| "Come On Papa" | |
|---|---|
 Sheet music cover at the Pritzker Military Museum & Library | |
| Song by Joseph C. Smith's Orchestra | |
| Published | 1918 |
| Recorded | New York City, January 30, 1919 |
| Genre | Pop |
| Length | 3:00 |
| Label | Victor |
| Composer(s) | Harry Ruby |
| Lyricist(s) | Edgar Leslie |
"Come On Papa" is a World War I era song released in 1918.
Lyrics and music were written by Edgar Leslie and Harry Ruby. It was published by Waterson, Berlin & Snyder, Co. of New York, New York. Artist Albert Wilfred Barbelle designed the sheet music cover. It features a woman and an American soldier in an embrace, as the soldier is driving a car. A woman, soldier, and Frenchman look on, and a pedestrian runs out of the way. Below this image is an inset photo of Eddie Cantor. It states on the cover, "Successfully introduced by Wellington Cross." [1] [2] [3] It was written for voice and piano. [4] The sheet music can be found at Pritzker Military Museum & Library. [5]
On January 30, 1919, Joseph C. Smith's Orchestra recorded the song in New York. [3] It was released by Victor Records. The song also appeared in the 1950 film Three Little Words. [6]
The song is about Sweet Marie in Paris. She likes to drive her car around and pick up Yankee boys. The chorus is as follows: [7]
Come on papa
Hop in ze motor car
Sit by mama
And hold ze hand
You start to raise for me
What zay call ze deuce
I'll be so sweet to you
Like ze Charlotte Russe
Come on papa
Beneath the shining star
Bounce your babe upon your knee
I'll give you a kiss like ze mademoiselles do
Each time you ask for one
I'll give you two
Comme ci comme ca
And when you're in ze car
You love mama
Oo-la-la, Oo-la-la
Come on papa
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Harry Rubenstein, known professionally as Harry Ruby, was an American actor, pianist, composer, songwriter and screenwriter, who was inducted into the Songwriters Hall of Fame in 1970. He was married to silent film actress Eileen Percy.
Edgar Leslie was an American songwriter.
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You'll Have to Put Him to Sleep with the Marseillaise and Wake Him Up with a Oo-La-La is a World War I song written in 1918. Andrew B. Sterling wrote the lyrics, and Harry Von Tilzer composed the music. The song was produced by the Harry Von Tizler Publishing Company in New York City. On the cover of the sheet music is a soldier kissing a woman. The song was written for both voice and piano.
I'm Going to Follow the Boys (Novelty Song) is a World War I era song released in 1917. Howard Rogers wrote the lyrics and James V. Monaco composed the music. The song was published by M. Witmark & Sons in New York City.
"The Angel God Sent From Heaven" is a World War I era American song published in 1918. Frank L. Ventre composed the music, while Paul A. Smith and Robert Levenson wrote the lyrics. It was published by Jack Mendehlsohn Music Company in Boston, Massachusetts. The song was written for both voice and piano. The cover was illustrated by the Dobinson Engraving Company. On the cover is a drawing of a nurse. Under her picture is a car and soldiers.
"Gee! What a Wonderful Time We'll Have When the Boys Come Home" is a World War I era song released in 1917. Lyrics and music were written by Mary Earl. The song was published by Shapiro, Bernstein & Co. of New York, New York. It was written for both voice and piano. The sheet music cover was designed by artist Albert Wilfred Barbelle. On the cover are soldiers marching down a city street. A skyline is behind them, and the lights spell out, "Welcome Home."
"The Little Grey Mother Who Waits All Alone " is a World War I era song released in 1915. Bernard Grossman wrote the lyrics. Harry De Costa composed the music. The song was published by M. Witmark & Sons of New York, New York. Vitagraph actress Mary Maurice is featured on the cover, reading a book and holding a rose. It was written for voice and piano.
"I'm Goin' To Fight My Way Right Back to Carolina" is a World War I era song written and composed by Billy Baskette and Jessie Spiess. The song was published in 1918 by McCarthy & Fisher, Inc. of New York City. The sheet music cover was designed by Andre C. De Takacs. It features an armed soldier tearing through the cover. The song was written for both voice and piano.
"We Don't Want the Bacon (What We Want Is a Piece of the Rhine)" is a World War I–era song released in 1918. The lyrics were written by "Kid" Howard Carr and Harry Russell, and the music composed by Jimmie Havens. The song was published by Shapiro, Bernstein & Co. of New York City. On the cover is a soldier tearing through a large piece of bacon with his bayonet. A fearful-looking Kaiser Wilhelm II is standing on the bacon. It was written for voice and piano.
"I May Be Gone for a Long, Long Time" is a World War I era song released in 1917. It was featured in the 1917 stage production of Raymond Hitchcock and E. Ray Goetz's Hitchy-Koo. Lew Brown wrote the lyrics. Albert Von Tilzer composed the music. The song was published by Broadway Music Corp. of New York, New York. André De Takacs designed the sheet music cover. It features Grace La Rue's image blended into the clouds of an ocean scene. The song was written for both voice and piano.
"Goodbye, Ma! Goodbye, Pa! Goodbye, Mule, with Yer Old Hee-Haw!", also known as "Long Boy", is a World War I era song released in 1917. William Herschel wrote the lyrics. Barclay Walker composed the music. It was published by Shapiro, Bernstein & Co. of New York, New York. Garr Williams designed the sheet music cover. It features a morose-looking cartoon soldier leaving his farm. Farm animals, the soldier's parents, and his girlfriend look on and wave flags. It was written for both voice and piano.
"It's a Long Way to Berlin, but We'll Get There!" is a World War I era song released in 1917. Arthur Fields wrote the lyrics. Leon Flatow composed the music. Leo Feist, Inc. of New York City published the song. Rosenbaum Studios designed the sheet music cover. It features soldiers marching in formation. There is an inset photo of Maurice Burkhardt, Will J. Ward, Ed Morton, Jimmy Flynn, Willie Weston, or Francis Maguire that varies per edition. There is another version of the cover known as the "Popular edition". It features a photo of Henry Bergman.
"And He'd Say, 'Oo-La-La! Wee-Wee!'" is a World War I era song released in 1919. Lyrics and music were written by George Jessel and Harry Ruby. William Baker arranged the song. It was published by Waterson, Berlin & Snyder, Inc. of New York, New York. The song was written for voice and piano.
"Girls of France" is a World War I era song released in 1917. Al Bryan and Edgar Leslie wrote the lyrics. Harry Ruby composed the music. The song was published by Waterson, Berlin & Snyder Co. of New York, New York. Artist Albert Wilfred Barbelle designed the sheet music cover. It features a nurse in the foreground, and soldiers marching behind her. It was written for both voice and piano.
"The Ragtime Soldier Man" is a World War I era song released in 1912 and 1917. Irving Berlin wrote the lyrics and composed the music, basing it off his 1911 song "Alexander's Ragtime Band". The song was published by Waterson, Berlin & Snyder, Co. of New York, New York. Artist Pfeiffer designed the sheet music cover. It features a U.S. soldier holding his rifle and jumping over cannon balls. The song was written for voice and piano.
"The Dixie Volunteers" is a World War I song written and composed by Edgar Leslie and Harry Ruby. This song was published in 1917 by Waterson, Berlin & Snyder Co., in New York, NY.The sheet music cover, illustrated by Barbelle, features soldiers marching with an inset photo of Eddie Cantor.
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