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Docent sights juggernaut Headline set tight with minus letter spacing |
Docent sights juggernaut Headline set with no additional letter spacing |
Docent sights juggernaut Headline with more open letter spacing |
Docent sights juggernaut Headline with open letter spacing similar to metal type |
Docent sights juggernaut Headline with still more letter spacing |
Docent sights juggernaut Headline with wide letter spacing |
Docent sights juggernaut Headline with wider letter spacing, sometimes used for broadcast |
Letter spacing, character spacing or tracking is an optically consistent typographical adjustment to the space between letters to change the visual density of a line or block of text. Letter spacing is distinct from kerning, which adjusts the spacing of particular pairs of adjacent characters such as "7." which would appear to be badly spaced if left unadjusted, and leading, the spacing between lines.
Historically, with metal type, a kern meant having a letter stick out beyond the metal slug to which it was attached, or having part of the body of the slug cut off to allow letters to overlap. A kern could therefore only bring letters closer together (negative spacing). Digital kerning could go in either direction. Tracking can similarly go in either direction, but with metal type, one could make groups of letters only farther apart (positive spacing).
In the days of hot metal typesetting, letter spacing required adding horizontal space between letters of words set in metal type in increments of a minimum of a half-point. Some publishers and typesetters avoided letter spacing because it was costly in materials and labor. Letter spacing required hand insertion of copper (a half-point), brass (one point), and printer's "lead" (two points) spaces between individual pieces of type or between matrices. Despite the cost, letter spacing was used in print advertising, book publishing, and custom printing (such as high-end stationery, business cards, wedding invitations, and such). It was also used for very short phrases set in all caps or small caps to prevent the phrases from appearing too dark compared to the rest of the page.
Increased letter-spacing has sometimes been used for emphasis, most often in blackletter typesetting and in typewriter manuscripts, where alternative emphatics like italic or bold fonts are less available. In German-language contexts, where blackletter typefaces survived longer than elsewhere, the practice (called sperren) is not quite extinct. Printer and type designer Frederic Goudy stated that "Men who would letterspace blackletter would steal sheep." [1] Goudy's statement inspired the title of the book Stop Stealing Sheep, [2] an introduction to typography.
Word processing and desktop publishing programs for personal computers, such as LibreOffice Writer, Microsoft Word, Microsoft Publisher, WordPerfect, QuarkXPress, Adobe InDesign, Adobe FrameMaker, Adobe Illustrator, and Adobe Photoshop, use differing methods of adjusting letter spacing. Most systems have the default letter spacing at zero and instead use the character widths and kerning information built into the font itself.
Although digital type sets tighter than metal type on average, this results primarily from the availability of kerning. Digital type does allow for negative sidebearings, which were uncommon in metal type because of the difficulty in cutting a "kern".
In the days of machine-implemented lead typesetting, such as Linotype machines and the Monotype System, letter spacing had to be uniform. In modern digital page-layout software, high-end applications all use relative measurements proportional to the size of the type. QuarkXPress uses units of 1/200 of an em, and Adobe InDesign uses 1/1000 of an em. Therefore, in QuarkXPress, a tracking setting of 3 reduces the visual density of the text noticeably, but in InDesign a tracking setting of 3 is barely noticeable.
Letter spacing may also refer to the insertion of fixed spaces, as was commonly done in hand-set metal type to achieve letter spacing. Fixed spaces vary by size and include hair spaces, thin spaces, word spaces, en-spaces, and em-spaces. An en-space is equal to half the current point size, and an em-space is the same width as the current point size.
Even with no kerning control, a visually pleasing result can be achieved with some control of the space between letters. [3] [4]
With CSS1, a standard of 1996, the letter-spacing property (illustrated) offers some control for "kerning perception", as kerning can be simulated with non-uniform spacing between letters. The CSS3 standard includes the font-kerning property. [5] In the meantime, web designers used the workaround of letter-spacing, mainly to enhance spaced texts of titles and banners.
