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In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm, and sound symbolism, to produce musical or other artistic effects. Most written poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate structure. For this reason, verse has also become a synonym for poetry.
In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse.
Accentual verse has a fixed number of stresses per line regardless of the number of syllables that are present. It is common in languages that are stress-timed, such as English, as opposed to syllabic verse which is common in syllable-timed languages, such as French.
Shloka or śloka (Sanskrit: श्लोक śloka, from the root श्रु śru, lit. 'hear' in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-syllable verse, derived from the Vedic anuṣṭubh metre, used in the Bhagavad Gita and many other works of classical Sanskrit literature.
Scansion, or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different lengths of each syllable, while in English poetry, they are based on the different levels of stress placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem.
Iambic pentameter is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable. "Pentameter" indicates that each line has five "feet".
Mohamed Ibrahim Warsame, known by the pseudonym Hadrawi, was a Somali poet, philosopher and songwriter. Having written many notable protest works, Hadrawi has been likened by some to Shakespeare, and his poetry has been translated into various languages.
Zajal is a traditional form of oral strophic poetry declaimed in a colloquial dialect. The earliest recorded zajal poet was Ibn Quzman of al-Andalus who lived from 1078 to 1160. Most scholars see the Andalusi Arabic zajal, the stress-syllable versification of which differs significantly from the quantitative meter of classical Arabic poetry, as a form of expression adapted from Romance languages' popular poetry traditions into Arabic—first at the folkloric level and then by lettered poets such as Ibn Quzman.
Somali literature is the literature used by the ethnic Somalis of Somalia, Somaliland, Djibouti, Yemen, Eritrea, Ogadenia, and Kenya.
Hazaj meter is a quantitative verse meter frequently found in the epic poetry of the Middle East and western Asia. A musical rhythm[a] of the same name[b] is based on the literary meter.
Tamil prosody defines several metres in six basic elements covering the various aspects of rhythm. Most classical works and many modern works are written in these metres.
ʿArūḍ or ʿilm al-ʿarūḍ is the study of poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the Science of Poetry. Its laws were laid down by Al-Khalīl ibn Aḥmad al-Farāhīdī, an early Arab lexicographer and philologist. In his book Al-ʿArḍ, which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the mustadārik.
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies. It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as Chandas.
Mohamed Hashi Dhamac better known as Gaarriye, was a Somali poet and political activist. He belonged to the Makahiil sub-division of Sa'ad Musa sub-clan of the Habr Awal Isaaq clan.
Generative metrics is the collective term for three distinct theories of verse structure advanced between 1966 and 1977. Inspired largely by the example of Noam Chomsky's Syntactic Structures (1957) and Chomsky and Morris Halle's The Sound Pattern of English (1968), these theories aim principally at the formulation of explicit linguistic rules that will generate all possible well-formed instances of a given meter and exclude any that are not well-formed. T.V.F. Brogan notes that of the three theories, "[a]ll three have undergone major revision, so that each exists in two versions, the revised version being preferable to the original in every case."
Rajaz is a metre used in classical Arabic poetry. A poem composed in this metre is an urjūza. The metre accounts for about 3% of surviving ancient and classical Arabic verse.
The Madīd metre is one of the metres used in classical Arabic poetry. The theoretical pattern of the metre is as follows, where u = a short syllable, – a long syllable, and x = anceps :
Guled Haji was a Somali sage and the Aqil or leader of the Baha Sugule branch of the powerful Rer Ainanshe Habr Yunis. The Rer Ainashe are the traditional rulers of the Habr Yunis Sultanate.
The Reer Caynaashe also spelled Reer Caynaanshe are a royal Somali clan and were the dynastic rulers of the Habr Yunis Sultanate. They divide into 17 major sub-clans that together form the Baha Ainanshe and Rer Sugulle, from the latter descend the rulers of the Habr Yunis Sultanate. They inhabit the Togdheer and Maroodi Jeex regions of Somaliland and the Daroor, Danot and Misraq Gashamo regions of Ethiopia
References
- ↑ Papers from the Linguistics Workshop: Somali Language and Literature at the Hargaysa Cultural centre, December 2015. pp.109
- ↑ Afrikanistische Arbeitspapiere: AAP., Volumes 65-68. pp.103-111
- ↑ Literatures in African Languages Theoretical Issues and Sample Surveys. Andrzejewski/Pilaszewicz 1985. pp.386
- ↑ Halgan Organ of the Somali Revolutionary Socialist Party · Issues 36-41 1979. pp.39
- ↑ Somali Prosodic Systems. Johnson, John William,(1979). Horn of Africa Journal, 2(3): 46-54
- ↑ Hal-abuur: Wargeys-xilliyeedka Suugaanta & Dhaqanka Soomaalida, Volume 1
- ↑ Voice and Power, R. J. Hayward, I. M. Lewis · 2005 pp.87
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