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18 Park Row, Leeds, once known as Abtech House and more recently as Kenneth Hodgson House, is a Grade II listed building in Leeds, West Yorkshire, England. The building on the east side of Park Row, Leeds was built as offices for the West Riding Union Bank.
The building was designed in the late 19th century by the Leeds architect Edward John Dodgshun, from the firm Oliver and Dodgshun. An illustration was published on page 28 of the Academy Architecture and Architectural Review, volume 21, published in 1902. Tt is constructed from stone ashlars, with four bays, and projecting entrances in the left and right bays. It has four stories, and was altered in the 20th century to add a fifth floor in the attic under a slate roof.
The ground floor façade is decorated with a strapwork pattern in red granite. Between the ground and first floors is a deep relief stone frieze designed by architect Joseph Thewlis, with has a central seated figure of Minerva as the goddess of commerce holding a globe and a caduceus, flanked by rectangular panels depicting scenes of colonial trading to either side. To the left is a panel with two workmen unloading a ship, a boy with a barrel, a man with a book, a black man carrying a bale, an East Asian man gesturing, and a man in Middle Eastern headdress and robes carrying a basket. To the right are two men in Native American feather headdresses, and others working to build a railway.
Further relief carvings above each entrances show, to the left, the coat of arms of Leeds (fleece with three stars in chief) supported by two women and, to the right, the coat of arms of Huddersfield (chevron with three towers, between three sheep) supported by two men. Either side of the four windows on the first floor are panels with five further carved municipal coats of arms: Liverpool (liver bird), Dewsbury (owls and cross in chief), Manchester (sailing ship in chief), Bury (quarters with anvil, fleece, shuttles, papyrus), and Preston (lamb of god).
Grand order pilasters rise through the second and third floors to Corinthian capitals with a modillion cornice above, with blank curved panels below the second floor windows which were originally intended to be carved to show the four words "West Riding Union Bank", and further carved panels of curvilinear dragons below the third floor windows.
The building was not completed until after the West Riding Union Bank had been acquired by the Lancashire and Yorkshire Bank in 1902. After another merger in 1928, the building continued as a branch of the Bank of Liverpool and Martins, but closed in 1933 (as there was already a branch of Martins Bank diagonally opposite, on the west side of the road at 28 Park Row, in a building is also a Grade II listed; it was later a branch of Barclays Bank, and is now a Wetherspoons public house named after another local bank, Beckett's Bank, which became part of Westminster Bank in 1921.)
In the early 20th century, upper parts of the building were also occupied by the architects FJ Sharr, and by firm of architects who designed the building, Oliver and Dodgshun. Towards the end of the 20th century, it was offices for the Blue Arrow employment agency, and the ground floor is now the Thewlis cocktail lounge, with a dental practice in the basement. It was renamed in 2013 after businessman Kenneth Hodgson, whose company Westcourt acquired the building in 2012. It became a Grade II listed building in 1976.
Meltham is a town and civil parish within the Metropolitan Borough of Kirklees, in West Yorkshire, England. It lies in the Holme Valley, below Wessenden Moor, 5 miles south-west of Huddersfield on the edge of the Peak District National Park. It had a population of 8,089 at the 2001 census, which was estimated to have increased to 8,600 by 2005. The population assessed at the 2011 Census was 8,534. It has 12 elected council members who meet up around every 6 weeks.
Oakworth Hall is located in Oakworth, West Yorkshire, England. The manor house was rebuilt in the 17th century, but has a history dating back to 1066. The building overlooks the Worth Valley, facing south towards Haworth.
The Wool Exchange Building in Bradford, West Yorkshire, England is a grade I-listed building built as a wool-trading centre in the 19th century. The grandeur of its Gothic Revival architecture is symbolic of the wealth and importance that wool brought to Bradford. Today it is a Waterstones bookshop as well as a cafe.
Gilling Castle is a Grade I listed country house near Gilling East, North Yorkshire, England.
Leeds Civic Hall is a municipal building located in the civic quarter of Leeds, West Yorkshire, England. It replaced Leeds Town Hall as the administrative centre in 1933. The Civic Hall houses Leeds City Council offices, council chamber and a banqueting hall, and is a Grade II* listed building. A city landmark, two 2.3 metres high gold-leafed owls top its twin towers, decorations which are joined by four more owls on columns in Millennium Square, which sits to the front, and a gilded clock on both sides.
Leeds Town Hall is a 19th-century municipal building on The Headrow, Leeds, West Yorkshire, England. Planned to include law courts, a council chamber, offices, a public hall, and a suite of ceremonial rooms, it was built between 1853 and 1858 to a design by the architect Cuthbert Brodrick. With the building of the Civic Hall in 1933, some of these functions were relocated, and after the construction of the Leeds Combined Court Centre in 1993, the Town Hall now serves mainly as a concert, conference and wedding venue, its offices still used by some council departments. It was designated a Grade I listed building in 1951.
Halifax Town Hall is a grade II* listed, 19th century town hall in the town of Halifax, West Yorkshire, England. It is notable for its design and interiors by Charles Barry and his son, Edward Middleton Barry, and for its sculptures by John Thomas. The town hall is also the headquarters of Calderdale Metropolitan Borough Council.
Bishop Lloyd's House is at 41 Watergate Street, and 51/53 Watergate Row, Chester, Cheshire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building. The architectural historian Nikolaus Pevsner considered it to be "perhaps the best" house in Chester.
St John the Evangelist's Church is a redundant Anglican church in the centre of the city of Leeds, West Yorkshire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is under the care of the Churches Conservation Trust. The architectural historian Nikolaus Pevsner refers to it as "the only church at Leeds of more than local interest".
