Typographic features made possible using digital typographic systems have solved many of the demands placed on computer systems to replicate traditional typography and have expanded the possibilities with many new features. Three systems are in common use: OpenType, devised by Microsoft and Adobe, Apple's Apple Advanced Typography (AAT), and SIL's Graphite. The lists below provide information about OpenType and AAT features. Graphite does not have a fixed set of features; instead it provides a way for fonts to define their own features.
The OpenType format defines a number of typographic features that a particular font may support. Some software, such as Adobe InDesign, LibreOffice/OpenOffice, or recent versions of Lua/XeTeX, gives users control of these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full-height) and non-ranging (old-style, or lower-case) digits. Some web browsers also support OpenType features in accordance with the CSS Fonts Module Level 3 specification, which allows OpenType features to be set directly via the font-feature-settings
property, or indirectly by means of higher-level mechanisms.
The following tables list the features defined in version 1.8.1 of the OpenType specification. The codes in the "type" column are explained after the tables. OpenType features may be applicable only to certain language scripts or specific languages, or in certain writing modes. The features are split into several tables accordingly.
Long name | tag | type | Description |
---|---|---|---|
Above-base Forms | abvf | S1 | Replaces the above-base part of a vowel sign. For Khmer and similar scripts. |
Above-base Mark Positioning | abvm | P4,5 | Positions a mark glyph above a base glyph. |
Above-base Substitutions | abvs | S4 | Ligates a consonant with an above-mark. |
Below-base Forms | blwf | S4 | Replaces halant+consonant combination with a subscript form. |
Below-base Mark Positioning | blwm | P4,5 | Positions a mark glyph below a base glyph |
Below-base Substitutions | blws | S4 | Ligates a consonant with a below-mark. |
Pre-base Forms | pref | S4[ disputed ] | Replaces halant+consonant at the end of a consonant cluster with a glyph at the beginning. Khmer, Myanmar, Malayalam, Telugu |
Pre-base Substitutions | pres | S4,5 | Ligates consonant combinations. |
Post-base Substitutions | psts | S4 | Ligates a final consonant+consonant. |
Post-base Forms | pstf | S4 | Substitutes final halant+consonant with special form. Khmer and Gurmukhi, Malayalam |
Distance | dist | P2 | Adjusts horizontal positioning between glyphs. (Always enabled, as opposed to 'kern'.) |
Akhand | akhn | S4 | Hindi for unbreakable. Ligates consonant+halant+consonant, usually only for k-ss and j-ny combinations. |
Halant Forms | haln | S4 | Replaces a glyph for final consonant+halant. |
Half Form | half | S4 | Replaces consonant+halant with a half form, indicating it is part of a conjunct. |
Nukta Forms | nukt | S4 | Replace consonant+nukta (dot mark) with single glyph. |
Rakar Forms | rkrf | S4 | Replaces halant+ra with a rakar glyph, indicating it is part of a conjunct. |
Reph Form | rphf | S4 | Replaces initial ra+halant with a final reph mark, indicating part of a conjunct. |
Vattu Variants | vatu | S4 | Replaces consonant+rakar combinations with a vattu variant ligature. |
Conjunct Forms | cjct | S4 | Ligates consonant+halant+consonant, indicates part of a conjunct. |
Conjunct Form After Ro | cfar | S1 | Khmer |
Long name | tag | type | Description |
---|---|---|---|
Simplified Forms | smpl | S1 | Replaces sinograms with their simplified versions, may be language dependent |
Traditional Forms | trad | S1,3 | Replaces Chinese characters with their traditional versions |
Traditional Name Forms | tnam | S1 | Japanese alternates for proper names |
Expert Forms | expt | S1 | Typographic alternatives for some Japanese tetragrams |
Hojo Kanji Forms | hojo | Hojo alternates for Japanese tetragrams | |
NLC Kanji Forms | nlck | NLC alternates for Japanese tetragrams | |
JIS 78 Forms | jp78 | S1,3 | JIS C 6226-1978 alternates for Japanese tetragrams, not accessible per Unicode |
JIS 83 Forms | jp83 | S1 | JIS X 0208-1983 alternates for Japanese tetragrams, not accessible per Unicode |
JIS 90 Forms | jp90 | S1 | JIS X 0208-1990 alternates for Japanese tetragrams, not accessible per Unicode |