Adjusting the letter spacing of a given text has been shown to affect reading speed and accuracy. A wide body of research suggests that text with wider letter spacing, as well as wider line and word spacing, leads to increased reading comprehension among both dyslexic and non-dyslexic children. [6] [7] [8] Contrarily, tighter spacing is thought to decrease comprehension among such population subgroups, and is accompanied by crowding and a perception of smallness. [6]
Letter spacing adjustments are frequently employed in news design. Due to deadlines, news editors do not usually have time to rewrite paragraphs that end in split words or create widows or orphans.[ citation needed ]
Discussing Comic Sans, some researchers, including Sue Walker, Jenny Thomson, and John Stein, posit that the typeface's wide spacing, rather than the shape of its characters, is the reason for its success among dyslexics. [9]
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.
A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a font whose letters and characters each occupy the same amount of horizontal space. This contrasts with variable-width fonts, where the letters and spacings have different widths.
Desktop publishing (DTP) is the creation of documents using dedicated software on a personal ("desktop") computer. It was first used almost exclusively for print publications, but now it also assists in the creation of various forms of online content. Desktop publishing software can generate page layouts and produce text and image content comparable to the simpler forms of traditional typography and printing. This technology allows individuals, businesses, and other organizations to self-publish a wide variety of content, from menus to magazines to books, without the expense of commercial printing.
Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
QuarkXPress is desktop publishing software for creating and editing complex page layouts in a WYSIWYG environment. It runs on macOS and Windows. It was first released by Quark, Inc. in 1987 and is still owned and published by them.
Typesetting is the composition of text for publication, display, or distribution by means of arranging physical type in mechanical systems or glyphs in digital systems representing characters. Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts. One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission.
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech.
In typography, kerning is the process of adjusting the spacing between characters in a proportional font, usually to achieve a visually pleasing result. Kerning adjusts the space between individual letterforms while tracking (letter-spacing) adjusts spacing uniformly over a range of characters. In a well kerned font, the two-dimensional blank spaces between each pair of characters all have a visually similar area. The term "keming" is sometimes used informally to refer to poor kerning.
In typography, leading is the space between adjacent lines of type; the exact definition varies.
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters ⟨æ⟩ and ⟨œ⟩ used in English and French, in which the letters ⟨a⟩ and ⟨e⟩ are joined for the first ligature and the letters ⟨o⟩ and ⟨e⟩ are joined for the second ligature. For stylistic and legibility reasons, ⟨f⟩ and ⟨i⟩ are often merged to create ⟨fi⟩ ; the same is true of ⟨s⟩ and ⟨t⟩ to create ⟨st⟩. The common ampersand, ⟨&⟩, developed from a ligature in which the handwritten Latin letters ⟨e⟩ and ⟨t⟩ were combined.
Adobe InCopy is a professional word processor made by Adobe Inc. that integrates with Adobe InDesign. InCopy is used for general word processing, in contrast to InDesign, which is used to publish printed material, including newspapers and magazines. The software enables editors to write, edit, and design documents. The software includes standard word processing features such as spell check, track changes, and word count, and has various viewing modes that allow editors to visually inspect design elements — just as it looks to the designer working in Adobe InDesign.
In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab.
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.
Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. These include a normal word space, a single enlarged space, and two full spaces.
In typesetting, a slug is any of several kinds of piece of lead or other type metal. One kind of slug is a piece of spacing material used to space paragraphs. In the era of commercial typesetting in metal type, they were usually manufactured in strips of 6-point lead. Another kind of slug is a single sort, bearing a single letter or any other symbol. More recently, a slug can be an entire line of Linotype typeset matter, where a single piece of lead has been cast bearing a line of text.
Legibility is the ease with which a reader can decode symbols. In addition to written language, it can also refer to behaviour or architecture, for example. From the perspective of communication research, it can be described as a measure of the permeability of a communication channel. A large number of known factors can affect legibility.
Microtypography is a range of methods for improving the readability and appearance of text, especially justified text. The methods reduce the appearance of large interword spaces and create edges to the text that appear more even. Microtypography methods can also increase reading comprehension of text, reducing the cognitive load of reading.
Tasmeem was a set of Arabic enhancements for Adobe InDesign ME, developed by WinSoft International and DecoType. Tasmeem allowed users to create typographically advanced text in Arabic in the Middle Eastern and North African versions of InDesign, turning it into a typesetting and design tool for Arabic.
The history of sentence spacing is the evolution of sentence spacing conventions from the introduction of movable type in Europe by Johannes Gutenberg to the present day.
The dictionary definition of letterspacing at Wiktionary