Acoustic plaster

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Acoustic plaster is plaster which contains fibres or aggregate so that it absorbs sound. Early plasters contained asbestos, but newer ones consist of a base layer of absorptive substrate panels, which are typically mineral wool, or a non-combustible inorganic blow-glass granulate. A first finishing layer is then applied on top of the substrate panels, and sometimes a second finishing layer is added for greater sound attenuation. Pre-made acoustic panels are more commonly used, but acoustic plaster provides a smooth and seamless appearance, and greater flexibility for readjustment. The drawback is the greater level of skill required in application. Proprietary types of acoustic plaster developed in the 1920s included Macoustic Plaster, Sabinite, Kalite, Wyodak, Old Newark and Sprayo-Flake produced by companies such as US Gypsum.

Contents

Basic composition

Composition of plaster layers .png

Acoustic plasters are aesthetically favorable because it allows for seamless smooth application compared to panels that show visible joints. [1] Some acoustic plasters contain aggregate, but better systems incorporate fiber. [2] Acoustic plasters are generally applied at a thickness between 1/16” and 1.5”. [3] Acoustic plasters consist of a base layer of absorptive substrate panels, which are typically mineral wool, or a non-combustible inorganic blow-glass granulate. [2] A first finishing layer is then applied on top of the substrate panels and when dried, produces a first layer of sound attenuation. [4] A second finishing layer may also be added to create a second system of sound attenuation. [4] If the second density if less than or equal to that of the first layer, the sound attenuation of the second layer would be greater than the first and vice versa. [4] This allows for the flexibility of changing the acoustic properties of the space.

Acoustic properties

Acoustic plasters can significantly reduce the sound reverberation within the space. [5] Most acoustic plasters have a Noise Reduction Coefficient between 0.5 and 1.00. [3] The Noise Reduction Coefficient (NRC) determines the ability of a material to reflect or absorb sound. [5] It is a number between 0 and 1, which 0 being perfectly reflective and 1 being perfectly absorptive. [5] The application of acoustic plasters helps to increase the intelligibility of voice, music, and other sounds under desirable environment. In addition, acoustic plasters are also fireproof and LEED rated. [3] However, it can be more fragile, being affected by physical stress and humidity. [6]

Advantage

Compared to acoustic plaster, acoustic panels are the most commonly used material for controlling the sound environment of space. Acoustic panels were often made of a mineral wool composition that is very absorbent of sound. [2] Although acoustic panels are common in basements or recreational areas, they are seldom used in living spaces due to aesthetic reasons. Instead, conventional plaster or drywall systems were more frequently used in homes and other environments where interior aesthetics is a more important consideration but these are, however, not ideal in sound absorption. [4] Limitations of acoustic panels or conventional drywall systems also affect the flexibility of room configuration and uses. Alternating the acoustic properties in order to address changing room functions would indicate changing the entire acoustic system, which is costly and time-consuming. [4] In contrast, acoustic plasters provide a smooth applicable and a seamless appearance. It also allows greater flexibility for readjustment.

Application

Despite its advantage, acoustic plaster requires high levels of artisan skills in order to obtain the rated sound absorption coefficients. [1] The proportions and recommended mixing time of the plaster must be followed strictly in order to achieve the desired result. [1] To ensure seamless surface, it is recommended to start with a ceiling that is perfectly level. [2] The absorptive substrate panels are then attached with its seams filled and sanded smooth. [2] Layers of plaster coating are then applied to achieve a seamless smooth surface. [2] Acoustic plasters may be worked to produce different surface textures but must be done timely after the application. [1]

Different types of mounting styles for acoustic plasters can also affect the acoustic performance of the system. [3] These mounting types include direct to substrate, suspended or direct to framing, or a plaster only system that can be sprayed on directly to the substrate without the placement of any acoustical boards. [3] Control joints may also be built into the system to prevent cracks within the plaster. [3]

Acoustic plaster is used in construction of rooms which require good acoustic qualities such as auditorium and libraries. [7] [8] Proprietary types of acoustic plaster developed in the 1920s included Macoustic Plaster, Sabinite, Kalite, Wyodak, Old Newark and Sprayo-Flake produced by companies such as US Gypsum. These superseded felts and quilts as a common preference of architects but were difficult to apply and so were superseded in turn by acoustic tiles. [9]

Examples

Institute for Contemporary Art at the Virginia Commonwealth University

The Institute for Contemporary Arts is a non-collecting contemporary art institution designed by Steven Holl Architects and located on the Virginia Commonwealth University campus in Richmond. [10] The design by Steven Holl Architects emphasizes the fluidity of interior and exterior space and fosters the connection between technology and natural resources. The design, however, creates reverberant sounds that disturb the experience within the museum. [10] Acoustic plaster was used as a remedy to address the sound environment without compromising design. The application of acoustic plaster significantly reduced the sound reverberation, especially in the 33-foot tall central forum, where or echoing would otherwise occur due to the high ceiling. [10]

