the importance of women to men), instead. [5] Similar change in meaning can be achieved in spoken forms of most languages by using various elements of speech; such as, suprasegmentals. The rules of punctuation vary with language, location, register, and time. Most recently, in online chat and text messages punctuation is used mostly tachygraphically, especially among younger users.

History

Punctuation marks, especially spacing, were not needed in logographic or syllabic (such as Chinese and Mayan script) texts because disambiguation and emphasis could be communicated by employing a separate written form distinct from the spoken form of the language. Ancient Chinese classical texts were transmitted without punctuation. However, many Warring States period bamboo texts contain the symbols and indicating the end of a chapter and full stop, respectively. [6] By the Song dynasty, the addition of punctuation to texts by scholars to aid comprehension became common. [7]

Western Antiquity

Most texts were still written in scriptura continua , that is without any separation between words. However, the Greeks were sporadically using punctuation marks consisting of vertically arranged dots—usually two (dicolon) or three (tricolon)—in around the 5th century BC as an aid in the oral delivery of texts. After 200 BC, the Greeks used Aristophanes of Byzantium's system (called théseis) of a single dot (punctus) placed at varying heights to mark up speeches at rhetorical divisions:

In addition, the Greeks used the paragraphos (or gamma) to mark the beginning of sentences, marginal diples to mark quotations, and a koronis to indicate the end of major sections.

The Romans (c.1st century BC) also occasionally used symbols to indicate pauses, but the Greek théseis—under the name distinctiones [9] —prevailed by the 4th century AD as reported by Aelius Donatus and Isidore of Seville (7th century). Also, texts were sometimes laid out per capitula, where every sentence had its own separate line. Diples were used, but by the late period these often degenerated into comma-shaped marks.

Medieval

Punctuation developed dramatically when large numbers of copies of the Bible started to be produced. These were designed to be read aloud, so the copyists began to introduce a range of marks to aid the reader, including indentation, various punctuation marks (diple, paragraphos , simplex ductus), and an early version of initial capitals (litterae notabiliores). Jerome and his colleagues, who made a translation of the Bible into Latin, the Vulgate (c.AD 400), employed a layout system based on established practices for teaching the speeches of Demosthenes and Cicero. Under his layout per cola et commata every sense-unit was indented and given its own line. This layout was solely used for biblical manuscripts during the 5th–9th centuries but was abandoned in favor of punctuation.

In the 7th–8th centuries Irish and Anglo-Saxon scribes, whose native languages were not derived from Latin, added more visual cues to render texts more intelligible. Irish scribes introduced the practice of word separation. [10] Likewise, insular scribes adopted the distinctiones system while adapting it for minuscule script (so as to be more prominent) by using not differing height but rather a differing number of marks—aligned horizontally (or sometimes triangularly)—to signify a pause's duration: one mark for a minor pause, two for a medium one, and three for a major one. Most common were the punctus, a comma-shaped mark, and a 7-shaped mark (comma positura), often used in combination. The same marks could be used in the margin to mark off quotations.

In the late 8th century a different system emerged in France under the Carolingian dynasty. Originally indicating how the voice should be modulated when chanting the liturgy, the positurae migrated into any text meant to be read aloud, and then to all manuscripts. Positurae first reached England in the late 10th century, probably during the Benedictine reform movement, but was not adopted until after the Norman conquest. The original positurae were the punctus, punctus elevatus, [11] punctus versus, and punctus interrogativus, but a fifth symbol, the punctus flexus, was added in the 10th century to indicate a pause of a value between the punctus and punctus elevatus. In the late 11th/early 12th century the punctus versus disappeared and was taken over by the simple punctus (now with two distinct values). [12]

The late Middle Ages saw the addition of the virgula suspensiva (slash or slash with a midpoint dot) which was often used in conjunction with the punctus for different types of pauses. Direct quotations were marked with marginal diples, as in Antiquity, but from at least the 12th century scribes also began entering diples (sometimes double) within the column of text.

Printing-press era

The amount of printed material and its readership began to increase after the invention of moveable type in Europe in the 1450s. Martin Luther's German Bible translation was one of the first mass printed works, he used only virgule, full stop and less than one percent question marks as punctuation. The focus of punctuation still was rhetorical, to aid reading aloud. [13] As explained by writer and editor Lynne Truss, "The rise of printing in the 14th and 15th centuries meant that a standard system of punctuation was urgently required." [14] Printed books, whose letters were uniform, could be read much more rapidly than manuscripts. Rapid reading, or reading aloud, did not allow time to analyze sentence structures. This increased speed led to the greater use and finally standardization of punctuation, which showed the relationships of words with each other: where one sentence ends and another begins, for example.

The introduction of a standard system of punctuation has also been attributed to the Venetian printers Aldus Manutius and his grandson. They have been credited with popularizing the practice of ending sentences with the colon or full stop (period), inventing the semicolon, making occasional use of parentheses, and creating the modern comma by lowering the virgule. By 1566, Aldus Manutius the Younger was able to state that the main object of punctuation was the clarification of syntax. [15]

By the 19th century, punctuation in the Western world had evolved "to classify the marks hierarchically, in terms of weight". [16] Cecil Hartley's poem identifies their relative values:

The stop point out, with truth, the time of pause
A sentence doth require at ev'ry clause.
At ev'ry comma, stop while one you count;
At semicolon, two is the amount;
A colon doth require the time of three;
The period four, as learned men agree. [17]

The use of punctuation was not standardised until after the invention of printing. According to the 1885 edition of The American Printer, the importance of punctuation was noted in various sayings by children, such as:

Charles the First walked and talked
Half an hour after his head was cut off.

With a semi-colon and a comma added, it reads as follows:

Charles the First walked and talked;
Half an hour after, his head was cut off. [18]

In a 19th-century manual of typography, Thomas MacKellar writes:

Shortly after the invention of printing, the necessity of stops or pauses in sentences for the guidance of the reader produced the colon and full point. In process of time, the comma was added, which was then merely a perpendicular line, proportioned to the body of the letter. These three points were the only ones used until the close of the fifteenth century, when Aldo Manuccio gave a better shape to the comma, and added the semicolon; the comma denoting the shortest pause, the semicolon next, then the colon, and the full point terminating the sentence. The marks of interrogation and admiration were introduced many years after. [19]

Typewriters and electronic communication

The introduction of electrical telegraphy with a limited set of transmission codes [20] and typewriters with a limited set of keys influenced punctuation subtly. For example, curved quotes and apostrophes were all collapsed into two characters (' and "). The hyphen, minus sign, and dashes of various widths have been collapsed into a single character (-), sometimes repeated to represent a long dash. The spaces of different widths available to professional typesetters were generally replaced by a single full-character width space, with typefaces monospaced. In some cases a typewriter keyboard did not include an exclamation point (!), which could otherwise be constructed by the overstrike of an apostrophe and a period; the original Morse code did not have an exclamation point.

These simplifications have been carried forward into digital writing, with teleprinters and the ASCII character set essentially supporting the same characters as typewriters. Treatment of whitespace in HTML discouraged the practice (in English prose) of putting two full spaces after a full stop, since a single or double space would appear the same on the screen. (Most style guides now discourage double spaces, and some electronic writing tools, including Wikipedia's software, automatically collapse double spaces to single.) The full traditional set of typesetting tools became available with the advent of desktop publishing and more sophisticated word processors. Despite the widespread adoption of character sets like Unicode that support the punctuation of traditional typesetting, writing forms like text messages tend to use the simplified ASCII style of punctuation, with the addition of new non-text characters like emoji. Informal text speak tends to drop punctuation when not needed, including some ways that would be considered errors in more formal writing.

In the computer era, punctuation characters were recycled for use in programming languages and URLs. Due to its use in email and Twitter handles, the at sign (@) has gone from an obscure character mostly used by sellers of bulk commodities (10 pounds @$2.00 per pound), to a very common character in common use for both technical routing and an abbreviation for "at". The tilde (~), in moveable type only used in combination with vowels, for mechanical reasons ended up as a separate key on mechanical typewriters, and like @ it has been put to completely new uses.

In English

There are two major styles of punctuation in English: British or American. These two styles differ mainly in the way in which they handle quotation marks, particularly in conjunction with other punctuation marks. In British English, punctuation marks such as full stops and commas are placed inside the quotation mark only if they are part of what is being quoted, and placed outside the closing quotation mark if part of the containing sentence. In American English, however, such punctuation is generally placed inside the closing quotation mark regardless. This rule varies for other punctuation marks; for example, American English follows the British English rule when it comes to semicolons, colons, question marks, and exclamation points. [21] [ further explanation needed ] The serial comma is used much more often in the United States than in the UK.

Other languages

Other languages of Europe use much the same punctuation as English. The similarity is so strong that the few variations may confuse a native English reader. Quotation marks are particularly variable across European languages. For example, in French and Russian, quotes would appear as: «Je suis fatigué.» (in French, each "double punctuation", as the guillemet, requires a non-breaking space; in Russian it does not).

In the French of France and Belgium, the signs :;? and ! are always preceded by a thin non-breaking space. In Canadian French, this is only the case for :. [22] [23]

In Greek, the question mark is written as the English semicolon, while the functions of the colon and semicolon are performed by a raised point ·, known as the ano teleia (άνω τελεία).

In Georgian, three dots were formerly used as a sentence or paragraph divider. It is still sometimes used in calligraphy.

Spanish and Asturian (both of them Romance languages used in Spain) use an inverted question mark ¿ at the beginning of a question and the normal question mark at the end, as well as an inverted exclamation mark ¡ at the beginning of an exclamation and the normal exclamation mark at the end. [24]

Armenian uses several punctuation marks of its own. The full stop is represented by a colon, and vice versa; the exclamation mark is represented by a diagonal similar to a tilde ~, while the question mark ՞ resembles an unclosed circle placed after the last vowel of the word.

Arabic, Urdu, and Persian—written from right to left—use a reversed question mark: ؟, and a reversed comma: ،. This is a modern innovation; pre-modern Arabic did not use punctuation. Hebrew, which is also written from right to left, uses the same characters as in English, , and ?. [25]

Originally, Sanskrit had no punctuation. In the 17th century, Sanskrit and Marathi, both written using Devanagari, started using the vertical bar to end a line of prose and double vertical bars in verse.

Punctuation was not used in Chinese, Japanese, Korean and Vietnamese Chu Nom writing until the adoption of punctuation from the West in the late 19th and early 20th century. In unpunctuated texts, the grammatical structure of sentences in classical writing is inferred from context. [26] Most punctuation marks in modern Chinese, Japanese, and Korean have similar functions to their English counterparts; however, they often look different and have different customary rules.

In the Indian subcontinent, :- is sometimes used in place of colon or after a subheading. Its origin is unclear, but could be a remnant of the British Raj. Another punctuation common in the Indian Subcontinent for writing monetary amounts is the use of /- or /= after the number. For example, Rs. 20/- or Rs. 20/= implies 20 whole rupees.

Thai, Khmer, Lao and Burmese did not use punctuation until the adoption of punctuation from the West in the 20th century. Blank spaces are more frequent than full stops or commas.

Novel punctuation marks

Interrobang

In 1962, American advertising executive Martin K. Speckter proposed the interrobang (‽), a combination of the question mark and exclamation point, to mark rhetorical questions or questions stated in a tone of disbelief. Although the new punctuation mark was widely discussed in the 1960s, it failed to achieve widespread use. [27] Nevertheless, it and its inverted form were given code points in Unicode: U+203DINTERROBANG, U+2E18INVERTED INTERROBANG.

