In ancient Rome the Latin word adlocutio means an address given by a general, usually the emperor, to his massed army and legions, and a general form of Roman salute from the army to their leader. The research of adlocutio focuses on the art of statuary and coinage aspects. It is often portrayed in sculpture, either simply as a single, life-size contrapposto figure of the general with his arm outstretched, or a relief scene of the general on a podium addressing the army. Such relief scenes also frequently appear on imperial coinage.
The adlocutio is one of the most widely represented formulas of Roman art. The convention is regularly shown in individual figures like the famous Augustus of Prima Porta or can be put into a narrative context as seen in the Aurelian panel. Gestures and body language are crucial for the study of adlocutio in ancient times, as addressing to thousands of soldiers was less penetrable by voice compared to body language and gestures which were more powerful, infectiously raising the army's enthusiasm. [1] Characteristic of the formula is the outstretched hand of speech as well as the contrapposto pose with the weight clearly shifted to one leg. Much information about adlocutio can be interpreted by these sculptures.
The outstretched right hand raised by Augustus can be seen as power and authority, even in the point of view of gods in ancient Rome, right hand represents divinity, and this characteristic is also illustrated by Cancelleria Reliefs with the emperor's right hand raised among the gods. The bare feet of Augustus may seems incongruous as compared with the cuirassed details in the chest. This indicates the heroicization of Augustus could be posthumous. This feature also adds civilian portrait to the statue besides military aspect. The small Cupid besides the right leg claims the divine lineage and status. The breastplate relief in front of him depicts the gods. The spear in the left hand is a symbol of Augustus' ruling power over the empire. [2]
Many Roman AE/As coins are with adlocutio of emperors. The coinages of adlocutio tell the differences between the ways each emperor addressing the army.
The term "ADLOCVT COH" refers to adlocutio cohortium, which means the address given by the emperor towards the cohorts [3] as the AE coin is presenting. Caligula uses the typical gesture: outstretching raised-arm salute, bent left leg. The soldiers are standing in a compact line.
In the coin AE of Nero with adlocutio, soldiers are standing in more scattered position compared to those who are depicted in AE of Caligula with adlocutio, which are adhering in a mass. Also the weakened architectural background and the sheltering roof covering soldiers and their commander can be interpreted as more amiable atmosphere between Nero and his soldiers. Nero is not standing alone on the platform, there is the Praetorian prefect who stands behind him. [2]
This panel presents an integral angle looking at adlocutio scene. On this panel depicting the adlocutio event, emperor Marcus Aurelius is doing an adlocutio toward the army with his son-in-law Pompeianus standing behind him as an adviser, making Marcus Aurelius stand out as the leader, the imperator of the army. [4]
The Roman salute in military contexts, is often seen as the right hands raised from the soldiers to their leader's head. As depicted in the Trajan's Column, Scenes LXXXIV-LXXXV. Trajan conducting sacrifice, half of the crowd raise arms extended straight and another half bent at the elbow. Among the straight arms, one palm is open but held vertically; on the others, both thumb and index fingers are extended with others bent back. And for the hands of the bent arm, their fingers on the hands are pointing downwards. The adlocutio scenes depicted in sculpture and on coins and medallions are almost identical to this raised-arm salute. The first-century-A.D. teacher of rhetoric and author of most Roman oratory handbook, Quintilian has discussed about the hand and arm gestures, the emperor's raised hands carry the message of mighty force of absolute power to his soldiers and civilians, and when a hand is raised above shoulder height, the gesture is probably signalling the warning as "illa cava et rara et super umeri altitudinem elata ... velut hortatrix manus." . This information might be the historical origin to Nazi Germany's straight-arm salute. [5]
During the Renaissance, painters and sculptors continued to use this pose. The pose was made available to a larger public by Antonio Lafreri whose compilation of ancient images or Speculum Romanae Magnificentiae, contained several emperors in this pose. [6] In the Hall of Constantine at the Vatican, we can view the fresco of The Vision of the Cross completed by assistants to Raphael after his death in 1520. Standing on a boulder with right hand raised, Constantine is addressing his soldiers, but also pointing to a cross in the sky. The use of adlocutio is also found in literary texts that evoke the Roman era. For example, in Miguel de Cervantes play, Numancia Scipio, the Roman general addresses his troops in like manner [7]
The gestures of adlocutio as a sign of power is found in a number of statues of leaders and thinkers of the ancient past and in modernity. These include: Saddam Hussein, Kim Il Sung, Vladimir Lenin, Joseph Stalin, Mao Zedong, Captain James Cook, Marcus Aurelius and Augustus to name a few.