Auburn University Jule Collins Smith Museum of Fine Art

The Jule Collins Smith Museum of Fine Art is located at the Auburn University and features a collection of 20,000 pieces of art. As a museum originally constructed in 2003, the acoustics of the building, which were experiencing problems due to long reverberation times that made conversations within the space even unintelligible, needed some significant upgrades. [11] Acoustic plaster was introduced to solve the acoustic issues. It significantly reduced the reverberation time and added a tranquil quality and brought a more comforting experience to the space. [11]

Historic problem

Starting in the 1920s, asbestos had become a prevailing material to replace animal hair in the mixture of plasters. Due to the sound-absorptive and lightweight qualities of asbestos, it was also commonly used in the composition of acoustic plasters. [12] The application of this type of acoustic plaster to the ceiling is often known as the "popcorn ceiling" due to its aesthetic texture. [12] However, asbestos introduced health-hazards to the acoustic plaster, for both the users of space and especially for the workers installing the plaster. [12] This became a major health problem of early acoustic plasters.

Related Research Articles

Reverberation, in acoustics, is a persistence of sound after it is produced. Reverberation is created when a sound or signal is reflected. This causes numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached.

Room acoustics is a subfield of acoustics dealing with the behaviour of sound in enclosed or partially-enclosed spaces. The architectural details of a room influences the behaviour of sound waves within it, with the effects varying by frequency. Acoustic reflection, diffraction, and diffusion can combine to create audible phenomena such as room modes and standing waves at specific frequencies and locations, echos, and unique reverberation patterns.

<span class="mw-page-title-main">Drywall</span> Panel made of gypsum, used in interior construction

Drywall is a panel made of calcium sulfate dihydrate (gypsum), with or without additives, typically extruded between thick sheets of facer and backer paper, used in the construction of interior walls and ceilings. The plaster is mixed with fiber ; plasticizer, foaming agent; and additives that can reduce mildew, flammability, and water absorption.

<span class="mw-page-title-main">Soundproofing</span> Methods to reduce sound pressure

Soundproofing is any means of impeding sound propagation. There are several basic ways to reduce sound: increasing the distance between source and receiver, decoupling, using noise barriers to reflect or absorb the energy of the sound waves, using damping structures such as sound baffles for absorption, or using active antinoise sound generators.

<span class="mw-page-title-main">Noise reduction coefficient</span>

The noise reduction coefficient is a single number value ranging from 0.0 to 1.0 that describes the average sound absorption performance of a material. An NRC of 0.0 indicates the object does not attenuate mid-frequency sounds, but rather reflects sound energy. This is more conceptual than physically achievable: even very thick concrete walls will attenuate sound and may have an NRC of 0.05. Conversely, an NRC of 1.0 indicates that the material provides an acoustic surface area that is equivalent to its physical, two-dimensional surface area. This rating is common of thicker, porous sound absorptive materials such as 2"-thick fabric-wrapped fiberglass panel. Materials can achieve NRC values greater than 1.00. This is a shortcoming of the test procedure and a limitation of how acousticians define a square unit of absorption, and not a characteristic of the material itself.

<span class="mw-page-title-main">Architectural acoustics</span> Science and engineering of achieving a good sound within a building

Architectural acoustics is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston.

<span class="mw-page-title-main">Lath and plaster</span> Finish mainly for interior dividing walls and ceilings

Lath and plaster is a building process used to finish mainly interior dividing walls and ceilings. It consists of narrow strips of wood (laths) which are nailed horizontally across the wall studs or ceiling joists and then coated in plaster. The technique derives from an earlier, more primitive process called wattle and daub.

A reverberation chamber or room is a room designed to create a diffuse or random incidence sound field. Reverberation chambers tend to be large rooms and have very hard exposed surfaces. The change of impedance these surfaces present to incident sound is so large that virtually all of the acoustic energy that hits a surface is reflected back into the room. Arranging the room surfaces to be non-parallel helps inhibit the formation of standing waves - additional acoustic diffusers are often used to create more reflecting surfaces and further encourage even distribution of any particular sound field.

Sound Transmission Class is an integer rating of how well a building partition attenuates airborne sound. In the US, it is widely used to rate interior partitions, ceilings, floors, doors, windows and exterior wall configurations. Outside the US, the ISO Sound Reduction Index (SRI) is used. The STC rating very roughly reflects the decibel reduction of noise that a partition can provide. The STC is useful for evaluating annoyance due to speech sounds, but not music or machinery noise as these sources contain more low frequency energy than speech.

<span class="mw-page-title-main">Dropped ceiling</span> Secondary ceiling hung below a main ceiling

A dropped ceiling is a secondary ceiling, hung below the main (structural) ceiling. It may also be referred to as a drop ceiling, T-bar ceiling, false ceiling, suspended ceiling, grid ceiling, drop in ceiling, drop out ceiling, or ceiling tiles and is a staple of modern construction and architecture in both residential and commercial applications.