Predecessors of emoticons and emojis

The six additional punctuation marks proposed in 1966 by the French author Hervé Bazin in his book Plumons l'Oiseau ("Let's pluck the bird", 1966) [28] could be seen as predecessors of emoticons and emojis.

These were: [29]

"Question comma", "exclamation comma"

An exclamation comma Exclamation comma 3.png
An exclamation comma

An international patent application was filed, and published in 1992 under World Intellectual Property Organization (WIPO) number WO9219458, [30] for two new punctuation marks: the "question comma" and the "exclamation comma". The question comma has a comma instead of the dot at the bottom of a question mark, while the exclamation comma has a comma in place of the point at the bottom of an exclamation mark. These were intended for use as question and exclamation marks within a sentence, a function for which normal question and exclamation marks can also be used, but which may be considered obsolescent. The patent application entered into the national phase only in Canada. It was advertised as lapsing in Australia on 27 January 1994 [31] and in Canada on 6 November 1995. [32]

Others

Other proposed punctuation marks include: [33]

Punctuation marks in Unicode

By Unicode General Category  'P'
§ Pd, dash
§ Ps-Pe, startend (openclose brackets)
§ Pi-Pf, initial–final quote
§ Pc, connector
§ Po, other
MarkNameCode point General Category Script
Pd, dash
-HYPHEN-MINUSU+002DPd, dash Common
HYPHENU+2010Pd, dashCommon
NON-BREAKING HYPHENU+2011Pd, dashCommon
FIGURE DASHU+2012Pd, dashCommon
EN DASHU+2013Pd, dashCommon
EM DASHU+2014Pd, dashCommon
HORIZONTAL BARU+2015Pd, dashCommon
DOUBLE OBLIQUE HYPHENU+2E17Pd, dashCommon
HYPHEN WITH DIAERESISU+2E1APd, dashCommon
TWO-EM DASHU+2E3APd, dashCommon
THREE-EM DASHU+2E3BPd, dashCommon
DOUBLE HYPHENU+2E40Pd, dashCommon
WAVE DASHU+301CPd, dashCommon
WAVY DASHU+3030Pd, dashCommon
KATAKANA-HIRAGANA DOUBLE HYPHENU+30A0Pd, dashCommon
PRESENTATION FORM FOR VERTICAL EM DASHU+FE31Pd, dashCommon
PRESENTATION FORM FOR VERTICAL EN DASHU+FE32Pd, dashCommon
SMALL EM DASHU+FE58Pd, dashCommon
SMALL HYPHEN-MINUSU+FE63Pd, dashCommon
FULLWIDTH HYPHEN-MINUSU+FF0DPd, dashCommon
֊ARMENIAN HYPHENU+058APd, dashArmenian
CANADIAN SYLLABICS HYPHENU+1400Pd, dashCanadian Aboriginal
־HEBREW PUNCTUATION MAQAFU+05BEPd, dashHebrew
MONGOLIAN TODO SOFT HYPHENU+1806Pd, dashMongolian
𐺭YEZIDI HYPHENATION MARKU+10EADPd, dashYezidi
Pi-Pf, initial–final quote
« »
  • LEFT-POINTING DOUBLE ANGLE QUOTATION MARK
  • RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK
  • U+00AB
  • U+00BB
  • Pi, initial
  • Pf, final
Common
 
  • LEFT SINGLE QUOTATION MARK
  • RIGHT SINGLE QUOTATION MARK
  • U+2018
  • U+2019
  • Pi, initial
  • Pf, final
Common
SINGLE HIGH-REVERSED-9 QUOTATION MARKU+201BPi, initial quoteCommon
 
  • LEFT DOUBLE QUOTATION MARK
  • RIGHT DOUBLE QUOTATION MARK
  • U+201C
  • U+201D
  • Pi, initial
  • Pf, final
Common
DOUBLE HIGH-REVERSED-9 QUOTATION MARKU+201FPi, initial quoteCommon
 
  • SINGLE LEFT-POINTING ANGLE QUOTATION MARK
  • SINGLE RIGHT-POINTING ANGLE QUOTATION MARK
  • U+2039
  • U+203A
  • Pi, initial
  • Pf, final
Common
 
  • LEFT SUBSTITUTION BRACKET
  • RIGHT SUBSTITUTION BRACKET
  • U+2E02
  • U+2E03
  • Pi, initial
  • Pf, final
Common
 
  • LEFT DOTTED SUBSTITUTION BRACKET
  • RIGHT DOTTED SUBSTITUTION BRACKET
  • U+2E04
  • U+2E05
  • Pi, initial
  • Pf, final
Common
 
  • LEFT TRANSPOSITION BRACKET
  • RIGHT TRANSPOSITION BRACKET
  • U+2E09
  • U+2E0A
  • Pi, initial
  • Pf, final
Common
 
  • LEFT RAISED OMISSION BRACKET
  • RIGHT RAISED OMISSION BRACKET
  • U+2E0C
  • U+2E0D
  • Pi, initial
  • Pf, final
Common
 
  • LEFT LOW PARAPHRASE BRACKET
  • RIGHT LOW PARAPHRASE BRACKET
  • U+2E1C
  • U+2E1D
  • Pi, initial
  • Pf, final
Common
 
  • LEFT VERTICAL BAR WITH QUILL
  • RIGHT VERTICAL BAR WITH QUILL
  • U+2E20
  • U+2E21
  • Pi, initial
  • Pf, final
Common
Ps-Pe, open–close (brackets)
( )
  • LEFT PARENTHESIS
  • RIGHT PARENTHESIS
  • U+0028
  • U+0029
  • Ps, open
  • Pe, close
Common
[ ]
  • LEFT SQUARE BRACKET
  • RIGHT SQUARE BRACKET
  • U+005B
  • U+005D
  • Ps, open
  • Pe, close
Common
{ }
  • LEFT CURLY BRACKET
  • RIGHT CURLY BRACKET
  • U+007B
  • U+007D
  • Ps, open
  • Pe, close
Common
SINGLE LOW-9 QUOTATION MARKU+201APs, openCommon
DOUBLE LOW-9 QUOTATION MARKU+201EPs, openCommon
 
  • LEFT SQUARE BRACKET WITH QUILL
  • RIGHT SQUARE BRACKET WITH QUILL
  • U+2045
  • U+2046
  • Ps, open
  • Pe, close
Common
 
  • SUPERSCRIPT LEFT PARENTHESIS
  • SUPERSCRIPT RIGHT PARENTHESIS
  • U+207D
  • U+207E
  • Ps, open
  • Pe, close
Common
 
  • SUBSCRIPT LEFT PARENTHESIS
  • SUBSCRIPT RIGHT PARENTHESIS
  • U+208D
  • U+208E
  • Ps, open
  • Pe, close
Common
 
  • LEFT CEILING
  • RIGHT CEILING
  • U+2308
  • U+2309
  • Ps, open
  • Pe, close
Common
 
  • LEFT FLOOR
  • RIGHT FLOOR
  • U+230A
  • U+230B
  • Ps, open
  • Pe, close
Common
 
  • LEFT-POINTING ANGLE BRACKET
  • RIGHT-POINTING ANGLE BRACKET
  • U+2329
  • U+232A
  • Ps, open
  • Pe, close
Common
 
  • MEDIUM LEFT PARENTHESIS ORNAMENT
  • MEDIUM RIGHT PARENTHESIS ORNAMENT
  • U+2768
  • U+2769
  • Ps, open
  • Pe, close
Common
 
  • MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT
  • MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT
  • U+276A
  • U+276B
  • Ps, open
  • Pe, close
Common
 
  • MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT
  • MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT
  • U+276C
  • U+276D
  • Ps, open
  • Pe, close
Common
 
  • HEAVY LEFT-POINTING ANGLE QUOTATION MARK ORNAMENT
  • HEAVY RIGHT-POINTING ANGLE QUOTATION MARK ORNAMENT
  • U+276E
  • U+276F
  • Ps, open
  • Pe, close
Common
 
  • HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT
  • HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT
  • U+2770
  • U+2771
  • Ps, open
  • Pe, close
Common
 
  • LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT
  • LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT
  • U+2772
  • U+2773
  • Ps, open
  • Pe, close
Common
 
  • MEDIUM LEFT CURLY BRACKET ORNAMENT
  • MEDIUM RIGHT CURLY BRACKET ORNAMENT
  • U+2774
  • U+2775
  • Ps, open
  • Pe, close
Common
 
  • LEFT S-SHAPED BAG DELIMITER
  • RIGHT S-SHAPED BAG DELIMITER
  • U+27C5
  • U+27C6
  • Ps, open
  • Pe, close
Common
 
  • MATHEMATICAL LEFT WHITE SQUARE BRACKET
  • MATHEMATICAL RIGHT WHITE SQUARE BRACKET
  • U+27E6
  • U+27E7
  • Ps, open
  • Pe, close
Common
 
  • MATHEMATICAL LEFT ANGLE BRACKET
  • MATHEMATICAL RIGHT ANGLE BRACKET
  • U+27E8
  • U+27E9
  • Ps, open
  • Pe, close
Common
 
  • MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
  • MATHEMATICAL RIGHT DOUBLE ANGLE BRACKET
  • U+27EA
  • U+27EB
  • Ps, open
  • Pe, close
Common
 
  • MATHEMATICAL LEFT WHITE TORTOISE SHELL BRACKET
  • MATHEMATICAL RIGHT WHITE TORTOISE SHELL BRACKET
  • U+27EC
  • U+27ED
  • Ps, open
  • Pe, close
Common
 
  • MATHEMATICAL LEFT FLATTENED PARENTHESIS
  • MATHEMATICAL RIGHT FLATTENED PARENTHESIS
  • U+27EE
  • U+27EF
  • Ps, open
  • Pe, close
Common
 
  • LEFT WHITE CURLY BRACKET
  • RIGHT WHITE CURLY BRACKET
  • U+2983
  • U+2984
  • Ps, open
  • Pe, close
Common
 
  • LEFT WHITE PARENTHESIS
  • RIGHT WHITE PARENTHESIS
  • U+2985
  • U+2986
  • Ps, open
  • Pe, close
Common
 
  • Z NOTATION LEFT IMAGE BRACKET
  • Z NOTATION RIGHT IMAGE BRACKET
  • U+2987
  • U+2988
  • Ps, open
  • Pe, close
Common
 
  • Z NOTATION LEFT BINDING BRACKET
  • Z NOTATION RIGHT BINDING BRACKET
  • U+2989
  • U+298A
  • Ps, open
  • Pe, close
Common
 
  • LEFT SQUARE BRACKET WITH UNDERBAR
  • RIGHT SQUARE BRACKET WITH UNDERBAR
  • U+298B
  • U+298C
  • Ps, open
  • Pe, close
Common
 
  • LEFT SQUARE BRACKET WITH TICK IN TOP CORNER
  • RIGHT SQUARE BRACKET WITH TICK IN BOTTOM CORNER
  • U+298D
  • U+298E
  • Ps, open
  • Pe, close
Common
 
  • LEFT SQUARE BRACKET WITH TICK IN BOTTOM CORNER
  • RIGHT SQUARE BRACKET WITH TICK IN TOP CORNER
  • U+298F
  • U+2990
  • Ps, open
  • Pe, close
Common
 
  • LEFT ANGLE BRACKET WITH DOT
  • RIGHT ANGLE BRACKET WITH DOT
  • U+2991
  • U+2992
  • Ps, open
  • Pe, close
Common
 
