Adolfo Aristarain

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Adolfo Aristarain
Adolfo Aristarain en los Premios a la trayectoria del FNA.jpg
Born (1943-10-19) October 19, 1943 (age 80)
Buenos Aires, Argentina

Adolfo Aristarain (born October 19, 1943) is an Argentine film director and screenwriter who is famous for his filmic sophistication and subtle examination of issues of political oppression. Variety has deemed him "a master filmmaker." [1]

Contents

Biography

Aristarain was born in Buenos Aires. After leaving Argentina, he started working as assistant director in the Arcente cinema, and then in Europe during his short exile for Mario Camus, Giorgio Stegani and Lewis Gilbert before returning to Argentina in 1974, following the death of Argentine president Juan Perón. His first 3 films did not receive favorable reviews, but in 1981 Tiempo de revancha received both critical acclaim and public success. Released in the midst of the so-called Guerra Sucia ("Dirty War") when Argentina was ruled by a military dictatorship, the film had strong political undercurrents but faced few problems from censors. As Aristarain would later explain, he initially included long, unnecessary sex scenes in the film, "so the censors took five days and questioned thingsnot politics or ideology but sex. All I had to do was cut a few frames at the end of some scenes, like one of a strip tease. It doesn't hurt the scenesespecially if you made them longer than they should have been." [2]

Back in Spain he directed a mini-series for television, and after a series of aborted projects he had renewed success in Argentina: Un Lugar en el Mundo , starring Federico Luppi, with whom he has maintained frequent collaboration. He then filmed La Ley de la frontera and Martín (hache) in Spain, also starring Luppi. Aristarain continued with his Argentine-Spanish mixture of actors in Lugares comunes and Roma .

Aristarain wrote all the scripts of his directed movies with the exception of the Columbia Pictures release The Stranger, which was written by American screenwriter Dan Gurskis. [3]

He has received numerous awards for his work, including Golden Seashell and an Academy Award nomination for Un Lugar en el mundo, Best Director award at the Havana Film Festival, and Golden Seashell nomination for Martín (Hache), the First Prize at the Havana Film Festival and the Grand Prix des Amériques award at the Montréal World Film Festival for Tiempo de revancha.

The Academy Award Nomination was disqualified by the Academy of Motion Picture Arts and Sciences because the film was submitted for consideration (for Best Foreign Movie) by Uruguay (his wife's country) while The Academy claimed it was an Argentine production, and should therefore have been submitted by that country. [4]

Aristarain has worked many times with several, notable actors, such as Federico Luppi (7 times), Julio de Grazia (4 times), Cecilia Roth (3 times), Ricardo Darín (3 times) and Ulises Dumont (2 times). He has held Spanish Citizenship since 2003.

Filmography

Awards and nominations

YearAwardCategoryTitleResult
1982 Argentinean Film Critics Association Awards Best ScreenplayTiempo de revanchaWon
Best DirectorWon
Chicago International Film Festival Best FeatureNominated
Havana Film Festival Grand Coral - First PrizeWon
Montréal World Film Festival Grand Prix AwardWon
Huelva Latin American Film Festival Golden ColonÚltimos días de la víctimaWon
Mystfest Best FilmNominated
Best ScreenplayWon
1983 Argentinean Film Critics Association Awards Best ScreenplayWon
Best DirectorWon
1984 Cognac Festival du Film Policier Critics AwardTiempo de revanchaWon
1992 Nantes Three Continents Festival Audience AwardA Place in the WorldWon
San Sebastián International Film Festival Golden SeashellWon
OCIC AwardWon
1993 Argentinean Film Critics Association Awards Best ScreenplayNominated
Best DirectorWon
Fribourg International Film Festival Audience AwardWon
Goya Awards Best Spanish FilmWon
Gramado Film Festival Best Latin FilmWon
Ondas Awards Best DirectorWon
Turia Awards Best Foreign FilmWon
1996 Argentinean Film Critics Association Awards Best ScreenplayLa ley de la fronteraNominated
Best DirectorNominated
1997 Havana Film Festival Audience AwardMartin (Hache)Nominated
Grand Coral - First PrizeWon
Best DirectorWon
San Sebastián International Film Festival Golden SeashellNominated
1998 Argentinean Film Critics Association Awards Best DirectorWon
Best ScreenplayNominated
Butaca Awards Best Art House FilmNominated
Fribourg International Film Festival Award of the Pestalozzi FoundationWon
Goya Awards Best DirectorNominated
Oslo Films from the South Festival Audience AwardWon
Valdivia International Film Festival Audience AwardWon
2002 Huelva Latin American Film Festival Prize of the City of HuelvaWon
Havana Film Festival Vigia AwardCommon GroundWon
OCIC AwardWon
Glauber Rocha AwardWon
San Sebastián International Film Festival Golden SeashellNominated
Best ScreenplayWon
2003 Argentinean Film Critics Association Awards Best DirectorNominated
Best ScreenplayNominated
Cinema Writers Circle Awards Best ScreenplayNominated
Fribourg International Film Festival Grand Prix AwardNominated
Audience AwardWon
Goya Awards Best ScreenplayWon
Gramado Film Festival Best FilmNominated
2004 Cartagena Film Festival Best FilmNominated
Havana Film Festival Best ScreenplayRomaWon
Audience AwardWon
San Sebastián International Film Festival Golden SeashellNominated
2005 Argentinean Film Critics Association Awards Best DirectorWon
Best ScreenplayNominated
Goya Awards Best DirectorNominated
Best ScreenplayNominated
Toulouse Cinespaña Best ScreenplayWon
Violette d"orWon

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References

  1. Koehler, Robert (2006-12-14). "Filmmakers examine maternal heroines". Variety. Retrieved 2010-01-31.
  2. Raznovich, Diana (2002). Defiant Acts. Bucknell University Press. p. 38. ISBN   9780838754795.
  3. "The Stranger (1987)". imdb.com. Retrieved 13 January 2015.
  4. LaSalle, Mick (1995-07-21). "FILM REVIEW -- A Lovely 'Place' in a Boy's Heart". San Francisco Chronicle. Retrieved 2010-01-31.