African American comedy has had a substantial role in American culture from minstrel shows, vaudeville, blackface, [1] and coon songs to some of the world's most popular comedians, shows and filmmakers.
Darryl Littleton [2] [3] [4] and Mel Watkins have written about the subject. [5] [6] Paul Beatty edited Hokum: An Anthology of African-American Humor (2006). [7] So Why We Laugh; Black Comedians in Black Comedy is a documentary film. [8] Dexter G. Gordon wrote about humor in African American discourse. [9]
Bob Cole worked on theatrical shows. George Walker was a performer. Ernest Hogan was a performer in shows. Ebony Film Corporation's short comedies drew controversy. Peter P. Jones' film company in Chicago filmed various subjects including vaudeville acts. Will Marion Cook, J. Rosamond Johnson, and James Weldon Johnson were also involved in musical theater. [10]
Stand-up comedy is a comedic performance to a live audience in which the performer addresses the audience directly from the stage. The performer is known as a comedian, comic, or stand-up. It is usually a rhetorical performance but many comics employ crowd interaction as part of their set or routine.
Lincoln Theodore Monroe Andrew Perry, better known by the stage name Stepin Fetchit, was an American vaudevillian, comedian, and film actor of Jamaican and Bahamian descent, considered to be the first black actor to have a successful film career. His highest profile was during the 1930s in films and on stage, when his persona of Stepin Fetchit was billed as the "Laziest Man in the World".
Richard Franklin Lennox Thomas Pryor Sr. was an American stand-up comedian and actor. He reached a broad audience with his trenchant observations and storytelling style, and is widely regarded as one of the greatest and most important stand-up comedians of all time. Pryor won a Primetime Emmy Award and five Grammy Awards. He received the first Kennedy Center Mark Twain Prize for American Humor in 1998. He won the Writers Guild of America Award in 1974. He was listed at number one on Comedy Central's list of all-time greatest stand-up comedians. In 2017, Rolling Stone ranked him first on its list of the 50 best stand-up comics of all time.
Dewey "Pigmeat" Markham was an African American entertainer. Though best known as a comedian, Markham was also a singer, dancer, and actor. His nickname came from a stage routine, in which he declared himself to be "Sweet Poppa Pigmeat". He was sometimes credited in films as Pigmeat "Alamo" Markham, and he also is known for what is considered some of the earliest Hip Hop with his song "Here Comes The Judge".
LaWanda Page was an American actress, comedian, and dancer whose career spanned six decades. Crowned "The Queen of Comedy" or "The Black Queen of Comedy", Page melded blue humor, signifyin', and observational comedy to jokes about sexuality, race relations, African-American culture, and religion. She released five solo albums, including the 1977 gold-selling Watch It, Sucker!. She also collaborated on two albums with comedy group Skillet, Leroy & Co. As an actress, Page is best known for portraying the Bible-toting and sharp-tongued "Aunt" Esther Anderson in the popular television sitcom Sanford and Son, which originally aired from 1972 until 1977. Page later reprised this role in the short-lived television shows Sanford Arms (1976–1977) and Sanford (1980–1981). She also co-starred in the 1979 short-lived series Detective School. Throughout her career, Page advocated for fair pay and equal opportunities for Black performers.
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though there were exceptions, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
Laff Records was a small American independent record label specializing in mainly African-American comedy and party records founded in 1967 in Los Angeles.
Billy Kersands was an African-American comedian and dancer. He was the most popular black comedian of his day, best known for his work in blackface minstrelsy. In addition to his skillful acrobatics, dancing, singing, and instrument playing, Kersands was renowned for his comic routines involving his large mouth, which he could contort comically or fill with objects such as billiard balls or saucers. His stage persona was that of the dim-witted black man of the type that had been popularized in white minstrel shows. Modern commentators such as Mel Watkins cite him as one of the earliest black entertainers to have faced the dilemma of striking a balance between social satire and the reinforcement of negative stereotypes.
Butterbeans and Susie were an American comedy duo comprising Jodie Edwards and Susie Edwards. They married in 1917, and performed together until the early 1960s. Their act, a combination of marital quarrels, comic dances, and racy singing, proved popular on the Theatre Owners Booking Association (TOBA) tour. They later moved to vaudeville and appeared for a time with the blackface minstrel troupe the Rabbit's Foot Company.
American humor refers collectively to the conventions and common threads that tie together humor in the United States. It is often defined in comparison to the humor of another country – for example, how it is different from British humor and Canadian humor. It is, however, difficult to say what makes a particular type or subject of humor particularly American. Humor usually concerns aspects of American culture, and depends on the historical and current development of the country's culture. The extent to which an individual will personally find something humorous obviously depends on a host of absolute and relative variables, including, but not limited to geographical location, culture, maturity, level of education, and context. People of different countries will therefore find different situations funny. Just as American culture has many aspects which differ from other nations, these cultural differences may be a barrier to how humor translates to other countries.
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed a huge commercial success in 1920s and 1930s, and is used from time to time in modern American blues and blues rock.
William Best, known professionally as Willie Best or Sleep n' Eat, was an American television and film actor.
Eddie Leonard, born Lemuel Gordon Toney, was a vaudevillian and a man considered the greatest American minstrel of his day, at a time when minstrel shows were an acceptable and popular mainstream entertainment in the United States. He was called "last of the great minstrels" in his 1941 obituary in Time. He performed in vaudeville for 45 years before that medium faded in the 1920s, and was known for such songs as "Ida, Sweet As Apple Cider" and "Roly Boly Eyes". He published his memoir titled What a Life I'm Telling You in 1934.
A comedy album is an audio recording of comedic material from a comedian or group of comedians, usually performed either live or in a studio. Comedy albums may feature skits, humorous songs, and/or live recording of stand-up comedy performances, but the most common type of comedy albums are stand up, and are often made in conjunction with a DVD with recorded video of a particular comedy show.
Mel Watkins is an American critic and author. A former staff member at The New York Times, he has written extensively about comedy and African-American literature and has often appeared as a commentator in television documentaries about entertainment history and performers such as Chris Rock and Richard Pryor.
The Gaiety Theatre was a Broadway theatre at 1547 Broadway in Times Square, Manhattan, New York City from 1909 until 1982, when it was torn down.
Richard Pryor: Live on the Sunset Strip is a 1982 American stand-up comedy film directed by Joe Layton. The film stars and produced by Richard Pryor, who also wrote the film with Paul Mooney. The film is released alongside Pryor's album of the same name in 1982, and was the most financially lucrative of the comedian's concert films. The material includes Pryor's frank discussion of his drug addiction and of the night that he caught on fire while freebasing cocaine in 1980.
The roots of modern stand-up comedy began in 1840s minstrel shows that perpetuated racist stereotypes in the United States. American vaudeville emerged around the same time and along with the later developed Chitlin' Circuit, produced the founders of this form of entertainment. Early stand-up comedians spoke directly to the audience as themselves without props or costumes, which distinguished these acts from vaudeville performances. These comics stood in front of the curtain during their shows, like early 20th century "front cloth" stand-up comics in Britain and Ireland whose numbers allowed the stage behind them to be re-set for another act.
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