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An antiphon is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers.
The Ketuvim is the third and final section of the Tanakh, after Torah ("instruction") and Nevi'im ("prophets"). In English translations of the Hebrew Bible, this section is usually titled "Writings" or "Hagiographa".
Hebrew cantillation, trope, trop, or te'amim is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points.
It is a custom among religious Jewish communities for a weekly Torah portion to be read during Jewish prayer services on Monday, Thursday, and Saturday. The full name, Parashat HaShavua, is popularly abbreviated to parashah, and is also known as a Sidra or Sedra.
A tikkun or tiqqun is a book used by Jews to prepare for reading or writing a Torah scroll. There are two types of tikkun, a tikkun kor'im and a tikkun soferim.
Alleluia is a phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of scripture, usually from the Psalms. This chant is commonly used before the proclamation of the Gospel. In Western Christianity, congregations commonly cease using the word Alleluia during the period of Lent but restore it into their services at Easter. The form of praise "Alleluia" is used by Christians to thank and glorify God; it finds itself present in many prayers and hymns, especially those related to Eastertide, such as "Christ the Lord is Risen Today".
Cheironomy or chironomy is a form of music conducting, typically with choral music and choral groups (choirs), where the use of hand gestures directs musical performance. In the modern artform, conductors tend to hoist batons for indicating melodic curves and ornaments.
The Philip and Sarah Belz School of Jewish Music is a music school that focuses on Jewish music. It is part of Yeshiva University and its Rabbi Isaac Elchanan Theological Seminary in New York City. Classes are held in the Schottenstein Center on Yeshiva University's Wilf Campus in Manhattan. Courses include nusah hatefilah, cantillation, voice, piano, music theory, history of Jewish music and liturgy, safrut, and Sephardic hazzanut (cantorial).
Hebrew orthography includes three types of diacritics:
The sof passuk is the cantillation mark that occurs on the last word of every verse, or passuk, in the Tanakh. Some short verses contain only members of the sof passuk group.
Tifcha is a cantillation mark commonly found in the Torah, Haftarah, and other books that are chanted. In Sephardic and Oriental traditions, it is called Tarcha, meaning "dragging" or "effort".
Zakef Gadol is a cantillation mark that is commonly found in the Torah and Haftarah. It is represented by a vertical line on the left and two dots one on top of the other on the right.
Revia is a cantillation mark commonly found in the Torah, Haftarah, and other biblical texts.
Zakef Katan, often referred to simply as katan, is a cantillation mark commonly found in the Torah, Haftarah, and other books of the Hebrew Bible. The note is the anchor and final one of the Katon group, which also can include the Mapach, Pashta, Munach, or Yetiv. It is one of the most common cantillation marks. There is no limit to the number of times the Katan group can appear in a verse, and often, multiple Katan groups appear in succession. The most times in succession the group occurs is four.
Kadma is a common cantillation mark found in the Torah, Haftarah, and other books of the Hebrew Bible. It can be found by itself preceding certain trope groups, or together with a Geresh, in which case, the pair is known as "Kadma-V'Azla."
Zarka or zarqa is a cantillation mark found in the Torah, Haftarah, and other books of the Hebrew Bible. It is usually found together with the Segol, with a Munach preceding either or both. The symbol for a Zarka is a 90 degrees rotated, inverted S. The Hebrew word זַרְקָא֮ translates as "throwing" and the melody is ascending in Moroccan and Sefardic tradition and descending in the Ashkenazic.
Segol, is a cantillation mark found in the Torah, Haftarah, and other books of the Hebrew Bible. The Segol occurs together with a preceding Zarka, sometimes with a Munach preceding one or both.
Đọc kinh is the Vietnamese Catholic term for reciting a prayer or sacred text. In communal worship settings, đọc kinh is characterized by cantillation, or the ritual chanting of prayers and responses. To Westerners, this form of prayer can be mistaken for song.
The Illuy or Iluy is a Trope in the Judaic Liturgy. It is one of the cantillation marks used in the three poetic books: Job, the Book of Proverbs, and the Psalms. Accordingly, it is a special mark belonging to the Ta'amei Sifrei Emet.
References
- ↑ Kiều, Tùng Công (2009). A Project on Developing Catholic Liturgical Music in Vietnam (PDF) (S.T.M.). Boston University. pp. 71–72. Retrieved June 9, 2013.
- ↑ Zaragoza, Rufino (November 2001). "The Sacred Sound of Đọc Kinh: Exploring the Sonic World of Vietnamese Chanting". Ministry & Liturgy. San Jose, California: Resource Publications. Archived from the original on January 5, 2002. Retrieved June 9, 2013.
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