  • LEFT ARC LESS-THAN BRACKET
  • RIGHT ARC GREATER-THAN BRACKET
  • U+2993
  • U+2994
  • Ps, open
  • Pe, close
Common
 
  • DOUBLE LEFT ARC GREATER-THAN BRACKET
  • DOUBLE RIGHT ARC LESS-THAN BRACKET
  • U+2995
  • U+2996
  • Ps, open
  • Pe, close
Common
 
  • LEFT BLACK TORTOISE SHELL BRACKET
  • RIGHT BLACK TORTOISE SHELL BRACKET
  • U+2997
  • U+2998
  • Ps, open
  • Pe, close
Common
 
  • LEFT WIGGLY FENCE
  • RIGHT WIGGLY FENCE
  • U+29D8
  • U+29D9
  • Ps, open
  • Pe, close
Common
 
  • LEFT DOUBLE WIGGLY FENCE
  • RIGHT DOUBLE WIGGLY FENCE
  • U+29DA
  • U+29DB
  • Ps, open
  • Pe, close
Common
 
  • LEFT-POINTING CURVED ANGLE BRACKET
  • RIGHT-POINTING CURVED ANGLE BRACKET
  • U+29FC
  • U+29FD
  • Ps, open
  • Pe, close
Common
 
  • TOP LEFT HALF BRACKET
  • TOP RIGHT HALF BRACKET
  • U+2E22
  • U+2E23
  • Ps, open
  • Pe, close
Common
 
  • BOTTOM LEFT HALF BRACKET
  • BOTTOM RIGHT HALF BRACKET
  • U+2E24
  • U+2E25
  • Ps, open
  • Pe, close
Common
 
  • LEFT SIDEWAYS U BRACKET
  • RIGHT SIDEWAYS U BRACKET
  • U+2E26
  • U+2E27
  • Ps, open
  • Pe, close
Common
 
  • LEFT DOUBLE PARENTHESIS
  • RIGHT DOUBLE PARENTHESIS
  • U+2E28
  • U+2E29
  • Ps, open
  • Pe, close
Common
DOUBLE LOW-REVERSED-9 QUOTATION MARKU+2E42Ps, openCommon
 
  • LEFT ANGLE BRACKET
  • RIGHT ANGLE BRACKET
  • U+3008
  • U+3009
  • Ps, open
  • Pe, close
Common
 
  • LEFT DOUBLE ANGLE BRACKET
  • RIGHT DOUBLE ANGLE BRACKET
  • U+300A
  • U+300B
  • Ps, open
  • Pe, close
Common
 
  • LEFT CORNER BRACKET
  • RIGHT CORNER BRACKET
  • U+300C
  • U+300D
  • Ps, open
  • Pe, close
Common
 
  • LEFT WHITE CORNER BRACKET
  • RIGHT WHITE CORNER BRACKET
  • U+300E
  • U+300F
  • Ps, open
  • Pe, close
Common
 
  • LEFT BLACK LENTICULAR BRACKET
  • RIGHT BLACK LENTICULAR BRACKET
  • U+3010
  • U+3011
  • Ps, open
  • Pe, close
Common
 
  • LEFT TORTOISE SHELL BRACKET
  • RIGHT TORTOISE SHELL BRACKET
  • U+3014
  • U+3015
  • Ps, open
  • Pe, close
Common
 
  • LEFT WHITE LENTICULAR BRACKET
  • RIGHT WHITE LENTICULAR BRACKET
  • U+3016
  • U+3017
  • Ps, open
  • Pe, close
Common
 
  • LEFT WHITE TORTOISE SHELL BRACKET
  • RIGHT WHITE TORTOISE SHELL BRACKET
  • U+3018
  • U+3019
  • Ps, open
  • Pe, close
Common
 
  • LEFT WHITE SQUARE BRACKET
  • RIGHT WHITE SQUARE BRACKET
  • U+301A
  • U+301B
  • Ps, open
  • Pe, close
Common
 
  • REVERSED DOUBLE PRIME QUOTATION MARK
  • DOUBLE PRIME QUOTATION MARK
  • U+301D
  • U+301E
  • Ps, open
  • Pe, close
Common
LOW DOUBLE PRIME QUOTATION MARKU+301FPe, closeCommon
﴿ORNATE RIGHT PARENTHESISU+FD3FPs, openCommon
 
  • PRESENTATION FORM FOR VERTICAL LEFT WHITE LENTICULAR BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT WHITE LENTICULAR BRAKCET
  • U+FE17
  • U+FE18
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT PARENTHESIS
  • PRESENTATION FORM FOR VERTICAL RIGHT PARENTHESIS
  • U+FE35
  • U+FE36
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT CURLY BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT CURLY BRACKET
  • U+FE37
  • U+FE38
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT TORTOISE SHELL BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT TORTOISE SHELL BRACKET
  • U+FE39
  • U+FE3A
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT BLACK LENTICULAR BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT BLACK LENTICULAR BRACKET
  • U+FE3B
  • U+FE3C
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT DOUBLE ANGLE BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT DOUBLE ANGLE BRACKET
  • U+FE3D
  • U+FE3E
  • Ps, open
  • Pe, close
Common
︿ 
  • PRESENTATION FORM FOR VERTICAL LEFT ANGLE BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT ANGLE BRACKET
  • U+FE3F
  • U+FE40
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT CORNER BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT CORNER BRACKET
  • U+FE41
  • U+FE42
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT WHITE CORNER BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT WHITE CORNER BRACKET
  • U+FE43
  • U+FE44
  • Ps, open
  • Pe, close
Common
 
  • PRESENTATION FORM FOR VERTICAL LEFT SQUARE BRACKET
  • PRESENTATION FORM FOR VERTICAL RIGHT SQUARE BRACKET
  • U+FE47
  • U+FE48
  • Ps, open
  • Pe, close
Common
 
  • SMALL LEFT PARENTHESIS
  • SMALL RIGHT PARENTHESIS
  • U+FE59
  • U+FE5A
  • Ps, open
  • Pe, close
Common
 
  • SMALL LEFT CURLY BRACKET
  • SMALL RIGHT CURLY BRACKET
  • U+FE5B
  • U+FE5C
  • Ps, open
  • Pe, close
Common
 
  • SMALL LEFT TORTOISE SHELL BRACKET
  • SMALL RIGHT TORTOISE SHELL BRACKET
  • U+FE5D
  • U+FE5E
  • Ps, open
  • Pe, close
Common
 
  • FULLWIDTH LEFT PARENTHESIS
  • FULLWIDTH RIGHT PARENTHESIS
  • U+FF08
  • U+FF09
  • Ps, open
  • Pe, close
Common
 
  • FULLWIDTH LEFT SQUARE BRACKET
  • FULLWIDTH RIGHT SQUARE BRACKET
  • U+FF3B
  • U+FF3D
  • Ps, open
  • Pe, close
Common
 
  • FULLWIDTH LEFT CURLY BRACKET
  • FULLWIDTH RIGHT CURLY BRACKET
  • U+FF5B
  • U+FF5D
  • Ps, open
  • Pe, close
Common
 
  • FULLWIDTH LEFT WHITE PARENTHESIS
  • FULLWIDTH RIGHT WHITE PARENTHESIS
  • U+FF5F
  • U+FF60
  • Ps, open
  • Pe, close
Common
 
  • HALFWIDTH LEFT CORNER BRACKET
  • HALFWIDTH RIGHT CORNER BRACKET
  • U+FF62
  • U+FF63
  • Ps, open
  • Pe, close
Common
 
  • OGHAM FEATHER MARK
  • OGHAM REVERSED FEATHER MARK
  • U+169B
  • U+169C
  • Ps, open
  • Pe, close
Ogham
 
  • TIBETAN MARK GUG RTAGS GYON
  • TIBETAN MARK GUG RTAGS GYAS
  • U+0F3A
  • U+0F3B
  • Ps, open
  • Pe, close
Tibetan
 
