Book hand

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A book hand was any of several stylized handwriting scripts used during ancient and medieval times. [1] It was intended for legibility and often used in transcribing official documents (prior to the development of printing and similar technologies). [2]

In palaeography and calligraphy, the term hand is still used to refer to a named style of writing, such as the chancery hand. [1]

See also

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<span class="mw-page-title-main">Palaeography</span> Study of handwriting and manuscripts

Palaeography (UK) or paleography is the study and academic discipline of the analysis of historical writing systems, the historicity of manuscripts and texts, subsuming deciphering and dating of historical manuscripts, including the analysis of historic handwriting, signification and printed media. It is primarily concerned with the forms, processes and relationships of writing and printing systems as evident in a text, document or manuscript; and analysis of the substantive textual content of documents is a secondary function. Included in the discipline is the practice of deciphering, reading, and dating manuscripts, and the cultural context of writing, including the methods with which writing and printing of texts, manuscripts, books, codices and tomes, tracts and monographs, etcetera, were produced, and the history of scriptoria. This discipline is important for understanding, authenticating, and dating historic texts. However, it cannot be used as a discrete academic discipline to pinpoint dates with precision without interdisciplinary inquiry.

<span class="mw-page-title-main">Calligraphy</span> Visual art related to writing

Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".

<span class="mw-page-title-main">Penmanship</span> Technique of writing with the hand

Penmanship is the technique of writing with the hand using a writing instrument. Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements. The various generic and formal historical styles of writing are called "hands" while an individual's style of penmanship is referred to as "handwriting".

<span class="mw-page-title-main">Handwriting</span> Writing created by a person with a writing implement

Handwriting is the writing done with a writing instrument, such as a pen or pencil, in the hand. Handwriting includes both block and cursive styles and is separate from formal calligraphy or typeface. Because each person's handwriting is unique and different, it can be used to verify a document's writer. The deterioration of a person's handwriting is also a symptom or result of several different diseases. The inability to produce clear and coherent handwriting is also known as dysgraphia.

<span class="mw-page-title-main">Cursive</span> Style of penmanship in which characters are written joined in a flowing manner

Cursive is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and modern-day usage across languages and regions; being used both publicly in artistic and formal documents as well as in private communication. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. The writing style can be further divided as "looped", "italic", or "connected".

<span class="mw-page-title-main">Blackletter</span> Historic European script and typeface

Blackletter, also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, Latvian language until the 1930s, and for the German language until the 1940s, when Hitler officially discontinued it in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography.

<span class="mw-page-title-main">Antiqua (typeface class)</span> Typefaces that mimic 15C and 16C handwriting

Antiqua is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard in Germany.

<span class="mw-page-title-main">Western calligraphy</span>

Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet.

<span class="mw-page-title-main">Italic script</span> Semi-cursive, slightly sloped style of handwriting and calligraphy developed in Italy

Italic script, also known as chancery cursive and Italic hand, is a semi-cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. It is one of the most popular styles used in contemporary Western calligraphy.

<span class="mw-page-title-main">Rotunda (script)</span> Medieval blackletter script

The Rotunda is a specific medieval blackletter script. It originates in Carolingian minuscule. Sometimes, it is not considered a blackletter script, but a script on its own. It was used mainly in southern Europe.

<span class="mw-page-title-main">Secretary hand</span> Style of European handwriting

Secretary hand or script is a style of European handwriting developed in the early sixteenth century that remained common in the sixteenth and seventeenth centuries for writing English, German, Welsh and Gaelic.

<span class="mw-page-title-main">Bastarda</span> Blackletter script used in France and Germany

Bastarda or bastard was a blackletter script chiefly used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy. The particularly English forms of the script are sometimes distinguished as Bastarda Anglicana or Anglicana.

<span class="mw-page-title-main">Russian cursive</span> Handwritten form of Russian Cyrillic

Russian cursive is a variant of the Russian alphabet used for writing by hand. It is typically referred to as (ру́сский) рукопи́сный шрифт (rússky) rukopísny shrift, "(Russian) handwritten font". It is the handwritten form of the modern Russian Cyrillic script, used instead of the block letters seen in printed material. In addition, Russian italics for lowercase letters are often based on Russian cursive. Most handwritten Russian, especially in personal letters and schoolwork, uses the cursive alphabet. In Russian schools most children are taught from first grade how to write with this script.

<span class="mw-page-title-main">Chancery hand</span> Any of several styles of historic handwriting

The term "chancery hand" can refer to either of two distinct styles of historical handwriting.

<span class="mw-page-title-main">Script typeface</span> Class of typefaces inspired by handwriting

Script typefaces are based on the varied and often fluid stroke created by handwriting. They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.

<span class="mw-page-title-main">Round hand</span> Type of handwriting

Round hand is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson. Characterised by an open flowing hand (style) and subtle contrast of thick and thin strokes deriving from metal pointed nibs in which the flexibility of the metal allows the left and right halves of the point to spread apart under light pressure and then spring back together, the popularity of round hand grew rapidly, becoming codified as a standard, through the publication of printed writing manuals.

<span class="mw-page-title-main">Court hand</span> Style of handwriting used in medieval English law courts

Court hand was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks. "It is noticeably upright and packed together with exaggeratedly long ascenders and descenders, the latter often and the former occasionally brought round in sweeping crescent shaped curves".

<span class="mw-page-title-main">Humanist minuscule</span> Handwriting style

Humanist minuscule is a handwriting or style of script that was invented in secular circles in Italy, at the beginning of the fifteenth century. "Few periods in Western history have produced writing of such great beauty", observes the art historian Millard Meiss. The new hand was based on Carolingian minuscule, which Renaissance humanists, obsessed with the revival of antiquity and their role as its inheritors, took to be ancient Roman:

[W]hen they handled manuscript books copied by eleventh- and twelfth-century scribes, Quattrocento literati thought they were looking at texts that came right out of the bookshops of ancient Rome".

<span class="mw-page-title-main">Alfred Fairbank</span>

Alfred John Fairbank CBE was a British calligrapher, palaeographer and author on handwriting.

<span title="French-language text"><i lang="fr">Ronde</i></span> script

Ronde is a kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look. It appeared in France at the end of the 16th century, growing out from a late local variant of Gothic cursive influenced by North Italian Renaissance types in Rotunda, a bookish round Gothic style, as well as Civilité, also a late French variant of Gothic cursive. It was popularized by writing masters such as Louis Barbedor in the 17th century.

References

  1. 1 2 Dillon, Emma (7 October 2002). Medieval Music-Making and the Roman de Fauvel. Cambridge University Press. p. 25. ISBN   978-0-521-81371-6.
  2. Black, Robert (8 August 2002). Benedetto Accolti and the Florentine Renaissance. Cambridge University Press. pp. 130–133. ISBN   978-0-521-52227-4.