Adriana Pincherle (Rome, 1905 - Florence, 1996) was an Italian painter.
Contents
Adriana Pincherle (Rome, 1905 - Florence, 1996) was an Italian painter.
Adriana Pincherle, the older sister of writer Alberto Moravia, came from an upper-middle-class family. Her father, Carlo Pincherle, was Jewish and her mother, Isa De Marsanich, was Catholic. [1] From an early age, Pincherle took special interest in her father’s watercolors, and it was probably then that a sensitivity to art and color was born in her. [1] After finishing her classical studies, she began to attend Alfredo Petrucci’s atelier ‘for young ladies’ and she enrolled in the Scuola Libera del Nudo at the Accademia di Belle Arti di Roma. [1] During her studies, she met Mimmo Spadini and Scipione, thanks to whom she was able to make inroads into the Roman artistic environment. [2]
Pincherle made her artistic debut in 1931 in the group show “Prima mostra romana d'arte femminile” at the Galleria di Roma, where Roberto Longhi noticed her. [1] [2] In 1932, at the same gallery, she exhibited one of her works alongside that of Corrado Cagli. Noted by Longhi, [1] the work made her his favorite of the two artists. [3] Her personal and intellectual growth was due to her exchange of study between the Scuola Romana and the school of painters of the Via Cavour group, but her maturation in the field of painterly research and in her style began with her stay in Paris in 1933. [1] During World War II, she began to experiment with the technique of tempera painting. [4] She was particularly influenced by the Impressionist movement and the styles of the Fauves, Renoir, and Matisse. [2]
Newly returned to Florence in 1933, Pincherle made her first appearance in the Sala d’arte delle Nazioni and in the Galerie de la Jeune Europe in Paris. She made the acquaintance of the founders of the group “I sei di Torino”, stimulating the beginning of her re-elaboration of her French work. [1] Between 1934 and 1936, the artist dedicated herself to exhibiting her work, including at the 1934 Exhibition of Contemporary Italian Art in the USA, in 1935 at the second Rome Quadriennale, and in 1936 at the gallery "La Cometa". [2]
In the following years, she exhibited at different shows in Rome, Florence, Milan, and Venice. Roberto Longhi presented her work at the Galleria del Vantaggio in Rome in 1955, demonstrating her artistic growth over the course of her career. [1] Often, the painter did not sign her masterpieces until the moment of their sale or exhibition. [4]
Notwithstanding the death of her husband in 1966, Pincherle continued to paint until the final days of her life, [1] though she suffered memory loss. [4] She died following a heart attack on January 8, 1996. [3]
She met the painter Onofrio Martinelli in Genoa and married him in 1934. [1] Pincherle and Martinelli moved into her home in Florence in 1934. [1] With the arrival of World War II and racial discrimination, Pincherle was forced to hide in small towns including Bibbiena, Vallombrosa and Taranto due to her Jewish heritage. [1] After the end of the war, the couple began a series of annual trips to Paris in continual search of contemporary French artworks. [1]
Adriana Pincherle showed a preference for portraiture. [1] She admitted also that she enjoyed painting in tempera more than in oil. [3] Furthermore, she preferred to mix different painting techniques. [4] In her style, characterized by vibrant colors, you can recognize her homages to the works of Scipione, the darting brushstrokes typical of Carlo Levi, and other techniques practiced by painters that influenced her in 1933, among them Soutine, Pascin, Chagall, and Derain. [3] Another source of inspiration for the painter was her father and his style of watercolor, which was in turn inspired by Monet. “Passavo delle ore a guardarlo dipingere, mi affascinava” ("I spent hours watching him paint, it fascinated me").
Duccio di Buoninsegna was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
Mario Sironi was an Italian modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms.
Gino Bonichi, known as Scipione, was an Italian painter and writer.
Giovanni Stradone or Giovanni Stradóne was an Italian painter. He was a figurative painter who worked in a personal expressionist style. His work was part of the painting event in the art competition at the 1948 Summer Olympics, where he won a silver medal. He is not to be confused with Giovanni Stradano or Jan Van der Straet (1523–1605), a Flanders-born artist active mainly in 16th-century Florence.
Roberto Longhi was an Italian academic, art historian and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca.
Scuola romana or Scuola di via Cavour was a 20th-century art movement defined by a group of painters within Expressionism and active in Rome between 1928 and 1945, and with a second phase in the mid-1950s.
Antonietta Raphaël was an Italian sculptor and painter of Jewish heritage and Lithuanian birth, who founded the Scuola Romana movement together with her husband Mario Mafai. She was an artist characterised by a profound anti-academic conviction, also affirmed by her sculptures which, especially after World War II, dominated her output. They highlighted the tender and vibrant carnality present in stone, with works such as Miriam dormiente and Nemesis.
Giovanni Omiccioli, was an Italian painter belonging to the modern movement of the Scuola romana , with a dynamic paintwork representing soccer games and sports scenes.
Renato Marino Mazzacurati was an Italian painter and sculptor belonging to the modern movement of the Scuola romana , of eclectic styles and able within his career span to represent the artistic currents of Cubism, Expressionism, and Realism. He believed that art could sustain social functions.
Guglielmo Janni, was an Italian painter belonging to the modern movement of the Scuola romana .
Emanuele Cavalli (1904–1981) was an Italian painter belonging to the modern movement of the Scuola Romana. He was also a renowned photographer, who experimented with new techniques since the 1930s.
Fausto Calogero Pirandello was an Italian painter belonging to the modern movement of the Scuola romana . He was the son of Nobel laureate Luigi Pirandello.
Armando Spadini was an Italian painter and one of the representatives of the so-called Scuola Romana.
Roberto Melli (1885–1958) was an Italian painter and sculptor to the Scuola Romana, and active in Ferrara and Rome.
Tommaso Minardi was an Italian painter and author on art theory, active in Faenza, Rome, Perugia, and other towns. He painted in styles that transitioned from Neoclassicism to Romanticism.
Antonino or Antonio Leto was an Italian painter, painting mainly genre/landscape subjects in an impressionistic style.
Luigi Serra was an Italian painter, known for his watercolors.
Giovanni di Francesco del Cervelliera or Giovanni di Francesco was an Italian painter, active in Florence in the mid-fifteenth century.
Pasquale Verrusio was an Italian painter, sculptor and engraver.
| General | |
|---|---|
| National libraries | |
| Other | |