  • TIBETAN MARK ANG KHANG GYON
  • TIBETAN MARK ANG KHANG GYAS
  • U+0F3C
  • U+0F3D
  • Ps, open
  • Pe, close
Tibetan
Pc, connector
_LOW LINEU+005FPc, connectorCommon
UNDERTIEU+203FPc, connectorCommon
CHARACTER TIEU+2040Pc, connectorCommon
INVERTED UNDERTIEU+2054Pc, connectorCommon
PRESENTATION FORM FOR VERTICAL LOW LINEU+FE33Pc, connectorCommon
PRESENTATION FORM FOR VERTICAL WAVY LOW LINEU+FE34Pc, connectorCommon
DASHED LOW LINEU+FE4DPc, connectorCommon
CENTRELINE LOW LINEU+FE4EPc, connectorCommon
WAVY LOW LINEU+FE4FPc, connectorCommon
_FULLWIDTH LOW LINEU+FF3FPc, connectorCommon
Po, other
!EXCLAMATION MARKU+0021Po, otherCommon
"QUOTATION MARKU+0022Po, otherCommon
#NUMBER SIGNU+0023Po, otherCommon
%PERCENT SIGNU+0025Po, otherCommon
& AMPERSAND U+0026Po, otherCommon
' APOSTROPHE U+0027Po, otherCommon
*ASTERISKU+002APo, otherCommon
,COMMAU+002CPo, otherCommon
.FULL STOPU+002EPo, otherCommon
/SOLIDUSU+002FPo, otherCommon
:COLONU+003APo, otherCommon
;SEMICOLONU+003BPo, otherCommon
?QUESTION MARKU+003FPo, otherCommon
@COMMERCIAL ATU+0040Po, otherCommon
\REVERSE SOLIDUSU+005CPo, otherCommon
¡INVERTED EXCLAMATION MARKU+00A1Po, otherCommon
§SECTION SIGNU+00A7Po, otherCommon
PILCROW SIGNU+00B6Po, otherCommon
·MIDDLE DOTU+00B7Po, otherCommon
¿INVERTED QUESTION MARKU+00BFPo, otherCommon
;GREEK QUESTION MARKU+037EPo, otherCommon
·GREEK ANO TELEIAU+0387Po, otherCommon
،ARABIC COMMAU+060CPo, otherCommon
؛ARABIC SEMICOLONU+061BPo, otherCommon
؟ARABIC QUESTION MARKU+061FPo, otherCommon
DEVANAGARI DANDAU+0964Po, otherCommon
DEVANAGARI DOUBLE DANDAU+0965Po, otherCommon
GEORGIAN PARAGRAPH SEPARATORU+10FBPo, otherCommon
RUNIC SINGLE PUNCTUATIONU+16EBPo, otherCommon
RUNIC MULTIPLE PUNCTUATIONU+16ECPo, otherCommon
RUNIC CROSS PUNCTUATIONU+16EDPo, otherCommon
PHILIPPINE SINGLE PUNCTUATIONU+1735Po, otherCommon
PHILIPPINE DOUBLE PUNCTUATIONU+1736Po, otherCommon
MONGOLIAN COMMAU+1802Po, otherCommon
MONGOLIAN FULL STOPU+1803Po, otherCommon
MONGOLIAN FOUR DOTSU+1805Po, otherCommon
VEDIC SIGN NIHSHVASAU+1CD3Po, otherCommon
DOUBLE VERTICAL LINEU+2016Po, otherCommon
DOUBLE LOW LINEU+2017Po, otherCommon
DAGGERU+2020Po, otherCommon
DOUBLE DAGGERU+2021Po, otherCommon
BULLETU+2022Po, otherCommon
TRIANGULAR BULLETU+2023Po, otherCommon
ONE DOT LEADERU+2024Po, otherCommon
TWO DOT LEADERU+2025Po, otherCommon
HORIZONTAL ELLIPSISU+2026Po, otherCommon
HYPHENATION POINTU+2027Po, otherCommon
PER MILLE SIGNU+2030Po, otherCommon
PER TEN THOUSAND SIGNU+2031Po, otherCommon
PRIMEU+2032Po, otherCommon
DOUBLE PRIMEU+2033Po, otherCommon
TRIPLE PRIMEU+2034Po, otherCommon
REVERSED PRIMEU+2035Po, otherCommon
REVERSED DOUBLE PRIMEU+2036Po, otherCommon
REVERSED TRIPLE PRIMEU+2037Po, otherCommon
CARETU+2038Po, otherCommon
REFERENCE MARKU+203BPo, otherCommon
DOUBLE EXCLAMATION MARKU+203CPo, otherCommon
INTERROBANGU+203DPo, otherCommon
OVERLINEU+203EPo, otherCommon
CARET INSERTION POINTU+2041Po, otherCommon
ASTERISMU+2042Po, otherCommon
HYPHEN BULLETU+2043Po, otherCommon
DOUBLE QUESTION MARKU+2047Po, otherCommon
QUESTION EXCLAMATION MARKU+2048Po, otherCommon
EXCLAMATION QUESTION MARKU+2049Po, otherCommon
TIRONIAN SIGN ETU+204APo, otherCommon
REVERSED PILCROW SIGNU+204BPo, otherCommon
BLACK LEFTWARDS BULLETU+204CPo, otherCommon
BLACK RIGHTWARDS BULLETU+204DPo, otherCommon
LOW ASTERISKU+204EPo, otherCommon
REVERSED SEMICOLONU+204FPo, otherCommon
CLOSE UPU+2050Po, otherCommon
TWO ASTERISKS ALIGNED VERTICALLYU+2051Po, otherCommon
SWUNG DASHU+2053Po, otherCommon
FLOWER PUNCTUATION MARKU+2055Po, otherCommon
THREE DOT PUNCTUATIONU+2056Po, otherCommon
QUADRUPLE PRIMEU+2057Po, otherCommon
FOUR DOT PUNCTUATIONU+2058Po, otherCommon
FIVE DOT PUNCTUATIONU+2059Po, otherCommon
TWO DOT PUNCTUATIONU+205APo, otherCommon
FOUR DOT MARKU+205BPo, otherCommon
DOTTED CROSSU+205CPo, otherCommon
TRICOLONU+205DPo, otherCommon
VERTICAL FOUR DOTSU+205EPo, otherCommon
RIGHT ANGLE SUBSTITUTION MARKERU+2E00Po, otherCommon
RIGHT ANGLE DOTTED SUBSTITUTION MARKERU+2E01Po, otherCommon
RAISED INTERPOLATION MARKERU+2E06Po, otherCommon
RAISED DOTTED INTERPOLATION MARKERU+2E07Po, otherCommon
DOTTED TRANSPOSITION MARKERU+2E08Po, otherCommon
RAISED SQUAREU+2E0BPo, otherCommon
EDITORIAL CORONISU+2E0EPo, otherCommon
PARAGRAPHOSU+2E0FPo, otherCommon
FORKED PARAGRAPHOSU+2E10Po, otherCommon
REVERSED FORKED PARAGRAPHOSU+2E11Po, otherCommon
HYPODIASTOLEU+2E12Po, otherCommon
DOTTED OBELOSU+2E13Po, otherCommon
DOWNWARDS ANCORAU+2E14Po, otherCommon
UPWARDS ANCORAU+2E15Po, otherCommon
DOTTED RIGHT-POINTING ANGLEU+2E16Po, otherCommon
INVERTED INTERROBANGU+2E18Po, otherCommon
PALM BRANCHU+2E19Po, otherCommon
TILDE WITH RING ABOVEU+2E1BPo, otherCommon
TILDE WITH DOT ABOVEU+2E1EPo, otherCommon
TILDE WITH DOT BELOWU+2E1FPo, otherCommon
TWO DOTS OVER ONE DOT PUNCTUATIONU+2E2APo, otherCommon
ONE DOT OVER TWO DOTS PUNCTUATIONU+2E2BPo, otherCommon
SQUARED FOUR DOT PUNCTUATIONU+2E2CPo, otherCommon
FIVE DOT MARKU+2E2DPo, otherCommon
REVERSED QUESTION MARKU+2E2EPo, otherCommon
RING POINTU+2E30Po, otherCommon
WORD SEPARATOR MIDDLE DOTU+2E31Po, otherCommon
TURNED COMMAU+2E32Po, otherCommon
RAISED DOTU+2E33Po, otherCommon
RAISED COMMAU+2E34Po, otherCommon
TURNED SEMICOLONU+2E35Po, otherCommon
DAGGER WITH LEFT GUARDU+2E36Po, otherCommon
DAGGER WITH RIGHT GUARDU+2E37Po, otherCommon
TURNED DAGGERU+2E38Po, otherCommon
TOP HALF SECTION SIGNU+2E39Po, otherCommon
STENOGRAPHIC FULL STOPU+2E3CPo, otherCommon
VERTICAL SIX DOTSU+2E3DPo, otherCommon
WIGGLY VERTICAL LINEU+2E3EPo, otherCommon
⸿CAPITULUMU+2E3FPo, otherCommon
REVERSED COMMAU+2E41Po, otherCommon
DASH WITH LEFT UPTURNU+2E43Po, otherCommon
DOUBLE SUSPENSION MARKU+2E44Po, otherCommon
INVERTED LOW KAVYKAU+2E45Po, otherCommon
INVERTED LOW KAVYKA WITH KAVYKA ABOVEU+2E46Po, otherCommon
LOW KAVYKAU+2E47Po, otherCommon
LOW KAVYKA WITH DOTU+2E48Po, otherCommon
DOUBLE STACKED COMMAU+2E49Po, otherCommon
DOTTED SOLIDUSU+2E4APo, otherCommon
TRIPLE DAGGERU+2E4BPo, otherCommon
MEDIEVAL COMMAU+2E4CPo, otherCommon
PARAGRAPHUS MARKU+2E4DPo, otherCommon
PUNCTUS ELEVATUS MARKU+2E4EPo, otherCommon
CORNISH VERSE DIVIDERU+2E4FPo, otherCommon
TIRONIAN SIGN CAPITAL ETU+2E52Po, otherCommon
IDEOGRAPHIC COMMAU+3001Po, otherCommon
IDEOGRAPHIC FULL STOPU+3002Po, otherCommon
DITTO MARKU+3003Po, otherCommon
PART ALTERNATION MARKU+303DPo, otherCommon
KATAKANA MIDDLE DOTU+30FBPo, otherCommon
KAYAH LI SIGN CWIU+A92EPo, otherCommon
PRESENTATION FORM FOR VERTICAL COMMAU+FE10Po, otherCommon
PRESENTATION FORM FOR VERTICAL IDEOGRAPHIC COMMAU+FE11Po, otherCommon
PRESENTATION FORM FOR VERTICAL IDEOGRAPHIC FULL STOPU+FE12Po, otherCommon
PRESENTATION FORM FOR VERTICAL COLONU+FE13Po, otherCommon
PRESENTATION FORM FOR VERTICAL SEMICOLONU+FE14Po, otherCommon
PRESENTATION FORM FOR VERTICAL EXCLAMATION MARKU+FE15Po, otherCommon
PRESENTATION FORM FOR VERTICAL QUESTION MARKU+FE16Po, otherCommon
PRESENTATION FORM FOR VERTICAL HORIZONTAL ELLIPSISU+FE19Po, otherCommon
PRESENTATION FORM FOR VERTICAL TWO DOT LEADERU+FE30Po, otherCommon
SESAME DOTU+FE45Po, otherCommon
WHITE SESAME DOTU+FE46Po, otherCommon
DASHED OVERLINEU+FE49Po, otherCommon
CENTRELINE OVERLINEU+FE4APo, otherCommon
WAVY OVERLINEU+FE4BPo, otherCommon
DOUBLE WAVY OVERLINEU+FE4CPo, otherCommon
SMALL COMMAU+FE50Po, otherCommon
SMALL IDEOGRAPHIC COMMAU+FE51Po, otherCommon