JIS 04 Forms | jp04 | JIS 2004 alternates for Japanese tetragrams, not accessible per Unicode | |
Hangul | hngl | S1,3 | Transliterates Chinese-style characters with Korean Hangul |
Leading Jamo Forms | ljmo | S4 | Initial group of consonants for a synthesized Korean Hangul tetragram |
Trailing Jamo Forms | tjmo | S4 | Final group of consonants for a synthesized Korean Hangul tetragram |
Vowel Jamo Forms | vjmo | S4 | Medial group of vowels for a synthesized Korean Hangul tetragram |
Full Widths | fwid | S1 | Substitutes proportionally spaced character with full-width versions (esp. for Latin letters within Chinese) |
Half Widths | hwid | S1,P1 | Substitutes uniformly-spaced characters with half-width version |
Alternate Half Widths | halt | P1 | Re-positions full-width glyphs on half-width spaces |
Third Widths | twid | S1,P1 | Substitutes uniformly-spaced character with a version of 1/3 width (punctuation, etc.) |
Quarter Widths | qwid | S1 | Replaces uniformly-spaced glyphs with quarter-width ones (punctuation etc.) |
Proportional Widths | pwid | S1 | Replaces uniformly-spaced glyphs with proportional ones |
Proportional Alternates | palt | P1 | Re-positions otherwise monospace characters according to glyph width |
Proportional Kana | pkna | S1 | Kana for use alongside alphabets, without grid typography |
Ruby Notation Forms | ruby | S1 | Ruby characters, small print |
Horizontal Kana Alternates | hkna | S1 | Alternate forms for horizontal kana text, e.g. ー for chōonpu instead of |, cf. vkna |
Vertical Kana | vkna | S1 | Alternate Japanese kana forms for vertical text, e.g. | for chōonpu instead of ー, cf. hkna |
Centered CJK Punctuation | cpct | P1 | Positions punctuation marks vertically and horizontally |
Long name | tag | type | Description |
---|---|---|---|
Cursive Positioning | curs | P3 | Precise positioning of a letter's connection to an adjacent one |
Justification Alternates | jalt | S3 | User selectable wider and narrower alternates, used especially for justifying |
Mark Positioning via Substitution | mset | S5 | Used in Windows 95 for positioning of Arabic marks |
Required Contextual Alternates | rclt | S6 | Contextual alternates required for correct text display which differs from the default join for other letters, required especially important by Arabic |
Required Ligatures | rlig | S3 | Ligatures required for correct text display (any script, but in cursive) |
Isolated Forms | isol | S1 | Substitutes a special form of a letter occurring outside a word (required by Arabic and Syriac) |
Initial Forms | init | S1 | Substitutes a special form of a letter occurring at the beginning of a word (required by Arabic and Syriac) |
Medial Forms | medi | S1 | Substitutes a special form of letters between other letters in words (required by Arabic and Syriac) |
Medial Form #2 | med2 | S5 | Syriac |
Terminal Forms | fina | S1 | Substitutes a special form of a letter at end of words (required by Arabic and Syriac) |
Terminal Form #2 | fin2 | S5 | Syriac |
Terminal Form #3 | fin3 | S5 | Syriac |
Final Glyph on Line Alternates | falt | S3 | Replaces final glyph on the line with an alternate |
Stretching Glyph Decomposition | stch | S2 | Substitutes a special form of a stretchy glyph onto one or more letters (required by Syriac) |
Long name | tag | type | Description |
---|---|---|---|
Small Caps | smcp | S1 | Substitutes lower-case letters with small caps versions |
Capitals to Small Caps | c2sc | S1 | Substitutes capital letters with small caps |
Petite Caps | pcap | S1 | Substitute lower-case letters with their petite caps analogs |
Capitals to Petite Caps | c2pc | S1 | Substitutes capital letters with petite caps |
Unicase | unic | S1 | Replaces lowercase and uppercase letters with a set of single case glyphs |
Capital Spacing | cpsp | P1 | Adjusts spacing between letters in all-capitals text |
Case Sensitive Forms | case | P1 | Replace characters, especially punctuation, with forms better suited for all-capital text, cf. titl |
Italics | ital | S1 | Replaces letter with corresponding italic glyph |
Ordinals | ordn | S6,4 | Replaces characters with ordinal forms for use after numbers |
Long name | tag | type | Description |
---|---|---|---|
Alternative Vertical Metrics | valt | P1 | Positions shorter characters to be centered vertically with full-height characters |