Acoustic absorption refers to the process by which a material, structure, or object takes in sound energy when sound waves are encountered, as opposed to reflecting the energy. Part of the absorbed energy is transformed into heat and part is transmitted through the absorbing body. The energy transformed into heat is said to have been 'lost'.

<span class="mw-page-title-main">Noise control</span> Strategies to reduce noise pollution or its impact

Noise control or noise mitigation is a set of strategies to reduce noise pollution or to reduce the impact of that noise, whether outdoors or indoors.

Akoustolith is a porous ceramic material resembling stone. Akoustolith was a patented product of a collaboration between Rafael Guastavino Jr. and Harvard professor Wallace Sabine over a period of years starting in 1911. It was used to limit acoustic reflection and noise in large vaulted ceilings. Akoustolith was bonded as an additional layer to the structural tile of the Tile Arch System ceilings built by the Rafael Guastavino Company of New Jersey. The most prevalent use was to aid speech intelligibility in cathedrals and churches prior to the widespread use of public address systems.

<span class="mw-page-title-main">Acoustic foam</span> Open called foam used for soundproofing

Acoustic foam is an open celled foam used for acoustic treatment. It attenuates airbone sound waves, reducing their amplitude, for the purposes of noise reduction or noise control. The energy is dissipated as heat. Acoustic foam can be made in several different colors, sizes and thickness.

<span class="mw-page-title-main">New World Center</span> Concert hall in Miami Beach, Florida, U.S.

The New World Center is a concert hall in the South Beach section of Miami Beach, Florida, designed by Frank Gehry. It is the home of the New World Symphony, with a capacity of 756 seats. It opened in January 2011.

<span class="mw-page-title-main">Joint compound</span> A paste of gypsum powder and water that fills seams around sheets of drywall

Joint compound is a white powder of primarily gypsum dust mixed with water to form a paste the consistency of cake frosting, which is spread onto drywall and sanded after dry to create a seamless base for paint on walls and ceilings.

Plaster veneer or plaster skim is a construction methodology for surfacing interior walls, by applying a thin layer of plaster over a substrate—typically over specially formulated gypsum board base, similar in nature to drywall.

<span class="mw-page-title-main">Building insulation material</span>

Building insulation materials are the building materials that form the thermal envelope of a building or otherwise reduce heat transfer.

<span class="mw-page-title-main">Bass trap</span>

Bass traps are acoustic energy absorbers which are designed to damp low frequency sound energy with the goal of attaining a flatter low frequency (LF) room response by reducing LF resonances in rooms. They are commonly used in recording studios, mastering rooms, home theatres and other rooms built to provide a critical listening environment. Like all acoustically absorptive devices, they function by turning sound energy into heat through friction.

<span class="mw-page-title-main">Clay panel</span> Building material made of clay with some additives

Clay panel or clay board is a panel made of clay with some additives. The clay is mixed with sand, water, and fiber, typically wood fiber, and sometimes other additives like starch. Most often this means employing the use of high-cellulose waste fibres. To improve the breaking resistance clay boards are often embedded in a hessian skin on the backside or similar embeddings.

References

  1. 1 2 3 4 "Acoustic Materials". Technical News Bulletin: 99. 1946 via Google Books.
  2. 1 2 3 4 5 6 Cox, D'Antonio, Trevor J., Peter (2009). Acoustic Absorbers and Diffusers: Theory, Design and Application . USA and Canada: Taylor and Francis. pp.  165–166. ISBN   978-0-203-89305-0.
  3. 1 2 3 4 5 6 Lindeberg, Dylan (May 9, 2017). "Acoustical Plaster in Construction". Design Strategies. Retrieved November 19, 2018.
  4. 1 2 3 4 5 "Patent Issued for Tunable Acoustical Plaster System and Method of Making It". Journal of Engineering: 6771. July 18, 2012 via Academic OneFile.
  5. 1 2 3 "Frequently Asked Questions". BASWA acoustic. Retrieved November 19, 2018.
  6. "Building Noise Control", Mechanical and Electrical Equipment for Buildings, John Wiley and Sons, 2009, p. 802, ISBN   9780470577783
  7. Dana Quick McComb (1935), Public library buildings, p. 57
  8. "Acoustics of Modern Auditoriums", Time-saver standards, F. W. Dodge Corp., 1950, p. 354
  9. Mark Michael Smith (2004), Hearing history, University of Georgia Press, p. 350, ISBN   978-0-8203-2582-8
  10. 1 2 3 "Portfolio- Institute for Contemporary Art a VCU". BASWA Acoustic. Retrieved December 5, 2018.
  11. 1 2 "Portfolio- Auburn University Jule Collins Smith Museum of Fine Arts". BASWA Acoustic. Retrieved December 14, 2018.
  12. 1 2 3 "Asbestos in Acoustic Plaster". Mesothelioma Justice Network. June 22, 2018. Retrieved December 14, 2018.