The Shining Hour | |
---|---|
Directed by | Frank Borzage |
Screenplay by | Jane Murfin Ogden Nash |
Based on | The Shining Hour 1934 play by Keith Winter |
Produced by | Joseph L. Mankiewicz Frank Borzage (uncredited) |
Starring | Joan Crawford Margaret Sullavan Robert Young Melvyn Douglas |
Cinematography | George J. Folsey |
Edited by | Frank E. Hull |
Music by | Franz Waxman |
Production company | |
Distributed by | Loew's Inc |
Release date |
|
Running time | 76 minutes |
Country | United States |
Language | English |
Budget | $1,068,000 [1] |
Box office | $1,367,000 [1] |
The Shining Hour is a 1938 American romantic drama film directed by Frank Borzage, based on the 1934 play The Shining Hour by Keith Winter, and starring Joan Crawford and Margaret Sullavan. The supporting cast of the MGM film features Robert Young, Melvyn Douglas, Fay Bainter and Hattie McDaniel.
Olivia Riley, a New York City ‘‘nightclub dancer’’, tires of the fast life and consents to marry Henry Linden, a wealthy farmer from Wisconsin. Even before they engage to be married, however, Henry's brother David is sent to New York by their domineering sister Hannah to dissuade him from marrying Olivia. In private, Olivia slaps David when her integrity is questioned, but she marries Henry because she says he's the only person in her life who is endlessly positive. When Olivia moves to her new husband's farm in Wisconsin, she encounters trouble from her sister-in-law Hannah, who does not approve of her. Olivia finds an ally in David's wife, Judy, whose love is only modestly requited by her husband.
Olivia comes to realize that she and Judy are in the same situation. Olivia's situation is further complicated when David defends her from the unwanted advances of a farm hand and he begins to fall in love with her. Henry is unaware of this, but Hannah finds out what is going on, and in a drunken rage she sets fire to the house that's being built for Henry and Olivia. Olivia saves a badly burned Judy, and David realizes he has loved Judy after all. Olivia then decides to leave the farm; and, as she drives away, Henry joins her and they leave together.
After Crawford and Franchot Tone had seen the original play, she asked MGM head, Louis B Mayer, to considered making a film adaptation. Though they had planned for Norma Shearer to star in a 1936 version, it ultimately did not come to fruition. [3] [4]
Crawford later asked for both Fay Bainter and Margaret Sullavan to star alongside her in the film. Production began on August 22, finishing on October 3, 1938. [5] Melvyn Douglas later noted Crawford and Sullavan got on well together on set. [6] Gowns and set designs for the film were by Adrian and Cedric Gibbons. [7]
According to MGM records, the film earned $942,000 in the U.S. and Canada and $425,000 in other markets, realizing for the studio a total box office of $1,367,000. Those receipts, less the production's cited budget of $1,068,000, resulted in a profit of $299,000 for MGM. [1]
The film received lukewarm reviews by critics. Variety said of the film:
Joan Crawford, as the showgirl, carries most of the footage. Fay Bainter, as the resentful sister-in-law, is handicapped by script and dialog. Margaret Sullavan shows to advantage in a few instances, while Melvyn Douglas is rather smug and conservative as the husband. More zing in the romancing of Robert Young with Crawford would have generated some interest in rather dull passages. [8]
Though, Margarita Landazuri of Turner Classic Movies said in 2004:
All three women turned in excellent performances in The Shining Hour, with Crawford rising to the challenge presented by her co-stars. And all three responded to the sensitive direction of Frank Borzage, whose best films revolved around emotional, spiritual, and idealistic themes. [5]
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
The year 1939 in film is widely considered the greatest year in film history. The ten films nominated for Best Picture at the 12th Academy Awards —Dark Victory, Gone with the Wind, Goodbye, Mr. Chips, Love Affair, Mr. Smith Goes to Washington, Ninotchka, Of Mice and Men, Stagecoach, The Wizard of Oz, and Wuthering Heights—range in genre and are considered classics.
The year 1938 in film involved some significant events.
Fay Okell Bainter was an American film and stage actress. She won the Academy Award for Best Supporting Actress for Jezebel (1938) and has a star on the Hollywood Walk of Fame.
White Banners is a 1938 Warner Bros. drama film directed by Edmund Goulding and starring Claude Rains, Fay Bainter, Jackie Cooper, Bonita Granville, Henry O'Neill, and Kay Johnson.
Margaret Brooke Sullavan was an American stage and film actress.
Joseph Leo Mankiewicz was an American film director, screenwriter, and producer. Mankiewicz had a long Hollywood career, and won both the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay in consecutive years for A Letter to Three Wives (1949) and All About Eve (1950), the latter of which was nominated for 14 Academy Awards and won six.