SMALL FULL STOPU+FE52Po, otherCommon
SMALL SEMICOLONU+FE54Po, otherCommon
SMALL COLONU+FE55Po, otherCommon
SMALL QUESTION MARKU+FE56Po, otherCommon
SMALL EXCLAMATION MARKU+FE57Po, otherCommon
SMALL NUMBER SIGNU+FE5FPo, otherCommon
SMALL AMPERSANDU+FE60Po, otherCommon
SMALL ASTERISKU+FE61Po, otherCommon
SMALL REVERSE SOLIDUSU+FE68Po, otherCommon
SMALL PERCENT SIGNU+FE6APo, otherCommon
SMALL COMMERCIAL ATU+FE6BPo, otherCommon
FULLWIDTH EXCLAMATION MARKU+FF01Po, otherCommon
FULLWIDTH QUOTATION MARKU+FF02Po, otherCommon
FULLWIDTH NUMBER SIGNU+FF03Po, otherCommon
FULLWIDTH PERCENT SIGNU+FF05Po, otherCommon
FULLWIDTH AMPERSANDU+FF06Po, otherCommon
FULLWIDTH APOSTROPHEU+FF07Po, otherCommon
FULLWIDTH ASTERISKU+FF0APo, otherCommon
FULLWIDTH COMMAU+FF0CPo, otherCommon
FULLWIDTH FULL STOPU+FF0EPo, otherCommon
FULLWIDTH SOLIDUSU+FF0FPo, otherCommon
FULLWIDTH COLONU+FF1APo, otherCommon
FULLWIDTH SEMICOLONU+FF1BPo, otherCommon
FULLWIDTH QUESTION MARKU+FF1FPo, otherCommon
FULLWIDTH COMMERCIAL ATU+FF20Po, otherCommon
FULLWIDTH REVERSE SOLIDUSU+FF3CPo, otherCommon
HALFWIDTH IDEOGRAPHIC FULL STOPU+FF61Po, otherCommon
HALFWIDTH IDEOGRAPHIC COMMAU+FF64Po, otherCommon
HALFWIDTH KATAKANA MIDDLE DOTU+FF65Po, otherCommon
𐄀AEGEAN WORD SEPARATOR LINEU+10100Po, otherCommon
𐄁AEGEAN WORD SEPARATOR DOTU+10101Po, otherCommon
𐄂AEGEAN CHECK MARKU+10102Po, otherCommon
𖿢OLD CHINESE HOOK MARKU+16FE2Po, otherCommon
𞥞ADLAM INITIAL EXCLAMATION MARKU+1E95EPo, otherAdlam
𞥟ADLAM INITIAL QUESTION MARKU+1E95FPo, otherAdlam
՚ARMENIAN APOSTROPHEU+055APo, otherArmenian
՛ARMENIAN EMPHASIS MARKU+055BPo, otherArmenian
՜ARMENIAN EXCLAMATION MARKU+055CPo, otherArmenian
՝ARMENIAN COMMAU+055DPo, otherArmenian
՞ARMENIAN QUESTION MARKU+055EPo, otherArmenian
՟ARMENIAN ABBREVIATION MARKU+055FPo, otherArmenian
։ARMENIAN FULL STOPU+0589Po, otherArmenian
؉ARABIC-INDIC PER MILLE SIGNU+0609Po, otherArabic
؊ARABIC-INDIC PER TEN THOUSAND SIGNU+060APo, otherArabic
؍ARABIC DATE SEPARATORU+060DPo, otherArabic
؞ARABIC TRIPLE DOT PUNCTUATION MARKU+061EPo, otherArabic
٪ARABIC PERCENT SIGNU+066APo, otherArabic
٫ARABIC DECIMAL SEPARATORU+066BPo, otherArabic
٬ARABIC THOUSANDS SEPARATORU+066CPo, otherArabic
٭ARABIC FIVE POINTED STARU+066DPo, otherArabic
۔ARABIC FULL STOPU+06D4Po, otherArabic
𑜼AHOM SIGN SMALL SECTIONU+1173CPo, otherAhom
𑜽AHOM SIGN SECTIONU+1173DPo, otherAhom
𑜾AHOM SIGN RULAIU+1173EPo, otherAhom
𐬹AVESTAN ABBREVIATION MARKU+10B39Po, otherAvestan
𐬺TINY TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3APo, otherAvestan
𐬻SMALL TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3BPo, otherAvestan
𐬼LARGE TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3CPo, otherAvestan
𐬽LARGE ONE DOT OVER TWO DOTS PUNCTUATIONU+10B3DPo, otherAvestan
𐬾LARGE TWO RINGS OVER ONE RING PUNCTUATIONU+10B3EPo, otherAvestan
𐬿LARGE ONE RING OVER TWO RINGS PUNCTUATIONU+10B3FPo, otherAvestan
BALINESE PANTIU+1B5APo, otherBalinese
BALINESE PAMADAU+1B5BPo, otherBalinese
BALINESE WINDUU+1B5CPo, otherBalinese
BALINESE CARIK PAMUNGKAHU+1B5DPo, otherBalinese
BALINESE CARIK SIKIU+1B5EPo, otherBalinese
BALINESE CARIK PARERENU+1B5FPo, otherBalinese
BALINESE PAMENENGU+1B60Po, otherBalinese
BAMUM NJAEMLIU+A6F2Po, otherBamum
BAMUM FULL STOPU+A6F3Po, otherBamum
BAMUM COLONU+A6F4Po, otherBamum
BAMUM COMMAU+A6F5Po, otherBamum
BAMUM SEMICOLONU+A6F6Po, otherBamum
BAMUM QUESTION MARKU+A6F7Po, otherBamum
𖫵BASSA VAH FULL STOPU+16AF5Po, otherBassa Vah
BATAK SYMBOL BINDU NA METEKU+1BFCPo, otherBatak
BATAK SYMBOL BINDU PINARBORASU+1BFDPo, otherBatak
BATAK SYMBOL BINDU JUDULU+1BFEPo, otherBatak
᯿BATAK SYMBOL BINDU PANGOLATU+1BFFPo, otherBatak
BENGALI ABBREVIATION SIGNU+09FDPo, otherBengali
𑱁BHAIKSUKI DANDAU+11C41Po, otherBhaiksuki
𑱂BHAIKSUKI DOUBLE DANDAU+11C42Po, otherBhaiksuki
𑱃BHAIKSUKI WORD SEPARATORU+11C43Po, otherBhaiksuki
𑱄BHAIKSUKI GAP FILLER-1U+11C44Po, otherBhaiksuki
𑱅BHAIKSUKI GAP FILLER-2U+11C45Po, otherBhaiksuki
𑁇BRAHMI DANDAU+11047Po, otherBrahmi
𑁈BRAHMI DOUBLE DANDAU+11048Po, otherBrahmi
𑁉BRAHMI PUNCTUATION DOTU+11049Po, otherBrahmi
𑁊BRAHMI PUNCTUATION DOUBLE DOTU+1104APo, otherBrahmi
𑁋BRAHMI PUNCTUATION LINEU+1104BPo, otherBrahmi
𑁌BRAHMI PUNCTUATION CRESCENT BARU+1104CPo, otherBrahmi
𑁍BRAHMI PUNCTUATION LOTUSU+1104DPo, otherBrahmi
BUGINESE PALLAWAU+1A1EPo, otherBuginese
BUGINESE END OF SECTIONU+1A1FPo, otherBuginese
CANADIAN SYLLABICS FULL STOPU+166EPo, otherCanadian Aboriginal
𑅀CHAKMA SECTION MARKU+11140Po, otherChakma
𑅁CHAKMA DANDAU+11141Po, otherChakma
𑅂CHAKMA DOUBLE DANDAU+11142Po, otherChakma
𑅃CHAKMA QUESTION MARKU+11143Po, otherChakma
CHAM PUNCTUATION SPIRALU+AA5CPo, otherCham
CHAM PUNCTUATION DANDAU+AA5DPo, otherCham
CHAM PUNCTUATION DOUBLE DANDAU+AA5EPo, otherCham
CHAM PUNCTUATION TRIPLE DANDAU+AA5FPo, otherCham
COPTIC OLD NUBIAN FULL STOPU+2CF9Po, otherCoptic
COPTIC OLD NUBIAN DIRECT QUESTION MARKU+2CFAPo, otherCoptic
COPTIC OLD NUBIAN INDIRECT QUESTION MARKU+2CFBPo, otherCoptic
COPTIC OLD NUBIAN VERSE DIVIDERU+2CFCPo, otherCoptic
COPTIC FULL STOPU+2CFEPo, otherCoptic
⳿COPTIC MORPHOLOGICAL DIVIDERU+2CFFPo, otherCoptic
𒑰CUNEIFORM PUNCTUATION SIGN OLD ASSYRIAN WORD DIVIDERU+12470Po, otherCuneiform
𒑱CUNEIFORM PUNCTUATION SIGN VERTICAL COLONU+12471Po, otherCuneiform
𒑲CUNEIFORM PUNCTUATION SIGN DIAGONAL COLONU+12472Po, otherCuneiform
𒑳CUNEIFORM PUNCTUATION SIGN DIAGONAL TRICOLONU+12473Po, otherCuneiform
𒑴CUNEIFORM PUNCTUATION SIGN DIAGONAL QUADCOLONU+12474Po, otherCuneiform
SLAVONIC ASTERISKU+A673Po, otherCyrillic
CYRILLIC KAVYKAU+A67EPo, otherCyrillic
𐕯CAUCASIAN ALBANIAN CITATION MARKU+1056FPo, otherCaucasian Albanian
DEVANAGARI ABBREVIATION SIGNU+0970Po, otherDevanagari
DEVANAGARI SIGN PUSHPIKAU+A8F8Po, otherDevanagari
DEVANAGARI GAP FILLERU+A8F9Po, otherDevanagari
DEVANAGARI CARETU+A8FAPo, otherDevanagari
DEVANAGARI SIGN SIDDHAMU+A8FCPo, otherDevanagari
𑥄DIVES AKURU DOUBLE DANDAU+11944Po, otherDives Akuru
𑥅DIVES AKURU GAP FILLERU+11945Po, otherDives Akuru
𑥆DIVES AKURU END OF TEXT MARKU+11946Po, otherDives Akuru
𑠻DOGRA ABBREVIATION SIGNU+1183BPo, otherDogra
𛲟DUPLOYAN PUNCTUATION CHINOOK FULL STOPU+1BC9FPo, otherDuployan
ETHIOPIC SECTION MARKU+1360Po, otherEthiopic
ETHIOPIC WORDSPACEU+1361Po, otherEthiopic
ETHIOPIC FULL STOPU+1362Po, otherEthiopic
ETHIOPIC COMMAU+1363Po, otherEthiopic
ETHIOPIC SEMICOLONU+1364Po, otherEthiopic
ETHIOPIC COLONU+1365Po, otherEthiopic
ETHIOPIC PREFACE COLONU+1366Po, otherEthiopic
ETHIOPIC QUESTION MARKU+1367Po, otherEthiopic
ETHIOPIC PARAGRAPH SEPARATORU+1368Po, otherEthiopic
GURMUKHI ABBREVIATION SIGNU+0A76Po, otherGurmukhi
GUJARATI ABBREVIATION SIGNU+0AF0Po, otherGujarati
׀HEBREW PUNCTUATION PASEQU+05C0Po, otherHebrew
׃HEBREW PUNCTUATION SOF PASUQU+05C3Po, otherHebrew
׆HEBREW PUNCTUATION NUN HAFUKHAU+05C6Po, otherHebrew
׳HEBREW PUNCTUATION GERESHU+05F3Po, otherHebrew
״HEBREW PUNCTUATION GERSHAYIMU+05F4Po, otherHebrew
𐡗IMPERIAL ARAMAIC SECTION SIGNU+10857Po, otherImperial Aramaic
JAVANESE LEFT RERENGGANU+A9C1Po, otherJavanese
JAVANESE RIGHT RERENGGANU+A9C2Po, otherJavanese
JAVANESE PADA ANDAPU+A9C3Po, otherJavanese
JAVANESE PADA MADYAU+A9C4Po, otherJavanese
JAVANESE PADA LUHURU+A9C5Po, otherJavanese
JAVANESE PADA WINDUU+A9C6Po, otherJavanese
JAVANESE PADA PANGKATU+A9C7Po, otherJavanese
JAVANESE PADA LINGSAU+A9C8Po, otherJavanese
