Vanity Fair is a 1932 American pre-Code drama film directed by Chester M. Franklin and starring Myrna Loy, Conway Tearle and Anthony Bushell. The film is modernized adaptation of William Makepeace Thackeray's 1848 novel of the same name with the original Regency-era story reset in Twentieth Century Britain. Three years later Thackeray's novel was adapted again as Becky Sharp, the first three-strip technicolor film.
Sir Godfrey Seymour Tearle was a British actor who portrayed the quintessential British gentleman on stage and in both British and US films.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
Love Bound is a 1932 American Pre-Code mystery film directed by Robert F. Hill and starring Jack Mulhall, Natalie Moorhead, Clara Kimball Young. It is a second feature produced by the Poverty Row studio Peerless Pictures. The film is also known as Murder on the High Seas, the alternative title it was later reissued under.
The Great Divide is a 1925 American silent drama film directed by Reginald Barker and produced and distributed by MGM. The film stars Alice Terry, Conway Tearle, and Wallace Beery. It is based on the William Vaughn Moody play, being the second of three film adaptations. The play had been made famous on the 1906 Broadway stage with Margaret Anglin, Henry Miller, Laura Hope Crews, and a pre-Griffith Henry B. Walthall in the principal parts.
Morals for Women is a 1931 American pre-Code film produced and released by Tiffany Pictures, often considered a low budget studio. The film stars Bessie Love and Conway Tearle. It is preserved at the Library of Congress, has been released on DVD, and is in the public domain.
Day of Reckoning is a 1933 American pre-Code drama film starring Richard Dix, Madge Evans and Conway Tearle. It is based on a novel by Morris Lavine. When a man is sent to prison, his wife is romanced by another man.
Natalie Moorhead was an American film and stage actress of the 1920s and 1930s. She was known for distinctive platinum blond hair.
Hot Curves is a 1930 American pre-Code comedy-drama film produced and distributed by Tiffany Pictures and directed by Norman Taurog. A print is held by the Library of Congress.
The Judgment House is a 1917 American silent drama film directed by J. Stuart Blackton and written by J. Stuart Blackton based upon the novel by Gilbert Parker. The film stars Violet Heming, Wilfred Lucas, Conway Tearle, Paul Doucet, Florence Deshon, and Lucille Hammill. The film was released on November 19, 1917, by Paramount Pictures.
Her Mad Night is a 1932 American pre-Code crime film directed by E. Mason Hopper and starring Conway Tearle, Irene Rich and Mary Carlisle. It is also known by the title Held For Murder.
Man About Town is a 1932 American drama film directed by John Francis Dillon and written by Leon Gordon. The film stars Warner Baxter, Karen Morley, Conway Tearle, Alan Mowbray, Leni Stengel and Lilian Bond. The film was released on May 22, 1932, by Fox Film Corporation.
Fifteen Wives is a 1934 American mystery film directed by Frank R. Strayer and starring Conway Tearle, Natalie Moorhead and Raymond Hatton.
Thru Different Eyes is a 1929 sound all-talking American pre-Code drama film directed by John G. Blystone and written by Tom Barry and Milton Herbert Gropper. The film stars Mary Duncan, Edmund Lowe, Warner Baxter, Natalie Moorhead, Earle Foxe and Donald Gallaher. The film was released on April 14, 1929, by Fox Film Corporation.
The Judgement Book is a 1935 American Western film directed by Charles Hutchison and starring Conway Tearle, Bernadene Hayes and Howard Lang.
Trails End is a 1935 American Western film directed by Albert Herman and starring Conway Tearle, Claudia Dell and Fred Kohler. It is based on a story by James Oliver Curwood. It was given a subsequent release by Astor Pictures following World War II.
Señor Jim is a 1936 American Western film directed by Jacques Jaccard and starring Conway Tearle, Barbara Bedford and Alberta Dugan.
Desert Guns is a 1936 American Western film directed by Charles Hutchison and starring Conway Tearle, Margaret Morris and William Gould.
Dancing Man is a 1934 American pre-Code mystery film directed by Albert Ray and starring Reginald Denny, Judith Allen and Edmund Breese. Allen was loaned out from Paramount Pictures where she was under contract.
The Fighting Parson is a 1933 American Western film directed by Harry L. Fraser and starring Hoot Gibson, Marceline Day and Ethel Wales.
