Adoration of the Magi | |
---|---|
Artist | Benvenuto Tisi da Garofalo |
Year | circa 1530s |
Medium | Oil on panel |
Dimensions | 79 cm× 58 cm(31 in× 23 in) |
Location | Rijksmuseum, Amsterdam |
Adoration of the Magi is a 1530s oil on panel painting by the Italian renaissance artist Benvenuto Tisi in the collection of the Rijksmuseum. [1]
Mary sits with her child in front of ruined columns receiving gifts in a fantasy landscape. [1] On the right a man points to the Star of Bethlehem.
This painting has been considered a highlight of the collection since it was acquired in 1823 by William I of the Netherlands from the estate of Edmund Bourke in Paris and given to the Trippenhuis museum. It has been included in all Highlights of the Rijksmuseum catalogs since. [1]
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
Gerbrand van den Eeckhout was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.
The Threatened Swan is an oil painting of a mute swan made around 1650 by Dutch Golden Age painter Jan Asselijn. The work is in the collection of the Rijksmuseum in Amsterdam in the Netherlands.
120 Paintings from the Rijksmuseum is a selection of paintings that were included in a booklet of illustrations in the Rijksmuseum Amsterdam giftshop for visitors during the years 1950–1990. It was meant as an illustrated companion guide to the catalog of the paintings on show, which included information about the +/-1,200 paintings on show. The painting River Landscape with Ferry by Salomon van Ruysdael was part of the collection of Jacques Goudstikker and was restituted to his heir in 2006. It is now in the collection of the National Gallery of Art. Various other paintings were on long-term loan from the Amsterdam Museum and have been returned, but the majority are all still in the collection of the Rijksmuseum today. Some of the paintings have been reattributed to other artists since 1956. No works by women artists were included in the selection.
The pendant portraits of Maerten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Maerten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
Portrait of Catharina Hooghsaet (1607–1685) is a 1657 painting by the Dutch Golden Age painter Rembrandt.
River Landscape with Ferry (1649) is an oil on canvas painting by the Dutch landscape painter Salomon van Ruysdael. It is an example of Dutch Golden Age painting and is now in the collection of the National Gallery of Art in Washington D.C.. This painting was owned by Jacques Goudstikker and was restituted to his heirs in 2006.
Winter Landscape with Skaters is a c.1608 oil-on-oak painting by the Dutch artist Hendrick Avercamp in the collection of the Rijksmuseum in Amsterdam.
The Art Gallery of Jan Gildemeester Jansz is a painting created by the Dutch painter Adriaan de Lelie in 1794–95. It is part of the collection of the Rijksmuseum Amsterdam, executed in oil paint on panel. It depicts the art collector Jan Gildemeester Jansz in the midst of his large collection of paintings, showing them to friends.
Still Life Paintings from the Netherlands 1550–1720, is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam and Cleveland Museum of Art. The catalog included detailed discussions of 80 paintings from various collection holders, that together give an overview of the best genres in Dutch still-life paintings, namely kitchen piece (keukenstuk), fruit still-life, (fruitstuk), floral still-life (blommetje), breakfast piece (ontbijtje), vanitas, hunting piece (jaagstuk), and show piece (pronkstilleven). The catalog was organized by type, but also loosely by time period, starting with the earliest works.
The Holy Kinship is a circa 1495 oil on panel painting of Holy Kinship by the workshop of the renaissance artist Geertgen tot Sint Jans in the collection of the Rijksmuseum.
Fishing for Souls is a 1614 oil on panel painting by the Dutch Golden Age artist Adriaen van de Venne in the collection of the Rijksmuseum.
Maria Magdalene is a circa 1530 oil on panel painting by the Dutch renaissance artist Jan van Scorel in the collection of the Rijksmuseum.
Madonna and Child Kissing is a 1520s oil on panel painting by the Flemish renaissance artist Quentin Matsys in the collection of the Rijksmuseum, Amsterdam, on loan to the Mauritshuis.
Banquet of the Amsterdam Civic Guard in Celebration of the Peace of Münster (1648) is a group portrait oil painting by the Dutch painter Bartholomeus van der Helst. It is an example of Dutch Golden Age painting and is considered one of the highlights of the Amsterdam Museum, though it is generally on show in the Rijksmuseum.
Portrait of Don Ramón Satué is an 1823 oil on panel painting by the Spanish artist Francisco de Goya in the collection of the Rijksmuseum, in Amsterdam. It is the only publicly held Goya in the Netherlands.
The Corpses of the De Witt Brothers is a c. 1672–75 oil on canvas painting by the Dutch Golden Age painter Jan de Baen, now in the Rijksmuseum in Amsterdam. It shows the dead and mutilated bodies of the brothers Johan and Cornelis de Witt hanging upside down on the Groene Zoodje, the place of execution in front of the Gevangenpoort in The Hague.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."