JAVANESE PADA LUNGSIU+A9C9Po, otherJavanese
JAVANESE PADA ADEGU+A9CAPo, otherJavanese
JAVANESE PADA ADEG ADEGU+A9CBPo, otherJavanese
JAVANESE PADA PISELEHU+A9CCPo, otherJavanese
JAVANESE TURNED PADA PISELEHU+A9CDPo, otherJavanese
JAVANESE PADA TIRTA TUMETESU+A9DEPo, otherJavanese
JAVANESE PADA ISEN-ISENU+A9DFPo, otherJavanese
𑂻KAITHI ABBREVIATION SIGNU+110BBPo, otherKaithi
𑂼KAITHI ENUMERATION SIGNU+110BCPo, otherKaithi
𑂾KAITHI SECTION MARKU+110BEPo, otherKaithi
𑂿KAITHI DOUBLE SECTION MARKU+110BFPo, otherKaithi
𑃀KAITHI DANDAU+110C0Po, otherKaithi
𑃁KAITHI DOUBLE DANDAU+110C1Po, otherKaithi
KANNADA SIGN SIDDHAMU+0C84Po, otherKannada
KAYAH LI SIGN SHYAU+A92FPo, otherKayah Li
𐩐KHAROSHTHI PUNCTUATION DOTU+10A50Po, otherKharoshthi
𐩑KHAROSHTHI PUNCTUATION SMALL CIRCLEU+10A51Po, otherKharoshthi
𐩒KHAROSHTHI PUNCTUATION CIRCLEU+10A52Po, otherKharoshthi
𐩓KHAROSHTHI PUNCTUATION CRESCENT BARU+10A53Po, otherKharoshthi
𐩔KHAROSHTHI PUNCTUATION MANGALAMU+10A54Po, otherKharoshthi
𐩕KHAROSHTHI PUNCTUATION LOTUSU+10A55Po, otherKharoshthi
𐩖KHAROSHTHI PUNCTUATION DANDAU+10A56Po, otherKharoshthi
𐩗KHAROSHTHI PUNCTUATION DOUBLE DANDAU+10A57Po, otherKharoshthi
𐩘KHAROSHTHI PUNCTUATION LINESU+10A58Po, otherKharoshthi
KHMER SIGN KHANU+17D4Po, otherKhmer
KHMER SIGN BARIYOOSANU+17D5Po, otherKhmer
KHMER SIGN CAMNUC PII KUUHU+17D6Po, otherKhmer
KHMER SIGN BEYYALU+17D8Po, otherKhmer
KHMER SIGN PHNAEK MUANU+17D9Po, otherKhmer
KHMER SIGN KOOMUUTU+17DAPo, otherKhmer
𑈸KHOJKI DANDAU+11238Po, otherKhojki
𑈹KHOJKI DOUBLE DANDAU+11239Po, otherKhojki
𑈺KHOJKI WORD SEPARATORU+1123APo, otherKhojki
𑈻KHOJKI SECTION MARKU+1123BPo, otherKhojki
𑈼KHOJKI DOUBLE SECTION MARKU+1123CPo, otherKhojki
𑈽KHOJKI ABBREVIATION SIGNU+1123DPo, otherKhojki
LEPCHA PUNCTUATION TA-ROLU+1C3BPo, otherLepcha
LEPCHA PUNCTUATION NYET THYOOM TA-ROLU+1C3CPo, otherLepcha
LEPCHA PUNCTUATION CER-WAU+1C3DPo, otherLepcha
LEPCHA PUNCTUATION TSHOOK CER-WAU+1C3EPo, otherLepcha
᰿LEPCHA PUNCTUATION TSHOOKU+1C3FPo, otherLepcha
LIMBU EXCLAMATION MARKU+1944Po, otherLimbu
LIMBU QUESTION MARKU+1945Po, otherLimbu
LISU PUNCTUATION COMMAU+A4FEPo, otherLisu
LISU PUNCTUATION FULL STOPU+A4FFPo, otherLisu
𐤿LYDIAN TRIANGULAR MARKU+1093FPo, otherLydian
𑅴MAHAJANI ABBREVIATION SIGNU+11174Po, otherMahajani
𑅵MAHAJANI SECTION MARKU+11175Po, otherMahajani
𑻷MAKASAR PASSIMBANGU+11EF7Po, otherMakasar
𑻸MAKASAR END OF SECTIONU+11EF8Po, otherMakasar
𐫰MANICHAEAN PUNCTUATION STARU+10AF0Po, otherManichaean
𐫱MANICHAEAN PUNCTUATION FLEURONU+10AF1Po, otherManichaean
𐫲MANICHAEAN PUNCTUATION DOUBLE DOT WITHIN DOTU+10AF2Po, otherManichaean
𐫳MANICHAEAN PUNCTUATION DOT WITHIN DOTU+10AF3Po, otherManichaean
𐫴MANICHAEAN PUNCTUATION DOTU+10AF4Po, otherManichaean
𐫵MANICHAEAN PUNCTUATION TWO DOTSU+10AF5Po, otherManichaean
𐫶MANICHAEAN PUNCTUATION LINE FILLERU+10AF6Po, otherManichaean
𑱰MARCHEN HEAD MARKU+11C70Po, otherMarchen
𑱱MARCHEN MARK SHADU+11C71Po, otherMarchen
𖺗MEDEFAIDRIN COMMAU+16E97Po, otherMedefaidrin
𖺘MEDEFAIDRIN FULL STOPU+16E98Po, otherMedefaidrin
𖺙MEDEFAIDRIN SYMBOL AIVAU+16E99Po, otherMedefaidrin
𖺚MEDEFAIDRIN EXCLAMATION OHU+16E9APo, otherMedefaidrin
MEETEI MAYEK CHEIKHANU+AAF0Po, otherMeetei Mayek
MEETEI MAYEK AHANG KHUDAMU+AAF1Po, otherMeetei Mayek
MEETEI MAYEK CHEIKHEIU+ABEBPo, otherMeetei Mayek
𑙁MODI DANDAU+11641Po, otherModi
𑙂MODI DOUBLE DANDAU+11642Po, otherModi
𑙃MODI ABBREVIATION SIGNU+11643Po, otherModi
MONGOLIAN BIRGAU+1800Po, otherMongolian
MONGOLIAN ELLIPSISU+1801Po, otherMongolian
MONGOLIAN COLONU+1804Po, otherMongolian
MONGOLIAN SIBE SYLLABLE BOUNDARY MARKERU+1807Po, otherMongolian
MONGOLIAN MANCHU COMMAU+1808Po, otherMongolian
MONGOLIAN MANCHU FULL STOPU+1809Po, otherMongolian
MONGOLIAN NIRUGUU+180APo, otherMongolian
𑙠MONGOLIAN BIRGA WITH ORNAMENTU+11660Po, otherMongolian
𑙡MONGOLIAN ROTATED BIRGAU+11661Po, otherMongolian
𑙢MONGOLIAN DOUBLE BIRGA WITH ORNAMENTU+11662Po, otherMongolian
𑙣MONGOLIAN TRIPLE BIRGA WITH ORNAMENTU+11663Po, otherMongolian
𑙤MONGOLIAN BIRGA WITH DOUBLE ORNAMENTU+11664Po, otherMongolian
𑙥MONGOLIAN ROTATED BIRGA WITH ORNAMENTU+11665Po, otherMongolian
𑙦MONGOLIAN ROTATED BIRGA WITH DOUBLE ORNAMENTU+11666Po, otherMongolian
𑙧MONGOLIAN INVERTED BIRGAU+11667Po, otherMongolian
𑙨MONGOLIAN INVERTED BIRGA WITH DOUBLE ORNAMENTU+11668Po, otherMongolian
𑙩MONGOLIAN SWIRL BIRGAU+11669Po, otherMongolian
𑙪MONGOLIAN SWIRL BIRGA WITH ORNAMENTU+1166APo, otherMongolian
𑙫MONGOLIAN SWIRL BIRGA WITH DOUBLE ORNAMENTU+1166BPo, otherMongolian
𑙬MONGOLIAN TURNED SWIRL BIRGA WITH DOUBLE ORNAMENTU+1166CPo, otherMongolian
𖩮MRO DANDAU+16A6EPo, otherMro
𖩯MRO DOUBLE DANDAU+16A6FPo, otherMro
𑊩MULTANI SECTION MARKU+112A9Po, otherMultani
MYANMAR SIGN LITTLE SECTIONU+104APo, otherMyanmar
MYANMAR SIGN SECTIONU+104BPo, otherMyanmar
MYANMAR SYMBOL LOCATIVEU+104CPo, otherMyanmar
MYANMAR SYMBOL COMPLETEDU+104DPo, otherMyanmar
MYANMAR SYMBOL AFOREMENTIONEDU+104EPo, otherMyanmar
MYANMAR SYMBOL GENITIVEU+104FPo, otherMyanmar
߷NKO SYMBOL GBAKURUNENU+07F7Po, otherN'Ko
߸NKO COMMAU+07F8Po, otherN'Ko
߹NKO EXCLAMATION MARKU+07F9Po, otherN'Ko
𑧢NANDINAGARI SIGN SIDDHAMU+119E2Po, otherNandinagari
𑑋NEWA DANDAU+1144BPo, otherNewa
𑑌NEWA DOUBLE DANDAU+1144CPo, otherNewa
𑑍NEWA COMMAU+1144DPo, otherNewa
𑑎NEWA GAP FILLERU+1144EPo, otherNewa
𑑏NEWA ABBREVIATION SIGNU+1144FPo, otherNewa
𑑚NEWA DOUBLE COMMAU+1145APo, otherNewa
𑑛NEWA PLACEHOLDER MARKU+1145BPo, otherNewa
𑑝NEWA INSERTION SIGNU+1145DPo, otherNewa
OL CHIKI PUNCTUATION MUCAADU+1C7EPo, otherOl Chiki
᱿OL CHIKI PUNCTUATION DOUBLE MUCAADU+1C7FPo, otherOl Chiki
𐏐OLD PERSIAN WORD DIVIDERU+103D0Po, otherOld Persian
𐩿OLD SOUTH ARABIAN NUMERIC INDICATORU+10A7FPo, otherOld South Arabian
𖬷PAHAWH HMONG SIGN VOS THOMU+16B37Po, otherPahawh Hmong
𖬸PAHAWH HMONG SIGN VOS TSHAB CEEBU+16B38Po, otherPahawh Hmong
𖬹PAHAWH HMONG SIGN CIM CHEEMU+16B39Po, otherPahawh Hmong
𖬺PAHAWH HMONG SIGN VOS THIABU+16B3APo, otherPahawh Hmong
𖬻PAHAWH HMONG SIGN VOS FEEMU+16B3BPo, otherPahawh Hmong
𖭄PAHAWH HMONG SIGN XAUSU+16B44Po, otherPahawh Hmong
PHAGS-PA SINGLE HEAD MARKU+A874Po, otherPhags-pa
PHAGS-PA DOUBLE HEAD MARKU+A875Po, otherPhags-pa
PHAGS-PA MARK SHADU+A876Po, otherPhags-pa
PHAGS-PA MARK DOUBLE SHADU+A877Po, otherPhags-pa
𐤟PHOENICIAN WORD SEPARATORU+1091FPo, otherPhoenician
𐮙PSALTER PAHLAVI SECTION MARKU+10B99Po, otherPsalter Pahlavi
𐮚PSALTER PAHLAVI TURNED SECTION MARKU+10B9APo, otherPsalter Pahlavi
𐮛PSALTER PAHLAVI FOUR DOTS WITH CROSSU+10B9BPo, otherPsalter Pahlavi
𐮜PSALTER PAHLAVI FOUR DOTS WITH DOTU+10B9CPo, otherPsalter Pahlavi
REJANG SECTION MARKU+A95FPo, otherRejang
SAMARITAN PUNCTUATION NEQUDAAU+0830Po, otherSamaritan
SAMARITAN PUNCTUATION AFSAAQU+0831Po, otherSamaritan
SAMARITAN PUNCTUATION ANGEDU+0832Po, otherSamaritan
SAMARITAN PUNCTUATION BAUU+0833Po, otherSamaritan
SAMARITAN PUNCTUATION ATMAAUU+0834Po, otherSamaritan
SAMARITAN PUNCTUATION SHIYYAALAAU+0835Po, otherSamaritan
SAMARITAN ABBREVIATION MARKU+0836Po, otherSamaritan
SAMARITAN PUNCTUATION MELODIC QITSAU+0837Po, otherSamaritan
SAMARITAN PUNCTUATION ZIQAAU+0838Po, otherSamaritan
SAMARITAN PUNCTUATION QITSAU+0839Po, otherSamaritan
SAMARITAN PUNCTUATION ZAEFU+083APo, otherSamaritan
SAMARITAN PUNCTUATION TURUU+083BPo, otherSamaritan
SAMARITAN PUNCTUATION ARKAANUU+083CPo, otherSamaritan
SAMARITAN PUNCTUATION SOF MASHFAATU+083DPo, otherSamaritan
