A Picturesque and Descriptive View of the City of Dublin

Last updated

A Picturesque and Descriptive View of the City of Dublin is a set of 25 architectural prints of well-known buildings and views in Dublin, Ireland illustrated by the engraver, watercolourist, and draughtsman James Malton at the end of the 18th century. At the time of drawing in 1791, many of the buildings had been newly constructed and marked a high point of architecture, wealth, and political prominence of the city of Dublin. Malton's prints are arguably, the most important series of drawings of Dublin to the present day and almost all of the buildings illustrated still stand and maintain their position at the centre of Irish social, cultural, educational, political, commercial, and legal life. [1] [2]

Contents

The images were influenced by and even directly reproduced earlier perspectives and views of Dublin including those by Joseph Tudor in 1753 and Charles Brooking in 1728.

The drawings have been copied and reproduced hundreds of times and have become synonymous with the development and progression of the city. [3]

OrderIllustration by James MaltonTitle of printStatusDate of constructionNotes
1 MaltonCH.jpg Royal Exchange, Dublin Intact1779Now usually referred to as City Hall.
2 Customs House Dublin 1792.jpg Custom House, Dublin Rebuilt1791Partially collapsed following a fire during the Easter Rising but was later partially reconstructed in Irish limestone rather than the original imported English Portland stone. The chimneys of the original design were not reinstated.
3 Charlemont-House, Dublin LCCN2003671649.tif Charlemont House, DublinIntact1763Now houses the Hugh Lane Gallery.
4 James Malton Trinity College Library Dublin.jpg College Library, Dublin Intact1732The long room of Thomas Burgh's Old Library building.
5 Provost's house, Dublin LCCN2003671651.jpg Provost's House, Dublin Intact1759Still functions as the residence of the Provost of the college.
6 Trinity College, Dublin front.jpg Trinity College Dublin Intact1759
7 Powerscourt house, Dublin.jpg Powerscourt House, Dublin Intact1774The building now houses an upmarket shopping centre. To the right of the illustration can be seen City Assembly House which also still stands as of 2023 as the headquarters of the Irish Georgian Society.
8 Leinster House, Dublin LCCN2003671650.tif Leinster House, Dublin Intact1748Now houses the Irish Houses of Parliament, more commonly referred to as Dáil Éireann.
9 Dublin Castle 1792.jpg Great Court Yard, Dublin Castle Intact1720The tower of St. Werburgh's Church can be seen in the background however this was later demolished in the first half of the 19th century.
10 St catherines church, Dublin.jpg St Catherine's Church, Thomas Street, Dublin Intact1769Still operating as a church building.
11 The Tholsel, Dublin.jpg Tholsel, Dublin Demolished1681Demolished in 1809 as the building was deemed to be structurally unsound.
12 Journal of the Royal Society of Antiquaries of Ireland (1899) (14804806173).jpg West front of St Patrick's Cathedral Intact1749
13 Rotunda and new rooms, dublin.jpg Rotunda & New Rooms, Dublin Intact1791Now referred to as the Gate Theatre.
14 Rotunda hospital dublin.jpg Lying-In Hospital, Dublin Intact1767Still operating as a maternity hospital.
15 Four Courts and river Liffey, Dublin 1799.jpg View of the Law Courts looking up the Liffey, DublinRebuilt1786 - 1796
16 View from Capel-Street, looking over Essex-Bridge Dublin LCCN2003671653.tif View from Capel Street looking over Essex Bridge, Dublin Rebuilt1753Rebuilt in 1872 as Grattan Bridge, the Capel Street buildings remain largely intact. The Old Custom House seen to the left was demolished in the early 19th century.
17 Parliament house, Dublin.jpg The Parliament House, Dublin Intact1729Since 1803 used as the flagship Dublin branch of the Bank of Ireland.
18 Royal infirmary, Phoenix Park, Dublin LCCN2003671652.jpg Royal Infirmary, Phoenix Park, Dublin Intact1771Now houses the Office of the Director of Public Prosecutions.
19 Royal Hibernian Marine School and Liffey.jpg Marine School Dublin, looking up the LiffeyDemolished1773It was originally called the Hibernian Marine School and soon after gained a royal charter to become the Royal Hibernian Marine School. The school later amalgamated with other schools to ultimately form Mount Temple Comprehensive School. The remains of the building were demolished in 1979 after years in use as offices of a cold-storage company.
20 Royal Hospital Kilmainham by Malton.jpg Royal Hospital Kilmainham Intact1687Now houses the Irish Museum of Modern Art. The only building to appear in illustrations by Brooking, Tudor and Malton.
21 Stephens green by malton.jpg St Stephen's Green, DublinIntact1664The green area was originally a common but was enclosed in 1663 with a permanent wall constructed in 1664 for the first time. [4]

