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Adia Millett | |
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Nationality | American |
Alma mater | California Institute of the Arts University of California, Berkeley |
Known for | Multimedia |
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Adia Millett Little is a contemporary American multi-media artist whose work can be found in various forums throughout the United States and abroad. Through multiple mediums, including dioramas, quilting, painting, stitching, woodworking, and multi-media works, Millett creates her art to discover transitions and tell stories. [1] [ better source needed ]
Millett was born in 1975 in Pasadena, California. [2] She was raised by her mother in South Central Los Angeles. Her mother first studied art, but later studied chemistry and earned a doctoral degree in psychology.
Her father was a famous stage actor and a painter, Cleavon Little. Millett's step-father, who married her mother when Adia was seven, was an architect and very supportive of her artistic endeavors. [2]
After completing an undergraduate program and receiving a Bachelor of Fine Arts from the University of California at Berkeley in 1997, Millett continued her education at the California Institute of the Arts, graduating in 2000 with a Master of Fine Arts. [1] [ better source needed ] In 2001, Millett was chosen to participate in the Whitney Museum's Independent Studies Program. [2] In 2002, Millett participated in the Studio Museum in Harlem residency program, and in 2003 became the resident visiting artist at Columbia College in Chicago, Il. [3] Millett has taught at Columbia College in Chicago, UC Santa Cruz, and Cooper Union in NY as an artist in residence. She currently teaches at California College of the Arts. [4]
A set of embroidery based artworks, this project addresses loss, memory, and the significance of everyday objects. [5] [ better source needed ] The seven, small, framed, cross-stitched fabrics depict every day objects including a porkpie ha t, a bottle of Popov vodka, a rifle, a rose, a package of Newport menthol cigarettes, a pair of underwear, and a twenty dollar bill. [6] By presenting objects that are stereotypically associated with black men, Millett creates a juxtaposition within her work between the feminine "craft" of stitching and the masculine subject matter of the individual pieces. [6]
Pre-Fabricated Innocence is an eight part series of miniature houses that caters to our penchant for voyeurism. [7] [ better source needed ] Each miniature illustrates melancholy interiors that display class and religious beliefs. [8] Pre-fabricated Innocence: Anticipation (light bulbs) from 2004, for instance, is only 11 x 14 inches, but the small prism contains a table with a single chair, a bouquet of flowers, a staircase leading to a closed door, and nine functional lightbulbs. [9] [ better source needed ] In fact, working lights, furniture, and tiny details are featured in many of Millett's miniatures. The unique decorations within the houses are an attempt to promote a space where dialog is created for characters to develop. [7] [ better source needed ]
The Fire Next Time (2016) is a mixed-medium piece on wood panel that takes its title from James Baldwin's seminal 1963 book. [10] The miniature is a tiny house surrounded by billowing smoke that stands against a golden backdrop. The small dwelling is made of faded blue vertical planks with a roof of dark wooden shingles that float into the golden sky as the abode burns. This piece presents a visualization of breaking apart.
One of Adia Millett's largest exhibitions to date is entitled "Infinite Edges," and was held from 14 September—9 November 2019 at Traywick Contemporary . [11] This solo exhibition displays Millett's many practices which includes quilt-making, painting, drawing, photography, collage and sculpture. [11] Millet uses these multi-media pieces to highlight the African American experiences while simultaneously speaking to how all living things are connected. [11] Millett's geometric patters draw the viewer's eye from point to point, mimicking the multi-faceted, complex, and fragmented nature of life itself.
Millett's quilts highlight interconnectivity, as the domestic or "craft" based activity connects pieces of cloth or textile to one another through stitches and string. These artistic quilts simultaneously combine multiple materials and specific cultural references, as the subject matter of each specifically relates to different cultural moments. Chosen Family, for example, is one of Millett's pieces from 2018 that combines fabric, textiles, feather, and hand quilting. The pattern of the fabric and textile contained within the piece allude to traditional African textiles, and thick rim of feathers around the circumference of the quilt create a soft border that highlights the multi-media nature of the piece.
Quilting is the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.
Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.
Wearable art, also known as Artwear or "art to wear", refers to art pieces in the shape of clothing or jewellery pieces. These pieces are usually handmade, and are produced only once or as a very limited series. Pieces of clothing are often made with fibrous materials and traditional techniques such as crochet, knitting, quilting, but may also include plastic sheeting, metals, paper, and more. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as an artistic creation or statement. Wearable art is meant to draw attention while it is being displayed, modeled or used in performances. Pieces may be sold and exhibited.
Kantha, also spelled kanta or qanta, is a type of embroidery craft in Bangladesh and eastern regions of India, particularly in the Indian states of West Bengal, Tripura and Odisha. In Odisha, old saris are stacked on each other and hand-stitched to make a thin piece of cushion. This is normally used above a bed cushion or instead of a cushion. "Kantha saris" are traditionally worn by women in Bengal region. In these days, embroidery is stitched, popularly known as 'kantha stitched", on sari, kurta and churidar and many other garments and gaining popularity due to their aesthetic value and handmade characteristics.
The term "crazy quilting" is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting, but a specific kind of patchwork lacking repeating motifs and with the seams and patches heavily embellished. A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.
The straight or running stitch is the basic stitch in hand-sewing and embroidery, on which all other forms of sewing are based. The stitch is worked by passing the needle in and out of the fabric at a regular distance. All other stitches are created by varying the straight stitch in length, spacing, and direction.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Linda MacDonald was born in 1946, in Berkeley, California. She is a multimedia artist who was at the forefront of the studio quilt art movements. She has been called a "fine artist [who works] with quilting techniques."
Chinese patchwork is a traditional form of Chinese needlework which has been widely circulated in Chinese folk arts. In China, patchwork has been used for millennia.
Chawne Monique Kimber is an African-American mathematician and quilter, known for expressing her political activism in her quilts. She was a professor at Lafayette College, where she headed the department of mathematics. Kimber is now the Dean of the College at Washington and Lee University.
Liz Collins is an American contemporary artist and designer. Collins is recognized for her artwork involving fabric, knitwear, and textiles as well as for the fashion label she developed. She has expertise in textile media including the transition of fabric into multi-dimensional forms as a method to vary the scale of her pieces to make them architectural and inviting rather than object-based. Collins is based in Brooklyn, New York.
Bisa Butler is an American fiber artist who has created a new genre of quilting that has transformed the medium. Although quilting has long been considered a craft, her interdisciplinary methods—which create quilts that look like paintings—have catapulted quilting into the field of fine art. She is known for her vibrant, quilted portraits celebrating Black life, portraying both everyday people and notable historical figures. Her works now count among the permanent collections at the Smithsonian National Museum of African American History and Culture, the Art Institute of Chicago, Pérez Art Museum Miami and about a dozen other art museums nationwide. She has also exhibited at the Smithsonian Museum of American History, the Epcot Center, the National Underground Railroad Freedom Center, and many other venues. In 2020, she was commissioned to quilt cover images for Time magazine, including the "Person of the Year" issue and its "100 Women of the Year" issue. With a multi-year wait list for private commissions, one of Butler's quilts sold at auction in 2021 for $75,000 USD.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
Linda Gass is an American environmental activist and artist known for brightly colored quilted silk landscapes, environmental works, and public art sculptures, which reflect her passion for environmental preservation, water conservation and land use.