The Girl from Utah is an Edwardian musical comedy in two acts with music by Paul Rubens, and Sidney Jones, a book by James T. Tanner, and lyrics by Adrian Ross, Percy Greenbank and Rubens. The story concerns an American girl who runs away to London to avoid becoming a wealthy Mormon's newest wife. The Mormon follows her to England, but she is rescued from a bigamous marriage by a handsome actor.
The piece opened at the Adelphi Theatre in London on 18 October 1913 and had an initial run of 195 performances. An American version was produced by Charles Frohman that had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 24, 1914. Frohman hired the young Jerome Kern to write five new songs for the score together with lyricist Herbert Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production. Their song "They Didn't Believe Me" became a hit.[1][2] The musical also toured in other countries, including South Africa, Australia and New Zealand.[3]
"They Didn't Believe Me", with its conversational style and modern 4/4 time signature instead of the older waltz style, put Kern in great demand on Broadway and established a pattern for musical comedy love songs that lasted through the 1960s. It became a standard and has been recorded by many artists.[1][4] A recording of a concert performance of the show is available from the Comic Opera Guild.[5]
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Florodora is an Edwardian musical comedy. After its long run in London, it became one of the first successful Broadway musicals of the 20th century. The book was written by Jimmy Davis under the pseudonym Owen Hall, the music was by Leslie Stuart with additional songs by Paul Rubens, and the lyrics were by Edward Boyd-Jones, George Arthurs and Rubens.
Guy Reginald Bolton was an Anglo-American playwright and writer of musical comedies. Born in England and educated in France and the US, he trained as an architect but turned to writing. Bolton preferred working in collaboration with others, principally the English writers P. G. Wodehouse and Fred Thompson, with whom he wrote 21 and 14 shows respectively, and the American playwright George Middleton, with whom he wrote ten shows. Among his other collaborators in Britain were George Grossmith Jr., Ian Hay and Weston and Lee. In the US, he worked with George and Ira Gershwin, Kalmar and Ruby and Oscar Hammerstein II.
The Marriage Market (Leányvásár) is an operetta by Hungarian composer Victor Jacobi. It was premiered on 14 November 1911 at the Király Színház in Budapest and was the composer's first significant success not only in Hungary, but also abroad. The libretto was by Miklós Bródy and Ferenc Martos.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer. A fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker, Kern was originally involved with the production, but died before its completion. Featuring an ensemble cast of well-known musical stars, it was the first in a series of MGM biopics about Broadway composers.
The Shop Girl was a musical comedy in two acts written by H. J. W. Dam, with Lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith, Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.
The Circus Girl is a musical comedy in two acts by James T. Tanner and Walter Apllant (Palings), with lyrics by Harry Greenbank and Adrian Ross, music by Ivan Caryll, and additional music by Lionel Monckton.
The Earl and the Girl is a musical comedy in two acts by Seymour Hicks, with lyrics by Percy Greenbank and music by Ivan Caryll. It was produced by William Greet and opened at the Adelphi Theatre in London on 10 December 1903. It transferred to the Lyric Theatre on 12 September 1904, running for a total of 371 performances. It also ran at the Casino Theatre in New York beginning on 4 November 1905 for 148 performances, starring Eddie Foy and W. H. Denny. A production toured Australia in 1906 and 1907. A revival in London in 1914 ran for a total of 107 performances, and there were later revivals and tours.
The Catch of the Season is an Edwardian musical comedy by Seymour Hicks and Cosmo Hamilton, with music by Herbert Haines and Evelyn Baker and lyrics by Charles H. Taylor, based on the fairy tale Cinderella. A debutante is engaged to a young aristocrat but loves a page.
To-Night's the Night is a musical comedy composed by Paul Rubens, with lyrics by Percy Greenbank and Rubens, and a book adapted by Fred Thompson. Two songs were composed by Jerome Kern. The story is based on the farce Les Dominos roses by Alfred Hennequin and Alfred Delacour.
The Beauty of Bath is a musical comedy with a book by Seymour Hicks and Cosmo Hamilton, lyrics by C. H. Taylor and music by Herbert Haines; additional songs were provided by Jerome Kern, F. Clifford Harris (lyrics) and P. G. Wodehouse (lyrics). Based loosely on the play David Garrick, the story concerns a young woman from a noble family, who falls in love with an actor. She then meets a sailor who appears identical to the actor and mistakes him for the latter. Her father objects to a marriage with the actor, but when it turns out that she really loves the sailor, all objections fall away.
Louis Achille Hirsch, also known as Louis A. Hirsch and Lou Hirsch, was an American composer of songs and musicals in the early 20th century.
Sunny is a musical with music by Jerome Kern and a libretto by Oscar Hammerstein II and Otto Harbach. The plot involves Sunny, the star of a circus act, who falls for a rich playboy but comes in conflict with his snooty family. This show was the follow-up to the 1920 hit musical Sally, both starring Marilyn Miller in the title roles, and it was Kern's first musical together with Hammerstein. Sunny also became a hit, with its original Broadway production in 1925 running for 517 performances. The London production starred Binnie Hale.
Michael Elder Rourke, who assumed the pen name Herbert Reynolds in 1913, was an Irish-American lyricist. Reynolds wrote the lyrics to Jerome Kern's first big hit, "They Didn't Believe Me", interpolated into the 1914 American version of The Girl from Utah, produced by Charles Frohman. The show had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 14, 1914. Frohman had hired the young Kern to write five new songs for the score together with Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production.
The Cabaret Girl is a musical comedy in three acts with music by Jerome Kern and book and lyrics by George Grossmith, Jr. and P. G. Wodehouse. It was produced by Grossmith and J. A. E. Malone at the Winter Garden Theatre in London's West End in September 1922 and featured Dorothy Dickson, Grossmith, Geoffrey Gwyther, and Norman Griffin in the leading roles.
"They Didn't Believe Me" is a song with music by Jerome Kern and lyrics by Herbert Reynolds.
Oh, Lady! Lady!! is a musical with music by Jerome Kern, a book by Guy Bolton and P. G. Wodehouse and lyrics by Wodehouse. It was written for the Princess Theatre on Broadway, where it played in 1918 and ran for 219 performances. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes Bill. A couple of crooks cause further complications.
Miss 1917 is a musical revue with a book by Guy Bolton and P. G. Wodehouse, music by Victor Herbert, Jerome Kern and others, and lyrics by Harry B. Smith, Otto Harbach, Henry Blossom and others. Made up of a string of vignettes, the show features songs from such musicals as The Wizard of Oz, Three Twins, Babes in Toyland, Ziegfeld Follies and The Belle of New York.
The Night Boat (1920) is a musical in three acts, based on a farce by Alexandre Bisson, with a book and lyrics by Anne Caldwell and music by Jerome Kern. The story lampoons the notorious New York City-to-Albany night boat, on which clandestine romances were common.
Show Boat is a 221-minute studio album of Jerome Kern's musical, performed by a cast headed by Karla Burns, Jerry Hadley, Bruce Hubbard, Frederica von Stade and Teresa Stratas with the Ambrosian Chorus and the London Sinfonietta under the direction of John McGlinn. It was recorded from June 1 to Aug. 31, 1987 at Abbey Road Studios.
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