In the background the park features a statue of King George II on horseback by John van Nost the younger, erected in 1758, until it was blown up in 1937 by Irish Republicans, the day after the coronation of George VI. [5] [6]

22 Bluecoat School, Dublin.jpg Blue-Coat Hospital, Dublin Intact1773 The Blue Coat School has been occupied by the Law Society of Ireland since the 1960s. The large tower at the front was never built and instead a dome was erected in its place in 1894. The originally planned quadrangle to the rear was also never constructed.
23 View from magazine fort, phoenix park.jpg View of Dublin from the Magazine, Phoenix ParkIntact1735The magazine fort itself remains in a derelict state as of 2021 with plans for it to be refurbished as a tourist attraction. This was after an earlier view by Joseph Tudor in 1753 and was later also reproduced by Brocas.
24 Dublin Barracks.jpg Barracks, Dublin Intact1702After an earlier illustration by Joseph Tudor in 1753 from the same location. Now operating as the National Museum of Ireland and usually referred to as Collins Barracks.
25 St patricks cathedral dublin.jpg Saint Patrick's Cathedral, Dublin Intact1749The cathedral spire was added in 1749 by George Semple.

See also

Related Research Articles

<span class="mw-page-title-main">Robert Adam</span> British neoclassical architect (1728–1792)

Robert Adam was a British neoclassical architect, interior designer and furniture designer. He was the son of William Adam (1689–1748), Scotland's foremost architect of the time, and trained under him. With his older brother John, Robert took on the family business, which included lucrative work for the Board of Ordnance, after William's death.

<span class="mw-page-title-main">The Custom House</span> Government building in Dublin, Ireland

The Custom House is a neoclassical 18th century building in Dublin, Ireland which houses the Department of Housing, Local Government and Heritage. It is located on the north bank of the River Liffey, on Custom House Quay between Butt Bridge and Talbot Memorial Bridge.

<span class="mw-page-title-main">James Wyatt</span> English architect (1746 - 1813)

James Wyatt was an English architect, a rival of Robert Adam in the neoclassical and neo-Gothic styles. He was elected to the Royal Academy of Arts in 1785 and was its president from 1805 to 1806.

<span class="mw-page-title-main">James Malton</span>

James Malton (1761–1803) was an Irish engraver and watercolourist, who once taught geometry and perspective. He worked briefly as a draughtsman in the office of the celebrated Irish architect James Gandon. He is best known for a series of prints, published in the 1790s as A Picturesque and Descriptive View of the City of Dublin, commonly known as Malton's Views of Dublin.

<span class="mw-page-title-main">Thomas Malton</span> English painter

Thomas Malton, was an English painter of topographical and architectural views, and an engraver. J. M. W. Turner and Thomas Girtin were amongst his pupils. He is designated "the younger" to differentiate him from his father Thomas Malton, the Elder.

<span class="mw-page-title-main">Thomas Cooley (architect)</span> British architect

Thomas Cooley (1740–1784) was an English-born Irish architect who came to Dublin from London after winning a competition for the design of Dublin's Royal Exchange in 1768.

<span class="mw-page-title-main">Bangalore Fort</span> Historic mud fort in Kamataka, India

Bangalore Fort began in 1537 as a mud fort. The builder was Kempe Gowda I, a vassal of the Vijaynagar Empire and the founder of Bangalore. King Hyder Ali in 1761 replaced the mud fort with a stone fort and it was further improved by his son King Tipu Sultan in the late 18th century. It was damaged during an Anglo-Mysore war in 1791. It still remains a good example of 18th-century military fortification. The army of the British East India Company, led by Lord Cornwallis on 21 March 1791 captured the fort in the siege of Bangalore during the Third Mysore War (1790–1792). At the time the fort was a stronghold for King Tipu Sultan. Today, the fort's Delhi gate, on Krishnarajendra Road, and two bastions are the primary remains of the fort. A marble plaque commemorates the spot where the British breached fort's wall, leading to its capture. The old fort area also includes King Tipu Sultan's Summer Palace, and his armoury. The fort has provided the setting for the treasure hunt in the book Riddle of the Seventh Stone.

