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Abeti Masikini: Le Combat d'Une Femme | |
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Directed by | Ne Kunda Nlaba (in French) |
Screenplay by | Laura Kutika |
Produced by | Ne Kunda Nlaba Laura Kutika |
Narrated by | Fadila Belkacem |
Cinematography | Ne Kunda Nlaba |
Edited by | Laura Kutika |
Music by | Antonio Padiglia |
Production company | Un Sourire Nouveau Labson Bizizi-Cine Kongo Ltd. |
Release date |
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Country | Democratic Republic of Congo |
Abeti Masikini: Le Combat d'Une Femme (English: Abeti Masikini: The Struggle of A Woman) is a 2015 Congolese documentary film about the Congolese Diva and soukous star Abeti Masikini who fought for gender equality in the music industry during the 1970s. The film was directed by Ne Kunda Nlaba, who produced and wrote the film with Laura Kutika. [1]
Before 1970 in the Democratic Republic of the Congo, singing professionally was taken as a job for men; the industry was dominated by male singers.
Abeti Masikini (Elisabeth Finant), the daughter of the Congolese political figure Jean Pierre Finant assassinated with the first Prime minister, Patrice Emery Lumumba in 1961, stood up at age 16 and integrated the music industry. She gained success by bringing new melodies, style, and rhythm into the soukous genre despite rejections, deceptions, failures and hate for being a woman and for her voice.[ citation needed ]
She was the first African woman to perform at Bruno Coquatrix’s Olympia in Paris in 1973, and then went to some big venues around the world such as Carnegie Hall, Royal Albert Hall, Wimbledon, Wembley Arena, and Le Zénith, among other venues.
Written by Laura Kutika, produced and directed by Laura Kutika and Ne Kunda Nlaba, Abeti Masikini: Le Combat d’une Femme shows the struggle of this woman singer, who had to cope with an artistic career and family life as a mother and later became an international icon, a voice and an example for other African young women in the industry. This documentary film raises the issue about female emancipation and takes us back to the 60's and 70's nostalgic music time.
The documentary film is a co-production between Un Sourire Nouveau and Labson Bizizi-Cine Kongo Ltd, and was premiered in Paris in France on 19 September 2015 and then screened at Festival du Film Africain de Belgique (FIFAB) in Brussels on 20 September 2015 and at Afrika Film Festival in March 2016 in Leuven. [1] [2] [3]
Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
African popular music, like African traditional music, is vast and varied. Most contemporary genres of western popular music build on cross-pollination with traditional African American and African popular music. Many genres in popular music of rock, metal, pop, blues, jazz, salsa, zouk, and rumba derive, of varying degrees, musical traditions from Africa cultured to the Americas, by enslaved Africans. These rhythms and sounds have subsequently been adapted by newer genres like hip-hop, and R&B. Likewise, African popular music have adopted Western music industry recording studio techniques. The term does not refer to a specific style or sound but is used as a general term for African popular music.
Marie-Claire Mboyo Moseka, known professionally as M'bilia Bel, is a Congolese singer and songwriter. Dubbed the "Queen of African Rumba" and "Queen Cleopatra", she is regarded as one of the most influential figures in 20th-century Congolese and African popular music. Her music is a blend of traditional Congolese rumba, soukous, rap, and zouk, with lyrics that often delve into themes of love, politics, hedonism, militancy, jealousy, sentimentality, and education.
Nicolas Kasanda wa Mikalay, popularly known as Docteur Nico, was a guitarist, composer and one of the pioneers of Congolese music. He was born in Mikalayi in the Belgian Congo. He graduated in 1957 as a technical teacher, but inspired by his musical family, he took up the guitar and in time became a virtuoso soloist.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo and Democratic Republic of the Congo. With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage.
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Dominique Cabrera is a French film director. She has taught filmmaking at La Fémis and at Harvard University. Her film Nadia et les hippopotames was screened in the Un Certain Regard section at the 1999 Cannes Film Festival. Additionally, her work has screened in the Berlinale, the Toronto International Film Festival, the Vienna International Film Festival, the Locarno Film Festival, the Rotterdam Film Festival, and in the New York Film Festival, among others.
Fally Ipupa N'simba, known professionally as Fally Ipupa, is a Congolese singer-songwriter, dancer, philanthropist, guitarist, and producer. Often referred to as the "Prince of Rumba", he is noted for his tenor vocals as well as his blend of contemporary and traditional Congolese music genres, including Congolese rumba, soukous, and ndombolo. His lyrics often cover themes of romance, suffering, and joy.
Cinema of the Democratic Republic of the Congo originated with educational and propaganda films during the colonial era of the Belgian Congo. Development of a local film industry after the Democratic Republic of the Congo gained its independence from Belgium in 1960, and was handicapped by constant civil war.
Ne Kunda Nlaba is a Congolese film producer, director, screenwriter, actor, and political scientist. He owns and is the CEO of his film production company, Labson Bizizi-cine Kongo Ltd., the film distribution company Afrika Bizizi Distribution Ltd., and the creator of Bizizi Box.
Elisabeth Finant, cognomenously known as Abeti Fina-Masikini or simply Abeti Masikini, was a Congolese singer, composer, bandleader, and philanthropist. With a nearly three-decades-long career, she was a significant figure in 20th-century Congolese and African popular music. Often referred to as the "Queen of Soukous", she is noted for advocating gender equality, modernizing Congolese music, and inspiring successive generations of musicians. Her band, Les Redoutables, was a launching pad for numerous female artists.
Ghislaine Nelly Huguette Sathoud is a Congolese feminist, primarily concerned with domestic violence.
Leila Ghandi, nicknamed "The Moroccan Titouan Lamazou" or "Bent Battouta", is a Moroccan photographer and journalist.
Jean-Pierre Finant was a Congolese politician who served as the first President of Orientale Province in the Democratic Republic of the Congo from June until October 1960.
The Hotel Memling is a five-star hotel in Kinshasa, Democratic Republic of the Congo.
Laura Guliamo Luyeye Kutika is a Congolese film director and writer.
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Alice Badiangana also Alice Badiangaba or Alice Mbadiangana, later Alice Mahoungou is a trade unionist and politician from the Republic of the Congo. She was the first Congolese woman to be held as a political prisoner, and was s co-founder of the Congolese Youth Union and a leader of the African Women's Union of the Congo.
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