Alternative Vertical Half Metrics | vhal | P1 | Positions characters to be centered vertically with half-height characters |
Proportional Alternate Vertical Metrics | vpal | P1 | Re-positions glyphs vertically to be centered on proportional full-height characters |
Vertical Alternates | vert | S1 | A subset of vrt2 : prefer the latter feature |
Vertical Alternates and Rotation | vrt2 | S1 | Replaces characters with forms suitable for vertical writing, possibly by rotating 90° |
Vertical Alternates for Rotation | vrtr | S1 | Replaces characters with forms suitable for vertical writing, possibly by shifting or shape |
Vertical Kerning | vkrn | P2,8 | Fine vertical positioning of characters based on shape |
Left-to-right glyph alternates | ltra | S1 | Replaces characters with forms befitting left-to-right presentation (except mirrored forms) |
Left-to-right mirrored forms | ltrm | S1 | Replaces characters with possibly mirrored forms befitting left-to-right presentation |
Right-to-left glyph alternates | rtla | S1 | Replaces characters with forms befitting right-to-left presentation (except mirrored forms) |
Right-to-left mirrored forms | rtlm | S1 | Replaces characters with possibly mirrored forms befitting right-to-left presentation |
Long name | tag | type | Description |
---|---|---|---|
Lining Figures | lnum | S1 | Replaces numerals with glyphs meant to fit better in all-capitals text, often also tnum |
Oldstyle Figures | onum | S1 | Replaces numerals with cased old-style numerals, often also pnum |
Proportional Figures | pnum | S1 | Replaces numerals with glyphs of proportional width, often also onum |
Tabular Figures | tnum | S1 | Replaces numerals with glyphs of uniform width, often also lnum |
Fractions | frac | S4 | Converts figures separated by slash with diagonal fraction |
Alternative Fractions | afrc | S4 | Converts figures separated by slash with alternative stacked fraction form |
Denominator | dnom | S1 | Converts to appropriate fraction denominator form, invoked by frac |
Numerator | numr | S1 | Converts to appropriate fraction numerator form, invoked by frac |
Scientific Inferiors | sinf | S1 | as in "H2O", "SOx" or "YCbCr" (but using the same font weight and predefined position in contrast these plain HTML subs and sups) |
Slashed Zero | zero | S1 | Replaces 0 figure with slashed 0 |
Mathematical Greek | mgrk | S1 | Replaces Greek characters with special forms for use in mathematics |
Flattened accent forms | flac | This feature is applied to individual glyphs during layout of math formula. | |
Dotless Forms | dtls | The dotless forms are to be used as base forms for placing mathematical accents over them. | |
Math script style alternates | ssty | This feature can have a parameter indicating the script level: 1 for simple subscripts and superscripts, 2 for second level subscripts and superscripts (that is, scripts on scripts), and so on. (Currently, only the first two alternates are used). For glyphs that are not covered by this feature, the original glyph is used in subscripts and superscripts. |
Long name | tag | type | Description |
---|---|---|---|
Access All Alternates | aalt | S1,3 | Special feature: used to present user with choice all alternate forms of the character |
Swash | swsh | S1,3 | Either replaces character with or displays multiple swashed versions |
Contextual Swash | cswh | S8 | Converts letter to a swashed version based on characters around the letter |
Contextual Alternates | calt | S6 | Applies a second substitution feature based on a match of a character pattern within a context of surrounding patterns |
Historical Forms | hist | S1 | Obsolete forms of characters to be applied at the user's discretion, cf. hlig |
Localized Forms | locl | S1 | Substitutes character with the preferred form based on script language |
Randomize | rand | S3 | Replaces character with random forms (meant to simulate handwriting) |
Alternate Annotation Forms | nalt | S1,3 | Provides user access to circled digits, inverse letters etc. |
Character Variant 1–99 | cv01– | S3 | Multiple variants of a single character, which may not apply to many other characters, see references for voluminous documentation |
Stylistic Alternates | salt | S1,3 | Either replaces with, or displays list of, stylistic alternatives for a character |
Stylistic Set 1 – 20 | ss01- | S1 | Replaces character with one from a font-specific set of stylistic alternatives |