SAMARITAN PUNCTUATION ANNAAUU+083EPo, otherSamaritan
SAURASHTRA DANDAU+A8CEPo, otherSaurashtra
SAURASHTRA DOUBLE DANDAU+A8CFPo, otherSaurashtra
𑇅SHARADA DANDAU+111C5Po, otherSharada
𑇆SHARADA DOUBLE DANDAU+111C6Po, otherSharada
𑇇SHARADA ABBREVIATION SIGNU+111C7Po, otherSharada
𑇈SHARADA SEPARATORU+111C8Po, otherSharada
𑇍SHARADA SUTRA MARKU+111CDPo, otherSharada
𑇛SHARADA SIGN SIDDHAMU+111DBPo, otherSharada
𑇝SHARADA CONTINUATION SIGNU+111DDPo, otherSharada
𑇞SHARADA SECTION MARK-1U+111DEPo, otherSharada
𑇟SHARADA SECTION MARK-2U+111DFPo, otherSharada
𑗁SIDDHAM SIGN SIDDHAMU+115C1Po, otherSiddham
𑗂SIDDHAM DANDAU+115C2Po, otherSiddham
𑗃SIDDHAM DOUBLE DANDAU+115C3Po, otherSiddham
𑗄SIDDHAM SEPARATOR DOTU+115C4Po, otherSiddham
𑗅SIDDHAM SEPARATOR BARU+115C5Po, otherSiddham
𑗆SIDDHAM REPETITION MARK-1U+115C6Po, otherSiddham
𑗇SIDDHAM REPETITION MARK-2U+115C7Po, otherSiddham
𑗈SIDDHAM REPETITION MARK-3U+115C8Po, otherSiddham
𑗉SIDDHAM END OF TEXT MARKU+115C9Po, otherSiddham
𑗊SIDDHAM SECTION MARK WITH TRIDENT AND U-SHAPED ORNAMENTSU+115CAPo, otherSiddham
𑗋SIDDHAM SECTION MARK WITH TRIDENT AND DOTTED CRESCENTSU+115CBPo, otherSiddham
𑗌SIDDHAM SECTION MARK WITH RAYS AND DOTTED CRESCENTSU+115CCPo, otherSiddham
𑗍SIDDHAM SECTION MARK WITH RAYS AND DOTTED DOUBLE CRESCENTSU+115CDPo, otherSiddham
𑗎SIDDHAM SECTION MARK WITH RAYS AND DOTTED TRIPLE CRESCENTSU+115CEPo, otherSiddham
𑗏SIDDHAM SECTION MARK DOUBLE RINGU+115CFPo, otherSiddham
𑗐SIDDHAM SECTION MARK DOUBLE RING WITH RAYSU+115D0Po, otherSiddham
𑗑SIDDHAM SECTION MARK WITH DOUBLE CRESCENTSU+115D1Po, otherSiddham
𑗒SIDDHAM SECTION MARK WITH TRIPLE CRESCENTSU+115D2Po, otherSiddham
𑗓SIDDHAM SECTION MARK WITH QUADRUPLE CRESCENTSU+115D3Po, otherSiddham
𑗔SIDDHAM SECTION MARK WITH SEPTUPLE CRESCENTSU+115D4Po, otherSiddham
𑗕SIDDHAM SECTION MARK WITH CIRCLES AND RAYSU+115D5Po, otherSiddham
𑗖SIDDHAM SECTION MARK WITH CIRCLES AND TWO ENCLOSURESU+115D6Po, otherSiddham
𑗗SIDDHAM SECTION MARK WITH CIRCLES AND FOUR ENCLOSURESU+115D7Po, otherSiddham
𝪇SIGNWRITING COMMAU+1DA87Po, otherSignWriting
𝪈SIGNWRITING FULL STOPU+1DA88Po, otherSignWriting
𝪉SIGNWRITING SEMICOLONU+1DA89Po, otherSignWriting
𝪊SIGNWRITING COLONU+1DA8APo, otherSignWriting
𝪋SIGNWRITING PARENTHESISU+1DA8BPo, otherSignWriting
SINHALA PUNCTUATION KUNDDALIYAU+0DF4Po, otherSinhala
𐽕SOGDIAN PUNCTUATION TWO VERTICAL BARSU+10F55Po, otherSogdian
𐽖SOGDIAN PUNCTUATION TWO VERTICAL BARS WITH DOTSU+10F56Po, otherSogdian
𐽗SOGDIAN PUNCTUATION CIRCLE WITH DOTU+10F57Po, otherSogdian
𐽘SOGDIAN PUNCTUATION TWO CIRCLES WITH DOTSU+10F58Po, otherSogdian
𐽙SOGDIAN PUNCTUATION HALF CIRCLE WITH DOTU+10F59Po, otherSogdian
𑪚SOYOMBO MARK TSHEGU+11A9APo, otherSoyombo
𑪛SOYOMBO MARK SHADU+11A9BPo, otherSoyombo
𑪜SOYOMBO MARK DOUBLE SHADU+11A9CPo, otherSoyombo
𑪞SOYOMBO HEAD MARK WITH MOON AND SUN AND TRIPLE FLAMEU+11A9EPo, otherSoyombo
𑪟SOYOMBO HEAD MARK WITH MOON AND SUN AND FLAMEU+11A9FPo, otherSoyombo
𑪠SOYOMBO HEAD MARK WITH MOON AND SUNU+11AA0Po, otherSoyombo
𑪡SOYOMBO TERMINAL MARK-1U+11AA1Po, otherSoyombo
𑪢SOYOMBO TERMINAL MARK-2U+11AA2Po, otherSoyombo
SUNDANESE PUNCTUATION BINDU SURYAU+1CC0Po, otherSundanese
SUNDANESE PUNCTUATION BINDU PANGLONGU+1CC1Po, otherSundanese
SUNDANESE PUNCTUATION BINDU PURNAMAU+1CC2Po, otherSundanese
SUNDANESE PUNCTUATION BINDU CAKRAU+1CC3Po, otherSundanese
SUNDANESE PUNCTUATION BINDU LEU SATANGAU+1CC4Po, otherSundanese
SUNDANESE PUNCTUATION BINDU KA SATANGAU+1CC5Po, otherSundanese
SUNDANESE PUNCTUATION BINDU DA SATANGAU+1CC6Po, otherSundanese
SUNDANESE PUNCTUATION BINDU BA SATANGAU+1CC7Po, otherSundanese
܀SYRIAC END OF PARAGRAPHU+0700Po, otherSyriac
܁SYRIAC SUPRALINEAR FULL STOPU+0701Po, otherSyriac
܂SYRIAC SUBLINEAR FULL STOPU+0702Po, otherSyriac
܃SYRIAC SUPRALINEAR COLONU+0703Po, otherSyriac
܄SYRIAC SUBLINEAR COLONU+0704Po, otherSyriac
܅SYRIAC HORIZONTAL COLONU+0705Po, otherSyriac
܆SYRIAC COLON SKEWED LEFTU+0706Po, otherSyriac
܇SYRIAC COLON SKEWED RIGHTU+0707Po, otherSyriac
܈SYRIAC SUPRALINEAR COLON SKEWED LEFTU+0708Po, otherSyriac
܉SYRIAC SUBLINEAR COLON SKEWED RIGHTU+0709Po, otherSyriac
܊SYRIAC CONTRACTIONU+070APo, otherSyriac
܋SYRIAC HARKLEAN OBELUSU+070BPo, otherSyriac
܌SYRIAC HARKLEAN METOBELUSU+070CPo, otherSyriac
܍SYRIAC HARKLEAN ASTERISCUSU+070DPo, otherSyriac
TAI THAM SIGN WIANGU+1AA0Po, otherTai Tham
TAI THAM SIGN WIANGWAAKU+1AA1Po, otherTai Tham
TAI THAM SIGN SAWANU+1AA2Po, otherTai Tham
TAI THAM SIGN KEOWU+1AA3Po, otherTai Tham
TAI THAM SIGN HOYU+1AA4Po, otherTai Tham
TAI THAM SIGN DOKMAIU+1AA5Po, otherTai Tham
TAI THAM SIGN REVERSED ROTATED RANAU+1AA6Po, otherTai Tham
TAI THAM SIGN KAANU+1AA8Po, otherTai Tham
TAI THAM SIGN KAANKUUU+1AA9Po, otherTai Tham
TAI THAM SIGN SATKAANU+1AAAPo, otherTai Tham
TAI THAM SIGN SATKAANKUUU+1AABPo, otherTai Tham
TAI THAM SIGN HANGU+1AACPo, otherTai Tham
TAI THAM SIGN CAANGU+1AADPo, otherTai Tham
TAI VIET SYMBOL HO HOIU+AADEPo, otherTai Viet
TAI VIET SYMBOL KOI KOIU+AADFPo, otherTai Viet
𑿿TAMIL PUNCTUATION END OF TEXTU+11FFFPo, otherTamil
TELUGU SIGN SIDDHAMU+0C77Po, otherTelugu
THAI CHARACTER FONGMANU+0E4FPo, otherThai
THAI CHARACTER ANGKHANKHUU+0E5APo, otherThai
THAI CHARACTER KHOMUTU+0E5BPo, otherThai
TIBETAN MARK INITIAL YIG MGO MDUN MAU+0F04Po, otherTibetan
TIBETAN MARK CLOSING YIG MGO SGAB MAU+0F05Po, otherTibetan
TIBETAN MARK CARET YIG MGO PHUR SHAD MAU+0F06Po, otherTibetan
TIBETAN MARK YIG MGO TSHEG SHAD MAU+0F07Po, otherTibetan
TIBETAN MARK SBRUL SHADU+0F08Po, otherTibetan
TIBETAN MARK BSKUR YIG MGOU+0F09Po, otherTibetan
TIBETAN MARK BKA- SHOG YIG MGOU+0F0APo, otherTibetan
TIBETAN MARK INTERSYLLABIC TSHEGU+0F0BPo, otherTibetan
TIBETAN MARK DELIMITER TSHEG BSTARU+0F0CPo, otherTibetan
TIBETAN MARK SHADU+0F0DPo, otherTibetan
TIBETAN MARK NYIS SHADU+0F0EPo, otherTibetan
TIBETAN MARK TSHEG SHADU+0F0FPo, otherTibetan
TIBETAN MARK NYIS TSHEG SHADU+0F10Po, otherTibetan
TIBETAN MARK RIN CHEN SPUNGS SHADU+0F11Po, otherTibetan
TIBETAN MARK RGYA GRAM SHADU+0F12Po, otherTibetan
TIBETAN MARK GTER TSHEGU+0F14Po, otherTibetan
TIBETAN MARK PALUTAU+0F85Po, otherTibetan
TIBETAN MARK BSKA- SHOG GI MGO RGYANU+0FD0Po, otherTibetan
TIBETAN MARK MNYAM YIG GI MGO RGYANU+0FD1Po, otherTibetan
TIBETAN MARK NYIS TSHEGU+0FD2Po, otherTibetan
TIBETAN MARK INITIAL BRDA RNYING YIG MGO MDUN MAU+0FD3Po, otherTibetan
TIBETAN MARK CLOSING BRDA RNYING YIG MGO SGAB MAU+0FD4Po, otherTibetan
TIBETAN MARK LEADING MCHAN RTAGSU+0FD9Po, otherTibetan
TIBETAN MARK TRAILING MCHAN RTAGSU+0FDAPo, otherTibetan
TIFINAGH SEPARATOR MARKU+2D70Po, otherTifinagh
𑓆TIRHUTA ABBREVIATION SIGNU+114C6Po, otherTirhuta
𐎟UGARITIC WORD DIVIDERU+1039FPo, otherUgaritic
VAI COMMAU+A60DPo, otherVai
VAI FULL STOPU+A60EPo, otherVai
VAI QUESTION MARKU+A60FPo, otherVai
𑨿ZANABAZAR SQUARE INITIAL HEAD MARKU+11A3FPo, otherZanabazar Square
𑩀ZANABAZAR SQUARE CLOSING HEAD MARKU+11A40Po, otherZanabazar Square
𑩁ZANABAZAR SQUARE MARK TSHEGU+11A41Po, otherZanabazar Square
𑩂ZANABAZAR SQUARE MARK SHADU+11A42Po, otherZanabazar Square
𑩃ZANABAZAR SQUARE MARK DOUBLE SHADU+11A43Po, otherZanabazar Square
𑩄ZANABAZAR SQUARE MARK LONG TSHEGU+11A44Po, otherZanabazar Square
𑩅ZANABAZAR SQUARE INITIAL DOUBLE-LINED HEAD MARKU+11A45Po, otherZanabazar Square
𑩆ZANABAZAR SQUARE CLOSING DOUBLE-LINED HEAD MARKU+11A46Po, otherZanabazar Square
MANDAIC PUNCTUATIONU+085EPo, otherMandaic