The Mortal Storm is a 1940 American drama film produced by Metro-Goldwyn-Mayer. It was directed by Frank Borzage and stars Margaret Sullavan and James Stewart. The film shows the impact on Germans after Hitler becomes chancellor of Germany and gains unlimited power. The supporting cast features Robert Young, Robert Stack, Frank Morgan, Dan Dailey, Ward Bond and Maria Ouspenskaya.
Babes on Broadway is a 1941 American musical film starring Mickey Rooney and Judy Garland and directed by Busby Berkeley, with Vincente Minnelli directing Garland's big solo numbers. The film, which features Fay Bainter and Virginia Weidler, was the third in the "Backyard Musical" series about kids who put on their own show, following Babes in Arms (1939) and Strike Up the Band (1940). Songs in the film include "Babes on Broadway" by Burton Lane (music) and E.Y. "Yip" Harburg (lyrics), and "How About You?" by Lane with lyrics by Ralph Freed, the brother of producer Arthur Freed. The movie ends with a minstrel show performed by the main cast in blackface.
The 12th Academy Awards ceremony, held on February 29, 1940 by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best in film for 1939 at a banquet in the Coconut Grove at The Ambassador Hotel in Los Angeles. It was hosted by Bob Hope, in his first of nineteen turns as host.
Presenting Lily Mars is a 1943 American musical comedy film directed by Norman Taurog, produced by Joe Pasternak, starring Judy Garland and Van Heflin, and based on the novel by Booth Tarkington. The film is often cited as Garland's first film playing an adult type role. Tommy Dorsey and Bob Crosby appear with their orchestras in this Metro-Goldwyn-Mayer production.
Academy Award is a CBS radio anthology series, which presented 30-minute adaptations of plays, novels, or films.
Mannequin is a 1937 American drama film directed by Frank Borzage and starring Joan Crawford, Spencer Tracy, and Alan Curtis. Crawford plays Jessie, a young working class woman who seeks to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind. She meets a self-made millionaire with whom she falls in love despite his financial problems.
Strange Cargo is a 1940 American romantic drama film directed by Frank Borzage and starring Clark Gable and Joan Crawford in a story about a group of fugitive prisoners from a French penal colony. The adapted screenplay by Lawrence Hazard was based upon the 1936 novel, Not Too Narrow, Not Too Deep, by Richard Sale. The film was produced by Joseph L. Mankiewicz for Metro-Goldwyn-Mayer; it was the eighth and last film pairing of Crawford and Gable, and the first Gable picture released in the wake of Gone with the Wind. The supporting cast includes Ian Hunter, Paul Lukas, Eduardo Ciannelli, and Peter Lorre.
A Woman's Face is a 1941 American drama film noir directed by George Cukor and starring Joan Crawford, Melvyn Douglas and Conrad Veidt. It tells the story of Anna Holm, a facially disfigured blackmailer, who, because of her appearance, despises everyone she encounters. When a plastic surgeon corrects this disfigurement, Anna becomes torn between the hope of starting a new life and a return to her dark past. Most of the film is told in flashbacks as witnesses in a courtroom give their testimonies. The screenplay was written by Donald Ogden Stewart and Elliot Paul, based on the play Il était une fois... by Francis de Croisset. Another version of the story, a Swedish production, was filmed in 1938 as En kvinnas ansikte, starring Ingrid Bergman.
They All Kissed the Bride is a 1942 American screwball comedy film directed by Alexander Hall and starring Joan Crawford and Melvyn Douglas.
The Story of Esther Costello is a 1957 British drama film starring Joan Crawford and co-starring Rossano Brazzi, and Heather Sears. The film is a story of large-scale fundraising. The Story of Esther Costello was produced by David Miller and Jack Clayton, with Miller directing. The screenplay by Charles Kaufman was based on the 1952 novel by Nicholas Monsarrat. It was distributed by Columbia Pictures.
The Shopworn Angel is a 1938 American drama film directed by H. C. Potter and starring Margaret Sullavan, James Stewart and Walter Pidgeon. The MGM release featured the second screen pairing of Margaret Sullavan and James Stewart following their successful teaming in the Universal Pictures production Next Time We Love two years earlier.
The War Against Mrs. Hadley is a 1942 American drama film directed by Harold S. Bucquet and starring Fay Bainter and Edward Arnold. The plot depicts how wealthy society matron Stella Hadley selfishly refuses to sacrifice her family or material comforts during World War II, until tragedy strikes an old rival. The script by George Oppenheimer was nominated for an Academy Award for Best Original Screenplay.
The Shining Hour is a 1934 Broadway three-act drama written by Keith Winter, produced by Max Gordon and staged by Raymond Massey with scenic design created by Aubrey Hammond. It ran for 121 performances from February 13, 1934, to May 1934 at the Booth Theatre. This was Gladys Cooper's Broadway debut. Raymond Massey and Adrianne Allen were a married couple at this time.