Marriage License? | |
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Directed by | Frank Borzage |
Screenplay by | Bradley King Elizabeth Pickett Chevalier |
Based on | The Pelican by |
Starring | Alma Rubens Walter McGrail Richard Walling Walter Pidgeon |
Cinematography | Ernest Palmer |
Production company | |
Distributed by | Fox Film Corporation |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | Silent (English intertitles) |
Marriage License? is a 1926 American silent drama film directed by Frank Borzage and written by Bradley King and Elizabeth Pickett Chevalier. [1] It is based on the 1925 play The Pelican by F. Tennyson Jesse and H. M. Harwood. The film stars Alma Rubens, Walter McGrail, Richard Walling, Walter Pidgeon, Charles Lane, and Emily Fitzroy. The film was released on September 5, 1926, by Fox Film Corporation. [2] [3] [4]
A print of Marriage License? is listed as being held by a foreign film archive. [5]
Norman Percevel Rockwell was an American painter and illustrator. His works have a broad popular appeal in the United States for their reflection of the country's culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, the Four Freedoms series, Saying Grace, and The Problem We All Live With. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout Is Reverent, and A Guiding Hand.
Stockbridge is a town in Berkshire County in Western Massachusetts, United States. It is part of the Pittsfield, Massachusetts, Metropolitan Statistical Area. The population was 2,018 at the 2020 census. A year-round resort area, Stockbridge is home to the Norman Rockwell Museum, Naumkeag, a public garden and historic house, the Austen Riggs Center, and Chesterwood, home and studio of sculptor Daniel Chester French.
Rockwell Kent was an American painter, printmaker, illustrator, writer, sailor, adventurer and voyager.
The Norman Rockwell Museum is an art museum in Stockbridge, Massachusetts, United States, dedicated to the art of Norman Rockwell. It is home to the world's largest collection of original Rockwell art. The museum also hosts traveling exhibitions pertaining to American illustration.
The Berkshire Museum is a museum of art, natural history, and ancient civilization that is located in Pittsfield in Berkshire County, Massachusetts.
Clemens Kalischer was an American photojournalist and art photographer. He was born in Germany and immigrated to the United States.
Freedom from Fear is the last of the well-known Four Freedoms oil paintings produced by the American artist Norman Rockwell. The series was based on the four goals known as the Four Freedoms, which were enunciated by President Franklin D. Roosevelt in his State of the Union Address on January 6, 1941. This work was published in the March 13, 1943, issue of The Saturday Evening Post alongside an essay by a prominent thinker of the day, Stephen Vincent Benét. The painting is generally described as depicting American children being tucked into bed by their parents while the Blitz rages across the Atlantic in the United Kingdom.
Willie Gillis, Jr. is a fictional character created by Norman Rockwell for a series of World War II paintings that appeared on the covers of 11 issues of The Saturday Evening Post between 1941 and 1946. Gillis was an everyman with the rank of private whose career was tracked on the cover of the Post from induction through discharge without being depicted in battle. He and his girlfriend were modeled by two of Rockwell's acquaintances.
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell. The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches, and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts. The four freedoms refer to President Franklin D. Roosevelt's January 1941 Four Freedoms State of the Union address, in which he identified essential human rights that should be universally protected. The theme was incorporated into the Atlantic Charter, and became part of the Charter of the United Nations. The paintings were reproduced in The Saturday Evening Post over four consecutive weeks in 1943, alongside essays by prominent thinkers of the day. They became the highlight of a touring exhibition sponsored by The Post and the U.S. Department of the Treasury. The exhibition and accompanying sales drives of war bonds raised over $132 million.
Freedom of Speech is the first of the Four Freedoms paintings by Norman Rockwell, inspired by United States President Franklin D. Roosevelt's 1941 State of the Union address, known as Four Freedoms. The painting was published in the February 20, 1943, issue of The Saturday Evening Post with a matching essay by Booth Tarkington. Rockwell felt that this and Freedom of Worship were the most successful of the set.
Freedom of Worship or Freedom to Worship is the second of the Four Freedoms oil paintings produced by the American artist Norman Rockwell. The series was based on the goals known as the Four Freedoms enunciated by Franklin D. Roosevelt, president of the United States from 1933 to 1945, in his State of the Union Address delivered on January 6, 1941. Rockwell considered this painting and Freedom of Speech the most successful of the series. Freedom of Worship was published in the February 27, 1943, issue of The Saturday Evening Post alongside an essay by philosopher Will Durant.
Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms series of four oil paintings by American artist Norman Rockwell. The works were inspired by United States President Franklin D. Roosevelt's 1941 State of the Union Address, known as Four Freedoms.
Francis H. Mahoney was an American professional basketball player. He had a brief stint in the National Basketball Association (NBA) during the 1950s.
Pierre Clerk is a contemporary artist who works primarily in painting and sculpture.
The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis. Because of threats of violence against her, she is escorted by four deputy U.S. marshals; the painting is framed so that the marshals' heads are cropped at the shoulders, making Bridges the only person fully visible. On the wall behind her are written the racial slur "nigger" and the letters "KKK"; a smashed and splattered tomato thrown against the wall is also visible. The white protesters are not visible, as the viewer is looking at the scene from their point of view. The painting is oil on canvas and measures 36 inches (91 cm) high by 58 inches (150 cm) wide.
Cynthia Schira is an American textile artist and former university professor. Her work is represented in the collections of many major public museums.
The Rookie or The Rookie is a 1957 painting by American artist Norman Rockwell, painted for the March 2, 1957, cover of The Saturday Evening Post magazine.
Little Girl Observing Lovers on a Train, also known as Travel Experience or Voyeur, is a painting by American illustrator Norman Rockwell. It was originally created for the cover of The Saturday Evening Post on 12 August 1944.
Murder in Mississippi, as named by the artist, is a 1965 painting by Norman Rockwell which was commissioned for an article titled "Southern Justice" in the American magazine Look. The painting depicts the 1964 murders of civil rights activists James Chaney, Andrew Goodman and Michael Schwerner, and was intended to illustrate an article written on the murders by civil rights attorney Charles Morgan Jr. The painting is oil on canvas 53 × 42 inches (134.5 × 106.5 cm), and also has a pencil on board study of the same title, both of which reside in the collections of the Norman Rockwell Museum.