<span class="mw-page-title-main">Dublin quays</span> Quays along the River Liffey in Ireland

The Dublin quays refers to the two roadways and quays that run along the north and south banks of the River Liffey in Dublin, Ireland. The stretches of the two continuous streets have several different names. However, all but two of the names share the same "quay" designation. The quays have played an important part in Dublin's history.

Jacob Schnebbelie was an English draughtsman, specialising in monuments and other historical subjects.

John Throsby (1740–1803) was an English antiquary.

John Preston Neale (1780–1847) was an English architectural and landscape draughtsman. Much of his work was drawn, although he produced the occasional watercolour or oil painting. His drawings were used on a regular basis by engravers. A major work, the Views of the seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England, Wales, Scotland and Ireland was published in 6 volumes between 1819 and 1823.

Flora Mitchell was an American-born Irish artist, remembered in particular for her mid-20th-century paintings of old Dublin architecture that has since disappeared.

<span class="mw-page-title-main">Thomas Malton, the elder</span>

Thomas Malton, the elder (1726–1801) was an English architectural draughtsman and writer on geometry.

<span class="mw-page-title-main">Mary Street, Dublin</span> Street in Dublin, Ireland

Mary Street is a predominantly retail street in Dublin, Ireland on the northside of the city contiguous with Henry Street.

Cecilia Margaret Nairnnée Cecilia Margaret Campbell was an Irish wax modeller and painter. She specialised in landscape watercolour paintings and modelling flowers. Nairn's paintings were exhibited at the Royal Hibernian Academy from 1826 to 1851.

<span class="mw-page-title-main">The Tholsel, Dublin</span> Historic public building in Dublin, Ireland

The Tholsel was an important building in Dublin which combined the function of civic hall, guildhall, court and gaol. It was located on Skinners Row within the old city walls of Dublin, Ireland. It existed in various forms from after the Norman invasion of Ireland until it was finally demolished around 1809. It was one of the most important and imposing buildings in medieval Dublin and was a secular focal point within the city walls situated at a major crossroads close to Dublin Castle, St Patrick's Cathedral and Christchurch Cathedral. It was the first of several tholsels which were constructed in the major cities and towns of late medieval Ireland and the Dublin tholsel also housed the first public clock in Ireland on its tower from 1466.

<span class="mw-page-title-main">The Old Custom House, Dublin</span> 1707 building in Dublin, Ireland

The Custom House was a large brick and limestone building located at present day Wellington Quay in Dublin, Ireland which operated as a custom house, hosting officials overseeing the functions associated with the import and export of goods to Dublin from 1707 until 1791. It also served as the headquarters of the Revenue Commissioners, as a meeting place and offices for the Wide Streets Commission and was said to be Dublin's first dedicated office building.

<span class="mw-page-title-main">Royal Hibernian Marine School</span> Former school in Dublin, Ireland

The Royal Hibernian Marine School, also known for a period as Mountjoy & Marine School, was a charity school in Dublin, Ireland established in 1766 to care for and educate the orphaned children of seamen. The school's building on Sir John Rogerson's Quay was in use as a school from 1773 until 1904 and continued to be used as offices and storage until the 1970s before being demolished in 1979.

Joseph Tudor (1695–1759) was an Irish landscape artist active during the 18th century working primarily in Dublin.

Charles Brooking's map of Dublin (1728) was one of the earliest and most detailed maps of Dublin completed by Charles Brooking (1677–1738), an engraver and map maker of English origin and printed in London by John Bowles at The Mercer's Hall in 1728.

References

  1. "Recent Acquisition: Malton's Picturesque and Descriptive View of the City of Dublin (1791) – RBSC at ND". sites.nd.edu. Retrieved 19 June 2023.
  2. Dunne, Aidan. "Art in Focus: James Malton – St Catherine's, Thomas Street, Dublin". The Irish Times. Retrieved 5 July 2021.
  3. Cregan, Michael. "Dublin's Commons under Colonial Rule and the Exclusion of 'Foreigners'" (PDF). Retrieved 5 January 2023.
  4. Carpenter, Andrew, ed. (1998). Verse in English from Eighteenth-century Ireland. Cork University Press. ISBN   9781859181034. Archived from the original on 26 August 2021. Retrieved 3 October 2020.
  5. Chastel-Rousseau, Charlotte (2011). "Reading the Royal Monument in Eighteenth-century Europe". Ashgate Publishing, Ltd. Retrieved 5 January 2023.