Related Research Articles
Marc-Antoine Charpentier was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his Te DeumH.146, Marche en rondeau. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network and the European Broadcasting Union.
Michel Richard Delalande [de Lalande] was a French Baroque composer and organist who was in the service of King Louis XIV. He was one of the most important composers of grands motets. He also wrote orchestral suites known as Simphonies pour les Soupers du Roy and ballets.
Pierre de la Rue was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico. A member of the same generation as Josquin des Prez, and a long associate of the Habsburg-Burgundian musical chapel, he ranks with Agricola, Brumel, Compère, Isaac, Obrecht, and Weerbeke as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500.
Jean Mouton was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Venetian School.
Guillaume Costeley [pronounced Cotelay] was a French composer of the Renaissance. He was the court organist to Charles IX of France and famous for his numerous chansons, which were representative of the late development of the form; his work in this regard was part of the early development of the style known as musique mesurée. He was also one of very few 16th century French composers of music for keyboard. In addition, he was a founding member of the Académie de Poésie et de Musique along with poet Jean-Antoine de Baïf, and he was one of the earliest composers to experiment with microtonal composition.
The French musical ensemble Les Talens Lyriques was created in 1991 in Paris, France, by the harpsichordist and orchestral conductor Christophe Rousset. This instrumental and vocal formation derives its name from the subtitle of Les fêtes d'Hébé (1739) an opera by Jean-Philippe Rameau.
Pro Cantione Antiqua of London (PCA) is a British choral group which was founded in 1968 by tenor James Griffett, counter-tenor Paul Esswood, and conductor and producer Mark Brown. Their first concert was at St Bartholomew's, Smithfield with Brian Brockless conducting but, from an early stage, they were closely associated with conductor and musicologist Bruno Turner. Arguably, they were the leading British performers of a cappella music, especially early music, prior to the founding of the Tallis Scholars.
Sébastien de Brossard was a French music theorist, composer and collector.
Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology.
Hervé Niquet is a French conductor, harpsichordist, tenor, and the director of Le Concert Spirituel, specializing in French Baroque music.
Huelgas Ensemble is a Belgian early music group formed by the Flemish conductor Paul Van Nevel in 1971. The group's performance and extensive discography focuses on Renaissance polyphony. The name of the ensemble refers to a manuscript of polyphonic music, the Codex Las Huelgas.
The Ensemble Clément Janequin is a French early music ensemble founded in 1978 and specializing in the chansons of the Renaissance and early Baroque.
Ensemble Organum is a group performing early music, co-founded in 1982 by Marcel Pérès and based in France. Its members have changed, but have included at one time or another, Josep Cabré, Josep Benet, Gérard Lesne, Antoine Sicot, Malcolm Bothwell. They have often collaborated with Lycourgos Angelopoulos and are influenced by Orthodox music.
Charles d'Helfer (1598–1661) was a French baroque composer and maître de musique at Soissons Cathedral. His masses follow a strict one syllable per note style.
Mauricio Buraglia is a Colombian composer, recording-artist, musician-lutenist and theorbist of Italian descent, active in Paris, France.
The discography of Westminster Cathedral Choir includes many award-winning recordings, among them the 1998 Gramophone Award Record of the Year for Frank Martin's Mass for Double Choir and Ildebrando Pizzetti's Requiem.
Jean-Pierre Ouvrard was a French musicologist, music educator, researcher at the François Rabelais University and choral conductor.
The Ensemble Jacques Moderne, directed by Joël Suhubiette, is a choir performing mainly the Renaissance and Baroque repertoire. It is located in Tours. The Ensemble was founded by Jean-Pierre Ouvrard in Tours in 1974, and has been directed by Joël Suhubiette since 1993.
The Oxford Camerata is an English chamber choir based in Oxford, England. The Camerata was founded in 1984 by conductor Jeremy Summerly and singers David Hurley and Henrietta Cowling and gave its first performance on 22 May of that year. The ensemble consists of a core membership of fifteen singers, though personnel size varies according to the demands of the repertoire. While the Camerata is known for performing primarily unaccompanied repertoire, it has also performed accompanied repertoire, employing the services of the Oxford Camerata Instrumental Ensemble and the Oxford Camerata Baroque Orchestra.
Bruno Boterf is a contemporary French tenor, specialising in Baroque and early music.
References
- ↑ A Sei Voci Cholet sur 49.agendaculturel.fr
- ↑ A Sei Voci, la fin de l’aventure choletaise in Courrierdelouest.fr 14 September 2011
- ↑ Annales de Normandie – Volume 37 – Page 481 Centre national de la recherche scientifique (France) – 1987 Guillaume COSTELEY, Guillaume de CHASTILLON. Airs et chansons en Normandie au temps du roy Henry. – 61350 Passais-la- Conception, Editions Pluriel, B.P. 21, Mantilly. Disque 30 cm ou cassette. 90 F. Interprété par « A sei Voci ».
- ↑ Schwann Opus: Fall 1999 – Page 908 Becky Barnhart – 1999 "A Sei Voci Salve Regina: Musiques festives mariales du grégorien au Heme siècle, w. Jean Boyer (org) – features works by Croce (Magnificat Quarti Toni), Morales (Jubilate Deo), Raquet (Fant. sur Regina Coeli). Gabrieli (Beata Es Virgo), Dufay (Alma Redemptoris Mater), Bruna (Tienta Sobre la Letame de le Virgen). Guerrero (Ave Virgo Sancbssima). Frescobaldi (Ricercar), Correa De Arauxo (Canto llano da la Immaculada Conception), Titelouze (Magnificat du Seme ton), anon (Gaudeamus; Regina Coeli; Salve Regina) Accord A ACD 206072."
- ↑ Bulletin de l'Atelier d'études sur la musique française des XVIIe & XVIIIe siècles Numéros 5 à 9 – Page 31 1994 "HELFER, Charles d' Astrée Auvidis E 8521 (enr. 1993) Requiem, messe de funérailles des ducs de Lorraine A sei voci ; La Psallette de Lorraine ; Les Sacqueboutiers de Toulouse
- ↑ Maitrise Archived 12 April 2012 at the Wayback Machine
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
