Adams Violin Concerto is a ballet made by Peter Martins, New York City Ballet's ballet master in chief, set to eponymous music from 1994 by John Adams. It was commissioned jointly by the Minnesota Orchestra and City Ballet. The ballet premiere took place on 1 June 1995 at the New York State Theater, Lincoln Center; the third movement was danced earlier under the title X-Ray .
Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are deeply committed to dance and dance education in New York City.
Le Baiser de la fée is a neoclassical ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen's short story Isjomfruen, the work is an homage to Pyotr Ilyich Tchaikovsky, for the 35th anniversary of the composer's death. Stravinsky elaborated several melodies from early piano pieces and songs by Tchaikovsky in his score. A commission by Ida Rubinstein from 1927, the ballet was choreographed by Bronislava Nijinska and premiered in Paris on 27 November 1928.
Ash is a ballet made by New York City Ballet's ballet master in chief Peter Martins to Ash (1991) by Michael Torke. The premiere took place Thursday, June 20, 1991, at the New York State Theater, Lincoln Center. Ash was the fourth in a series of collaborations between the choreographer and composer.
Tango is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Stravinsky's Tango (1940) arranged 1953 by the composer. The premiere took place June 10, 1982, as part of City Ballet's Stravinsky Centennial Celebration at the New York State Theater, Lincoln Center.
Touch is a ballet made by David Parsons on the New York City Ballet to music by Richard Peaslee. The premiere took place February 15, 1996, at the New York State Theater, Lincoln Center.
N.Y. Export: Opus Jazz is a ballet made by Jerome Robbins, subsequently ballet master of New York City Ballet (NYCB) to music of the same title by Robert Prince. The premiere took place on 8 June 1958 at the Festival of the Two Worlds in Spoleto, performed by Ballets: USA and subsequently on Broadway. The NYCB premiere was on 29 April 2005 at the New York State Theater, Lincoln Center, with scenery by Ben Shahn, costumes by Florence Klutz and lighting by Jennifer Tipton.
Miriam Mahdaviani is a choreographer, a former New York City Ballet dancer and a repetiteur for the George Balanchine Trust. She has created ballets for NYCB's 1988 American Music Festival and its Diamond Project in 1992, 1994,1997, 2000 and 2002. She also choreographed ballets for Pacific Northwest Ballet, Richmond Ballet, Jacob's Pillow, Vassar College, NYU Tisch School of the Arts, SUNY Purchase, and others. Internationally, her ballets have been presented at MaggioDanza in Florence, Italy and at the Edinburg Festival in Scotland.
Arch Higgins was a soloist with New York City Ballet. He began his study at eight years with Berkeley Ballet Theater with former City Ballet dancer Sally Streets. From 1982 he attended summer courses at the School of American Ballet which he entered full-time on scholarship four years later. He was the recipient of the Mae L. Wien Award and joined the NYCB corps de ballet in 1989. Higgins was promoted to soloist in 1998 and danced until 2011. He is now a guest teacher for the company and assistant children's ballet master.
Rachel Rutherford is a former soloist with New York City Ballet.
Bugaku is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to eponymous music by Toshiro Mayuzumi, commissioned by City Ballet in 1962. The premiere took place on 30 March 1963 at City Center of Music and Drama, New York, with scenery by David Hays, costumes by Karinska, and lighting by Ronald Bates. NYCB had toured Japan in 1958 and the Gagaku Company of the Imperial Household toured the US the following year.
The Chairman Dances is a ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music from 1985. The music was originally written for Adams' opera, Nixon in China, but not used in production: the scene is that in which Mao Zedong dances with his future bride, movie star Chiang Ch'ing. The premiere took place on 14 May 1988, as part of City Ballet's American Music Festival at New York State Theater, Lincoln Center, with scenery and costumes by Rouben Ter-Arutunian, and lighting by Mark Stanley.
Mother Goose is a ballet made for New York City Ballet's Ravel Festival by balletmaster Jerome Robbins to Ravel's music and scenario, the Ma Mère l'Oye Suite from 1908, orchestrated by the composer in 1912. The premiere took place on May 22, 1975, at the New York State Theater, Lincoln Center, with costumes by Stanley Simmons and lighting by Jennifer Tipton. At its premiere it bore the French title, which was retained when it was first revived in January 1978 but anglicized by May of that year.
Ma Mère l'Oye was written as a suite of five pieces for piano four hands and later orchestrated and adapted into a ballet, by M. Ravel, with the addition of a prelude, an opening scene and four interludes connecting the five original pieces.
Interplay is a ballet in one act made by Jerome Robbins, subsequently ballet master of New York City Ballet, for Billy Rose's Concert Varieties to Morton Gould's 1945 American Concertette. The premiere took place on Friday, 1 June 1945 at the Ziegfeld Theatre, New York. It was taken into the repertory of the American Ballet Theatre and presented on Wednesday, 17 October that year with costumes by Irene Sharaff. It has been revived for the City Ballet on Tuesday, 23 December 1952 at City Center of Music and Drama.
Union Jack is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to traditional British tunes, hornpipe melodies and music-hall songs, ca. 1890–1914, adapted by Hershy Kay. The premiere took place on 13 May 1976, at the New York State Theater, Lincoln Center, to honor British heritage in the United States its bicentennial with costumes by Rouben Ter-Arutunian, original lighting by Ronald Bates and current lighting by Mark Stanley. At the finale the ensemble spells out "God Save the Queen" in semaphore code and the Union Jack unfurls. Principal dancer Jock Soto included an excerpt from Union Jack in his farewell performance in June 2005.
Beethoven Romance is a ballet made by New York City Ballet ballet master in chief Peter Martins to the composer's Romance in F for violin and orchestra, Op. 50 (1805). The premiere took place 2 February 1989 at the New York State Theater, Lincoln Center, with costumes by Heather Watts and lighting by Mark Stanley.
Hallelujah Junction is the eighth ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music. The duo pianists appear in silhouette above the dancers throughout in Mark Stanley's lighting. The dance was made on the Royal Danish Ballet. The premiere took place on 24 March 2001 at the Royal Danish Theatre, Copenhagen. The NYCB premiere was on 22 January 2002 at the New York State Theater, Lincoln Center.
Chaconne is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to ballet music from Gluck's Orfeo ed Euridice. The premiere took place Wednesday, 22 January 1976 at the New York State Theater, Lincoln Center, with lighting by Ronald Bates; Robert Irving conducted. Chaconne was danced in practice clothes at its premiere; Karinska's costumes were added in the spring season.
Duo Concertant is a ballet choreographed by George Balanchine to Stravinsky's score of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer a year after his death, and premiered on June 22, 1972, at the New York State Theater, danced by Kay Mazzo and Peter Martins.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.