Abel Bowen (1790-1850) was an engraver, publisher, and author in early 19th-century Boston, Massachusetts.
Abel Bowen (1790-1850) was an engraver, publisher, and author in early 19th-century Boston, Massachusetts.
Bowen was born in New York in 1790. [1] Arriving in Boston in 1812, he worked as a printer for the Columbian Museum, at the time under the proprietorship of his uncle, Daniel Bowen. [2] In 1814 Abel married Eliza Healey of Hudson, New York. [3] Their children included Abel Bowen (d.1818). [4]
With W.S. Pendleton he formed the firm of Pendleton & Bowen, which ended in 1826. [5] He joined the Massachusetts Charitable Mechanic Association in 1828. [6] In the 1830s Bowen and others formed the Boston Bewick Company, which published the American Magazine of Useful and Entertaining Knowledge . He lived and worked in Congress Square, ca.1823-1826; [7] in 1832 he kept his shop on Water Street, and lived on Union Street; [8] in 1849 he worked on School Street, and lived in Chelsea. [9]
Bowen taught Joseph Andrews, Hammatt Billings, George Loring Brown, B.F. Childs, William Croome, Nathaniel Dearborn, G. Thomas Devereaux, Alonzo Hartwell, Samuel Smith Kilburn, and Richard P. Mallory. [10] [11] Contemporaries included William Hoogland. [12] His siblings included publisher Henry Bowen.
William Pinkney was an American statesman and diplomat, and was appointed the seventh U.S. Attorney General by President James Madison.
Benjamin Dearborn (1754–1838) was a printer and mechanical inventor in Portsmouth, New Hampshire and Boston, Massachusetts in the late 18th and early 19th centuries. His inventions include the gold standard balance, spring scale, grist mill, candlestick, ballot box, perspective drawing machine, letter-press, "musical board for the instruction of the blind," thermoscope, vibrating steelyard balance, and perpendicular lift.
Nathaniel Dearborn (1786–1852) was an engraver in 19th-century Boston, Massachusetts. He was born in New England in 1786 to inventor Benjamin Dearborn; siblings included John M. Dearborn and Fanny Dearborn Hanman. In Boston he learned engraving from Abel Bowen. By 1814 Dearborn worked from quarters on School Street; later moving to Market Street (ca.1823), State Street (ca.1826-1831) and Washington Street (ca.1832–1852). Around 1830, he also gave musical lessons on the flute.
Pendleton's Lithography (1825–1836) was a lithographic print studio in 19th-century Boston, Massachusetts, established by brothers William S. Pendleton (1795-1879) and John B. Pendleton (1798-1866). Though relatively short-lived, in its time the firm was prolific, printing portraits, landscape views, sheet music covers, and numerous other illustrations. The Pendleton's work might be characterized by its generosity—each print contains a maxima of visual information designed for graphic reproduction.
Benjamin Franklin Nutting was an artist in Boston, Massachusetts, in the 19th century. He taught drawing in local schools, published do-it-yourself drawing instruction materials, and showed his artwork in several exhibitions.
The New England Museum in Boston, Massachusetts, United States, was established at 76 Court Street by Ethan A. Greenwood, Peter B. Bazin, John Dwight and Samuel Jackson. It featured displays of fine art, natural history specimens, wax figures, and other curiosities. Bands of musicians typically performed there during public hours.
Thomas Edwards (1795–1869) was an artist in 19th-century Boston, Massachusetts, specializing in portraits. Born in London and trained at the Royal Academy, he worked in Boston in the 1820s-1850s, and in Worcester in the 1860s.
William Hoogland (c.1794–1832) was an engraver in Boston, Massachusetts, and New York in the early 19th-century. "Career obscure; but was a designer and engraver of banknotes in New York in 1815." In Boston, contemporaries included Abel Bowen, Annin & Smith, and J.V. Throop. He taught engraving to Joseph Andrews.
