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George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
William H. Daniels ASC was a film cinematographer who was Greta Garbo's personal lensman, serving as the cinematographer for such Garbo-starring films as Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie, Romance, Grand Hotel (1932), Anna Karenina (1935), and Camille (1936). Early in his career he worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Charles G. Rosher, A.S.C. was an English-born cinematographer who worked from the early days of silent films through the 1950s.
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Mutz Greenbaum, sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer.
Sidney Barnett Hickox, A.S.C. was an American film and television cinematographer.
Nobert Brodine, also credited as Norbert F. Brodin and Norbert Brodin, was an American film cinematographer. The Saint Joseph, Missouri-born cameraman worked on over 100 films in his career before retiring from film making in 1953, at which time he worked exclusively in television until 1960.
Robert Zigler Leonard was an American film director, actor, producer, and screenwriter.
Arthur Charles Miller, A.S.C. was an American cinematographer. He was nominated for the Oscar for Best Cinematography six times, winning three times: for How Green Was My Valley in 1941, The Song of Bernadette in 1944, and Anna and the King of Siam in 1947.
Jack E. Cox, BSC, known variously as J. J. Cox, Jack Cox, John J. Cox and John Cox, was an English cinematographer born in London, on 26 July 1896. After a prolific career of 85 films in 33 years, Cox died in Surrey on 29 July 1960.
Philip E. Rosen was an American film director and cinematographer. He directed more than 140 films between 1915 and 1949.
Charles G. Clarke ASC was an American cinematographer who worked in Hollywood for over 40 years and was treasurer and president of the American Society of Cinematographers.
Benjamin Harrison Kline was an American cinematographer and film director. He was the father of Richard H. Kline.
Ray June, A.S.C. was an American cinematographer during the early and classical Hollywood cinema. His best-known films are Babes in Arms and Funny Face. June attended Columbia University but did not graduate. His experience as a cameraman in the U.S. Army Signal Corps during World War I was instrumental to his success in Hollywood.
Willy Goldberger (1898–1961) was a German-Spanish cinematographer. On some Spanish films he is credited as Guillermo Goldberger.
Eduard Hoesch was an Austrian cinematographer and film producer.
Hans Sohnle was a German art director. He frequently collaborated with Otto Erdmann on set designs.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
George Robinson (1890-1958) was an American cinematographer from Los Angeles.