William Swinden Barber FRIBA, also W. S. Barber or W. Swinden Barber, was an English Gothic Revival and Arts and Crafts architect, specialising in modest but finely furnished Anglican churches, often with crenellated bell-towers. He was based in Brighouse and Halifax in the West Riding of Yorkshire. At least 15 surviving examples of his work are Grade II listed buildings, including his 1875 design for the Victoria Cross at Akroydon, Halifax. An 1864 portrait by David Wilkie Wynfield depicts him in Romantic garb, holding a flower. He served in the Artists Rifles regiment in the 1860s alongside Wynfield and other contemporary artists.
Robert Mawer was an architectural sculptor, based in Leeds, West Yorkshire, England. He specialised in the Gothic Revival and Neoclassical styles. He created the Neoclassical keystone heads on St George's Hall, Bradford and on Moorland's House, Leeds, and was working on the keystone heads at Leeds Town Hall when he died. He was a founding member of the Mawer Group of Leeds architectural sculptors, which included his wife, Catherine Mawer, his son Charles Mawer, and his apprentices William Ingle, Matthew Taylor and Benjamin Payler, who all became sculptors with their own careers. Many of the buildings enhanced with sculpture by Robert Mawer are now listed by Historic England.
Catherine Mawer was an architectural sculptor who worked alongside her husband Robert Mawer, then following his death in 1854 she ran the family stone yard as a master sculptor at Great George Street, Leeds, West Yorkshire, England, until 1859. The other master sculptor in her 1854–1859 company, which was known as Mrs Mawer, was her nephew William Ingle who supervised the stone yard and onsite works from 1854. Her apprentices were Matthew Taylor, Benjamin Payler, and her son Charles Mawer. All the apprentices later had independent careers as sculptors. After her son came of age in 1870, she continued working alongside Charles and her nephew William in the partnership Mawer and Ingle at the same address. Catherine was a founder member of the Mawer Group, which comprised all of the above Leeds architectural sculptors. During her lifetime, the Mawer group produced some strongly lifelike and often unflattering portraits, full of movement, including portraits of men with overhanging moustaches and cavernous mouths. These portraits continued after the deaths of Robert Mawer and William Ingle, but stopped appearing at her death in 1877. It is therefore reasonable to conclude that this style of work was her own.
Charles Mawer (1839–1903) was an architectural sculptor, based in Leeds, West Yorkshire, England. He was the son of sculptors Robert and Catherine Mawer and the cousin of William Ingle. He was apprenticed to his father, and worked within the partnership Mawer and Ingle alongside his cousin William and his own mother between 1860 and 1871, and then ran the stone yard himself until he formed a partnership with his fellow-apprentice Benjamin Payler in 1881. Following that date, his whereabouts and death are unknown. His last major work for Mawer and Ingle was Trent Bridge, where he carved alone, following the death of William Ingle. He is noted for his work on the rebuilding of the mediaeval Church of St Michael and All Angels, Barton-le-Street, completed in 1871, where he repaired and recreated damaged and missing Romanesque carvings, and for his carving on William Swinden Barber's 1875 Church of St Matthew, Lightcliffe. Charles' last known work ornaments another Barber church: the 1880 Church of St Thomas the Apostle, Killinghall. Charles was a member of the Mawer Group of Leeds architectural sculptors, which included those mentioned above, plus Matthew Taylor.
Mawer and Ingle was a company of architectural sculptors, based in Leeds, West Yorkshire, England, between 1860 and 1871. It comprised cousins Charles Mawer and William Ingle (1828–1870), and Catherine Mawer (1804–1877) who was mother of Charles and aunt of William. The group produced carvings on many Gothic Revival churches and their internal furnishings. They also worked on civic buildings, warehouses and offices. Many of these are now listed by Historic England, and many of the surviving buildings are within Yorkshire. Their work outside Yorkshire included Trent Bridge.
Benjamin Payler, , was a sculptor, stone and marble mason. He was apprenticed to Catherine Mawer, alongside fellow apprentices Matthew Taylor and Catherine's son Charles Mawer. He formed a business partnership at 50 Great George Street with Charles Mawer in 1881. There is no known record of Charles after that. Payler continued to run the business there under his own name. In his day, he was noted for his 1871 bust of Henry Richardson, the first Mayor of Barnsley, his keystone heads on the 1874 Queen's Hotel in the same town, and his architectural sculpture on George Corson's 1881 School Board offices, Leeds. Payler was a member of the Mawer Group, which included the above-mentioned sculptors, plus William Ingle.
Benjamin Burstall was a sculptor, architectural sculptor and stone carver, based in Leeds, West Riding of Yorkshire, England.
William Ingle was an architectural sculptor in Leeds, West Yorkshire, England. He specialised in delicately undercut bas relief and small stand-alone stone sculptures of natural and imaginary flora and fauna on churches and on civic, commercial and domestic buildings. He was apprenticed to his uncle Robert Mawer. After Mawer's death in 1854 he worked in partnership with his aunt Catherine Mawer and his cousin Charles Mawer in the company Mawer and Ingle. Notable works by Ingle exist on Leeds Town Hall, Endcliffe Hall, Sheffield and Moorlands House, Leeds. He sometimes exhibited gentle humour in his ecclesiastical work, such as faces peering through greenery, and mischievous humour on secular buildings, such as comic rabbits and frogs among foliage. He died of tuberculosis at age 41 years, having suffered the disease for two years.
John Wormald Appleyard was a British sculptor and monumental mason based in Leeds, West Yorkshire, England.
H. E. and A. Bown was an architectural practice in Harrogate, North Riding of Yorkshire, England, in the 19th and early 20th centuries. Its two partners were Henry Edwin Bown who started the business and died at the age of 36, and his brother Arthur Bown, who carried on the business until he retired in 1911.
Edward John Dodgshun was an English architect.