George Girdler Smith was an engraver in Boston. He kept a studio on Washington Street. Collaborators included William B. Annin, Charles A. Knight and George H. Tappan.
William Hilliard (1778–1836) was a publisher and bookseller in Boston and Cambridge, Massachusetts in the early 19th-century. He worked with several business partners through the years, including Jacob Abbot Cummings, James Brown, and Charles C. Little. President Thomas Jefferson selected his firm to supply approximately 7,000 volumes on numerous topics in 1825-1826, to create the University of Virginia Library.
Charles Hubbard (1801–1875) was an artist in Boston, Massachusetts in the 19th century. He kept a studio on Tremont Row and was affiliated with the Boston Artists' Association. He served as state senator from 1851-1852.
Thomas Melvill or Thomas Melville was a merchant, member of the Sons of Liberty, participant in the Boston Tea Party, a major in the American Revolutionary War, a longtime fireman in the Boston Fire Department, state legislator, and paternal grandfather of writer Herman Melville.
Paul Dean (1789–1860) was an American 19th-century Universalist minister. He was pastor in Boston, Massachusetts, of the First Universalist Church on Hanover Street (ca.1813) and the Central Universalist Church on Bulfinch Street (1823–1840).
The Mechanic Apprentices Library Association (1820-1892) of Boston, Massachusetts, functioned as "a club of young apprentices to mechanics and manufacturers ... whose object is moral, social, and literary improvement." Some historians describe it as "the first of the kind known to have been established in any country." Founded by William Wood in 1820, it also had an intermittent formal relationship with the larger, more established Massachusetts Charitable Mechanic Association. In its heyday, roughly 1820s-1850s, the Apprentices Library "[met] quarterly ; ... [had] nearly 200 members, and a library of about 2000 volumes; connected with which [was] a reading room, gratuitously supplied with the best newspapers and magazines of the city, and a cabinet of natural history. In addition to these advantages, the association [had] lectures and debates in the winter, and a social class for the study of elocution in the summer."
John Ashton was an American merchant and music publisher in Boston, Massachusetts, in the 19th century. He owned a "music & umbrella store" at no.197 Washington Street which sold "all the new and fashionable music" ca.1819-1844. He manufactured and sold musical instruments; tuned pianos; and published and sold sheet music "of marches, waltzes, rondos, variations, quadrilles, gallopades, dances, &c. ... arranged for the band, orchestra, piano forte, guitar, flute, violin, organ &c." Among the composers represented in Ashton's stock: Comer, Joseph Haydn, Knight, Paddon, Russell, Shaw, Webb, Charles Zeuner. The firm "John Ashton & Co." was dissolved on January 1, 1844 with notice that the business will "be continued at the old stand, 197 Washington Street, by E.H. Wade."
Thomas Waldron Sumner (1768–1849) was an architect and government representative in Boston, Massachusetts, in the early 19th century. He designed East India Marine Hall and the Independent Congregational Church in Salem; and the South Congregational Society church in Boston. He was also involved with the Exchange Coffee House, Boston.
The Salem Observer (1823-1919) was a weekly newspaper published in Salem, Massachusetts. Among the editors: J.D.H. Gauss, Benj. Lynde Oliver, Gilbert L. Streeter, Joseph Gilbert Waters. Contributors included Wilson Flagg, Stephen B. Ives Jr., Edwin Jocelyn, E.M. Stone, Solomon S. Whipple. Publishers included Francis A. Fielden, Stephen B. Ives, William Ives, George W. Pease, Horace S. Traill. In the 1880s Elmira S. Cleaveland and Hattie E. Dennis worked as compositors. Its office was located in "'Messrs P. & A. Chase's ... brick building in Washington Street'" (1826-1832) and the Stearns Building (1832-1882). "In 1882 the proprietors erected the Observer Building, of three stories, of brick, in Kinsman Place next to the City Hall." As of the 1870s, one critic noted that although "the Observer is supposed to be neutral in politics, ... it has always shown unmistakable signs of a strong republican tendency."
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