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The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Shelly Johnson.
Henner Hofmann, AMC, ASC, is a Mexican cinematographer, producer and screenwriter.
American Cinematographer is a magazine published monthly by the American Society of Cinematographers. It focuses on the art and craft of cinematography, covering domestic and foreign feature productions, television productions, short films, music videos and commercials.
Philip H. Lathrop, A.S.C. was an American cinematographer noted for his skills with wide screen technology and detailed approach to lighting and camera placement. He spent most of his life in movie studios. Lathrop was known for such films as Touch of Evil (1958), Lonely Are the Brave (1962), The Americanization of Emily (1964), The Cincinnati Kid (1965), Point Blank (1967), Finian's Rainbow (1968), The Traveling Executioner (1970), Portnoy's Complaint (1972), Earthquake (1974), Swashbuckler (1976), The Driver (1978), Moment by Moment (1978), A Change of Seasons (1980), Foolin' Around (1980), Loving Couples (1980), and Deadly Friend (1986).
Robert L. Surtees was an American cinematographer who won three Academy Awards for the films King Solomon's Mines, The Bad and the Beautiful and the 1959 version of Ben-Hur. Surtees worked at various studios, including Universal, UFA, Warner Brothers, and MGM, lighting for notable directors Howard Hawks, Mike Nichols, and William Wyler, gaining him a reputation as one of the most versatile cinematographers of his time.
Frederick Elmes, ASC is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz. He has won the Independent Spirit Award for Best Cinematography twice, for Wild at Heart (1990) and Night on Earth (1991), and a Primetime Emmy Award for Outstanding Cinematography for a Limited Series for The Night Of (2016).
Joseph Francis Biroc, ASC was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles. Once in Southern California, Biroc worked at the RKO Pictures movie studio. During World War II, he served in the U.S. Army Signal Corps, and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.
Dante Spinotti, A.S.C., A.I.C. is an Italian cinematographer and a member of the board of governors of the Academy of Motion Picture Arts and Sciences. He is known for his collaborations with directors Michael Mann, Michael Apted, Deon Taylor, and Brett Ratner, and is frequently credited with helping to pioneer the use of high-definition digital video in cinematography. He is a BAFTA Award recipient and two-time Academy Award nominee.
Frederick James Koenekamp, A.S.C. was an American cinematographer. He was the son of cinematographer Hans F. Koenekamp.
Owen Roizman was an American cinematographer. He received five Academy Award nominations for Best Cinematography, for the films The French Connection (1971), The Exorcist (1973), Network (1976), Tootsie (1982), and Wyatt Earp (1994). He served on the Board of Governors of the Academy of Motion Picture Arts and Sciences and was president of the American Society of Cinematographers.
John Ira BaileyASC was an American cinematographer and film director known for his collaborations with directors Paul Schrader, Lawrence Kasdan, Michael Apted, and Ken Kwapis. In August 2017, Bailey was elected president of the Academy of Motion Picture Arts and Sciences. He was succeeded by casting director David Rubin in August 2019.
Jeffrey Scott Cronenweth, ASC is an American cinematographer based in Los Angeles, California who is known for his role as the director of photography on the David Fincher films Fight Club, The Social Network, The Girl with the Dragon Tattoo and Gone Girl. He graduated from the USC School of Cinematic Arts and was invited to join the cinematographers branch of the Academy of Motion Picture Arts and Sciences in 2004. He is the son of Jordan Cronenweth, one of the most influential cinematographers in motion picture history.
Thomas Richmond was an American cinematographer who worked in the film industry since the mid-1980s. His first major feature film as cinematographer was Stand and Deliver (1988), and by the time he shot for A Midnight Clear (1992), he had settled into working with different directors with ease. Richmond described his experience, "All my films look different because they're not my visions; they're my reflections of the directors' visions." In 1998, he said he was most proud of his work on Little Odessa (1994), for which he was nominated an Independent Spirit Award for Best Cinematography. For Right at Your Door (2006), he won the Excellence in Cinematography Award (Dramatic) at the 2006 Sundance Film Festival.
Richard Crudo, A.S.C. is an American cinematographer and director. He is a 6-term past-president of the American Society of Cinematographers.
Edward Cronjager was an American cinematographer whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films and included projects on the small screen towards the end of his career. He filmed in black and white and color mediums, and his work received nominations for seven Academy Awards over three decades, although he never won the statue.
Christian Sebaldt is a German-born cinematographer best known for his work on the long-running CSI: Crime Scene Investigation television series, for which he received a Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series in 2010. In addition, he has worked on numerous major motion pictures, including Resident Evil: Apocalypse and FeardotCom, and commercials for companies like Toyota and Energizer.
Jonathan Freeman, ASC is a Canadian cinematographer. A multi-award-winning director of photography for motion pictures, television and commercials, he is known for his work on Game of Thrones and Boardwalk Empire. Freeman's motion picture credits include Remember Me, Fifty Dead Men Walking, The Edge of Love, Hollywoodland and The Prize Winner of Defiance, Ohio. He frequently collaborates with directors Allen Coulter, Ernest Dickerson, David Nutter, and Russell Mulcahy.
Sharon Calahan is an American cinematographer who was director of photography on the Pixar films A Bug's Life (1998), Toy Story 2 (1999), and Finding Nemo (2003), and was lighting director for Ratatouille (2007), Cars 2 (2011), and The Good Dinosaur (2015). She took part in the early rise of computer animated feature filmmaking and the acceptance of that medium as cinematography. Calahan is the first member of the American Society of Cinematographers who was invited to join on the basis of a career entirely in animated film. She was nominated, with Bill Reeves, Eben Ostby, and Rick Sayre, for a 2000 BAFTA Award for Best Achievement in Special Visual Effects for A Bug's Life.
John Arnold (1889–1964) was an American cinematographer. He began his career in 1914, and in the next 15 years, he shot 86 films. He also worked in film administration, directing the cinematography department at MGM, and was president of the American Society of Cinematographers from 1931 through 1937, and again from 1939 to 1941. By 1938, he was regarded as one of the most authoritative experts on cinematography. He invented several pieces of camera equipment and was awarded two Oscars, both Technical Achievement Awards. The first was in 1938 for improvements on the semi-automatic follow focus device used on motion picture cameras, while the second was in 1940 for the development of the MGM mobile camera crane.
References
- ↑ Who’s Who in Entertainment. Second edition, 1992–1993
- ↑ "U.S. Public Records Index" . Retrieved 2011-04-05.