See also

Related Research Articles

The comma, is a punctuation mark that appears in several variants in different languages. It has the same shape as an apostrophe or single closing quotation mark in many typefaces, but it differs from them in being placed on the baseline of the text. Some typefaces render it as a small line, slightly curved or straight, but inclined from the vertical. Other fonts give it the appearance of a miniature filled-in figure 9 on the baseline.

The colon, :, is a punctuation mark consisting of two equally sized dots aligned vertically. A colon often precedes an explanation, a list, or a quoted sentence. It is also used between hours and minutes in time, between certain elements in medical journal citations, between chapter and verse in Bible citations, and, in the US, for salutations in business letters and other formal letter writing.

The question mark? is a punctuation mark that indicates a question or interrogative clause or phrase in many languages.

In English writing, quotation marks or inverted commas, also known informally as quotes, talking marks, speech marks, quote marks, quotemarks or speechmarks, are punctuation marks placed on either side of a word or phrase in order to identify it as a quotation, direct speech or a literal title or name. Quotation marks may be used to indicate that the meaning of the word or phrase they surround should be taken to be different from that typically associated with it, and are often used in this way to express irony. They are also sometimes used to emphasise a word or phrase, although this is usually considered incorrect.

The semicolon; is a symbol commonly used as orthographic punctuation. In the English language, a semicolon is most commonly used to link two independent clauses that are closely related in thought, such as when restating the preceding idea with a different expression. When a semicolon joins two or more ideas in one sentence, those ideas are then given equal rank. Semicolons can also be used in place of commas to separate items in a list, particularly when the elements of the list themselves have embedded commas.

In writing, a space is a blank area that separates words, sentences, syllables and other written or printed glyphs (characters). Conventions for spacing vary among languages, and in some languages the spacing rules are complex. Inter-word spaces ease the reader's task of identifying words, and avoid outright ambiguities such as "now here" vs. "nowhere". They also provide convenient guides for where a human or program may start new lines.

The interrobang, also known as the interabang, is an unconventional punctuation mark intended to combine the functions of the question mark and the exclamation mark. The glyph is a ligature of these two marks and was first proposed in 1962 by Martin K. Speckter.

<i>Eats, Shoots & Leaves</i> 2003 non-fiction book on punctuation by Lynne Truss

Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation is a non-fiction book written by Lynne Truss, the former host of BBC Radio 4's Cutting a Dash programme. In the book, published in 2003, Truss bemoans the state of punctuation in the United Kingdom and the United States and describes how rules are being relaxed in today's society. Her goal is to remind readers of the importance of punctuation in the English language by mixing humour and instruction.

Punctuation marks are one or two part graphical marks used in writing, denoting tonal progress, pauses, sentence type, abbreviations, et cetera.

Irony punctuation is any form of notation proposed or used to denote irony or sarcasm in text. Written text, in English and other languages, lacks a standard way to mark irony, and several forms of punctuation have been proposed to fill the gap. The oldest is the percontation point in the form of a reversed question mark, proposed by English printer Henry Denham in the 1580s for marking rhetorical questions, which can be a form of irony. Specific irony marks have also been proposed, such as in the form of an open upward arrow, used by Marcellin Jobard in the 19th century, and in a form resembling a reversed question mark, proposed by French poet Alcanter de Brahm during the 19th century.

The orthography of the Greek language ultimately has its roots in the adoption of the Greek alphabet in the 9th century BC. Some time prior to that, one early form of Greek, Mycenaean, was written in Linear B, although there was a lapse of several centuries between the time Mycenaean stopped being written and the time when the Greek alphabet came into use.

Quotation marks are punctuation marks used in pairs in various writing systems to identify direct speech, a quotation, or a phrase. The pair consists of an opening quotation mark and a closing quotation mark, which may or may not be the same glyph. Quotation marks have a variety of forms in different languages and in different media.

The exclamation mark(!) is a punctuation mark usually used after an interjection or exclamation to indicate strong feelings or to show emphasis. The exclamation mark often marks the end of a sentence, for example: "Watch out!" Similarly, a bare exclamation mark is often used in warning signs. The exclamation mark is often used in writing to make a character seem as though they are shouting, excited, or surprised.

Japanese punctuation includes various written marks, which differ from those found in European languages, as well as some not used in formal Japanese writing but frequently found in more casual writing, such as exclamation and question marks.

Writing systems that use Chinese characters also include various punctuation marks, derived from both Chinese and Western sources. Historically, judou annotations were often used to indicate the boundaries of sentences and clauses in text. The use of punctuation in written Chinese only became mandatory during the 20th century, due to Western influence. Unlike modern punctuation, judou marks were added by scholars for pedagogical purposes and were not viewed as integral to the text. Texts were therefore generally transmitted without judou. In most cases, this practice did not interfere with the interpretation of a text, although it occasionally resulted in ambiguity.

Hebrew punctuation is similar to that of English and other Western languages, Modern Hebrew having imported additional punctuation marks from these languages in order to avoid the ambiguities sometimes occasioned by the relative lack of such symbols in Biblical Hebrew.

For the Korean language, South Korea mainly uses a combination of East Asian and European punctuation, while North Korea uses a little more of the East Asian punctuation style.

The full stop, period, or full point. is a punctuation mark used for several purposes, most often to mark the end of a declarative sentence.

Punctuation in the English language helps the reader to understand a sentence through visual means other than just the letters of the alphabet. English punctuation has two complementary aspects: phonological punctuation, linked to how the sentence can be read aloud, particularly to pausing; and grammatical punctuation, linked to the structure of the sentence. In popular discussion of language, incorrect punctuation is often seen as an indication of lack of education and of a decline of standards.

The compound point is an obsolete typographical construction. Keith Houston reported that this form of punctuation doubling, which involved the comma dash (,—), the semicolon dash (;—), the colon dash, or "dog's bollocks" (:—), and less often the stop-dash (.—) arose in the seventeenth century, citing examples from as early as 1622. More traditionally, these paired forms of punctuation seem most often to have been called (generically) compound points and (specifically) semicolon dash, comma dash, colon dash, and point dash.

References

Notes

  1. Encyclopædia Britannica: "Punctuation.
  2. Byrne, Eugene. "Q&A: When were punctuation marks first used?". History Extra. BBC. Retrieved 14 February 2017.
  3. Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation . New York: Gotham Books. p.  112. ISBN   1-59240-087-6.
  4. Bazin, Hervé (1966), Plumons l'oiseau, Paris (France): Éditions Bernard Grasset, p. 142
  5. Truss, Lynne (2003). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation . Profile Books. ISBN   1-86197-612-7.
  6. 林清源,《簡牘帛書標題格式研究》台北: 藝文印書館,2006。(Lin Qingyuan, Study of Title Formatting in Bamboo and Silk Texts Taipei: Yiwen Publishing, 2006.) ISBN   957-520-111-6.
  7. The History of the Song Dynasty (1346) states 「凡所讀書,無不加標點。」 (Among those who read texts, there are none who do not add punctuation).
  8. E. Otha Wingo, Latin Punctuation in the Classical Age (The Hague, Netherlands: De Gruyter, 1972), 22.
  9. The Latin names for the marks: subdistinctio, media distinctio, and distinctio.
  10. Parkes, M. B. (1991). "The Contribution of Insular Scribes of the Seventh and Eighth Centuries to the 'Grammar of Legibility'". Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts. London: Hambledon Press. pp. 1–18.
  11. "Paleography: How to Read Medieval Handwriting". Harvard University. Archived from the original on 8 December 2015. Retrieved 13 November 2017.
  12. Raymond Clemens & Timothy Graham, Introduction to Manuscript Studies (Ithaca–London: Cornell UP, 2007), 84–6.
  13. Historische Kommasetzung bei Luther, en: historical use of comma by Luther, Frank Slotta, for Prof Beatrice Primus, Landesprüfungsamt I NRW, 2010.
  14. Truss, Lynne (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation . New York: Gotham Books. p.  77. ISBN   1-59240-087-6.
  15. Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation . New York: Gotham Books. pp.  77–78. ISBN   1-59240-087-6.
  16. Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation . New York: Gotham Books. p.  112. ISBN   1-59240-087-6.
  17. Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation . New York: Gotham Books. pp.  112–113. ISBN   1-59240-087-6.
  18. Iona and Peter Opie (1943) I Saw Esau.
  19. MacKellar, Thomas (1885). The American Printer: A Manual of Typography, Containing Practical Directions for Managing all Departments of a Printing Office, As Well as Complete Instructions for Apprentices: With Several Useful Tables, Numerous Schemes for Imposing Forms in Every Variety, Hints to Authors, Etc (Fifteenth – Revised and Enlarged ed.). Philadelphia: MacKellar, Smiths & Jordan. p. 63.
  20. See e.g. Morse code
  21. Chelsea, Lee. "Punctuating Around Quotation Marks". APA Style. American Psychological Association. Retrieved 16 February 2017.
  22. Bryan, Chloe (12 March 2019). "Why people leave a space before punctuation in texts". Mashable. Retrieved 10 June 2022.
  23. Tetteroo, Jeroen (19 August 2015). "Designer's Style Guide to French Translation for Canada". LanguageSolutions. Retrieved 10 June 2022.
  24. Put, Olga (26 February 2022). "What Is the Upside-Down Question Mark in Spanish?". Spanish Academy. Retrieved 10 June 2022.
  25. "Punctuation in Different Languages". TranslateMedia. 11 July 2013. Retrieved 10 June 2022.
  26. Prasoon, Shrikant (2015). English Grammar and Usage. New Delhi: V & S Publishers. pp. Chapter 6. ISBN   978-93-505742-6-3.
  27. Haley, Allan (June 2001). "The Interrobang Is Back". fonthaus.com. Archived from the original on 7 May 2008. Retrieved 3 December 2010.
  28. Bazin, Hervé (1966), Plumons l'oiseau, Paris (France): Éditions Bernard Grasset, p. 142
  29. Revised preliminary proposal to encode six punctuation characters introduced by Hervé Bazin in the UCS by Mykyta Yevstifeyev and Karl Pentzlin, 28 Feb. 2012
  30. "European Patent Office publication".
  31. Australian Official Journal of Patents, 27 January 1994
  32. CIPO – Patent – 2102803 – Financial Transactions Archived 2 October 2008 at the Wayback Machine
  33. Brandon Specktor; Samantha Rideout (20 March 2019). "11 Little-Known Punctuation Marks We Should Be Using". Reader's Digest Canada.

Further reading