The denarius was the standard Roman silver coin from its introduction in the Second Punic War c. 211 BC to the reign of Gordian III, when it was gradually replaced by the antoninianus. It continued to be minted in very small quantities, likely for ceremonial purposes, until and through the Tetrarchy (293–313).
Marcus Aurelius Antoninus was Roman emperor from 161 to 180 and a Stoic philosopher. He was a member of the Nerva–Antonine dynasty, the last of the rulers later known as the Five Good Emperors and the last emperor of the Pax Romana, an age of relative peace, calm, and stability for the Roman Empire lasting from 27 BC to 180 AD. He served as Roman consul in 140, 145, and 161.
Aulus Vitellius was Roman emperor for eight months, from 19 April to 20 December AD 69. Vitellius became emperor following the quick succession of the previous emperors Galba and Otho, in a year of civil war known as the Year of the Four Emperors. Vitellius added the honorific Germanicus to his name instead of Caesar upon his accession. Like his predecessor, Otho, Vitellius attempted to rally public support to his cause by honoring and imitating Nero who remained popular in the empire.
Commodus was a Roman emperor who ruled from 177 until his assassination in 192. For the first three years of his reign he was co-emperor with his father Marcus Aurelius. Commodus' sole rule, starting with the death of Marcus in 180, is commonly thought to mark the end of a golden age of peace and prosperity in the history of the Roman Empire.
Marcus Aurelius Antoninus, better known by his nickname Caracalla, was Roman emperor from 198 to 217 AD. He was a member of the Severan dynasty, the elder son of Emperor Septimius Severus and Empress Julia Domna. Severus proclaimed Caracalla co-ruler in 198, doing the same with his other son Geta in 209. The two brothers briefly shared power after their father's death in 211, but Caracalla soon had Geta murdered by the Praetorian Guard and became sole ruler of the Roman Empire. Julia Domna had a significant share in governance, since Caracalla found administration to be mundane. His reign featured domestic instability and external invasions by the Germanic peoples.
Marcus Aurelius Mausaeus Carausius was a military commander of the Roman Empire in the 3rd century. He was a Menapian from Belgic Gaul, who usurped power in 286, during the Carausian Revolt, declaring himself emperor in Britain and northern Gaul. He did this only 13 years after the Gallic Empire of the Batavian Postumus was ended in 273. He held power for seven years, fashioning the name "Emperor of the North" for himself, before being assassinated by his finance minister Allectus.
Lucius Aurelius Verus was Roman emperor from 161 until his death in 169, alongside his adoptive brother Marcus Aurelius. He was a member of the Nerva–Antonine dynasty. Verus' succession together with Marcus Aurelius marked the first time that the Roman Empire was ruled by more than one emperor simultaneously, an increasingly common occurrence in the later history of the Empire.
Hostilian was briefly Roman emperor in 251. Hostilian was born to Decius and Herennia Etruscilla at an unknown date and elevated to caesar in 250 by Decius. After Decius and Herennius Etruscus, Hostilian's brother, were killed at the Battle of Abritus, an ambush by the Goths, Trebonianus Gallus was proclaimed emperor by the legions. Almost immediately, he elevated Hostilian to co-emperor and his own son, Volusianus, to caesar. Hostilian died soon after, either due to plague or being murdered by Trebonianus Gallus.
The dupondius was a brass coin used during the Roman Republic and Roman Empire valued at 2 asses.
Roman currency for most of Roman history consisted of gold, silver, bronze, orichalcum and copper coinage. From its introduction during the Republic, in the third century BC, through Imperial times, Roman currency saw many changes in form, denomination, and composition. A feature was the inflationary debasement and replacement of coins over the centuries. Notable examples of this followed the reforms of Diocletian. This trend continued with Byzantine currency.
