Three Little Words (film)

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Three Little Words
Three-little-words-movie-poster-1950.jpg
Theatrical release poster
Directed by Richard Thorpe
Written by George Wells
Produced byJack Cummings
Starring Fred Astaire
Red Skelton
Vera-Ellen
Arlene Dahl
Cinematography Harry Jackson
Edited by Ben Lewis
Music by André Previn
Harry Ruby
Color process Technicolor
Production
company
Distributed by Loew's, Inc.
Release date
  • July 12, 1950 (1950-07-12)(U.S.)
Running time
102 minutes
CountryUnited States
LanguageEnglish
Budget$1,470,000 [1]
Box office$4,526,000 [1]

Three Little Words is a 1950 American musical film biography of the Tin Pan Alley songwriting partnership of Kalmar and Ruby. It stars Fred Astaire as lyricist Bert Kalmar and Red Skelton as composer Harry Ruby, along with Vera-Ellen and Arlene Dahl as their wives, with Debbie Reynolds in a small but notable role as singer Helen Kane and Gloria DeHaven as her own mother, Mrs. Carter DeHaven.

Contents

The film, released by Metro-Goldwyn-Mayer, was written by Academy-Award-winning screenwriter George Wells, directed by Richard Thorpe and produced by Jack Cummings. Harry Ruby served as a consultant on the project and appears in a cameo role as a baseball catcher. The third in a series of MGM biopics about Broadway composers, it was preceded by Till the Clouds Roll By (Jerome Kern, 1946) and Words and Music (Rodgers and Hart, 1948) and followed by Deep in My Heart (Sigmund Romberg, 1954).

Plot

Cast

This warm and engaging [2] film was one of Astaire's favorites, [3] possibly because of the nostalgic vaudeville connection. "Three Little Words" takes fewer liberties with the facts than many Hollywood biopics, and Astaire and Skelton's portrayal of the songwriting partnership is considered psychologically accurate. [2] Adding to the film's appeal is the quality acting and mutual chemistry between Skelton and Astaire, as well as some fine comedy touches from Skelton. [3]

Unusually for songwriting biographies of this period, "Thinking of You" and "Nevertheless" became major hits on the US music charts when the film was released, reaching #1 and #2, respectively.

In recognition of his acting performance, Fred Astaire was awarded the first Golden Globe Award for Best Actor - Motion Picture Musical or Comedy in 1951.

Key songs/dance routines

This film provides an object lesson in how to integrate numerous songs and dances seamlessly and naturally into the script, a principle Astaire introduced as far back as 1934. Astaire's choreography takes the opportunity provided by Vera-Ellen's technical prowess [3] to showcase dance routines notable [2] for leg kicks, lifts and (Astaire's innovative combination of the two) the hurdling lift, invented for "The Yam" number in Carefree (1938). These routines are contrasted with some choreographically primitive numbers typical of vaudeville c.1920. The spirit of the partnered dances expands on the theme of marital contentment previously explored in The Story of Vernon and Irene Castle (1939) and the prior year's The Barkleys of Broadway (1949). Vera-Ellen's singing voice was dubbed [2] by Anita Ellis.

Contemporary reviews

Box office

According to MGM records, the film earned $3,019,000 in the US and Canada and $1,507,000 elsewhere, resulting in a healthy profit of $1,252,000. [1]

Accolades

The film is recognized by American Film Institute in these lists:

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References

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. 1 2 3 4 5 6 7 8 Mueller, John (1986). Astaire Dancing - The Musical Films. London: Hamish Hamilton. pp. 300–311. ISBN   0-241-11749-6.
  3. 1 2 3 4 5 Astaire, Fred (1959). Steps in Time. London: Heinemann. p. 296.
  4. 1 2 Billman, Larry (1997). Fred Astaire - A Bio-bibliography. Connecticut: Greenwood Press. pp. 127–130. ISBN   0-313-29010-5.
  5. "AFI's Greatest Movie Musicals Nominees" (PDF). Retrieved 2016-08-13.