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Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music.
Sutton SignWriting, or simply SignWriting, is a system of writing sign languages. It is highly featural and visually iconic, both in the shapes of the characters, which are abstract pictures of the hands, face, and body, and in their spatial arrangement on the page, which does not follow a sequential order like the letters that make up written English words. It was developed in 1974 by Valerie Sutton, a dancer who had, two years earlier, developed DanceWriting. Some newer standardized forms are known as the International Sign Writing Alphabet (ISWA).
A time signature is an indication in music notation that specifies how many note values of a particular type are contained in each measure (bar). The time signature indicates the meter of a musical movement at the bar level.
In Western musical notation, the staff, also occasionally referred to as a pentagram, is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different percussion instruments. Appropriate music symbols, depending on the intended effect, are placed on the staff according to their corresponding pitch or function. Musical notes are placed by pitch, percussion notes are placed by instrument, and rests and other symbols are placed by convention.
Choreography is the art or practice of designing sequences of movements of physical bodies in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Labanotation is a system for analyzing and recording human movement, invented by Austro-Hungarian choreographer and dancer Rudolf von Laban, who developed his notation on movements in the 1920s.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A dance score is a recorded dance notation that describes a particular dance.
In cricket, batting is the act or skill of hitting the ball with a bat to score runs and prevent the loss of one's wicket. Any player who is currently batting is, since September 2021, officially referred to as a batter regardless of whether batting is their particular area of expertise. Historically, batsman and batswoman were used, and these terms remain in widespread use. Batters have to adapt to various conditions when playing on different cricket pitches, especially in different countries; therefore, as well as having outstanding physical batting skills, top-level batters will have quick reflexes, excellent decision-making skills, and be good strategists.
Benesh Movement Notation (BMN), also known as Benesh notation or choreology, is the literacy of body language, it is a dance and movement notation system used to document dance and other types of human movement. Invented by Joan and Rudolf Benesh in the late 1940s, the system uses abstract symbols based on figurative representations of the human body. It is used in choreography and physical therapy, and by the Royal Academy of Dance to teach ballet.
Graphic notation is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music. Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an aleatoric or undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban, which was developed and extended by Lisa Ullmann, Irmgard Bartenieff, Warren Lamb and others. LMA draws from multiple fields including anatomy, kinesiology and psychology. It is used by dancers, actors, musicians and athletes; by health professionals such as physical and occupational therapists and psychotherapists; and in anthropology, business consulting and leadership development.
The cha-cha-cha, is a dance of Cuban origin. It is danced to cha-cha-cha music introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
Stokoe notation is the first phonemic script used for sign languages. It was created by William Stokoe for American Sign Language (ASL), with Latin letters and numerals used for the shapes they have in fingerspelling, and iconic glyphs to transcribe the position, movement, and orientation of the hands. It was first published as the organizing principle of Sign Language Structure: An Outline of the Visual Communication Systems of the American Deaf (1960), and later also used in A Dictionary of American Sign Language on Linguistic Principles, by Stokoe, Casterline, and Croneberg (1965). In the 1965 dictionary, signs are themselves arranged alphabetically, according to their Stokoe transcription, rather than being ordered by their English glosses as in other sign-language dictionaries. This made it the only ASL dictionary where the reader could look up a sign without first knowing how to translate it into English. The Stokoe notation was later adapted to British Sign Language (BSL) in Kyle et al. (1985) and to Australian Aboriginal sign languages in Kendon (1988). In each case the researchers modified the alphabet to accommodate phonemes not found in ASL.
The International Movement Writing Alphabet (IMWA) is a set of symbols that can be used to describe and record movement. Its creator, Valerie Sutton, also invented MovementWriting, a writing system which employs IMWA. It in turn has several application areas within which it is specialised:
Eshkol-Wachman movement notation is a notation system for recording movement on paper or computer screen. The system was created in Israel by dance theorist Noa Eshkol and Avraham Wachman, a professor of architecture at the Technion. The system is used in many fields, including dance, physical therapy, animal behavior and early diagnosis of autism.
The Hamburg Sign Language Notation System, or HamNoSys, is a transcription system for all sign languages, with a direct correspondence between symbols and gesture aspects, such as hand location, shape and movement. It was developed in 1985 at the University of Hamburg, Germany. As of 2020, it is in its fourth revision.
Valerie Sutton is an American developer of movement notation and a former dancer.
Kahnotation is a tap dance notation developed by Stanley D. Kahn to document and communicate tap dancing steps and routines.