The Roman salute, also known as the Fascist salute, is a gesture in which the right arm is fully extended, facing forward, with palm down and fingers touching. In some versions, the arm is raised upward at an angle; in others, it is held out parallel to the ground. In contemporary times, the former is commonly considered a symbol of fascism that had been based on a custom popularly attributed to ancient Rome. However, no Roman text gives this description, and the Roman works of art that display salutational gestures bear little resemblance to the modern Roman salute.
The aureus was a gold coin of ancient Rome originally valued at 25 pure silver denarii. The aureus was regularly issued from the 1st century BC to the beginning of the 4th century AD, when it was replaced by the solidus. The aureus was about the same size as the denarius, but heavier.
The Equestrian Statue of Marcus Aurelius is an ancient Roman equestrian statue on the Capitoline Hill, Rome, Italy. It is made of bronze and stands 4.24 m tall. Although the emperor is mounted, the sculpture otherwise exhibits many similarities to the standing statues of Augustus. The original is on display in the Capitoline Museums, while the sculpture now standing in the open air at the Piazza del Campidoglio is a replica made in 1981 when the original was taken down for restoration.
The Column of Marcus Aurelius is a Roman victory column in Piazza Colonna, Rome, Italy. It is a Doric column featuring a spiral relief: it was built in honour of Roman emperor Marcus Aurelius and modeled on Trajan's Column. The Imperial Monument is dedicated to the former emperor of Rome and his war effort in the Barbarian wars of his reign as Caesar of Rome from 161-180 AD. Standing as a testament to Aurelius' military achievements, it offers a visual narrative of his campaigns against Germanic tribes along the Danube River. Though there aren’t many direct sources from the time of reign of Marcus Aurelius, the monument itself can tell us a great deal about the Romans in the creation of the monument and the scenes from it. The column of Marcus Aurelius is a depiction of Roman life during the reign of Marcus Aurelius; the monument not only tells us the reason it was built but the importance this emperor had on society and the respect he had earned. Based on common understanding of Roman life and the belief that citizens felt a duty toward public service, the benevolence of Marcus Aurelius was such that this monument was erected in his memory and preserved for its grandeur and representation. The monument contains a frieze, which depicts the Northern Germanic campaigns of Marcus Aurelius’ and his war with the Barbarians. The Romans called these wars North of the Danube, Bellum Germanicum or bellum Marcomannicum. Though the monument is more likely a monument for military achievement, it’s also considered a funerary monument, since the planning and erection of the monument happened around the same time as the death of Marcus Aurelius. The monument was said to either begin at the end of the wars in 176AD and he died in 180AD, the monument finished construction in 193AD.
The Column of Antoninus Pius is a Roman honorific column in Rome, Italy, devoted in AD 161 to the Roman emperor Antoninus Pius, in the Campus Martius, on the edge of the hill now known as Monte Citorio, and set up by his successors, the co-emperors Marcus Aurelius and Lucius Verus.
The Augustus of Prima Porta is a full-length portrait statue of Augustus, the first Roman emperor.
Tigranes VI, also known as Tigran VI or by his Roman name Gaius Julius Tigranes was a Herodian prince and served as a Roman client king of Armenia in the 1st century.
The procuratorial coinage of Roman Judaea was minted by the prefects and procurators of the province between AD 6 and 66 in only one denomination and size, the bronze prutah. All the coins were minted in Jerusalem.
Nerva was a Roman emperor from 96 to 98. Nerva became emperor when aged almost 66, after a lifetime of imperial service under Nero and the succeeding rulers of the Flavian dynasty. Under Nero, he was a member of the imperial entourage and played a vital part in exposing the Pisonian conspiracy of 65. Later, as a loyalist to the Flavians, he attained consulships in 71 and 90 during the reigns of Vespasian and Domitian, respectively. On 18 September 96, Domitian was assassinated in a palace conspiracy involving members of the Praetorian Guard and several of his freedmen. On the same day, Nerva was declared emperor by the Roman Senate. As the new ruler of the Roman Empire, he vowed to restore liberties which had been curtailed during the autocratic government of Domitian.
Fortuna Redux was a form of the goddess Fortuna in the Roman Empire who oversaw a return, as from a long or perilous journey. Her attributes were Fortuna's typical cornucopia, with her specific function represented by a rudder or steering oar sometimes in conjunction with a globe.
This article needs additional or more specific categories .(April 2021) |