Gee Vaucher is a visual artist primarily associated with the anarcho-punk band Crass.
The Feeding of the 5000 is the first album by the anarcho-punk band Crass. The album was recorded on 29 October 1978, by John Loder at Southern Studios and was released the same year. It was considered revolutionary in its time due to what was considered an extreme sound, frequently profane lyrical content and the anarchist political ideals in the lyrics. The album also saw the introduction of Crass's policy of ensuring cheap prices for their records. This album is considered one of the first punk albums to expound serious anarchist philosophies.
Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on 7 August 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross, but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.
Crass Records was an independent record label that was set up by the anarchist punk band Crass.
Yes Sir, I Will was the fifth and penultimate album released in March 1983 by anarcho-punk band Crass. The album is a virulent attack on then-Prime Minister of the United Kingdom Margaret Thatcher and her government in the aftermath of the Falklands War and was set nearly wholly over a raging and an almost free-form improvised backing provided by the group's musicians.
Steve Ignorant is a singer and artist.
Penny Lapsang Rimbaud is a writer, poet, philosopher, painter, musician and activist. He was a member of the performance art groups EXIT and Ceres Confusion, and in 1972 was co-founder of the Stonehenge Free Festival, together with Phil Russell aka Wally Hope. In 1977 with Steve Ignorant, he co-founded the seminal anarchist punk band Crass and served as its drummer. Crass disbanded in 1984. Until 2000 Rimbaud devoted himself almost entirely to writing, returning to the public platform in 2001 as a performance poet working with Australian saxophonist Louise Elliott and a wide variety of jazz musicians under the umbrella of Last Amendment.
Penis Envy, released in 1981, was the third LP by the anarchist punk band Crass. The album was included at #36 on Rolling Stone's "40 Greatest Punk Albums of All Time" list in 2016.
Christ – The Album is the fourth album by Crass, released in 1982. It was released as a boxed-set, double-vinyl LP package, including one disc of new studio material and another, entitled Well Forked.. But Not Dead, a live recording of the band's June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series of Shock Slogans and Mindless Token Tantrums, and a large poster painted by Gee Vaucher. The album was well received and the band considered it their best.
Last Amendment, formerly known as The Crass Collective and Crass Agenda, is the working title of a series of collaborations by ex-members of the anarcho-punk band Crass and others. Although Crass had formally split up in 1984, Penny Rimbaud, Gee Vaucher, Eve Libertine, Steve Ignorant, Andy Palmer and Pete Wright came together in November 2002 to put on a concert at the Queen Elizabeth Hall in opposition to the at that time proposed War on Iraq. Although they did not all appear on the stage at the same time, most of the ex-members of Crass participated in the event under the name of The Crass Collective, along with other performers such as Ian MacKaye, Goldblade, the English Chamber Choir, Fun Da Mental, and Nabil Shaban, among others.
Eve Libertine is an English singer.
The Eye is the debut studio album by Icelandic post-punk band Kukl. It was released in September 1984 by Crass Records. The album peaked at No. 6 in the UK Independent Albums Chart.
Founded 1992 by John Loder, Southern Records is an independent record label. It is based in London and until 2008 had offices in the United States, France and Berlin.
Holidays in Europe (The Naughty Nought) is the second and last studio album by the Icelandic post-punk group Kukl, released on January 24, 1986, by Crass Records.
John F. Loder was an English sound engineer, record producer and founder of Southern Studios, as well as a former member of EXIT and co-founder of the Southern Records distribution company with his wife Sue. He was also the studio engineer of choice for Crass and Crass Records, and was often considered to be the band's "ninth member".
Corpus Christi Records is a British independent record label started by some of the members of Crass and their recording engineer and business partner John Loder, to release records by artists who did not perhaps fit in with some of the stricter ideals of the Crass Records label.
This is an overview of the Crass Records discography. (NB, dates refer to initial UK releases, many of these records have since been re-issued in CD format)
Crass were an English art collective and punk rock band formed in Epping, Essex in 1977, who promoted anarchism as a political ideology, a way of life, and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic in its albums, sound collages, leaflets, and films.
This is Your Captain Speaking is a three-track EP by English musician Captain Sensible, released on 2 November 1981 on Crass Records. It was Sensible's first release as a solo artist, while still being a member of rock band the Damned. It reached No. 3 in the UK Indie Chart.
David Anthony King was an English American artist, (graphic) designer, and musician, a "significant figure in design history" best known as the designer of the symbol for the band Crass, "one of punk’s most recognizable and powerful designs".
