Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Her Wild Oat is a 1927 American silent comedy film made by First National Pictures, directed by Marshall Neilan, and starring Colleen Moore. The screenplay was written by Gerald C. Duffy, based on a story by Howard Irving Young.
The Bad Boy is a lost 1917 American silent crime drama film directed by Chester Withey and starring Robert Harron, Richard Cummings, and Mildred Harris. The film marks the debut of Colleen Moore, who plays a supporting role in the film.
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. The film is now considered a lost film. However, the Vitaphone discs still exist.
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
Why Be Good? is a 1929 American sound comedy film produced by First National Pictures starring Colleen Moore and Neil Hamilton. While the film has no audible dialogue, it is accompanied by a Vitaphone soundtrack that features a musical score with sound effects and some synchronized singing.
Naughty but Nice may refer to:
Lilac Time is a 1928 American synchronized sound romantic war film directed by George Fitzmaurice and starring Colleen Moore and Gary Cooper. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film is about young American aviators fighting for Britain during World War I who are billeted in a field next to a farmhouse in France. The daughter who lives on the farm meets one of the new aviators who is attracted to her. As the flyers head off on a mission, the young aviator promises to return to her.
We Moderns is a 1925 American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick and was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre in New York, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Orchids and Ermine is a 1927 American silent comedy film directed by Alfred Santell and starring Colleen Moore that was filmed partly on location in New York. The film still exists. This was Mickey Rooney's first feature-length film.
Silent Star: Colleen Moore Talks About Her Hollywood (1968) is silent film star Colleen Moore's autobiography.
Slippy McGee is a 1923 American silent drama film directed by Wesley Ruggles and based on the book Slippy McGee: Sometimes Known as the Butterfly Man by Marie Conway Oemler that was published in 1917. The film was an Oliver Morosco Production released by Associated First National and featured actress Colleen Moore as Mary Virginia. It is not known whether the film survives.
The Perfect Flapper is a 1924 American romantic comedy film directed by Earl Hudson and starring Colleen Moore. This was Moore's second "flapper film" after Flaming Youth. It was released after Through the Dark and Painted People.
Twinkletoes is a 1926 American silent romantic drama film directed by Charles Brabin and starring Colleen Moore. The film, as with most of Moore's vehicles at this time, was produced by her husband John McCormick with the couple distributing through Moore's resident studio First National. This film is one of Moore's surviving films from the late silent era and is available on DVD.
Oh, Kay! is a 1928 silent film produced by John McCormick and distributed by First National Pictures. McCormick's wife Colleen Moore starred and Mervyn LeRoy directed the film. It is based on the 1926 musical Oh, Kay!, which had music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse.
April Showers is a 1923 American silent romantic film directed by Tom Forman starring Colleen Moore. It is not known whether the film currently survives.
Social Register is an American 1934 pre-Code comedy-drama musical film starring Colleen Moore. The film re-united her with her old friend and one of the first directors to give her film career a start, Marshall Neilan. The film was based on the 1931 play of the same name by Anita Loos and John Emerson.
The Savage is a 1917 American silent drama film starring Colleen Moore and Monroe Salisbury that is set in Canada and was directed by Rupert Julian. The film is presumed to be lost.
John McCormick was an American film producer associated with the Hollywood studio First National Pictures.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