Subscript | subs | S1 | Replaces character with subscript version, cf. numr |
Superscript | sups | S1 | Replaces character with superscript version, cf. dnom |
Titling Alternates | titl | S1 | Replaces characters with forms suited for large type, as in titles |
Required Variation Alternates | rvrn | S1 | Special variants of a single character, which need apply to specific font variation, required by variable fonts |
Contextual Ligatures | clig | S8 | Applies a second ligature feature based on a match of a character pattern within a context of surrounding patterns |
Discretionary Ligatures | dlig | S4 | Ligatures to be applied at the user's discretion |
Historical Ligatures | hlig | S1 | Obsolete ligatures to be applied at the user's discretion |
Standard Ligatures | liga | S4 | Replaces (by default) sequence of characters with a single ligature glyph |
Long name | tag | type | Description |
---|---|---|---|
Glyph Composition/Decomposition | ccmp | S4,2 | Either calls a ligature replacement on a sequence of characters or replaces a character with a sequence of glyphs. Provides logic that can for example effectively alter the order of input characters. |
Kerning | kern | P2,8 | Fine horizontal positioning of one glyph to the next, based on the shapes of the glyphs |
Mark Positioning | mark | P4,5 | Fine positioning of a mark glyph to a base character |
Mark-to-mark Positioning | mkmk | P6 | Fine positioning of a mark glyph to another mark character |
Optical Bounds | opbd | P1 | Re-positions glyphs at beginning and end of line, for precise justification of text. |
Left Bounds | lfbd | P1 | Re-positions glyphs at end of line. Called by opbd . |
Right Bounds | rtbd | P1 | Re-positions glyphs at beginning of line. Called by opbd . |
Long name | tag | type | Description |
---|---|---|---|
Optical size | size | Not a lookup: feature's table provides to applications information about the appearance and intent of the font, to aid in font selection. | |
Ornaments | ornm | S3,1 | Decorative alternates for the bullet character • |
Below are listed the OpenType lookup table types, as used in the "type" column in the above tables. S stands for substitution, and P stands for positioning. Note that often a feature can be implemented by more than one type of table, and that sometimes the specification fails to explicitly indicate the table type.
abbrev. | type | description |
---|---|---|
S1 | GSUB 1 | simple substitution of one glyph with another |
S2 | GSUB 2 | multiple substitution of one character by several glyphs |
S3 | GSUB 3 | variant selection |
S4 | GSUB 4 | ligatures |
S5 | GSUB 5 | contextual substitution |
S6 | GSUB 6 | chained contextual substitution |
S7 | GSUB 7 | extension for GSUB tables past 64kB |
S8 | GSUB 8 | reverse chained contextual substitution |
P1 | GPOS 1 | positioning of single glyph |
P2 | GPOS 2 | positioning of pair of glyphs |
P3 | GPOS 3 | cursive attachment |
P4 | GPOS 4 | positioning of mark glyphs relative to base |
P5 | GPOS 5 | positioning of mark glyphs relative to ligature |
P6 | GPOS 6 | positioning of mark glyphs relative to another mark glyph |
P7 | GPOS 7 | contextual positioning |
P8 | GPOS 8 | extended contextual positioning |
P9 | GPOS 9 | extension for GPOS tables past 64kB |
Features that take one value, mutual exclusive from the rest:
nalt
rand; aalt, calt, falt, jalt, salt, ssXX, hkna/vkna, rtla, vrt2
half, ruby; ljmo, vjmo, tjmo
trad
smpl
jp78
jp83
jp90
tnam, hojo, nlck
expt, locl
hwid, halt
pwid, palt
fwid
init, medi/med2, fina/fin2/fin3; haln, nukt, vatu, rphf, pres, pstf/psts
isol
calt, clig
curs
ccmp
afrc
frac, dnom, numr
fwid
pwid, palt
fwid
pwid, palt
case
smcp, pcap
c2sc, c2pc
onum
lnum
tnum
pnum
ornm
mgrk
pwid, palt
fwid
hwid, halt
supr
subs, sinf
ordn
Features that take a number of values:
rlig, clig
liga
hlig, dlig
swsh, cswh
falt
jalt
size
titl
locl
zero
Binary features that can only be turned on:
Katakana is a Japanese syllabary, one component of the Japanese writing system along with hiragana, kanji and in some cases the Latin script.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
OpenType is a format for scalable computer fonts. Derived from TrueType, it retains TrueType's basic structure but adds many intricate data structures for describing typographic behavior. OpenType is a registered trademark of Microsoft Corporation.
In typography, kerning is the process of adjusting the spacing between characters in a proportional font, usually to achieve a visually pleasing result. Kerning adjusts the space between individual letterforms while tracking (letter-spacing) adjusts spacing uniformly over a range of characters. In a well-kerned font, the two-dimensional blank spaces between each pair of characters all have a visually similar area. The term "keming" is sometimes used informally to refer to poor kerning.
Arial Unicode MS is a TrueType font and the extended version of the font Arial. Compared to Arial, it includes higher line height, omits kerning pairs and adds enough glyphs to cover a large subset of Unicode 2.1—thus supporting most Microsoft code pages, but also requiring much more storage space. It also adds Ideographic layout tables, but unlike Arial, it mandates no smoothing in the 14–18 point range, and contains Roman (upright) glyphs only; there is no oblique (italic) version. Arial Unicode MS was previously distributed with Microsoft Office, but this ended in 2016 version. It is bundled with Mac OS X v10.5 and later. It may also be purchased separately from Ascender Corporation, who licenses the font from Microsoft.
Apple Advanced Typography (AAT) is Apple Inc.'s computer technology for advanced font rendering, supporting internationalization and complex features for typographers, a successor to Apple's little-used QuickDraw GX font technology of the mid-1990s. It is a set of extensions to the TrueType outline font standard, with smartfont features similar to the OpenType font format that was developed by Adobe and Microsoft, and to Graphite. It also incorporates concepts from Adobe's "multiple master" font format, allowing for axes of traits to be defined and morphing of a glyph independently along each of these axes. AAT font features do not alter the underlying typed text; they only affect the characters' representation during glyph conversion.
Letter spacing, character spacing or tracking is an optically consistent typographical adjustment to the space between letters to change the visual density of a line or block of text. Letter spacing is distinct from kerning, which adjusts the spacing of particular pairs of adjacent characters such as "7." which would appear to be badly spaced if left unadjusted, and leading, the spacing between lines.
Zapfino is a calligraphic typeface designed for Linotype by typeface designer Hermann Zapf in 1998. It is based on an alphabet Zapf originally penned in 1944. As a font, it makes extensive use of ligatures and character variations.
Adobe InCopy is a professional word processor made by Adobe Inc. that integrates with Adobe InDesign. InCopy is used for general word processing, in contrast to InDesign, which is used to publish printed material, including newspapers and magazines. The software enables editors to write, edit, and design documents. The software includes standard word processing features such as spell check, track changes, and word count, and has various viewing modes that allow editors to visually inspect design elements — just as it looks to the designer working in Adobe InDesign.
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.
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Parisine is a typeface that was created by Jean-François Porchez and is distributed by Typofonderie.
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Apple's Macintosh computer supports a wide variety of fonts. This support was one of the features that initially distinguished it from other systems.
Minion is a serif typeface released in 1990 by Adobe Systems. Designed by Robert Slimbach, it is inspired by late Renaissance-era type and intended for body text and extended reading. Minion's name comes from the traditional naming system for type sizes, in which minion is between nonpareil and brevier, with the type body 7pt in height. As the historically rooted name indicates, Minion was designed for body text in a classic style, although slightly condensed and with large apertures to increase legibility. Slimbach described the design as having "a simplified structure and moderate proportions." The design is slightly condensed, although Slimbach has said that this was intended not for commercial reasons so much as to achieve a good balance of the size of letters relative to the ascenders and descenders.
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Microtypography is a range of methods for improving the readability and appearance of text, especially justified text. The methods reduce the appearance of large interword spaces and create edges to the text that appear more even. Microtypography methods can also increase reading comprehension of text, reducing the cognitive load of reading.
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ITC Galliard is the name of a serif typeface designed by Matthew Carter and issued in 1978 by the Mergenthaler Linotype Company.
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